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Mark Leckey

Selected Bibliography
Armstrong, Annie, “Akeem Smith’s Piece at the Independent Art Fair Illustrates How Dancehall is Jamaica’s Social Media,” GARAGE Magazine, March
Özden, Hatice Utkan, “Old masters of art blend with contemporary artists,” Hurriyet Daily News, February
NTS Radio, February
Taylor, Kenn, “The Reliquary of the (Late) 20th century: Mark Leckey’s O’ Magic Power of Bleakness,” The Double Negative, February
Hahn, Rachel, “Klein’s New Video Pays Homage to the South London Party Style of Her Mid-2000s Youth Klein’s New Video Pays,” Vogueworld, January
Pes, Javier, “See the creative ways artists are urging Britons to vote against Boris Johnson in the UK’s general election,” Artnet, December
“Critical List, November 24,” The Times, November
Dunne, Aiden, “Art in Focus: Maria Loboda – Hearing Otherworldly Music,” The Irish Times, November
Olah, Nathalie, “Mark Leckey is extremely online,” i-D, November
Kamps, Toby, “Mark Leckey: O’ Magic Power of Bleakness,” The Brooklyn Rail, November
Luke, Ben and Kabir Jhala, “Three exhibitions to see in London this weekend,” The Art Newspaper, November
Rugoff, Lazlo, “Experimental duo Lung Dart announce new album, Slouching Towards Meridian,” The Vinyl Factory, October
Khan, Tabish, “18 Exhibition That’ll Blow You Away This Winter,” Londonist, October
“Critical List, October 13,” The Sunday Times, October
Chiaverina, John, “Rembrandt’s Legendary ‘Night Watch’ Is Being Studied in Front of a Live Audience. What Will Scholars Discover?,” ARTnews, October
Luke, Ben, “Mark Leckey on using Victorian techniques to evoke magical memories,” The Art Newspaper, October
“Galerie Buchholz,” OCULA, October
Gorton, Thomas, “Mark Leckey goes under the bridge with teenage dreams in new exhibition,” Dazed, October
Jefferies, Stuart, “A cast of Antony Gormley? Or a pair of giant conkers? Gormley’s RA show reviewed,” The Spectator, October
“Exhibitions to See This Month Instead of (Or As Well As!) Frieze Art Fair,” Mutual Art, October
Fox, Dan, “Mark Leckey at Tate Britain Review: O’ Magic Power of Bleakness,” Frieze, October
Westall-Hayes, Hannah, “SEE THIS WEEK: Mark Leckey’s Full Size Motorway Bridge Inside Tate Britain,” FAD Magazine, October
Januszczak, Waldemar, “Art review: Tim Walker, V&A; Mark Leckey, Tate Britain,” The Times, September
Meah, Hannah, “Mark Leckey to Exhibit Club Culture Film ‘FIORUCCI MADE ME HARDCORE’ At Tate Britain,” MixMag, September
“Seven must-see shows during Frieze week,” The Art Newspaper, September
Judah, Hettie, “Mark Leckey at Tate Britain: a motorway flyover that doesn’t go anywhere,”iNews, September
White, James, “Mark leckey: O’ Magic Power of Bleakness at Tate Britain,” The Up Coming, September
“Mark Leckey @ Tate Britain,” The White Pube, September
Charlesworth, “Under the bridge with Mark Leckey,” ArtReview, September
Campbell-Johnston, Rachel, “Mark Leckey review — a cavernous collage of metaphor and memory,” The Times, September
Jones, Jonathan, “A rebel sharpens her pencil and Hirst spreads his wings – the week in art,” The Guardian, September
Brown, Mark, “Concrete art: Mark Leckey's M53 motorway bridge at Tate Britain,” The Guardian, September
“Afterall,” E-Flux, September
Christie, Caroline, “Mark Leckey on ‘Fiorucci,’ folklore, and finding language for working-class stories,” Document, September
Bronstein, Pablo, “Pablo Bronstein on How Catherine Wood Changed the Way We See Performance Art,” Frieze, September
Thompson, Jessie, “Frieze Art Fair 2019: A complete guide to the highlights of London's biggest art week,” Evening Standard, September
“Turner Prize winner Mark Leckey holding new exhibition at Tate Britain this fall,” Yahoo News, September
Judah, Hettie, “The Must See Shows in London this Fall,” Garage VICE, September
Leigh, Danny, “Mark Leckey: from art world outsider to Tate Britain,” Financial Times, September
Searle, Adrian, “The road to everywhere – Mark Leckey: O' Magic Power of Bleakness review,” The Guardian, September
Collinge, Miranda, “Mark Leckey: The Changeling,” Esquire, September
Wightman-Stone, Danielle, “North: Fashioning Identity to open in Barnsley,” Fashion United, September
Luke, Ben, “It's back to school for the art world—here's why you shouldn't just rush to the blockbusters,” The Art Newspaper, September
Sawyer, Miranda, "Mark Leckey: 'There has to be a belief that art has this power, this charisma'," The Guardian, September
Jones, Lauren, “Birkenhead artist Mark Leckey to create life-size replica of M53 bridge for tate Britain exhibition,” Wirral Globe, September
Paskett, Zoe, “Autumn exhibitions in London 2019: Best shows at capital's museums and galleries in September, October and beyond,” Evening Standard, September
Davis, Laura, “Life-size replica of Wirral motorway bridge being built in Tate Britain,” Echo, September
Neville, Carl, “Brian Welsh’s ‘Beats’ Locates the End of Rave in a ‘New Britain’,” The Wire, August
Neville, Carl, “Tony Blair Made Me Hardcore,” Jacobin Magazine, August
Milner, Daphne, "Ewen Spencer's New Book Documents the Raves of 90s Northern England," AnOther, June
Keeling, Ryan, “An ambitious and at times impressive LP from Seth Troxler and Phil Moffa,” Resident Advisor, June
Conklin, Emily, “Turner Prize-winner Mark Leckey to build an interstate in the Tate,” The Architect’s Newspaper, June
Powell, Sukayna, “Neo-Neolithic Art: The Rise of the Modern Megalith,” Elephant, June
“Mark Leckey: O’ Magic Power of Bleakness,” Web Wire, June
White, Ryan, “walter Pfeiffer, Saskia de brauw and more collaborate on charity t-shirt range,” i-D Magazine, June
Standen, Alex, "New Book Hardcore Soul is a Tribute to British Rave Culture," Dazed, June
"Festival Film Favourites with Linnea Petterson," Sheffield Telegraph, May
"New Contemporaries," e-flux, May
Kay, Juule, "'Hardcore Soul' Captures the Timelessness of Raving," i-d, April
"Afterall," e-flux, April
Kent-Smith, Jasmine, “Gabber Eleganza is Launching a New Label Called Never Sleep,” Mixmag, April
Eede, Christian, "Gabber Eleganza Launches Label With Mixtape & Book," The Quietus, April
Wilson, Scott, "Gabber Eleganza Launches Never Sleep label with Hardcore Soul book and mixtape," FACT Magazine, April
Thorp, Eric, "The Art of Rave: why contemporary art loves rave," FAD Magazine, April
Stanley, Jack, "Ewen Spencer & Gabber Eleganza Join forces for 'Hardcore Soul' Book," Hypebeast, April
Westall, Mark, “Anne Imhof to create a new large-scale commission for the BMW Tate Live,” Fad Magazine, March
"Check Out Former TEB Editor Max Dax's Art Exhibition at Deichtorhallen Hamburg," Electronic Beats, February
"M Wells Dinette Eatery at MoMA Ps.1 Set to Close Down," Artiholics, February
Armstrong, Annie, "M. Wells Dinette, Popular Eatery at MoMA PS1, to Close," Art News, February
Lucie-Smith, Edward, “Looking Forward to Art in 2019,” Artlyst, January
“YorkMix in Art, Entertainment, Music, “Revealed: Kaiser Chiefs’ ‘set list’ for their remarkable York exhibition,” YorkMix, December
Mark Leckey Signs to Warp for New Single, ‘Exorcism Of The Bridge@Eastham Rake’,” Resident Advisor, November
Bruce-Jones, Henry, “Mark Leckey Surprise-Releases Limited 10” On Warp Featuring Evian Christ Remix,” FACT, November
Greenberg, Alex, "Mark Leckey’s Cult Classic Video ‘Fiorucci Made Me Hardcore’ Removed from YouTube Following Copyright Claim," ArtNews, July
Greenberg, Alex, "Mark Leckey’s ‘Fiorucci Made Me Hardcore’ Is Back on YouTube," ArtNews, July
D’Alessio, Annalisa, “Tate Announces Major Museum Exhibitions in 2019,” Arts and Collections, July
Buck, Louisa, “Review: Glasgow International permeates city with its distinctively dystopian tentacles,” The Art Newspaper, April
Long, Louise, “8 Must-See Exhibits At Glasgow International,” Vogue UK, April
“Art Industry News: Mexican Judge Blocks Sale of Frida Kahlo’s Non-Unibrowed Barbie Doll + More Must-Read Stories,” artnet news, April
Cumming, Laura, “Glasgow International 2018 review – a uniquely collaborative scene,” The Guardian, April
“Bringing the art buzz back to Glasgow,” The National, April
Learmonth, Andrew, “Launch of Glasgow International art festival boosted by public fund,” The National, April
Searle, Adrian, “Interstellar sexual adventures and underground erotica – Glasgow International review,” The Guardian, April
Judah, Hettie, “Glasgow International 2018, review: the star of the show is the city’s own creative drive”, inews, April
Mansfield, Susan, “Art preview: Five things to see at Glasgow International,” The Scotsman, April
“Tramway Announces April To August 2018 Season,” Broadway World Scotland, March
Buck, Louisa, “Joan Jonas checks out digital double whammy of Ian Cheng and Sondra Perry shows,” The Art Newspaper, March
“Glasgow International Festival of Visual Art,” e-flux, February
Lindsay, Bruce, “Preview: Jason Moran at Tate Modern,” Jazz Journal, February
Leckey, Mark, "Contemporary British AV artist, collagist, and NTS host Mark Leckey takes to the airwaves to play oddities from his collection. Everything from doo-wop to gabber," NTS, February
"The Institute of Contemporary Art, Boston," E-Flux, January
"'Again and Again' at Haus Der Kunst, Munich," Blouin Artinfo, January
NTS, "Mark Leckey 14th November 2017," NTS Radio - Mixcloud, November
“’North: Fashioning Indentity’ at Somerest House, London,” BLOUINARTINFO, November
Holgate, Mark, "A New Exhibition Reveals Why the North of England Is the Coolest Place in the World," Vogue, November
Moffitt, Evan, “A Portrait of the Curator as a Young Grebo Rocker,” Vice, September
Dehany, AJ, "Now, Today, Tomorrow and Always (Towner Art Gallery) Fad Magazine, July
Epps, Philomena, “Artist Mark Leckey’s new show is an exorcism,” Dazed, July
Buck, Louisa, “Mark Leckey offers a cathartic shout-out at Cubitt gallery,” The Art Newspaper, July
Petty, Felix, “’I’m trying to rid myself of the past,’ – Turner prize-winning artist Mark Leckey discusses his new exhibition,” I-D, July
Thorp, Eric, “Mark Leckey – Affect Bridge Age Regression,” FAD, July
Høm, Janus, “The Difficulties of Exorcism,” Kunstkritikk, May
Korman, Sam, “Where the Party Is: Mark Leckey’s Vernacular, Autobiographical Tour Through Pop,” Momus, February
Chamberlain, Colby, “Mark Leckey, MoMA PS1, New York,” Artforum, February
Krasinski, Jennifer, “Mark Leckey’s Retrospective Showcases the Seductive Creep of Nostalgia,” The Village Voice, December
Carrigan, Margaret, “To Dream the Impossible Dream: Mark Leckey at MoMA PS1,” Blouin Artinfo, November
Laster, Paul, “British Artist Mark Leckey examines technology’s cultural disruption,” Time Out New York, November
Dziemianowicz, Joe, “Felix the Cat is having a NY meow-ment,” The Daily News, November
Farago, Jason, “Mark Leckey Captures the Exuberance of Pre-‘Brexit’ Britain,” The New York Times, November
Graves, Cassidy Dawn, “Art This Week: Selfie voyeuring, Searching For Terry, Reduced ‘Capitalism’,” Bedford Bowery, October
Brown, Mark, “Richard Branson’s big head and naked sax player star in art show,” The Guardian, October
Sayej, Nadja, “Mark Leckey: the raving artist goes large at MoMA PS1 in New York,” The Guardian, October
O’Brien, Nicholas, “At MoMA PS1, Turner Prize-Winning Artist Mark Leckey Searches for the Lost Rites of Underground Culture,” Artsy, October
Pogrebin, Robin, “Mark Leckey, No Longer Art’s Wunderkind, Is Now Its Wizard,” The New York Times, October
Smith, Roberta, "Big, Bigger and Biggest in Museum Shows," The New York Times, October
Griffin, Jonathan, “A Thing for Things,” Frieze, October
Pini, Gary, “ The 5 Must-See Art Shows Opening this Fall (And 9 More to Catch Now),” Paper, September
Langshaw, Mark, “Interview: Mark Leckey on his new show at the Walker Art Gallery,” Your Move, September
Jones, Catherine, “See a giant inflatable Felix the Cat at the Walker Art Gallery,” Echo, September
“The cat’s meow: A Felix-focused exhibition by Mark Leckey,”, September
Smith, Roberta, “Museums Embrace the Unfamiliar,” The New York Times, September
Neild, Larry, “Gigantic Felix bounces into Walker,” Liverpool Confidential, September
Manucci, Valerio, "Mark Leckey's 'UniAddDumThs," art agenda, July
Long, Chris, "Biennial artist Mark Leckey creates 'false memoire'," BBC News, July
Thorne, Sam, "Artists Only," Frieze, Summer
Searle, Adrian, “Liverpool Biennial review - litterbugs, light shows and left luggage,” The Guardian, July
“Mark Leckey ‘UniAddDumThs’ at Sant’Andrea de Scaphis, Rome,” Mousse, July
“Mark Leckey at Gavin Brown’s enterprise, Rome,” Art News, June
Overton, Tom, “Broadcasting Felix,” LRB blog, June
Forrest, Nicholas, "Mark Leckey Channels Felix the cat at Grundy Art Gallery," Blouin Artinfo, May
"Mark Leckey - This Kolossal Kat, That Massive MOG," Art Agenda, May
"Turner star brings Felix inspired show to Grundy," The Gazette, May
Greenberger, Alex, "'I want to be fridge-like': Mark Leckey gives a freewheeling talk about his work at Frieze," Art News, May
Russeth, Andrew, "Manifesta 11 Artist List Includes Stark, Cattelan, Syms, Houellebecq, More," Artnews, April
Stahl, Antje, “Images,” Art Agenda, April
"How Biennial 2016 is looking to Liverpool's roots," Liverpool Confidential, April
“Mark Leckey ‘Dream English Kid 1964 – 1999 AD’ at Galerie Buchholz, Berlin,” Mousse, March
Larious, Pablo, "Images," frieze d/e, Spring
Noble, Kathy, “London Reviews,” Artforum, January
Gander, Ryan, "Mark Leckey," Mousse
Filipovic, Elena, “The artist As Curator – Mark Leckey, UniAddDumThs, 2014-2015”, Mousse 49, Issue #8
Hsu, Hua, “One Last Rave, Jamie xx’s homage to club culture”, The New Yorker, May 11
Higgins, Charlotte, “How Mark Leckey beame the artist of the youtube generation,” The Guardian, March Winklbauer, Andrea, “Mark Lekey, The Ecstatic Moment of Change,” Eikon #25, November
Fox, Dan, “Aspiring to the condition of cheap music,” Kunsthalle Basil
Charlesworth, J.J., “Mark Leckey,” Art Review, Summer
Griffin, Jonathan, “A Thing for Things,” Frieze, January
Grolund, Melissa, “Return of the Gothic: Digital Anxiety in the Domestic Sphere,” e-flux journal, January
Austen, Kat, "Exhibition blurs boundary between you and your objects," New Scientist, June
Bell, Kirsty, “Mark Leckey. Fitzrovia, London, England”, The Artist’s House. From Workplace to Artwork, Sternberg Press
Cornell, Lauren, “Techno-Animism”, Mousse, February-March,
Davis, Laura, "ART INTERVIEW...," Liverpool Daily Post, February
“DLWP show has reached beyond all expectation,” Bexhill-on-Sea Observer, September
French, Anneka, "The Universal Addressability of Dumb Things..," This is Tomorrow, May
Elderkin, Rachel, "The Universal Addressability of Dumb Things," Leftlion, May
Filipovic, Elena, “When Exhibitions Become Form: On the History of the Artist as Curator”, Mousse, December
Harris, Mark, “The Universal Addressability of Dumb Things,” Art Monthly, October
Higgins, Charlotte, "Fourth plinth hopefuls square up for next commission," The Guardian, September
Jones, Catherine, "Artis Mark Leckey curates...," Liverpool Echo, February
Leslie, Esther, “Mark Leckey’s Anima Mundi,” Afterall, Summer
Lewis, Mark, “Mark Leckey: Formal Love,” Afterall, Summer
"Mark Leckey at the Bluecoat," Seven Streets, February
“Mark Leckey Curates The Universal Addressability of Dumb Things," Artlyst, January
Moss, Ceci, "Mark Leckey: Hammer Museum," Artforum, October
Pinnington, Mike, "Mark Leckey at the Bluecoat: The Universal Addressability of Dumb Things" CreativeTourist, March
Scrimgeour, Alexander, “Mark Leckey,” Artforum, Summer
Sheerin, Mark, "Artist's Statement: Mark Leckey..," Culture 24, May
Sutton, Benjamin, "Giant Felix the Cat Head Looms Large," Blouin Artinfo, July
The Universal Addressability of Dumb Things, Hayward Publishing, texts by Alixe Bovey, Eric Davis, Mark Leckey, and Roger Malbert
"Turner Prize winner Mark Lecky's dumb things," Phaidon, April
Walsh, Maria, “I Object,” Art Monthly, November
Wright, Karen, "In The Studio: Mark Leckey, artist," The Independent, May
Bourriand, Nicolas, “Hétérochronie,” L’Officiel Art, April-May-June
Engelbach, Barbara, “Materialität der Medien. Mark Leckey über Kino, Fernsehen und Kunst,” Kinematographis che Räume
Gasparina, Jill, "Mark Leckey – Music floats around the aether of the World Wide Web, waiting to be downloaded," Volume, March-September
Harbison, Isobel, "Stock Piles," Frieze, March
Huston, Carol, “Mark Leckey’s ‘Work and Leisure’ – Contemporary Art Show,” FLUX Magazine, February 28
Rittenbach, Kari, “Chrome & Flesh: An Interview with Mark Leckey,“ Rhizome, December 17
Akbar, Arifa, “Turner prize artist Mark Leckey likens Henry Moore sculpture to Samsung refrigerator,” The Independent, May 18
Bankowsky, Jack, "Best of 2011," Artforum, December
Beasley, Mark. "Mark Leckey at Gavin Brown’s enterprise," frieze, January-February
Casavecchia, Barbara, “Lost in the Supermarket,” Kaleidoscope, Issue 11, Summer
Cruz, Lenika, "British Artist Mark Leckey to speak as part of UCLA Department of Art’s guest lecture series at the Hammer," The Daily Bruin, October 5
Curtin, Brian, “Still Life,” Art Forum, July 20
Davies, Lucia, “Mark Leckey, SEE, WE ASSEMBLE. Conversation with leading cultural figures,” AnOther, May 20
Fisher, Mark, "Art Stigmergy," Kaleidoscope, Issue 11, Summer
Gilligan, Melanie, "Mark Leckey: Serpentine Gallery," Artforum, November
Grolund, Melissa, “Still Life,” MAP, Summer
Harbison, Isobel, "The Browser Is a Portal," Kaleidoscope, Issue 11, Summer
Herbert, Martin, “Still Life,” Art Monthly, July-August
Kuo, Michelle. “Mark Leckey,” Artforum, February
Kwan, Denise, "See, We Assemble - Mark Leckey at the Serpentine Gallery: Review," Breese Little, October 1
Leckey, Mark, “Mark Leckey: Image and Words,” Arena Homme+, Spring-Summer
Luke, Ben, “Mark Leckey, See, Wee Assemble,” The Evening Standard, May 27
Mclean-Ferris, Laura "Mark Leckey: See We Assemble, Serpentine Gallery, London," The Independent, May 20
Milliard, Coline, "The Domestication of Mark Leckey: A Q&A With the Turner Prize Winner About His Quest Not to Make New Art," ArtInfo, May 23,
Moran, Jarret, “Mark Leckey Made Me Hardcore,” Artlog
Nanny, Mallory, "Mark Leckey”s Fusion of Technology and Theatricality: SEE, WE ASSEMBLE, Serpentine Gallrey, London," Aesthetica Magazine, June
Peyton-Jones, Julia, and Hans Ulrich Obrist, Mark Leckey: SEE, WE ASSEMBLE, Serpentine Gallery, London, UK, exhibition catalogue
Schumacher, Rainald, “Fiorucci Made Me Hardcore,” and “LondonAtella,” Ingvild Goetz, Susanne Touw and Stefan Urbascheck, Why I Never Became a Dancer – Sammlung Goetz im Haus der Kunst, Haus der Kunst, Munich, Germany, Hatje Cantz, Ostfildern, exhibition catalogue
Basta, Sarina, “Mark Leckey In The Long Tail,” Flash Art, January – February
Collinge, Miranda, “Image Makers,” Esquire, November
Engelbach, Barbara, “Mark Leckey,” Bilder in Bewegung: Künstler & Video / Film: 1958 – 2010, Museum Ludwig, Cologne, Germany, exhibition catalogue
Gavin, Francesca, “Making Sense of the Matrix with a Stick of Chalk,” Another Man, Spring/Summer
Harbison, Isobel. “Life and Times..." frieze, September
Herbert, Martin, “Mark Leckey and Martin McGeown: Life and Times of Milton Keynes Gallery,” Art Monthly, July-August
Leckey, Mark, “Metarrhytmisis”, Isa Genzken, Museion – Museum für Moderne Kunst, Bolzano, Italy
Leckey, Mark, “The Inner Sleeve. Mark Leckey on a Record that Wants to Remain Invisible,” The Wire, September
Leckey, Mark, “The Long Tail,” Dot Dot Dot, October
Leckey, Mark, “The Universal Addressability of Dumb Things," Artforum, September
Leckey, Mark, Martin McGeown, Concrete Vache, Cabinet Gallery, London, UK, exhibition catalogue
Leckey, Mark, Martin McGeown and Milton Keynes Gallery. “Interview with Mark Leckey and Anthony Spria," Milton Keynes Gallery, 16 April - 27 June
Maltz-Leca, Leora. "Mark Leckey," Critic’s Pick,, December 15
Mendelsohn, Adam E., “Mark Leckey: GreenScreenRefrigeratorAction,” Spike, Winter
Sheerin, Mark. “Mark Leckey and Martin McGeown reflect on the Life and Times of Milton Keynes Gallery," Culture 24, June 2
Spira, Anthony, “Interview with Mark Leckey and Anthony Spira,” Milton Keynes Gallery website, May
"AO on site- New York: Mark Leckey”s “The Long Tail” in MoMA’s Performance Exhibition series, October 1st, 2nd and 3rd, 2009," ArtObserved, Oct. 10
Barrett, Mark, “Mark Leckey in the Long Tail,” Art Monthly, March, p.39
Bilsborough, Michael, “Mechanical Animal,” School of Visual Arts Blog, Oct. 6
Charlesworth, J.J., “This Will End In Tears,” ArtReview, March, p.32
De Carlo, Massimo, “Womp-Bomp-A-Loom-Op-A-Womp-Bam-Boom,” Mousse, September-October
Cirrincione, Lorenzo, “Felix Gets Broadcasted,” Qu’est-ce que l’art aujourd’hui?, Beaux arts éditions, Paris, edited by Marie Bonnet and Fabrice Bousteau.
Droitcour, Brian. “Interview with Mark Leckey," Rhizome at The New Museum Blog, Spetember 30th
"Fiorucci Made Me Hardcore: The definitive view of British nightlife," Music Blog, August
Gavin, Francesca. “Mark Leckey in The Long Tail," PonyStep, Feb. 2
Griffin, Jonathan, “Mark Leckey in a Long Tail World,” Frieze, February
Hollis, Edward and Mark Leckey, “Tell tail tales: Mark Leckey and Edward Hollis in conversation,”Journal of Writing in Creative Practice, December
Latimer, Quinn. “Performance Anxiety: Mark Leckey”s Little Theatre of Gestures," Art in America, June 16
Leckey, Mark, “Cinema in the Round, 2007, script excerpt,” Lecture Performance, edited by Kathrin Jentjens, Radmila Joskimovic, Anja Nathan-Dorn, and Jelena
Leckey, Mark, “The Long Tail,” Novel, edited by Alun Rowlands and Matt Williams
Vesic, Kölnischer Kunstverein, Cologne and Museum of Contemporary Art Belgrade, exhibition catalogue
Mack, Joshua, “Mark Leckey in the Long Tail,” Artreview Blog, Oct. 6
Wagner, Marianne, “Doing Lectures. Performative Lectures as a Framework for Artistic Action,” Lecture Performance, Kölnischer Kunstverein, Cologne, and Museum of Contemporary Art Belgrade, Revolver Publishing, Berlin, Germany, edited by Kathrin Jentjens, Radmila, Joskimovíc, Anja Nathan-Dorn, and Jelena Vesic
Wilson, Michael, “An American Tail,” Artforum Diary, Oct. 8
Bell, Kirsty, “Mark Leckey. Being in the world,” Camera Austria, May
Birnbaum, Daniel, “Wiederholungen,” Number One: Destroy, She Said, Julia Stoschek Collection, Dusseldorf, Hatje Cantz, Ostfildern, edited by Julia Stoscheck, exhibition catalogue
Brown, Mark, “Modern-day Dandy (and his Associate Felix the Cat) is the Turner Prize Favourite,” The Guardian, May 14
Brown, Mark, “Modest Art,” The Guardian, December 1
Campbell-Johnston, Rachel, “Don’t scream, it doesn’t mean anything at all,” The Times, September 30
Campbell-Johnston, Rachel. “Eyes on the Prize,” Times 2, supplement to The Times, Oct. 1
Falconer, Morgan, “New Work: Mark Leckey,” Art World, Dec/Jan, p.102
Frangenberg, Frank, “Schaufenster der Kunst”, Kölner Stadt-Anzeiger, April 17
Gebetsroither, Ines, “Potatoes and Cameras”, Spike, Summer
Higgins, Charlotte, “I Was Shocked By the Hatred,” The Guardian, December 3,
Jones, Jonathan, “Perverse and baffling with an obvious winner,” The Guardian, May 14
Jury, Louise, “This Will Turner My Life Around,” The Evening Standard, December 2,
Krajewski, Michael, “Mark Leckey,” Kunst Bulletin, June
Lahrkamp, Monika, “Mark Leckey – Shades of Destructors,” Number One: Destroy She Said,” Julia Stoscheck Collection, Dusseldorf, Hatje Cantz, Ostfildern, edited by Julia Stoscheck, exhibition catalogue
Leckey, Mark, “CINEMA-in-the-ROUND”, Kinomuseum. Towards and Artists’ Cinema, Verlang der Buchandlung Walther König, Cologne, Germany, edited by Mike Sperlinger and Ian White.
Leckey, Mark, “Life in Film: Mark Leckey," frieze, May
Leckey, Mark, “The Long Tail,” Roland, September – October
Leckey, Mark, “Two Girls One Cup,” Dispersion, Institute of Contemporary Arts, London, UK, edited by Polly Staple and Richard Birkett
Lewis, Ben, “Race For the Prize,” Evening Standard, October 3
Lorch, Catrin, “Das Gummitier im Licht,” Süddeutsche Zeitung, May 24/25
O’Brien, Sophie, “Mark Leckey,” Turner Prize 08, Tate Britian, London, UK, Tate Publishing, edited by Carolyn Kerr, Helen Little and Sophie O’Brien, exhibition catalogue
Searle, Adrian, “Nurses and Curses,” The Guardian, September 30,
Seyfarth, Ludwig, “Mark Leckey,” artist kunstmagazin, October
Staple, Polly, “Introduction,” Dispersions, Institute of Contemporary Arts, London, UK, edited by Polly Staple and Richard Birkett
Styrie, Hanna, “Scheu wie eine Katze,” Kolner Rundschau, April 17
Thomas, Gina, “Die Fesseln des Häuslichen,” Frankfurter Allgemeine Zeitung, October 1
Thorel, Benjamin, “Mark Leckey,” Flash Art, January/February, p.152
“Totally Shock-Free,” ArtMag, December
Voss, Julia, “Wüten wie ein Pestbazillus,” Frankfurter Allgemeine Zeitung, May 3
Wood, Catherine, “Mark Leckey,” Portikus 2004-2007: Book of a Sleeping Village, Portikus, Frankfurt am Main, Verlag der Buchhandlung Walter König, Cologne, edited by Nikola Dietrich, exhibition catalogue
“Mark Leckey,” Yokohama Triennale 2008, Yokohama, Japan
Allsop, Laura, “Make It New: Pale Carnage,” ArtReview, March, p.34
Myers, Terry R., Review, Sympathy for the Devil, Time Out, October 18
Souvenir, artist book, Feature Inc., New York, NY
Beasley, Mark, “Fiorucci Made Me Hardcore,”Arena Homme, Winter/Spring
Benedict, Will, “Eine Entäußerung,” Texte zur Kunst, January
Demand, Thomas; Mark Godfrey, Jorg Heiser, Jennifer Higgie, Adrian Searle, Polly Staple, and Tirdad Zolghadr, “Binary Fluffling,” frieze, June/July, p.220-25
Dorment, Richard, “Haunted by Concepts of the Past,” The Daily Telegraph, March 7
Leckey, Mark, Drunken Bakers, published on the occasion of the Tate Triennial 2006: New British Art, Tate Britain, London, Tate Publishing, London, UK
Raum, Judith, “Mark Leckey”, Flash Art, March-April, p.114-16
Ritter, Michel; et. Al, “2003-2005,” published by Centre Culturel Suisse, Paris
del Vecchio, Gigiotto “Filmen Opera Video #1” published by Castel Sant”Elmo, Naples, Italy
Ruf, Beatrix, “Tate Triennial: New British Art,” published by Tate, London
Smith, Roberta, “Mark Leckey – Drunken Baker,” New York Times, March 10, p. E34
Speers Mears, Emily, “Mark Leckey – Portikus im Leinwandhaus,” Artforum, April, p.259-60
Urbaschek, Stephan, “Black Box Recording – A Telephone Conservation with Mark Leckey,” Imagination Becomes Reality Part IV: Borrowed Images, Sammlung Goetz, Munich, Kunstverlag Ingvild Goetz, Munich, Germany, edited by Ingvild Goetz and Rainald Schumacher, exhibition catalogue
Wood, Catherine, “Mark Leckey,” Tate Triennial 2006: New British Art, Tate Britian, London, UK, Tate Publishing, edited by Beatrix Ruf and Clarrie Wallis, exhibition catalogue
Heald, Rebecca, “Mark Leckey,” British Art Show 6, Baltic Centre for Contemporary Art, Gateshead, multiple galleries in Manchester, Nottingham and Bristol, Hayward Publishing, London, Uk, edited by Alex Farquharson and Andrea Schlieker, exhibition catalogue
Lintzel, Aram, “Spiralen der Erinnerung, Pop – Nostalgia – Art,” Texte zur Kunst, December
“El Topo: Mark Leckey,” Domus, December, edited by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick (Wrong Gallery)
“Mark Leckey,” ipeg – bild.ton.maschine: Schnittstellen von bildender Kunst und Musik, Künstlerhaus Bethanien, Berlin, Germany, edited by Peter Lang, exhibition catalogue
“100 Future Greats,” ArtReview, December, p.66-99
News: Istanbul Biennial, Contemporary no. 75, p.15
Abs, Peter, “Hallo Wände – Drei Videofilme und ein Buch von Mark Leckey,” Spex, November
Dzuverovic-Russel, Lina, “Cross Platform,” The Wire, July
Eberhart, Matthew, Review, Flash Art, November/December
Gioni, Massimiliano, “This Wild Darkness,” With all due intent: Manifesta 5, Manifesta 5, San Sebastián, Actar, Barcelona, Spain, edited by Marta Kuzma, exhibition catalogue
Gregos, Katerina, “Britannia Works,” published by British Council, Athens
Higgie, Jennifer, “Meeting at Conway Hall,” Frieze, Issue 85, p.77
Higgie, Jennifer, “Picture,” frieze, May
Higgs, Matthew, “Best of 2004,” Artforum, December, p.156
Leckey, Mark, “The Genius of Church,” Cabin, Herbert Read Gallery, Kent, UK, edited by Martin Clark
Leckey, Mark, untitled, With all due intent: Manifesta 5, Manifest 5, San Sebastián, Actar, Barcelona, Spain, edited by Marta Kuzma, exhibition catalogue
McFarland, Dale, “Mark Leckey – Fabrica Brighton, Cabinet London,” Art Monthly, February
Mulholland, Neil, excerpt from “Rascals and Tramps”, Britannia Works, Ileana Tounta Contemporary Arts Center, The Breeder, Xippas Gallery, Athens, Greece; British Council, London, UK
Rooney, Paul, “Passing the Time of Day,” Passing the Time of Day, Dasworks Gallery, London; Angel Row Gallery, Nottingham; The Collective Gallery, Edinburgh; Castlefield Gallery, Manchester; Gasworks Gallery, London, UK, edited by Paul Rooney, exhibition catalogue
White, Ian, “Mark Leckey – Cabinet,” Art Monthly, February 2004
Wood, Catherine, “Horror Vacui. The Subject as Image in Mark Leckey’s ‘Parade’,” Parkett
“7 windmill street w1: mark lackey,” tema celeste, May-June
Amanshauser, Hildegund, “Sound Systems,” Magazin 8, Jahresbericht 2003, Salzburger Kunstverein, Salzburger Kunstverein, Salzburg
Project, Flash Art, January/February, p.66-69
Bishop, Claire, “Video Killed the Radio Star – Ann-Sofi Sidén, Anri Sala, Mark Leckey,” Flash Art, January-February
Del Vecchio, Gigiotto, “Surround Sound,” tema celeste, January-February
Gingeras, Alison, “Manifesta 5”, Art Press, June p.16
Höller, Christian, “Sound System,” Springerin, Autumn
Leckey, Mark, “LondonAtela, 2002 project for Flash Art,” Flash Art, January-February
McFarland, Dale, Review, Frieze, Issue No. 81, March, p.96
Schumacher, Rainald, “Mark Leckey,” fast forward. Media Art Sammlung Goetz, Center for Arts and Media Karlsruhe, Karlsruhe, Hatje Cantz, Ostfildern, exhibition catalogue
Sladen, Mark, “Reasons to be Cheerful,” Art Review, March, p.31
Veber, Nicholas, “Bring on the Noise: Mark Leckey,” Dazed and Confused, May
Wood, Catherine, “Horror Vacui”, Parkett, No. 70, p.157-163
“Mark Leckey: Fiorucci made me hardcore,” Electric Earth: Film and Video from Britian, edited by Mark Beasley and Carl Ledwith, exhibition catalogue
“7 Windmill Street W1,” published by Migros Museum Fur Gegenwartskunst and JRP/Ringier & Koenig Books, Zurich, London
Beasley, Mark, “Making tracks,” frieze, September
Bishop, Claire, “Screen Testing: Andy Warhol & Sound and Vision,” EveningStandard, London, August 24
Bishop, Claire, “Video Killed the Radio Star,” Flash Art, January/February, p.70-73
Bracewell, Michael, “Remix: Warhol, Hamilton, Eno, Wolfe: four ways of looking at art and pop,” Remix: Contemporary Art and Pop, Tate Liverpool, Liverpool, Tate Publishing, London, edited by Simon Wallis, exhibition catalogue
Burton, Johanna, “Soundsystem, Gavin Brown’s Enterprise,” Time Out New York, April 25 – May 2, p.61.
del Vecchio, Gigiotto, “Surround Sound,” Tema Celeste, January/February, p.54-59
Higgs, Matthew, “Openings: Mark Leckey,” Artforum, April, p.128-129
Koether, Jutta, “Walk-In Collage – Ein Gang durch New Yorker Ausstellungen,” Texte zur Kunst, June, p.142
LaFreniere, Steve, “Mark Leckey,” Index, September, p.119
LaFreniere, Steve, “Top Ten,” Artforum, May, p.47
Lewisohn, Cedar, “Mobile Worship – Cedar Lewisohn asks artists Guy Bar Amotz and Mark Leckey whether art measures up to music,” Contemporary, November, p.56-57
Mellors, Nathaniel, “Revolutions per Minute,” Frieze, October, cover and p.72-75
Moisdon-Trembley, Stephanie, in “Printemps de September/ Theatres du Fantastique,” exhibition catalogue, p.97, Actes Sud, Nantes
Summers, Francis, “Fiorucci Made Me Hardcore,” Sleazenation, p.76-8.
White, Ian, “Jet-Packed Nomads,” ArtFoto, 2002, p.30-33
“Fast Forward. Media Art Sammlung Goetz,” published by Ingvild Goetz, Munich, Germany
“Pogointogo,” Self Service, No. 15, Fall / Winter, p.46
“The Fourth Sex: Adolescent Extremes,” edited by Fransesco Bonami and Raf Simons, published by Charta and Fondazione Pitti Immagine Discovery, Italy,
Electric Earth: Film and Video from Britain, exhibition catalogue, British Council, p.46-47
Bishop, Claire, “Screen Testing: Andy Warhol & Sound and Vision,” The Evening Standard, London, UK, August 24
Lafreniere, Steve, “Mark Leckey,” Index, September
Mellors, Nathaniel, “Revolutions per Minute,” frieze, October
Wilson, Michael, “Village Disco,” Art Monthly, February
Judah, Hettie, “The Outer Line,” The Times, December 7
Leckey, Mark, “The Casuals,” Open City, No. 9, Fall, p.119-128
Seymour, Ben, “Everything Must Go,” Mute