Mark Leckey: Fiorucci Made Me Hardcore. London: Afterall Books / One Work, 2020.

Mark Leckey: O’ Magic Power of Bleakness. London: Tate Publishing, 2019.

Mark Leckey: On Pleasure Bent. London: Koenig Books, 2015.

The Artist’s House. From Workplace to Artwork. Berlin: Sternberg Press, 2013.
The Universal Addressability of Dumb Things. London: Hayward Publishing, 2013.

Mark Leckey: SEE, WE ASSEMBLE. London: Cornerhouse, 2011. Texts by Julia Peyton-Jones and Hans Ulrich Obrist.
Why I Never Became a Dancer – Sammlung Goetz im Haus der Kunst. Ostfildern: Hatje Cantz; Munich: and Haus der Kunst, 2011. Texts by Anke Hoffman, Rainald Schumacher, Ingvild Goetz, Susanne Touw and Stefan Urbascheck.

Bilder in Bewegung: Künstler & Video / Film: 1958 – 2010. Cologne: Museum Ludwig, 2010. Text by Barbara Engelbach.
Concrete Vache. London: Cabinet Gallery, 2010. Text by Mark Leckey and Martin McGeown.
Isa Genzken. Bolzano: Museion; Frankfurt: Museum für Moderne Kunst, 2010. Essay: “Metarrhytmisis,” by Mark Leckey.
2009
Leckey, Mark. The Long Tail. 2009. Edited by Alun Rowlands and Matt Williams.
Qu’est-ce que l’art aujourd’hui?. Paris: Beaux arts éditions, 2009. “Felix Gets Broadcasted,” by Lorenzo Cirrincione.
Jentjens, Kathrin, Radmila Joskimovic, Anja Nathan-Dorn, and JelenaVesic eds. Lecture Performance. Cologne: Kölnischer Kunstverein; Belgrade: Museum of Contemporary Art Belgrade, 2009. “Cinema in the Round, 2007, script excerpt,” by Mark Leckey.

Julia Stoscheck ed. Number One: Destroy, She Said. Dusseldorf: Julia Stoschek Collection; Ostfildern: Hatje Cantz, 2008. Texts by Daniel Birnbaum and Monika Lahrkamp.
Kerr Carolyn, Helen Little and Sophie O’Brien eds. Turner Prize 08. London: Tate Publishing, 2008. Text by Sophie O’Brien.
Dietrich, Nikola ed. Portikus 2004-2007: Book of a Sleeping Village. Frankfurt: Portikus; Cologne: Buchhandlung Walter König, 2008. Text by Catherine Wood.
“Mark Leckey,” in Yokohama Triennale. Yokohama: 2008.
Birkett, Richard and Polly Staple. Dispersions. London: Institute of Contemporary Arts, 2008.
Sperlinger, Mike and Ian White eds. Towards and Artists’ Cinema. Klagenfurt am Wörthersee: Kinomuseum; Cologne: Verlang der Buchandlung Walther König, 2008. Esssay, “CINEMA-in-the-ROUND,” by Mark Leckey.

Souvenir. New York: Feature Inc., 2007.

Goetz, Ingvild and Rainald Schumacher eds. Imagination Becomes Reality Part IV: Borrowed Images. Munich: Sammlung Goetz and Kunstverlag Ingvild Goetz, 2006. Text by Stephan Urbaschek.
Ruf, Beatrix and Clarrie Wallis eds. Tate Triennial 2006: New British Art. London: Tate Publishing, 2006. Text by Catherine Wood.
Ritter, Michel ed. 2003-2005. Paris: Centre Culturel Suisse, 2006.
del Vecchio, Gigiotto. Filmen Opera Video #1. Naples: Castel Sant’Elmo, 2006.

Farquharson, Alex and Andrea Schlieker eds. British Art Show 6. London: Hayward Publishing, 2005. Text by Rebecca Heald.
Lang, Peter ed. ipeg – bild.ton.maschine: Schnittstellen von bildender Kunst und Musik. Berlin: Künstlerhaus Bethanien, 2005.

Kuzmam, Marta ed. With all due intent: Manifesta 5. Barcelona: Manifesta 5, 2004. Texts by Massimiliano Gioni and Mark Leckey.
Rooney, Paul ed. Passing the Time of Day. London: Gasworks Gallery, 2004. Text by Paul Rooney.
Clark, Martin ed. “The Genius of Church,” by Leckey, Mark. Cabin. Kent: Herbert Read Gallery, 2004.
7 Windmill Street W1. Zurich: Migros Museum Fur Gegenwartskunst and JRP/Ringier; London: Koenig Books.
Britannia Works. Athens: Ileana Tounta Contemporary Arts Center; Paris: Xippas Gallery; The Breeder; London: British Council, 2004.

Ingvild Goetz and Stephan Urbaschek eds. fast forward. Media Art Sammlung Goetz. Ostfildern: Hatje Cantz, 2003. Text by Rainald Schumacher.
Beasley, Mark and Carl Ledwith eds. Electric Earth: Film and Video from Britain. The British Council Visual Arts Publications, 2003.

Wallis, Simon ed. Remix: Contemporary Art and Pop. London: Tate Publishing, 2002. Text by Michael Bracewell.
Bonami, Fransesco and Raf Simons eds. Electric Earth: Film and Video from Britain. Venice: Charta; Florence: Fondazione Pitti Immagine Discovery, 2002.
Fast Forward. Media Art Sammlung Goetz. Munich: Ingvild Goetz, 2002.

Theatres du Fantastique: Printemps de Septembre. Arles: Actes Sud, 2001.

Brown, Ellie. “Gleaning the internet,” NR Magazine, May 2022.
“A brush with...Mark Leckey,” A brush with…The Art Newspaper Podcast, March 29, 2022.
“Art world horror, Mark Leckey,” The Art Newspaper, January 27, 2022.
Heuser, Bianca. “Mark Leckey: ‘O’ Magic Power of Bleakness,’” Spike Art Magazine, January 19, 2022.
“Artist Marck Leckey: Ways To Read Middlemarch” The Happy Reader, Issue 17, Winter 2021/2022.
2021
Pulver, Andrew. “Making airwaves: how artists are finding inspiration through and on radio,” The Art Newspaper, December 28, 2021.

Armstrong, Annie. “Akeem Smith’s Piece at the Independent Art Fair Illustrates How Dancehall is Jamaica’s Social Media,” GARAGE Magazine, March 2020.
Özden, Hatice Utkan. “Old masters of art blend with contemporary artists,” Hurriyet Daily News, February 2020.
NTS Radio, February 2020.
Taylor, Kenn. “The Reliquary of the (Late) 20th century: Mark Leckey’s O’ Magic Power of Bleakness,” The Double Negative, February 2020.
Hahn, Rachel. “Klein’s New Video Pays Homage to the South London Party Style of Her Mid-2000s Youth Klein’s New Video Pays,” Vogueworld, January 2020.

Pes, Javier. “See the creative ways artists are urging Britons to vote against Boris Johnson in the UK’s general election,” Artnet, December 2019.
“Critical List, November 24,” The Times, November 2019.
Dunne, Aiden. “Art in Focus: Maria Loboda – Hearing Otherworldly Music,” The Irish Times, November 2019.
Olah, Nathalie. “Mark Leckey is extremely online,” i-D, November 2019.
Kamps, Toby. “Mark Leckey: O’ Magic Power of Bleakness,” The Brooklyn Rail, November 2019.
Luke, Ben and Kabir Jhala. “Three exhibitions to see in London this weekend,” The Art Newspaper, November 2019.
Rugoff, Lazlo. “Experimental duo Lung Dart announce new album, Slouching Towards Meridian,” The Vinyl Factory, October 2019.
Khan, Tabish. “18 Exhibition That’ll Blow You Away This Winter,” Londonist, October 2019.
“Critical List, October 13,” The Sunday Times, October 2019.
Chiaverina, John. “Rembrandt’s Legendary ‘Night Watch’ Is Being Studied in Front of a Live Audience. What Will Scholars Discover?,” ARTnews, October 2019.
Luke, Ben. “Mark Leckey on using Victorian techniques to evoke magical memories,” The Art Newspaper, October 2019.
“Galerie Buchholz,” OCULA, October 2019.
Gorton, Thomas. “Mark Leckey goes under the bridge with teenage dreams in new exhibition,” Dazed, October 2019.
Jefferies, Stuart. “A cast of Antony Gormley? Or a pair of giant conkers? Gormley’s RA show reviewed,” The Spectator, October 2019.
“Exhibitions to See This Month Instead of (Or As Well As!) Frieze Art Fair,” Mutual Art, October 2019.
Fox, Dan. “Mark Leckey at Tate Britain Review: O’ Magic Power of Bleakness,” Frieze, October 2019.
Westall-Hayes, Hannah. “SEE THIS WEEK: Mark Leckey’s Full Size Motorway Bridge Inside Tate Britain,” FAD Magazine, October 2019.
Januszczak, Waldemar. “Art review: Tim Walker, V&A; Mark Leckey, Tate Britain,” The Times, September 2019.
Meah, Hannah. “Mark Leckey to Exhibit Club Culture Film ‘FIORUCCI MADE ME HARDCORE’ At Tate Britain,” MixMag, September 2019.
“Seven must-see shows during Frieze week,” The Art Newspaper, September 2019.
Judah, Hettie. “Mark Leckey at Tate Britain: a motorway flyover that doesn’t go anywhere,” iNews, September 2019.
White, James. “Mark leckey: O’ Magic Power of Bleakness at Tate Britain,” The Up Coming, September 2019.
“Mark Leckey @ Tate Britain,” The White Pube, September 2019.
Charlesworth. “Under the bridge with Mark Leckey,” ArtReview, September 2019.
Campbell-Johnston, Rachel. “Mark Leckey review — a cavernous collage of metaphor and memory,” The Times, September 2019.
Jones, Jonathan. “A rebel sharpens her pencil and Hirst spreads his wings – the week in art,” The Guardian, September 2019.
Brown, Mark. “Concrete art: Mark Leckey’s M53 motorway bridge at Tate Britain,” The Guardian, September 2019.
“Afterall,” E-Flux, September 2019.
Christie, Caroline. “Mark Leckey on ‘Fiorucci,’ folklore, and finding language for working-class stories,” Document, September 2019.
Bronstein, Pablo. “Pablo Bronstein on How Catherine Wood Changed the Way We See Performance Art,” Frieze, September 2019.
Thompson, Jessie. “Frieze Art Fair 2019: A complete guide to the highlights of London’s biggest art week,” Evening Standard, September 2019.
“Turner Prize winner Mark Leckey holding new exhibition at Tate Britain this fall,” Yahoo News, September 2019.
Judah, Hettie. “The Must See Shows in London this Fall,” Garage VICE, September 2019.
Leigh, Danny. “Mark Leckey: from art world outsider to Tate Britain,” Financial Times, September 2019.
Searle, Adrian. “The road to everywhere – Mark Leckey: O’ Magic Power of Bleakness review,” The Guardian, September 2019.
Collinge, Miranda. “Mark Leckey: The Changeling,” Esquire, September 2019.
Wightman-Stone, Danielle. “North: Fashioning Identity to open in Barnsley,” Fashion United, September 2019.
Luke, Ben. “It’s back to school for the art world—here’s why you shouldn’t just rush to the blockbusters,” The Art Newspaper, September 2019.
Sawyer, Miranda. “Mark Leckey: ‘There has to be a belief that art has this power, this charisma’,” The Guardian, September 2019.
Jones, Lauren. “Birkenhead artist Mark Leckey to create life-size replica of M53 bridge for tate Britain exhibition,” Wirral Globe, September 2019.
Paskett, Zoe. “Autumn exhibitions in London 2019: Best shows at capital’s museums and galleries in September, October and beyond,” Evening Standard, September 2019.
Davis, Laura. “Life-size replica of Wirral motorway bridge being built in Tate Britain,” Echo, September 2019.
Neville, Carl. “Brian Welsh’s ‘Beats’ Locates the End of Rave in a ‘New Britain’,” The Wire, August 2019.
Neville, Carl. “Tony Blair Made Me Hardcore,” Jacobin Magazine, August 2019.
Milner, Daphne. “Ewen Spencer’s New Book Documents the Raves of 90s Northern England,” AnOther, June 2019.
Keeling, Ryan. “An ambitious and at times impressive LP from Seth Troxler and Phil Moffa,” Resident Advisor, June 2019.
Conklin, Emily. “Turner Prize-winner Mark Leckey to build an interstate in the Tate,” The Architect’s Newspaper, June 2019.
Powell, Sukayna. “Neo-Neolithic Art: The Rise of the Modern Megalith,” Elephant, June
“Mark Leckey: O’ Magic Power of Bleakness,” Web Wire, June 2019.
White, Ryan. “walter Pfeiffer, Saskia de brauw and more collaborate on charity t-shirt range,” i-D Magazine, June 2019.
Standen, Alex. “New Book Hardcore Soul is a Tribute to British Rave Culture,” Dazed, June 2019.
“Festival Film Favourites with Linnea Petterson,” Sheffield Telegraph, May 2019.
“New Contemporaries,” e-flux, May 2019.
Kay, Juule. “‘Hardcore Soul’ Captures the Timelessness of Raving,” i-d, April 2019.
“Afterall,” e-flux, April 2019.
Kent-Smith, Jasmine. “Gabber Eleganza is Launching a New Label Called Never Sleep,” Mixmag, April 2019.
Eede, Christian. “Gabber Eleganza Launches Label With Mixtape & Book,” The Quietus, April 2019.
Wilson, Scott. “Gabber Eleganza Launches Never Sleep label with Hardcore Soul book and mixtape,” FACT Magazine, April 2019.
Thorp, Eric. “The Art of Rave: why contemporary art loves rave,” FAD Magazine, April 2019.
Stanley, Jack. “Ewen Spencer & Gabber Eleganza Join forces for ‘Hardcore Soul’ Book,” Hypebeast, April 2019.
Westall, Mark. “Anne Imhof to create a new large-scale commission for the BMW Tate Live,” Fad Magazine, March 2019.
“Check Out Former TEB Editor Max Dax’s Art Exhibition at Deichtorhallen Hamburg,”
Electronic Beats, February 2019.
“M Wells Dinette Eatery at MoMA Ps.1 Set to Close Down,” Artiholics, February 2019.
Armstrong, Annie. “M. Wells Dinette, Popular Eatery at MoMA PS1, to Close,” Art News, February 2019.
Lucie-Smith, Edward. “Looking Forward to Art in 2019,” Artlyst, January 2019.

“YorkMix in Art, Entertainment, Music, “Revealed: Kaiser Chiefs’ ‘set list’ for their remarkable York exhibition,” YorkMix, December 2018.
Mark Leckey Signs to Warp for New Single, ‘Exorcism Of The Bridge@Eastham Rake’,” Resident Advisor, November 2018.
Bruce-Jones, Henry. “Mark Leckey Surprise-Releases Limited 10” On Warp Featuring Evian Christ Remix,” FACT, November 2018.
Greenberg, Alex. “Mark Leckey’s Cult Classic Video ‘Fiorucci Made Me Hardcore’ Removed from YouTube Following Copyright Claim [Updated],” ArtNews, July 2018.
Greenberg, Alex. “Mark Leckey’s ‘Fiorucci Made Me Hardcore’ Is Back on YouTube,” ArtNews, July 2018.
D’Alessio, Annalisa. “Tate Announces Major Museum Exhibitions in 2019,” Arts and Collections, July 2018.
Buck, Louisa. “Review: Glasgow International permeates city with its distinctively dystopian tentacles,” The Art Newspaper, April 2018.
Long, Louise. “8 Must-See Exhibits At Glasgow International,” Vogue UK, April 2018.
“Art Industry News: Mexican Judge Blocks Sale of Frida Kahlo’s Non-Unibrowed Barbie Doll + More Must-Read Stories,” artnet news, April 2018.
Cumming, Laura. “Glasgow International 2018 review – a uniquely collaborative scene,” The Guardian, April 2018.
“Bringing the art buzz back to Glasgow,” The National, April 2018.
Learmonth, Andrew. “Launch of Glasgow International art festival boosted by public fund,” The National, April 2018.
Searle, Adrian. “Interstellar sexual adventures and underground erotica – Glasgow International review,” The Guardian, April 2018.
Judah, Hettie. “Glasgow International 2018, review: the star of the show is the city’s own creative drive,” inews, April 2018.
Mansfield, Susan. “Art preview: Five things to see at Glasgow International,” The Scotsman, April 2018.
“Tramway Announces April To August 2018 Season,” Broadway World Scotland, March 2018.
Buck, Louisa. “Joan Jonas checks out digital double whammy of Ian Cheng and Sondra Perry shows,” The Art Newspaper, March 2018.
“Glasgow International Festival of Visual Art,” e-flux, February 2018.
Lindsay, Bruce. “Preview: Jason Moran at Tate Modern,” Jazz Journal, February 2018.
Leckey, Mark. “Contemporary British AV artist, collagist, and NTS host Mark Leckey takes to the airwaves to play oddities from his collection. Everything from doo-wop to gabber,” NTS, February 2018.
“The Institute of Contemporary Art, Boston,” E-Flux, January 2018.
“‘Again and Again’ at Haus Der Kunst, Munich,” Blouin Artinfo, January 2018.

“Mark Leckey 14th November 2017,” NTS Radio - Mixcloud, November 2017.
“‘North: Fashioning Indentity’ at Somerest House, London,” BLOUINARTINFO, November 2017.
Holgate, Mark. “A New Exhibition Reveals Why the North of England Is the Coolest Place in the World,” Vogue, November 2017.
Moffitt, Evan. “A Portrait of the Curator as a Young Grebo Rocker,” Vice, September 2017.
Dehany, A. J. “Now, Today, Tomorrow and Always (Towner Art Gallery) Fad Magazine, July 2017.
Epps, Philomena. “Artist Mark Leckey’s new show is an exorcism,” Dazed, July 2017.
Buck, Louisa. “Mark Leckey offers a cathartic shout-out at Cubitt gallery,” The Art Newspaper, July 2017.
Petty, Felix. “‘I’m trying to rid myself of the past,’ – Turner prize-winning artist Mark Leckey discusses his new exhibition,” I-D, July 2017.
Thorp, Eric. “Mark Leckey – Affect Bridge Age Regression,” FAD, July 2017.
Høm, Janus. “The Difficulties of Exorcism,” Kunstkritikk, May 2017.
Korman, Sam. “Where the Party Is: Mark Leckey’s Vernacular, Autobiographical Tour Through Pop,” Momus, February 2017.
Chamberlain, Colby. “Mark Leckey, MoMA PS1, New York,” Artforum, February 2017.
2016
Krasinski, Jennifer. “Mark Leckey’s Retrospective Showcases the Seductive Creep of Nostalgia,” The Village Voice, December 2016.
Carrigan, Margaret. “To Dream the Impossible Dream: Mark Leckey at MoMA PS1,” Blouin Artinfo, November 2016.
Laster, Paul. “British Artist Mark Leckey examines technology’s cultural disruption,” Time Out New York, November 2016.
Dziemianowicz, Joe. “Felix the Cat is having a NY meow-ment,” The Daily News, November 2016.
Farago, Jason. “Mark Leckey Captures the Exuberance of Pre-’Brexit’ Britain,” The New York Times, November 2016.
Graves, Cassidy Dawn. “Art This Week: Selfie voyeuring, Searching For Terry, Reduced ‘Capitalism,’” Bedford Bowery, October 2016.
Brown, Mark. “Richard Branson’s big head and naked sax player star in art show,” The Guardian, October 2016.
Sayej, Nadja. “Mark Leckey: the raving artist goes large at MoMA PS1 in New York,” The Guardian, October 2016.
O’Brien, Nicholas. “At MoMA PS1, Turner Prize-Winning Artist Mark Leckey Searches for the Lost Rites of Underground Culture,” Artsy, October 2016.
Pogrebin, Robin. “Mark Leckey, No Longer Art’s Wunderkind, Is Now Its Wizard,” The New York Times, October 2016.
Smith, Roberta. “Big, Bigger and Biggest in Museum Shows,” The New York Times, October 2016.
Griffin, Jonathan. “A Thing for Things,” Frieze, October 2016.
Pini, Gary. “The 5 Must-See Art Shows Opening this Fall (And 9 More to Catch Now),” Paper, September 2016.
Langshaw, Mark. “Interview: Mark Leckey on his new show at the Walker Art Gallery,” Your Move, September 2016.
Jones, Catherine. “See a giant inflatable Felix the Cat at the Walker Art Gallery,” Echo, September 2016.
“The cat’s meow: A Felix-focused exhibition by Mark Leckey,” TheWeek.co.uk, September 2016.
Smith, Roberta. “Museums Embrace the Unfamiliar,” The New York Times, September 2016.
Neild, Larry. “Gigantic Felix bounces into Walker,” Liverpool Confidential, September 2016.
Manucci, Valerio. “Mark Leckey’s ‘UniAddDumThs,” art agenda, July 2016.
Long, Chris. “Biennial artist Mark Leckey creates ‘false memoire’,” BBC News, July 2016.
Thorne, Sam. “Artists Only,” Frieze, Summer 2016.
Searle, Adrian. “Liverpool Biennial review - litterbugs, light shows and left luggage,” The Guardian, July 2016.
“Mark Leckey ‘UniAddDumThs’ at Sant’Andrea de Scaphis, Rome,” Mousse, July 2016.
“Mark Leckey at Gavin Brown’s enterprise, Rome,” Art News, June 2016.
Overton, Tom. “Broadcasting Felix,” LRB blog, June 2016.
Forrest, Nicholas. “Mark Leckey Channels Felix the cat at Grundy Art Gallery,” Blouin Artinfo, May 2016.
“Mark Leckey - This Kolossal Kat, That Massive MOG,” Art Agenda, May 2016.
“Turner star brings Felix inspired show to Grundy,” The Gazette, May 2016.
Greenberger, Alex. ‘“I want to be fridge-like’: Mark Leckey gives a freewheeling talk about his work at Frieze,” Art News, May 2016.
Russeth, Andrew. “Manifesta 11 Artist List Includes Stark, Cattelan, Syms, Houellebecq, More,” Artnews, April 2016.
Stahl, Antje. “Images,” Art Agenda, April 2016.
“How Biennial 2016 is looking to Liverpool’s roots,” Liverpool Confidential, April 2016.
“Mark Leckey ‘Dream English Kid 1964 – 1999 AD’ at Galerie Buchholz, Berlin,” Mousse, March 2016.
Larious, Pablo. “Images,” frieze d/e, Spring 2016.
Noble, Kathy. “London Reviews,” Artforum, January 2016.
Gander, Ryan. “Mark Leckey,” Mousse, 2016.

Filipovic, Elena, “The artist As Curator – Mark Leckey, UniAddDumThs, 2014-2015,” Mousse, 49, Issue #8, 2015.
Hsu, Hua, “One Last Rave, Jamie xx’s homage to club culture,” The New Yorker, May 11, 2015.
Higgins, Charlotte. “How Mark Leckey beame the artist of the youtube generation,” The Guardian, March 2015.
Winklbauer, Andrea. “Mark Lekey, The Ecstatic Moment of Change,” Eikon #25, November 2015.
Fox, Dan. “Aspiring to the condition of cheap music,” Kunsthalle Basil, 2015

Charlesworth, J.J. “Mark Leckey,” Art Review, Summer 2014.
Griffin, Jonathan. “A Thing for Things,” Frieze, January 2014.
Grolund, Melissa. “Return of the Gothic: Digital Anxiety in the Domestic Sphere,” e-flux journal, January 2014.

Austen, Kat. “Exhibition blurs boundary between you and your objects,” New Scientist, June 2013.
Cornell, Lauren. “Techno-Animism,” Mousse, February-March 2013.
Davis, Laura. “ART INTERVIEW...,” Liverpool Daily Post, February 2013.
“DLWP show has reached beyond all expectation,” Bexhill-on-Sea Observer, September 2013.
French, Anneka. “The Universal Addressability of Dumb Things...,” This is Tomorrow, May 2013.
Elderkin, Rachel. “The Universal Addressability of Dumb Things,” Leftlion, May 2013.
Filipovic, Elena. “When Exhibitions Become Form: On the History of the Artist as Curator,” Mousse, December 2013.
Harris, Mark. “The Universal Addressability of Dumb Things,” Art Monthly, October 2013.
Higgins, Charlotte. “Fourth plinth hopefuls square up for next commission,” The Guardian, September 2013.
Jones, Catherine. “Artis Mark Leckey curates...,” Liverpool Echo, February 2013.
Leslie, Esther. “Mark Leckey’s Anima Mundi,” Afterall, Summer 2013.
Lewis, Mark. “Mark Leckey: Formal Love,” Afterall, Summer 2013.
“Mark Leckey at the Bluecoat,” Seven Streets, February 2013.
“Mark Leckey Curates The Universal Addressability of Dumb Things,” Artlyst, January 2013.
Moss, Ceci. “Mark Leckey: Hammer Museum,” Artforum, October 2013.
Pinnington, Mike. “Mark Leckey at the Bluecoat: The Universal Addressability of Dumb Things” CreativeTourist, March 2013.
Scrimgeour, Alexander. “Mark Leckey,” Artforum, Summer 2013.
Sheerin, Mark. “Artist’s Statement: Mark Leckey...,” Culture 24, May 2013.
Sutton, Benjamin. “Giant Felix the Cat Head Looms Large,” Blouin Artinfo, July 2013.
“Turner Prize winner Mark Lecky’s dumb things,” Phaidon, April 2013.
Walsh, Maria. “I Object,” Art Monthly, November 2013.
Wright, Karen. “In The Studio: Mark Leckey, artist,” The Independent, May 2013.

Bourriand, Nicolas. “Hétérochronie,” L’Officiel Art, April-May-June 2012.
Engelbach, Barbara. “Materialität der Medien. Mark Leckey über Kino, Fernsehen und Kunst,” Kinematographis che Räume, 2012.
Gasparina, Jill. “Mark Leckey – Music floats around the aether of the World Wide Web, waiting to be downloaded,” Volume, March-September 2012.
Harbison, Isobel. “Stock Piles,” Frieze, March 2012.
Huston, Carol. “Mark Leckey’s ‘Work and Leisure’ – Contemporary Art Show,” FLUX Magazine, February 28, 2012.
Rittenbach, Kari. “Chrome & Flesh: An Interview with Mark Leckey,” Rhizome, December 17, 2012.

Akbar, Arifa. “Turner prize artist Mark Leckey likens Henry Moore sculpture to Samsung refrigerator,” The Independent, May 18, 2011.
Bankowsky, Jack “Best of 2011,” Artforum, December 2011.
Beasley, Mark. “Mark Leckey at Gavin Brown’s enterprise,” frieze, January-February 2011.
Casavecchia, Barbara. “Lost in the Supermarket,” Kaleidoscope, Issue 11, Summer 2011.
Cruz, Lenika. “British Artist Mark Leckey to speak as part of UCLA Department of Art’s guest lecture series at the Hammer,” The Daily Bruin, October 5, 2011.
Curtin, Brian. “Still Life,” Artforum, July 20, 2011.
Davies, Lucia. “Mark Leckey, SEE, WE ASSEMBLE. Conversation with leading cultural figures,” AnOther, May 20, 2011.
Fisher, Mark. “Art Stigmergy,” Kaleidoscope, Issue 11, Summer 2011.
Gilligan, Melanie. Mark Leckey: Serpentine Gallery,” Artforum, November 2011.
Grolund, Melissa. “Still Life,” MAP, Summer 2011.
Harbison, Isobel. “The Browser Is a Portal,” Kaleidoscope, Issue 11, Summer 2011.
Herbert, Martin, “Still Life,” Art Monthly, July-August 2011.
Kuo, Michelle. “Mark Leckey,” Artforum, February 2011.
Kwan, Denise. See, We Assemble - Mark Leckey at the Serpentine Gallery: Review,” Breese Little, October 1, 2011.
Leckey, Mark. “Mark Leckey: Image and Words,” Arena Homme+, Spring-Summer 2011.
Luke, Ben. “Mark Leckey, See, Wee Assemble,” The Evening Standard, May 27, 2011.
Mclean-Ferris, Laura. “Mark Leckey: See We Assemble, Serpentine Gallery, London,” The Independent, May 20, 2011.
Milliard, Coline. “The Domestication of Mark Leckey: A Q&A With the Turner Prize Winner About His Quest Not to Make New Art,” ArtInfo, May 23, 2011.
Moran, Jarret. “Mark Leckey Made Me Hardcore,” Artlog, 2011.
Nanny, Mallory. “Mark Leckey’s Fusion of Technology and Theatricality: SEE, WE ASSEMBLE, Serpentine Gallrey, London,” Aesthetica Magazine, June 2011.

Basta, Sarina. “Mark Leckey In The Long Tail,” Flash Art, January – February 2010.
Collinge, Miranda. “Image Makers,” Esquire, November 2010.
Gavin, Francesca. “Making Sense of the Matrix with a Stick of Chalk,” Another Man, Spring/Summer 2010.
Harbison, Isobel. “Life and Times...” frieze, September 2010.
Herbert, Martin. “Mark Leckey and Martin McGeown: Life and Times of Milton Keynes Gallery,” Art Monthly, July-August 2010.
Leckey, Mark. “The Inner Sleeve. Mark Leckey on a Record that Wants to Remain Invisible,” The Wire, September 2010.
Leckey, Mark. “The Long Tail,” Dot Dot Dot, October 2010.
Leckey, Mark. “The Universal Addressability of Dumb Things,” Artforum, September 2010.
Leckey, Mark. Martin McGeown and Milton Keynes Gallery. “Interview with Mark Leckey and Anthony Spria,” Milton Keynes Gallery, 16 April - 27 June 2010.
Maltz-Leca, Leora. “Mark Leckey,” Critic’s Pick, Artforum.com, December 15, 2010.
Mendelsohn, Adam E. “Mark Leckey: GreenScreenRefrigeratorAction,” Spike, Winter 2010.
Sheerin, Mark. “Mark Leckey and Martin McGeown reflect on the Life and Times of Milton Keynes Gallery,” Culture 24, June 2, 2010.
Spira, Anthony. “Interview with Mark Leckey and Anthony Spira,” Milton Keynes Gallery website, May 2010.

“AO on site- New York: Mark Leckey’s ‘The Long Tail’ in MoMA’s Performance Exhibition series, October 1st, 2nd and 3rd, 2009,” ArtObserved, October 10, 2009.
Barrett, Mark. “Mark Leckey in the Long Tail,” Art Monthly, March 2009, p. 39.
Bilsborough, Michael. “Mechanical Animal,” School of Visual Arts Blog, October 6, 2009.
Charlesworth, J.J. “This Will End In Tears,” ArtReview, March 2009, p. 32.
De Carlo, Massimo. “Womp-Bomp-A-Loom-Op-A-Womp-Bam-Boom,” Mousse, September-October 2009.
Droitcour, Brian. “Interview with Mark Leckey,” Rhizome at The New Museum Blog, September 30, 2009.
“Fiorucci Made Me Hardcore: The definitive view of British nightlife,” Guardian.co.uk Music Blog, August 2009.
Gavin, Francesca. “Mark Leckey in The Long Tail,” PonyStep, February 2, 2009.
Griffin, Jonathan. “Mark Leckey in a Long Tail World,” Frieze, February 2009.
Hollis, Edward and Mark Leckey. “Tell tail tales: Mark Leckey and Edward Hollis in conversation,” Journal of Writing in Creative Practice, December 2009.
Latimer, Quinn. “Performance Anxiety: Mark Leckey’s Little Theatre of Gestures,” Art in America, June 16, 2009.
Mack, Joshua. “Mark Leckey in the Long Tail,” Artreview Blog, October 6, 2009.
Wilson, Michael. “An American Tail,” Artforum Diary, October 8, 2009.

Bell, Kirsty. “Mark Leckey. Being in the world,” Camera Austria, May 2008.
Brown, Mark. “Modern-day Dandy (and his Associate Felix the Cat) is the Turner Prize Favourite,” The Guardian, May 14, 2008.
Brown, Mark. “Modest Art,” The Guardian, December 1, 2008.
Campbell-Johnston, Rachel. “Don’t scream, it doesn’t mean anything at all,” The Times, September 30, 2008.
Campbell-Johnston, Rachel. “Eyes on the Prize,” Times 2 (Supplement to The Times), October 1, 2008.
Falconer, Morgan. “New Work: Mark Leckey,” Art World, December/January, 2008, p. 102.
Frangenberg, Frank. “Schaufenster der Kunst,” Kölner Stadt-Anzeiger, April 17, 2008.
Gebetsroither, Ines. “Potatoes and Cameras,” Spike, Summer 2008.
Higgins, Charlotte. “I Was Shocked By the Hatred,” The Guardian, December 3, 2008. Jones, Jonathan. “Perverse and baffling with an obvious winner,” The Guardian, May 14, 2008.
Jury, Louise. “This Will Turner My Life Around,” The Evening Standard, December 2, 2008.
Krajewski, Michael. “Mark Leckey,” Kunst Bulletin, June 2008.
Leckey, Mark. “Life in Film: Mark Leckey,” frieze, May 2008.
Leckey, Mark. “The Long Tail,” Roland, September – October 2008.
Lewis, Ben. “Race For the Prize,” Evening Standard, October 3, 2008.
Lorch, Catrin. “Das Gummitier im Licht,” Süddeutsche Zeitung, May 24/25, 2008.
Searle, Adrian. “Nurses and Curses,” The Guardian, September 30, 2008.
Seyfarth, Ludwig. “Mark Leckey,” artist kunstmagazin, October 2008.
Styrie, Hanna. “Scheu wie eine Katze,” Kolner Rundschau, April 17, 2008.
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Thorel, Benjamin. “Mark Leckey,” Flash Art, January/February 2008, p.152.
“Totally Shock-Free,” ArtMag, December
Voss, Julia. “Wüten wie ein Pestbazillus,” Frankfurter Allgemeine Zeitung, May 3, 2008.

Allsop, Laura. “Make It New: Pale Carnage,” ArtReview, March 2007, p. 34.
Myers, Terry R. “Sympathy for the Devil,” Time Out, October 18, 2007.

Beasley, Mark. “Fiorucci Made Me Hardcore,” Arena Homme, Winter/Spring 2006.
Benedict, Will. “Eine Entäußerung,” Texte zur Kunst, January 2006.
Demand, Thomas; Mark Godfrey, Jorg Heiser, Jennifer Higgie, Adrian Searle, Polly Staple, and Tirdad Zolghadr. “Binary Fluffling,” frieze, June/July 2006, p. 220-25.
Dorment, Richard. “Haunted by Concepts of the Past,” The Daily Telegraph, March 7, 2006.
Raum, Judith, “Mark Leckey”, Flash Art, March-April 2006, p. 114-16.
Smith, Roberta, “Mark Leckey – Drunken Baker,” The New York Times, March 10, 2006, p. E34.
Speers Mears, Emily. “Mark Leckey – Portikus im Leinwandhaus,” Artforum, April 2006, p. 259-60.

Lintzel, Aram. “Spiralen der Erinnerung, Pop – Nostalgia – Art,” Texte zur Kunst, December 2005.
“El Topo: Mark Leckey,” Domus, December 2005.
“100 Future Greats,” ArtReview, December 2005, p. 66-99.
“News: Istanbul Biennial,” Contemporary, no. 75, 2005, p.15.

Abs, Peter. “Hallo Wände – Drei Videofilme und ein Buch von Mark Leckey,” Spex, November 2004.
Dzuverovic-Russel, Lina. “Cross Platform,” The Wire, July 2004.
Eberhart, Matthew. Flash Art, November/ December 2004.
Higgie, Jennifer. “Meeting at Conway Hall,” Frieze, Issue 85, 2004, p. 77.
Higgie, Jennifer. “Picture,” frieze, May 2004.
Higgs, Matthew. “Best of 2004,” Artforum, December 2004, p.156.
McFarland, Dale. “Mark Leckey – Fabrica Brighton, Cabinet London,” Art Monthly, February 2004.
White, Ian. “Mark Leckey – Cabinet,” Art Monthly, February 2004.
Wood, Catherine. “Horror Vacui. The Subject as Image in Mark Leckey’s ‘Parade’,” Parkett, 2004.
“7 windmill street w1: mark lackey,” tema celeste, May-June 2004.

Amanshauser, Hildegund. “Sound Systems,” Magazin 8, 2003.
“Project,” Flash Art, January/February 2003, p. 66-69.
Bishop, Claire. “Video Killed the Radio Star – Ann-Sofi Sidén, Anri Sala, Mark Leckey,” Flash Art, January-February 2003.
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Leckey, Mark. “LondonAtela, 2002 project for Flash Art,” Flash Art, January-February 2003.
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Sladen, Mark. “Reasons to be Cheerful,” Art Review, March 2003, p. 31.
Veber, Nicholas. “Bring on the Noise: Mark Leckey,” Dazed and Confused, May 2003.
Wood, Catherine. “Horror Vacui,” Parkett, No. 70, 2003, p.157-163.

Beasley, Mark. “Making tracks,” frieze, September 2002.
Bishop, Claire. “Screen Testing: Andy Warhol & Sound and Vision,” Evening Standard, August 24, 2002.
Bishop, Claire. “Video Killed the Radio Star,” Flash Art, January/February 2002, p. 70-73.
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Koether, Jutta. “Walk-In Collage – Ein Gang durch New Yorker Ausstellungen,” Texte zur Kunst, June 2002, p.142.
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Lewisohn, Cedar. “Mobile Worship – Cedar Lewisohn asks artists Guy Bar Amotz and Mark Leckey whether art measures up to music,” Contemporary, November 2002, p. 56-57.
Mellors, Nathaniel. “Revolutions per Minute,” Frieze, October 2002, cover and p.72-75
Summers, Francis. “Fiorucci Made Me Hardcore,” Sleazenation, 2002, p. 76-8.
White, Ian. “Jet-Packed Nomads,” ArtFoto, 2002, p. 30-33.
“Pogointogo,” Self Service, No. 15, Fall / Winter 2002, p. 46.

Bishop, Claire. “Screen Testing: Andy Warhol & Sound and Vision,” The Evening Standard, August 24, 2001.
Lafreniere, Steve. “Mark Leckey,” Index, September 2001.
Mellors, Nathaniel. “Revolutions per Minute,” frieze, October 2001.

Wilson, Michael. “Village Disco,” Art Monthly, February 2000.

Judah, Hettie. “The Outer Line,” The Times, December 7, 1999.
Leckey, Mark. “The Casuals,” Open City, No. 9, Fall 1999, p. 119-128.
Seymour, Ben. “Everything Must Go,” Mute, 1999.