Robert Mapplethorpe More Life. Edited by Yongwoo Lee. Seoul, Korea: Kukje Gallery, 2022.

Psychic Wounds: On Art & Trauma. new York, NY: MW Editions/The Warehouse, 2021.

Holborn, Mark and Dimitri Levas eds. Robert Mapplethorpe. New York: Phaidon, 2020.

Robert Mapplethorpe: L'Obiettivo Sensible, the Sensitive Lens. Rome: Umberto Allemandi, 2019.
Robert Mapplehorpe: Choreography for an Exhibition. Naples, Italy: Fondazione Donnargina per le arti contemporanee, 2019.
Robert Mapplethorpe: Pictures. Essays by Susan Sontag and Jonathan K. Nelson. Porto, Portugal: Fundação Serralves, 2018. Exhibition Catalogue.

Inszenierung männlicher Sexulität in Robert Mapplethropes Selbstporträts. Edited by Annike Schallenberg. Leipzip, Germany, 2018.
Mapplethorpe and Dureau. New Orleans, LA: Arthur Roger Gallery, 2018.
Rober Mapplethorpe: Pictures. Essays by Susan Sontage and Jonathan K. Nelson. Porto, Portugal: Fundação Serralves, 2018.

Memento Mori: Robert Mapplethorpe Photographs from the Peter Marino Collection. Tokyo: Chanel Nexus Hall, 2017.

Robert Mapplethorpe: The Archive. Los Angeles: Getty Research Institute, 2016.
Robert Mapplethorpe: On the Edge. Edited by Erlend G. Hoyersten. Aarhus, Denmark: ARoS Aarhus
Mapplethorpe Flora: The Complete Flowers. New York: Phaidon, 2016.
Robert Mapplethorpe: The Photographs. Los Angeles: Getty Publications, 2016.
Mapplethorpe + Munch. Oslo: Munch Museum, 2016.
Gay Gotham: Art and Underground Culture in New York. New York: Skira Rizzoli Publications, Inc., 2016.

Warhol & Mapplethorpe: Guise & Dolls. Edited by Patricia Hickson. Hartfort: Wadsworth Anthenum Museum of Art and Yale University Press, 2015.

Celant, Germano. Robert Mapplethorpe: The Nymph Photography. New York: Skira, 2014.
Neutres, Jérôme, ed. Robert Mapplethorpe. Paris: Éditions de la Réunion des musées nationaux, Grand Palais, 2014.
Mapplethorpe/Rodin. Paris: Musée Rodin, 2014.
Robert Mapplethorpe. Edited by Jerome Neutres. Paris, France: Réunion des musées nationaux - Grand Palais, 2014. Exhibition Catalogue.

Object: Robert Mapplethorpe. Designed by Dimitri Levas, New York, NY: Dashwood Books, 2013.
Polaroids: Mapplethorpe. Edited by Sylvia Wolf. Munich: Prestel Vertag / Whitney Museum of American Art, 2013. Monograph.

The Homoerotic Photograph: Male Images from Durieu / Delacroix to Mapplethorpe. Edited by Allen Ellenzweig. New York, NY. Columbia University Press, 2012.

Flood, Richard, ed. Mapplethorpe X7. New York: teNeues, 2011.
Robert Mapplethorpe. Edited by Marilena V. Karra. Athens, Greece: Onassis Cultural Centre, 2011. Exhibition Catalogue.
Robert Mapplethorpe. Edited by Alessandra Mauro and Alessia Tagliaventi. Milan: Contrasto, 2011.

Man Ray / Mapplethorpe. Edited by Fondazione Marconi. Italy: De Lettera WP, 2010.
Robert Mapplethorpe: Eros and Order. Edited by Anne Tucker. Buenos Aires: MALBA - Fundación Constantini, 2010.
Robert Mapplethorpe: Photographs. Edited by Felix Hoffman and Martin Jaeggi. Germany: C/O Berlin, 2010.
Sterling Ruby / Robert Mapplethorpe. Edited by Sterling Ruby and Ed Schad. Brussels, Belgium: Xavier Hafkens Gallery, 2010.

Faletti, Franca, and Jonathon Nelson. Robert Mapplethorpe: Perfection in Form. New York: teNeues, 2009.
Robert Mapplethorpe. Málaga, Spain: C.A.C Malaga Centro de Arte Contemporáneo de Malága, 2009.
Robert Mapplethorpe. Palma, Spain. Es Baluard Museu d'Art Modern / Contemporani de Palma, 2009.
Robert Mapplethorpe. Ljubljana, Slovenis: TR3 Gallery / The National Gallery, 2009.
Baldwin, Gordon and Daniel Cornell. Robert Mapplethorpe: Portraits. Palm Springs: Palm Springs Art Museum, 2009.

Mapplethorpe. Edited by Arthur C. Danto. Germany: teNeues, 2007.
Wolf, Silvia. Polaroids: Mapplethorpe. New York: Prestel Verlag, 2007.
Vanitas: Robert Mapplethorpe. Edited by Juan Vicente Aliaga. Madrid: Galeria Pepe Cobo, 2007.

Robert Mapplethorpe: Complete Flowers. Dusseldorf: teNeues Publishing Group, 2006.
Hartley, Keith. Robert Mapplethorpe. Edinburgh: National Galleries of Scotland, 2006.
Robert Mapplethorpe: Pictures. Edited by Bernheimer Fine Old Masters, with Acknowledgements by Konrad O. Bernheimer, and Introduced by Time Warner-Johnson. Germany: Bernheimer Fine Old Masters, 2006.
Robert Mapplethorpe. Sagrado y Profano. Edited by Fototeca de Cuba. Havana, Cuba: Fototeca de Cuba, 2006.
Surprise, Surprise. London: ICA London, 2006.

Weinberg, Jonathan. Male Desire: The Homoerotic in American Art. New York: Harry N. Abrams, 2005.
Robert Mapplethorpe: Sagrado y Profano, Sacred and Profane. Havana: Fototca de Cuba, 2005.
Mapplethorpe's Rooms. Edited by Teresa larocci Mavica. Moschow, Russia: Stella Kay, 2005.
Robert Mapplethorpe: Porträts und Erotik. Edited by Peter Weiermair. Germany: Galerie im Alten Rathaus Prien am Cheimsee / Alpen Adria - Galerie Klagenfurt, 2005.
Celant, Germano. Robert Mapplethorpe; Tra Antico e moderno. Un’antologia. Torino: Artificio Skira, 2005.

Celant, Germano, Jennifer Blessing, and Arkady Ippolitov, eds. Robert Mapplethorpe and the Classical Tradition: Photographs and Mannerist Print. New York: Guggenheim Museum Publications, 2004.
Heartney, Eleanor. Postmodern Heretics: The Catholic Imagination in Contemporary Art. New York: Midmarch Press, 2004.

Eros E Fotografia: Robert Mapplethorpe. Edited by Judith Lange. Italy: Gruppo Editoiriale l'Expresso, 2003.

Robert Mapplethorpe Retrospective. Edited by Shinobu Nomura and Taku Shibuya. Tokyo, Japan: Tetsuya Kotani, APT International, 2002.

"Instant Gratification: Robert Mapplethorpe's Polaroids, 1970-1976. "Aperture, No. 163, Spring 2001. Edited by Arthur C. Danto. Italy: 2001, Aperture Foundation, Inc., 2001.
Promiscuous Flowers: Robert Mapplethorpe & Nobuyoshi Araki. Edited by Noriko Fuku. Japan: Art LIfe, Ltf., 2001.
Marshall, Richard. Robert Mapplethorpe: Autoportrait. Santa Fe: Arena, 2001.

Robert Mapplethorpe. Valencia: Centre Cultural de La Beneficencia Diputacion de Valencia/ Sala Parpallo, 1999.
Levas, Dimitri. Pictures: Robert Mapplethorpe. New York: Arena, 1999.

Robert Mapplethorpe Patti Smith Dessins. Paris, France: Galerie Baudoin Lebon, 1998.

Mapplethorpe: Museo Alejandro Otereo. Caracas, Venezuela. 1997.
Robert Mapplethorpe. Edited by Kalus Honnef, Köln: Van Berlin / Galerie Stefan Röpke, 1997.
Blessing, Jennifer. Rrose is a Rrose is a Rrose. New York: Guggenheim Foundation, 1997.
Table Tops: Morandi to Mapplethorpe. Escondido, CA: California Center for the Arts Museum, 1997.

Ribettes, Jean-Michel, and Jean-Louis Déotte. Les Autoportraits de Mapplethorpe. Paris: Baudoin Lebon/Jean-Pierre Faur, 1996.
Pistils. New York: Random House, 1996.
Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe. Edited by Arthur C. Danto. California: University of California Press, 1996.
Right from the Start: The Early Polaroids of Robert Mapplethorpe. Edited by Thomas W. Sokolowski. Sydney, Australia: Roslyn Oxley Gallery, 1996.
Robert Mapplethorpe. Edited by Hiroaki Hayakawa. Japan: Art Life, Ltd., 1996.

Morrisroe, Patricia. Mapplethorpe: A Biography. New York: Random House, 1995.
The Gardens of Earthly Delights: Weston and Maplethorpe. Edited by Jonathan Green. USA: UCR Arts, California Museum of Photograph, 1995.

Fritscher, Jack. Mapplethorpe: Assault with a Deadly Camera. New York: Hastings House, 1994.

In Dialogue: Else Rady and Robert Mapplethorpe. Edited by Santa Barabara Museum of Art. Santa Barbara, CA. 1993.
Smith, Patti and Germano Celant. Robert Mapplethorpe: Mirrors. New York: The Solomon R. Guggenheim Museum and The Robert Mapplethorpe Foundation in association with Random House, 1993.
"Nothing like the Son: On Robert Mapplethorpe X Portfolio," The Invisible Dragon: Four Essays on Beauty. Edited by Dave Hickey. Los Angeles: Art Issues. Press, 1993.

Becher Mapplethorpe Sherman. Edited by Olivier Debroise. Monterrey, Mexico: Museo de Monterrey, 1992.
Robert Mapplethorpe. Tokyo: Art Tower Mito and Asahi Shimbun, 1992.
Mapplethorpe. Lausanne: FAE Musee D’Art Contemporain, 1992.
Celant, Germano. Mapplethorpe Versus Rodin. Milan: Electa, 1992.
Celant, Germano. Mapplethorpe. Louisiana: Louisiana Museum, 1992.
Danto, C. Arthur. Mapplethorpe. New York: Random House, 1992.
Mapplethorpe. Lausanne: FAE Musée d’art contemporain, 1992.

Mapplethorpe. Edited by Chantal Michetti-Prod'Hom and Asher B. Edelman. Pully/Lausanna Switzerland: FAE Musée D'Art Contemporain, 1991.
Robert Mapplethorpe. Madrid, Spain: Galeria Weber Alexander Y Cobo, 1991.
Cheim, John. Robert Mapplethorpe Early Works. New York: Robert Miller Gallery, 1991.

Flowers Mapplethorpe. Boston, Toronto, London: Bulfinch Press/Little, Brown, & Company, 1990.
"How the Eye is Caste: Robert Mapplethorpe and the Limits of Controversy." Discourse: Journal for Theoretical Studies in Media and Culture. Edited by Thomas Yingling. Indiana: Indiana University Press, 1990.
"Legal I - Cincinnari vs. Robert Mapplethorpe: The Crusade of Sheriff Leis." The Picture Professional. Edited by America Society of Picture Professionals. 1990.

150 Years of Photography (5x5 Leibovitz Mapplethorpe Newman Slavin Weber Beaufraud De La Ville Scannone Sigaa Vogeler). Caracas, Venezuela: Fundación Museo de Arte Acarigua - Araure / Museo de Arte Contemporaneo de Caracas, 1989.
Robert Mapplethorpe's Proud Finale. Vanity Fair. Edited by Dominick Dunne, February 1989.
Mapplethorpe, Robert. Some Women. Boston, Toronto, London: Bulfinch Press/Little, Brown & Company, 1989.

Conrad, Peter. Mapplethorpe Portraits. London: National Portrait Gallery, 1988.
Robert Mapplethorpe: The Perfect Moment. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1988.
Robert Mapplethorpe: Ten by Ten. Edit by Els Barents. Germany: Schirmer - Mosel, 1988.
The Perfect Moment. Edited by Janet Kardon. Philadelphia, Pa; Institute of Contemporary Art Philadelphia, 1988.
Marshall, Richard. Robert Mapplethorpe. New York: Whitney Museum of American Art in Association with New York Graphic Society Books; Boston: Little Brown and Company, 1988. Contributions by Ingrid Sischy and Richard Howard.

Robert Mapplethorpe. Tokyo: Parco Co., Ltd, 1987.
Smith, Patti. Robert Mapplethorpe. New York: Bellport Press, 1987.
Robert Mapplethorpe. Tokyo: Parco, 1987.

Schmidt, Paul, ed., trans., with photogravures by Robert Mapplethorpe. Arthur Rimbaud: A Season in Hell. New York: Limited Editions Club, 1986.
Marshall, Richard. 50 New York Artists: A Critical Selection of Painters and Sculptors Working in New York. San Francisco: Chronicle, 1986.
Robert Mapplethorpe. Edited by Germano Celant. Italy: Idea Books Edizioni, 1986.
Robert Mapplethorpe, 1986. Berlin: Raab Galerie; Cologne: Galerie Kicken - Pauseback, 1986.
Mapplethorpe, Robert. The Black Book. New York: St. Martin’s, 1986.
Foss, Paul. Robert Mapplethorpe: Photographs 1976—1985. South Yarra, Australia: Australian Center for Contemporary Art, 1986.
Robert Mapplethorpe fotograpfije. Text by Germano Celant. Piran, Slovenia: Obalne Galerije Piran, 1986.
Fabre, Jan. Power of Theatrical Madness. London: Institute of Contemporary Arts, 1986.

Black Flowers. Madrid, Spain: Edited by Fernando Vijande, 1985.
Mapplethorpe, Robert. Certain People: A Book of Portraits. Los Angeles: Twelvetree Press, 1985.

Robert Mapplethorpe: Process. Introduction by Sam Wagstaff. New York, NY: Barbara Gladstone Gallery, 1984
Cathcart, Linda and Craig Owens. The Heroic Figure. Houston: Contemporary Arts Museum, 1984.

Mapplethorpe, Robert. Lady Lisa Lyon. New York: Viking, 1983.
Lady Lisa Lyon. Munchen: Schirmer/Mose, 1983.
Morgan, Stuart, and Alan Hollinghurst. Robert Mapplethorpe 1970-1983. London: Institute of Contemporary Art, 1983.
Robert Mapplethorpe. Milan: an Idea Books Edition, Publimedia Editrice 1983.
Celant, Germano. Robert Mapplethorpe: Fotografie. Milan: Idea Books; Venice: Centro di Documentazione di Palazzo Fortuny, 1983.
Wagstaff, Sam. Robert Mapplethorpe: Flowers. Tokyo: Gallery Watari, 1983.

Robert Mapplethorpe. Frankfurter: Peter Weirmair, Steinernes Haus, 1981.
Wagstaff, Sam, and Peter Weiermair. Robert Mapplethorpe. Frankfurt am Main: Frankfurter Kunstverein, 1981.

Black Males. Amsterdam: Galerie Jurka, 1980.

Fuhr, Rein von der. Robert Mapplethorpe. Amsterdam: Galerie Jurka, 1979.

Créatis. Paris: Albert Champeau, rue du Départ, 1978.
Amaya, Mario. Robert Mapplethorpe Photographs. Norfolk: Chrysler Museum, 1978.
"Robert Mapplethorpe talks to Paul Talyor", SON OF DRUMMER Annual Magazine. Edited by Jack Fritscher. San Francisco, CA, 1978.

L'Argent Dans L'Art. Paris, France: In Fine éditions d'art, 2023. Exhibition Catalogue.
Louise Bourgeois: Imaginary Conversations. Oslo, Norway: National Museum, Oslo, 2023. Exhibition Catalogue.

Botanical: Observing Beauty. France: Chaumet & JBE Books, 2022. Exhibition Catalogue.
Domenico Gnoli. Edited by Mario Mainetti. Milan, Italy: Fondazione Prada, 2022.
Flowers! In the Art of the 20th and 21st Centuries. Edited by Regina Selter and Stefanie Weißhorn-Ponert. Dortmund, Germany: Hirmer, 2022. Exhibition Catalogue.
Io, Lei, L'Altra: Ritratti e autoritratti fotografici di donne artiste. Edited by Guido Comis and Simona Cossu. Milan, Italy: Skira, 2022. Exhibition Catalogue.
Middlebury College Museum of Art Handbook of the Collection. Edited by Richard Saunders, Pieter Broucke, and Sarah Briggs. Middlebury, VT: Middlebury College Museum of Art, 2022.
Sexually Explicit Art, Feminist Theory, and Gender in the 1970s. By Christian Liclair. New York, NY: Routledge, 2022.
Somewhere Downtown: Art in 1980s New York. Text by Philip Tinari, Carlo McCormick, Sur Rodney (Sur) and Peter Eleey. China: Zhejiang Photographic Press, 2022. Exhibition Catalogue.
Unmasking Masculinity for the 21st Century. Kalamazoo, MI: Kalamazoo Institute of Arts, 2022. Exhibition Catalogue.
Vom Konsum Des Begehrens: Appropriation Art, Sex Wars und ein potmoderner Bilderstreit. By Susanne Huber. Berlin: Walter de Gruyter GmbH, 2022.

American Art 1961-2001. Edited by Vincenzo de Bellis and Arturo Galansino. Florence, Italy: Fondazione Palazzo Strozzi, 2021. Exhibition Catalogue.
Bright Stars: Great Artists Who Died Too Young. Edited by Kate Bryan. Frances Lincoln, 2021.
Canova: Tra Innocenza e Peccato. Trento and Rovereto, Italy: Mart, 2021. Exhibition Catalogue.
Criticizing Photographs. By Terry Barrett. New York, NY: Routledge, 2021. Theory.
E/motion: Fashion in Transition. Edited by Kaat Debo, Alistair O'Neill and Caroline Evans. Belgium: Lannoo, 2021. Exhibition Catalog.
Forty Years: Elizabeth Leach Gallery. Seattle, WA: Lucia | Marquand, 2021.
How Photography Became Contemporary Art: Inside an Artistic Revolution from Pop to the Digital Age. By Andy Grundberg. New Haven and London: Yale University Press, 2021.
Jutta Koether: Libertine. Germany: Museum Abteiberg, 2021. Exhibition Catalogue.
Kubrick's Men. Edited by Richard Rambuss. New York, NY: Fordham University Press, 2021.
Museum of Contemporary Art San Diego: Handbook of the Collection. Introduction by Kathryn Kanjo. Museum of Contemporary Art, San Diego, 2021. Collection Catalog.
On the Bowery. New York, NY: Zürcher Gallery, 2021. Exhibition Catalog.
Who Says, Who Shows, What Counts: Thinking about History with The Block’s Collection. Edited by Essi Rönkkö and Kate Hadley Toftness. Evanston, IL: Northwestern University Press, 2021. Exhibition Catalogue.
Women in Abstraction. Edited by Christine Macel and Karolina Ziebinska-Lewandowska. London, UK: Thames and Hudson, 2021. Exhibition Catalog.

A Gust of Photo-Philia: Photography in the Art Museum. Edited by Alexandra Moschovi. Belgium: Leuven University Press, 2020. Monograph.
Agustín Fernández: Armaduras. Edited by Jonathan Katz and Gean Moreno. Miami, FL: ICA Miami, 2020.
Alice Neel, un regard engagé. Edited by Angela Lampe. Paris, France: Centre Pompidou, 2020. Exhibition Catalogue.
Art of the United States 1750-2000. By John Davis and Michael Leja. Chicago, IL: Terra Foundation for American Art, 2020.
Bodyscapes. Israel: Israel Museum, 2020. Exhibition Catalogue.
Die Vertikalen im klassischen Horizont [Verticals in the Classical Horizon]: Schiller / Mapplethorpe, Winckelmann / Bernini, Goethe / Faulkner. Edited by Dr. Peter Ensberg. Germany: Königshausen & Neumann, 2020.
Eiko Ishioka: Blood, Sweat, and Tears - A Life of Design. Tokyo, Japan: SHOGAKUKAN, Inc., 2020. Exhibition Catalogue.
Fantastic Women: Surreal Worlds from Meret Oppenheim to Frida Kahlo. Edited by Ingrid Pfeiffer. Munich, Germany: Hirmer, 2020. Exhibition Catalogue.
Flower: Exploring the World in Bloom. New York, NY: Phaidon, 2020.
High Anxiety. Edited by Randy Shull and Hedy Fischer. Asheville, NC: 22 London, 2020. Exhibition Catalogue.
Jan Mulder Collection. Edited by Jan Mulder, Marta Gili, Françoise Hebner, and Stefano Klima. Editorial RM, 2020. Collection Catalogue.
Looking at Photography. Edited by Stephen Frailey. New York, NY: Damiani, 2020.
Louise Bourgeois, Freud's Daughter. Edited by Philip Larratt-Smith with Essay by Juliet Mitchell. The Jewish Museum / Yale University Press, 2020. Monograph.
Masculinities: Liberation Through Photography. Edited by Alona Pardo. London, England: Prestel, 2020. Exhibition Catalogue.
Modern and Contemporary Art at the Museum of Fine Arts, Houston. Edited by Alison de Lima Greene and Gary Tinterow. Houston, TX: Museum of Fine Arts, Houston, 2020. Museum Catalogue Collection
Off the Walls: Inspired Re-Creations of Iconic Artworks. Edited by J. Paul Getty Trust. Los Angeles, CA: Getty Publications, 2020.
Photography’s Last Century. Edited by Jeff L. Rosenheim. New York, NY: The Metropolitan Museum of Art, 2020. Exhibition Catalogue.
Prints and Their Makers. Edited by Phil Sanders. Princeton, NJ: Princeton Architectural Press, 2020.
Psychic Wounds: On Art & Trauma. Dallas, TX: The Warehouse, 2020. Exhibition Catalogue.
The Fashion Book: Revised and Updated. New York: Phaidon, 2020.
The Marieluise Hessel Collection: Volumes I & II. Edited by Tom Eccles and Amy Zion. Annandale-on-Hudson, NY: Hessel Museum of Art, CCS Bard, 2020. Collection Catalogue.
The Sphinx Contemplating Napoleon: Global Perspectives on Contemporary Art and Difference. Edited by Gilane Tawadros. Bloomsbury Press, 2020.
Queer Pain: Schmerz als Solidarisierung, Fotografie als Affizierung. Edited by Katrin Köppert. Germany: Neofelis, 2020.
Robert Grosvenor. Edited by Bruce Hainley and Mark Handforth. Miami, FL: ICA Miami, 2020.
The Art Book. New York and London: Phaidon, 2020.
Unearthed. Edited by Alexander Moore, with Essay by Fred Meije. England: Dulwich Picture Gallery, 2020. Exhibition Catalogue.
Visions of the Self: Rembrandt and Now. Edited by Brett Garde. London, England: Gagosian Gallery, 2020. Exhibition Catalogue.
Writings on Art, 1980-2005. Edited by Francesca Pietropaolo. HENI Publishing, 2020.

100 Years 100 Artworks: A History of Modern and Contemporary Art. By Agnes Berecz. New York, NY: Prestel, 2019.
1989: Kultur Och Politik. Edited by Per Hedström. Stockholm, Sweden: Nationalmuseum, Stockholm, 2019. Exhibition Catalogue.
A Luta Continua. The Perlstein Collection: Art and Photography from Dada to Now. New York, NY: Hauser & Wirth, 2019. Exhibition Catalogue.
Anatomy: Exploring the Human Body. Edited by Thomas Schnalke and Dame Sue Black. London: Phaidon, 2019.
Alice Neel: Freedom. New York, NY: David Zwirner Books, 2019. Exhibition Catalogue.
Among Others: Blackness at MoMA. Edited by Darby English and Charlotte Barat. New York, NY: The Museum of Modern Art, 2019. Collection Catalogue.
Art After Stonewall: 1969-1989. Edited by Jonathan Weinberg. Rizzoli Electa / Columbus Museum of Art, Ohio, 2019. Exhibition Catalogue.
Blossomed and Captured: Flowers in Photography / Aufgeblüht und abgelichtet. Blumen in der Fotografie. Waiblingen, Germany: Galerie Stihl Waiblingen, 2019. Exhibition Catalogue.
Camp: Notes on Fashion. Edited by Andrew Bolton. New York, NY: The Metropolitan Museum of Art, 2019. Exhibition Catalogue.
Collecció Es Baluard. Edited by Nekane Aramburu. Palma, Mallorca, Spain: Fundació Es Baluard Museu d'Art Modern i Contemporani de Palma, 2019. Collection Catalogue.
Fresh Perspectives on Grant Wood, Charles Sheeler, and George H. Durrie. Edited by James H. Maroney, Jr. Leicester, Vermont: Gala Books, Ltd, 2019.
Go Down Moses. Chicago, IL: Museum of Contemporary Photography, Columbia College Chicago, 2019. Exhibition Catalogue.
Guess Who is the Happiest Girl in Town. By Susi Wyss. Germany: Edition Patrick Frey, 2019.
In the Cut: The Male Body in Feminist Art. Edited by Andrea Jahn. Bielefeld, Germany: Kerber Verlag, 2019. Exhibition Catalogue.
Keith Haring | Jean-Michel Basquiat: Crossing Lines. Edited by Dr Dieter Buchhart. Australia: National Gallery of Victoria, 2019. Exhibition Catalogue.
la mère la mer. Edited by Kevin Moore and Nion McEvoy. San Francisco, CA: McEvoy Foundation for the Arts, 2019. Exhibition Catalogue.
Lichtenstein to Warhol. Edited by Meredith McKendry and Jane Kinsman. Australia: National Gallery of Australia, Canberra, 2019. Exhibition Catalogue.
M. Lamar: NEGROGOTHIC. Edited by M. Lamar. New York, NY: Participant Press, 2019.
Makoto Saito: Criticality. Kitakyushu, Japan: Yamada Photo Process Co., Ltd, 2019.
Models of Integrity: Art and Law in Post-Sixties America. Edited by Joan Kee. Oakland, California: University of California Press, 2019.
Modern Art Museum of Fort Worth Collection Highlights. Edited by Lee Hallman. Fort Worth, TX: Modern Art Museum of Fort Worth, 2019. Collection Catalogue.
Monopol Magazin für Kunst und Leben. Edited by Isabelle Huppert, AA Bronson, Valie Export, Sasha Waltz, and Sebastian Frenze. Germany: Res Publica Verlags GMBH, 2019.
OMR (1983-2015). Primera Epoca. Edited by La Galería OMR. Mexico: Turner Mexico, 2019.
Out of Bounds: The Collected Writings of Marcia Tucker. Edited by Lisa Philips, Johanna Burton, Alicia Ritson, and Kate Wiener. New York: New Museum / The Getty Research Institute, 2019.
Passion: Images of the Hunt. Zurich, Switzerland: Scheidegger & Spiess, 2019. Exhibition Catalogue.
Queer Holdings: A Survey of the Leslie-Lohman Museum Collection. Edited by Gonzalo Casals and Noam Parness. Hirmer Publishers, 2019.
Schau, ich bin blind, schau. Von Rémy Zaugg bis John Baldessari - die Sammlung Hans und Monika Furer. Basel, Switzerland: Kunstmuseum Basel, 2019. Exhibition Catalogue.
Shape of Light: Defining Photographs from the Frances Lehman Loeb Art Center. Edited by Mary-Kay Lombino and Anne Hoene Hay. Italy: Conti Tipocolor / Frances Lehman Loeb Art Center, 2019. Exhibition Catalogue.
Sontag: Her Life and Work. By Benjamin Moser. New York, NY: Ecco, 2019.
That 80s Show. Edited by Eric Fischl. Roslyn, NY: Nassau County Museum of Art, 2019. Exhibition Catalogue.
The Making of a Museum: 100 Years, 100 Works. Tampa, FL: Tampa Museum of Art, 2019. Exhibition Catalogue.
The World Exists to be Put on a Postcard: Artists' postcards from 1960 to now. Text by Jeremy Cooper. London: Thames and Hudson / The British Museum, 2019.

American Masters, 1940-1980. Edited by Meredith McKendry. Australia: National Gallery of Australia, Canberra, 2018. Exhibition Catalogue.
Andy Warhol: The Mechanical Art. Edited by José Lebrero Stals. Málaga, Spain: Museo Picasso Málaga, 2018. Exhibition Catalogue.
Art AIDS America Chicago. Edited by Staci Boris. Chicago, IL: Alphawood Foundation, 2018. Exhibition Catalogue.
Arthur Jafa: A Series of Utterly Improbable, Yet Extraordinary Renditions. Edited by Amira Gad and Joseph Constable. London, England: Koenig Books, 2018. Exhibition Catalog.
Bachelors. By Rosalind E. Krauss. Tokyo, Japan: Heibonsha, 2018.
Counterpoint: Selections from The Peter Marino Collection. New York: Peter Marino Architecture, 2018. Exhibition Catalogue.
Cross Examination: Works from the Tia Collection. Edited by Mathieu Cénac and David Desrimais. Paris, France: Jean Boîte Éditions, 2018.
Du bist Faust: Goethes Drama in Art. Munich, Germany: Kunsthalle München / Prestel Verlag, 2018. Exhibition Catalogue.
Flowers. Edited by Pilar Ordovas. London, England: Ordovas Gallery, 2018. Exhibition Catalogue.
Flying Too Close to the Sun: Myths in Art from Classical to Contemporary. Edited by James Cahill. Phaidon, 2018.
Histórias da sexualidade. Edited by Camila Bechelany and Adriano Pedrosa. São Paulo, Brazil: Museu de Arte de São Paulo, 2018. Exhibition Catalogue.
Howardena Pindell: What Remains to be Seen. Edited by Naomi Beckwith and Valerie Cassel Oliver. New York: Delmonico Books, Prestel / MCA, Chicago, 2018. Exhibition Catalogue.
Inszenierung männlicher Sexualität in Robert Mapplethorpes Selbstporträts. Edited by Annika Schallenberg. Leipzig, Germany. 2018.
Jutta Koether: Tour de Madame. Edited by Achim Hochdörfer and Tonio Kröner. Munich, Germany: Museum Brandhorst, 2018. Exhibition Catalogue.
Lichtempfindlich. Berlin: Schauwerk Sindelfingen / Kehrer, 2018. Collection Catalogue.
Looking Again: Photography at the New Orleans Museum of Art. Edited by Russell Lord. New York: Aperture and NOMA, 2018.
Mapplethorpe and Dureau. New Orleans, LA: Arthur Roger Gallery, 2018. Exhibition Catalogue.
MÊME PAS PEUR! collection de la baronne Henri de Rothschild. Edited by Sophie Motsch. Paris, France: Somogy Éditions, Fondation Bemberg, 2018. Collection Catalogue.
Moderna Museet: The Collection. Edited by Daniel Birnbaum and Ann-Sofi Noring. London, England: Koenig Books, 2018. Collection Catalogue.
Musée historique Lausanne 100 ans. Edited by Laurent Golay, Sylvie Costa, Claude-lain Künzi, and Diana Le Dinh. Lausanne, Switzerland: Favre, 2018. Collection Catalogue.
Nothing Is Lost: Selected Essays of Ingrid Sischy. Edited by Sandra Brant. New York: Alfred A. Knopf, 2018.
Picture Industry: A Provisional History of the Technical Image 1844-2018. Edited by Walead Beshty. Arles, France: LUMA/Hessel Museum, CCS Bard, 2018. Exhibition Catalogue.
Photography and the Art Market. Edited by Juliet Hacking. London, England: Lund Humphries / Sotheby's Institute of Art, 2018.
Robert Rauschenberg Spreads 1975-83. Essay by Elisa Schaar. London, UK: Galerie Thaddaeus Ropac, 2018. Exhibition Catalogue.
Social Forms: A Short History of Political Art. By Christian Viveros-Fauné. New York, NY: David Zwirner Books, 2018.
The Beauty of Lines: The Gilman and Gonzalez-Falla Collection. Edited by Tatyana Franck and Pauline Martin. Zürich: Musée de l'Elysée, Les Éditions Noir sur Blanc / Verlag Scheidegger & Speiss AG, 2018. Exhibition Catalogue.
The Eye. Edited by Johan Lindskog. Kempen, Germany: teNeues / Fotografiska, 2018.
Travelling Images: Looking across the borderlands of art, media and visual culture. Edited by Anna Dahlgren. Manchester, England: Manchester University Press, 2018.
Une Bibliothèque. Essays by Jean-Luc Monterosso and Irène Attinger. Paris, France: Actes Sud / Maison Européenne de la Photographie, 2018.

22. Reykjavik: i8 Gallery, 2017.
Borrowed Light: Collections from the Jack Shear Collection. Edited by Ian Berry and Jack Shear. New York, NY: The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College and DelMonico Books, 2017. Exhibition Catalogue.
Dress Matters: Clothing as Metaphor. Edited by Dr. Julie Sasse. Tucson, AZ: Tucson Museum of Art and Historic Block, 2017. Exhibition Catalogue.
Fischerspooner. SIR. By Marianne Dobner, Christian Höller, Michael Stipe, Carl Swanson. Cologne, Germany: Verlag der Buchhandlung Walther König, 2017. Exhibition Catalogue.
Il Primo Libro di Fotografia. By David Bate. Turin, Italy: Piccola Biblioteca Einaudi, 2017.
Kyotographie: International Photography Festival. Japan: KYOTOGRAPHIE, 2017. Exhibition Catalogue.
La Parte Más Bella / The Most Beautiful Part. Mexico City, Mexico: Instituto Nacional de Bellas Artes / Museo de Arte Moderno, 2017. Exhibition Catalogue.
Les Grands Photographes du XXe Siècle. Edited by Luce Lebart. Larousse, 2017.
Memento Mori: Robert Mapplethorpe Photographs from the Peter Marino Collection. Edited by Akiko Tomita. Japan: Chanel Nexus Hall, 2017. Exhibition Catalogue.
Powermask: The Power of Masks. Edited by Walter Van Beirendonck. Tielt, Belgium: Lannoo Publishers, 2017. Exhibition Catalogue.
Pride of Place: The Making of Contemporary Art in New Orleans. Edited by Katie A. Pfohl. New Orleans, LA: New Orleans Museum of Art, 2017. Exhibition Catalogue.
Serpentiform: Art, Jewelry, Design. Rome: Bulgari, Spa., 2017. Exhibition Catalogue.
Skull: Lynn Stern, Art Historical Perspective. Essay by Donald Kuspit. New York, NY: Thames & Hudson, 2017.
The Art of the Erotic. By Rowan Pelling. London, UK: Phaidon, 2017.
The History of the Limited Editions Club. Edited by Carol Grossman. New Castle, DE: Oak Knoll Press, 2017.
The Polaroid Project: At the Intersection of Art and Technology. Edited by William A. Ewing, Barbara P. Hitchcock, and Deborah G. Douglas. London, England: Thames and Hudson Ltd, 2017. Exhibition Catalogue.
The Solari Foundation Photography Collection (vols. I-III). Edited by Betsy Fahlman. The Solari Foundation, 2017. Collection Catalogue.
The Unflinching Gaze: Photo Media & the Male Figure. Bathurst, Australia: Bathurst Regional Art Gallery, 2017. Exhibition Catalogue.
This is Not a Selfie: Photographic Self-Portraits from the Audrey and Sydney Irmas Collection. Edited by Deborah Irmas and Claire Crighton. Los Angeles, CA: Los Angeles County Museum of Art, 2017.
Tracey Moffatt: My Horizon. Edited by Natalie King. Melbourne, Australia: Thames & Hudson, 2017. Exhibition Catalogue.

Allure: Collection Susanne von Meiss. Edited by Birgit Filzmaier and Felix Hoffmann. Germany: C/O Berlin Foundation / Kehrer Verlag Heidelberg Berlin, 2016. Exhibition Catalogue.
Andres Serrano: Uncensored Photographs. Text by Quentin Bajac, Germano Celant, Nathalie Dietschy, Michel Draguet and Jan Koenot. Brussels, Belgium: Royal Museums of Fine Arts of Belgium, 2016. Exhibition Catalogue.
Cuisine/Art/Cocktails: Celebrating Contemporary Cincinnati. Edited by Maria Kalomenidou and Jaime L.M. Thompson. Cincinnati, OH: Contemporary Arts Center, 2016.
Gay Gotham: Art and Underground Culture in New York. Edited by Donald Albrecht. New York: Skira Rizzoli Publications, Inc. / Museum of the City of New York, 2016. Exhibition Catalogue.
Intersections: Women artists/surrealism/modernism. Edited by Patricia Allmer. Manchester, UK: Manchester University Press, 2016.
Intimate Geometries: The Art and Life of Louise Bourgeois. By Robert Storr. New York, NY: The Monacelli Press, 2016.
Invisible Adversaries. Edited by Lauren Cornell and Tom Eccles. New York: Hessel Museum, CCS Bard, 2016. Exhibition Catalogue.
Labor, Movement, Experience: New Directions in Art History (Pamphlet). Delaware: University of Delaware, 2016.
Pictures: S'Approprier la Photographie New York, 1979-2014. By Douglas Crimp. Paris, France: Le Point du Jour, 2016.
Plant: Exploring the Botanical World. London, England: Phaidon, 2016.
REBEL REBEL: Art + Rock. Edited by Denis Gielen. Brussels, Belgium: Musée des Arts Contemporains au Grand Hornu, 2016. Exhibition Catalogue.
Robert Rauschenberg. Edited by Leah Dickerman and Achim Borchardt-Hume. New York, NY: Museum of Modern Art, 2016. Exhibition Catalogue.
Shock Wave: Japanese Fashion Design 1980s-90s. By Florence Müller. Denver, CO: Denver Art Museum, 2016. Exhibition Catalogue.
Modernist Intersections: The Tia Collection. Edited by Laura Finlay Smith. Santa Fe, NM: The Tia Collection / The University of Arizona Museum of Art, 2016. Exhibition Catalogue.
Performing for the Camera. Edited by Simon Baker and Fiontán Moran. London, England: Tate Publishing, 2016. Exhibition Catalogue.
Serpenti in Art: Bulgari Roma. Edited by Tony Downey. Dubai, United Arab Emirates: Canvas Central FZ LLC / Bulgari, 2016. Exhibition Catalogue.
Still/Moving: Photographs and Video Art from the DeWoody Collection. Edited by Tim B. Wride. West Palm Beach, FL: Norton Museum of Art, 2016. Exhibition Catalogue.
Zie de mens: Honderd jaar, honderd gezichten. Edited by Hans den Hartog Jager. Amsterdam, Netherlands: Museum de Fundatie / Athenaeum - Polak & Van Gennep, 2016. Exhibition Catalogue.

100 Photographs: The Most Influential Images of All Time. Edited by Ben Goldberger. New York, NY: Time Inc. Books, 2015.
100 Masterpieces: National Galleries of Scotland. Edited by John Leighton. Belgium: National Galleries of Scotland, 2015. Collection Catalogue.
A Strong Sweet Smell of Incense: A Portrait of Robert Fraser. Edited by Brian Clarke and Harriet Vyner. United Kingdom: Pace London, 2015. Exhibition Catalogue.
Artist Rooms: The First Five Years. London, UK: Tate, 2015. Collection Catalogue.
Art AIDS America. Edited by Michelle Piranio. Tacoma, WA: Tacoma Art Museum, 2015. Exhibition Catalogue.
Arts & Foods: Rituals Since 1851. Edited by Germano Celant. Italy: Electa, 2015. Exhibition Catalogue.
Bilder des Bösen? Teufel, Schlange und Monster in der zeitgenossischen Kunst. Edited by Natalie Lettner. Germany: Transcript Verlag, 2015.
Body of Art. Edited by Deborah Aaronson. New York: Phaidon, 2015.
Cindy Sherman: Works from the Olbricht Collection. Germany: me Collectors Room Berlin / Olbricht Foundation, 2015. Exhibition Catalogue.
Flaesh. Edited by Petr Nedoma. Prague, Czech Republic: Galerie Rudolfinum, 2015. Exhibition Catalogue.
Fotografia maledetta e non. Edited by Germano Celant. Milan, Italy: Giangiacomo Feltrinelli Editore Milano, 2015.
HE: The Hergott Shepard Photography Collection. Edited by Mario Codognato. Ann Arbor, MI: University of Michigan Museum of Art, 2015. Exhibition Catalogue.
IMA: Living with Photography. Indianapolis Museum of Art, 2015.
In the Studio: Photographs. Edited by Peter Galassi. New York, NY: Gagosian Gallery / Phaidon, 2015. Exhibition Catalogue.
Joie de vivre. Edited by Bruno Girveau. Paris: Réunion des musées nationaux - Grand Palais, 2015. Exhibition Catalogue.
Like Leaves in Autumn: Responses to the War Poetry of Giuseppe Ungaretti. Edited by Carlo Pirozzi and Katherine Lockton. Edinburgh, Scotland: Luath Press Ltd., 2015.
Lives of The Great Photographers. Edited by Juliet Hacking. London, England: Thames & Hudson, 2015.
Lucida Journal: Habitat. Edited by Camilla Birkeland and Lynette Letic. Brisbane, Australia: Queensland Centre for Photography, 2015. Exhibition Catalogue.
Naples Collects. Edited by Frank Verpoorten and Gisela Carbonell. Florida: Artis-Naples, The Baker Museum, 2015. Exhibition Catalogue.
National Portrait Gallery: Smithsonian Commemorative Guide. Edited by Dru Dowdy. China: Beck Books and Smithsonian Institution, 2015. Collection Catalogue.
Patrice Chéreau: un musée imaginaire. Edited by Collection Lambert. France: Actes Sud, 2015. Exhibition Catalogue.
Perfect Likeness: Photography and Composition. Edited by Russell Ferguson. Los Angeles, CA: Hammer Museum / DelMonico Books, Prestel, 2015. Exhibition Catalogue.
Perfect Lovers: Art in the Time of AIDS. Barcelona, Spain: Fundació Suñol, 2015. Exhibition Catalogue.
Photography: A Cultural History. Edited by Mary Warner Marien. London, England: Pearson, 2015.
Tell Me A Story So I Don't Fall Asleep. Arnhem, Netherlands: Toneelgroep Oostpool, 2015. Exhibition Catalogue.
The Broad Collection. Edited by Joanne Heyler. Munich: The Broad / Prestel Verlag, 2015.
The Humanistic Tradition, Book 6: Modernism, Postmodernism, and the Global Perspective. Edited by Gloria K. Fiero. New York, NY: McGraw-Hill Education, 2015.
Une Collection: Maison Européenne de la Photographie. Edited by Jean-Luc Monterosso. Italy: Actes Sud, 2015.
Warhol & Mapplethorpe: Guise & Dolls. Edited by Patricia Hickson. Hartford: Wadsworth Atheneum Museum of Art and Yale University Press, 2015. Exhibition Catalogue.

American Cool. Edited by Joel Dinerstein and Frank H. Goodyear III. National Portrait Gallery, Smithsonian Institution / DelMonico Books, 2014. Exhibition Catalogue.
Classical Nudes and the Making of Queer History. Edited by Jonathan David Katz. New York: Leslie Lohman Museum of Gay and Lesbian Art, 2014. Exhibition Catalogue.
Edgewise: A Picture of Cookie Mueller. Edited by Chloe Griffin. Germany: b_books Verlag, 2014.
Formes Simples. Edited by Jean de Loisy. Metz, France: Editions du Centre Pompidou-Metz, 2014. Exhibition Catalogue.
Graphicstudio: Uncommon Practice at USF. Edited by Jade Dellinger. GILES / Tampa Museum of Art, 2014. Exhibition Catalogue.
Hooray for Hollywood! Edited by Mixed Greens Gallery & Pavel Zoubok Gallery. New York, NY. 2014. Exhibition Catalogue.
Louise Bourgeois: A Woman Without Secrets. Edited by Lucy Askew. Edinburgh, Scotland: National Galleries of Scotland / The Easton Foundation, 2014. Exhibition Catalogue.
Michelangelo e il Novecento. Edited by Emanuela Ferretti, Marco Pierini, and Pietro Ruschi. Milan, Italy: Silvana Editoriale, 2014. Exhibition Catalogue.
Gefter, Philip. Wagstaff: Before and After Mapplethorpe. New York: Liveright, 2014.
Photography: The Definitive Visual History. Edited by Tom Ang. United Kingdom: Dorling Kindersley Limited, 2014.
Remember Everything: 40 Years Galerie Max Hetzler. Edited by Jean-Marie Gallais. Germany: Holzwarth Publications, 2014.
The Permanent Collections of the Guggenheim Museums: Guggenheim Bilbao. Edited by Solomon R. Guggenheim Foundation. Spain: FMGB Guggenheim Bilbao Museoa and the Solomon R. Guggenheim Foundation, 2014. Collection Catalogue.

31 Years: Gifts from Martin Weinstein. Edited by David E. Little. Minneapolis, MN: Minneapolis Institute of Arts, 2013. Exhibition Catalogue.
Flowers and Mushrooms. Edited by Toni Stooss, et al. Salzburg, Austria: MDM Salzburg, 2013. Exhibition Catalogue.
Le Regardeur: La Collection Neuflize Vie. Paris, France: Editions Xavier Barral, 2013. Collection Catalogue.
Les Papesses. Edited by Eric Mezil. Avignon, France: Actes Sud / Collection Lambert, 2013. Exhibition Catalogue.
Masculin / Masculin: l'homme nu dans l'art de 1800 à nos jours. Paris, France: Musée d'Orsay, 2013. Exhibition Catalogue.
Nude Men: From 1800 to the Present Day. Edited by Leopold Museum. Vienna, Austria: Hirmer Publishers, 2013.
Object: Robert Mapplethorpe. Designed by Dimitri Levas. New York, NY: Dashwood Books, 2013. Monograph.
Palm Springs Art Museum: 75 Years 75 Artworks. Palm Springs, CA: Palm Springs Art Museum, 2013. Collection Catalogue.
Polaroids: Mapplethorpe. Edited by Sylvia Wolf. Munich: Prestel Verlag / Whitney Museum of American Art, 2013. Monograph.
Records by Artists: 1958 - 1990. Edited by Giorgio Maffei. Ravenna, Italy. 2013.
Sex on Show: Seeing the Erotic in Greece and Rome. Edited by Caroline Vout. California: University of California Press, 2013.
tanz! Wie wir uns und die Welt bewegen. Edited by Colleen M. Schmitz. Diaphanes for Deutsche Hygiene-Museum Dresden, 2013. Exhibition Catalogue.
The Polaroid Years: Instant Photography and Experimentation. Essays by Mary-Kay Lombino and Peter Buse. New York: DelMonico Books, Prestel / The Frances Lehman Loeb Art Center, Vassar College, 2013. Exhibition Catalogue.

590 days with Fotografiska. Edited by Per Broman and Jan Broman. Stockholm, Sweden: Fotografiska museet, 2012.
Agustin Fernandez: The Metamorphosis of Experience. Milan, Italy: Agustin Fernandez Foundation, 2012.
Artists in Love: From Picasso & Gilot to Christo & Jeanne-Claude, A Century of Creative and Romantic Partnerships. Edited by Veronica Kavass. Welcome Books, 2012.
Controversy: The Power of Art. Edited by Vivien Gaston. Australia: Mornington Peninsula Regional Gallery, 2012. Exhibition Catalogue.
Death: A Self-Portrait. Edited by The Richard Harris Collection, The Wellcome Collection. 2012. Exhibition Catalogue.
Eaux Precieuses/Eaux Sauvages. Edited by Galerie d'art du Conseil général. Milan: Cinisello Balsamo, 2012. Exhibition Catalogue.
Grandi Fotografi. Edited by Roberto Koch. Rome: Contrasto, 2012.
La mirada de Almodovar / Almodovar’s Gaze. Edited by Siri Hustvedt. Madrid, Spain: Galeria Elvira Gonzalez / La Fabrica, 2012. Exhibition Catalogue.
Louise Bourgeois: In Australia. Edited by Jason Smith and Linda Michael. Bulleen, Australia: Heide Museum of Modern Art, 2012. Exhibition Catalogue.
Paroles d’artistes: De la Renaissance à Sophie Calle. Edited by Jan Blanc. Paris: Citadelles & Mazenod, 2012.
Paul Klee: The Angels. Edited by Michael Baumgartner. Hatje Cantz, 2012.
Photography: The Concise Guide. Edited by Bruce Warren. Boston, MA: Cengage, 2012.
Private/Corporate VII: The Doron Sebbag Art Collection. Edited by Renate Wiehager. Stuttgart/Berlin, 2012. Exhibition Catalogue.
Self-Portrait. Humlebaek, Denmark: Louisiana Museum of Modern Art, 2012. Exhibition Catalogue.
The Body as Protest. Edited by Klaus Albrecht Schröder and Walter Moser. Germany: Hatje Cantz 2012. Exhibition Catalogue.
The Homoerotic Photograph: Male Images from Durieu / Delacroix to Mapplethorpe. Edited by Allen Ellenzweig. New York, NY: Columbia University Press, 2012.
This Will Have Been: Art, Love & Politics in the 1980s. Edited by Helen Molesworth, Johanna Burton, Bill Horrigan, et al. Chicago, IL / New Haven, CT: Museum of Contemporary Art Chicago / Yale University Press, 2012. Exhibition Catalogue.

White, Edmund. “Robert Mapplethorpe,” In Sacred Monsters. New York: Magnus, 2011.
Architektur des psychischen Raumes: Die Funktion des Dritten. Edited by Jürgen Grieser Psychosozial Verlag, 2011.
Circa 1986. Edited by John Newsom, Astrid Honold and Nicola Trezzi. Peekskill, NY: Hudson Valley Center for Contemporary Art, 2011. Exhibition Catalogue.
De Fallus: Vereing, versiering, verminking. Edited by Johan Mattelaer. Leuven, Belgium: Davidsfonds Uitgeverij, 2011.
Entre Chien et Loup: Works from the Meana Larrucea Collection. Edited by Guillermo Paneque. Bilbao, Spain: Iberdrola, 2011. Collection Catalogue.
Glenn Ligon: America. Edited by Scott Rothkopf. New York: The Whitney Museum of American Art, 2011. Exhibition Catalogue.
Immagini inquietanti (Disquieting Images). Edited by Germano Celant. Milan, Italy: Palazzo della Triennale, 2011. Exhibition Catalogue.
Meisterwerke der Fotografie. Edited by Stefan Moses Bernd-Alexander Stiegler. Reclam Philipp Jun., 2011.
Portraits d’écrivains de 1850 a nos jours. Paris, France: Paris-Musées, 2011. Exhibition Catalogue.
Shared Vision: The Sondra Gilman and Celso Gonzalez-Falla Collection of Photography. Edited by Victoria Forrest, Eileen Travell, and The Aperture Foundation. Jacksonville, FL: The Museum of Contemporary Art, Jacksonville, 2011. Exhibition Catalogue.
The Unseen Eye: Photographs from the Unconscious. Edited by W. M. Hunt, with introduction by William A. Ewing. Aperture, 2011. Exhibition Catalogue.

Smith, Patti. Just Kids. New York: Ecco, 2010.
Alice Neel: Painted Truths. Edited by Barry Walker, Jeremy Lewison, Robert Storr, et al. New Haven, CT: Yale University Press, 2010. Monograph.
C'est La Vie!: Vanites de Pompei a Damien Hirst. Edited by Patrizia Nitti, Delphine Antoine, Claudette Joannis, et al. France: Skira Flammarion, 2010. Exhibition Catalogue.
Double Sexus. Bellmer – Bourgeois. Edited by Udo Kittelmann and Kyllikki Zacharias. Berlin, Germany: Sammlung Scharf-Gerstenberg, 2010. Exhibition Catalogue.
Hide / Seek: Difference and Desire in American Portraiture. Essay by Jonathan Katz and Catalogue by David C. Ward. Washington, D.C.: Smithsonian Books, 2010. Exhibition Catalogue.
In the Vernacular. Chicago, IL: Art Institute of Chicago, 2010. Exhibition Catalogue.
Just Kids. By Patti Smith. New York: Ecco Press, 2010. Memoir.
Keeping it Real: From the ready-made to the everyday. The D. Daskalopoulos Collection. London: Whitechapel Gallery, 2010. Exhibition Catalogue.
Man Ray | Mapplethorpe. Edited by Fondazione Marconi. Italy: De Lettera WP, 2010. Exhibition Catalogue.
On the Outside Looking In: Mirant Des De Fora. Edited by Han Nefkens, Lumi Tan, Bonaventura Clotet, and Miquel Bardagil. Spain: ArtAids, 2010.
The Humanities Through the Arts. Edited by F. David Martin and Lee Jacobus. McGraw-Hill Education, 2010.
The Original Copy: Photography of Sculpture, 1839 to Today. New York: Museum of Modern Art, 2010. Exhibition Catalogue.
The Portrait: Photography as Stage. Edited by Ulrich Pohlmann, Peter Weiermair, and Gerald Matt. Verlag für moderne Kunst, 2010. Exhibition Catalogue.
Vanité: Mort, que me veux-tu? Edited by Alain Tapié. Paris, France: Editions de la Martinière, 2010. Exhibition Catalogue.
Vom Leben gezeichnet – Leidenschaft in der Grafik der Moderne. Hannover, Germany: Sprengel Museum, 2010. Exhibition Catalogue.

Chelsea Hotel: Ghosts of Bohemia. Edited by Jaroslav Andel. Prague, Czech Republic: Dox Centre for Contemporary Art, 2009. Exhibition Catalogue.
Darkside II - Fotografische Macht und fotografierte Gewalt, Krankheit und Tod. Winterthur, Switzerland: Fotomuseum Winterthur, 2009. Exhibition Catalogue.
En Todas Partes: Politicas de la diversidad sexual en el arte. Edited by Juan Vicente Aliaga. Santiago de Compostela, Spain: Centro Galego de Arte Contemporánea, 2009. Exhibition Catalogue.
Forty are Better than One. Edition Schellmann 1969-2009. Edited by Jörg Schellmann. New York: Schellmann Art Production / Hatje Cantz, 2009.
Guggenheim Museum Collection A to Z. Edited by Nancy Spector. New York, NY: Solomon R. Guggenheim Museum, 2009. Collection Catalogue.
In the Darkroom: An Illustrated Guide to Photographic Processes before the Digital Age. Edited by Sarah Kennel. New York: Thames & Hudson, 2009.
Legislating Creativity: The Intersection of Art and Politics. Edited by Dustin Kidd. Routledge, 2009.
National Endowment for the Arts: A History, 1965-2008. Edited by Mark Bauerlein. Washington, D.C.: National Endowment for the Arts, 2009.
Nella luce di Morandi / Im Licht von Morandi. Edited by Peter Weiermair. Bolzano, Italy: Galleria Goethe Galerie, 2009. Exhibition Catalogue.
Portraits. Edited by Gordon Baldwin. Palm Springs, CA: Palm Springs Art Museum, 2009. Exhibition Catalogue.
The Art of Art History: A Critical Anthology. Edited by Donald Preziosi. Oxford University Press, 2009.
Understanding Art. Edited by Lois Fichner-Rathus. Cengage Learning, 2009.

Art Editions 6. Munich, Germany / New York, NY: Edition Schellmann, 2008.
Diana und Actaeon: Der Verbotene Blick Auf Die Nacktheit, Düsseldorf, Germany: Museum Kunstpalast, 2008. Exhibition Catalogue.
Female Trouble: Die Kamera als Spiegel und Bühne weiblicher Inszenierungen. Munich, Germany: Pinakothek der Moderne, 2008. Exhibition Catalogue.
Ingres et les Modernes. Edited by Musée National Des Beaux-Arts du Québec. Paris: Somogy éditions d'art, 2008. Exhibition Catalogue.
Les Cahiers du musée national d'art moderne. Paris, France: Centre Pompidou, 2008.
Louise Bourgeois: The Secret of the Cells. Edited by Rainer Crone and Petrus Graf Schaesberg. New York: Prestel, 2008.
Nina in Position. Edited by Jeffrey Uslip. New York, NY: Artists Space, 2008. Exhibition Catalogue.
POP Design. Fuori Scala Fuori Luogo Fuori Schema. Caraglio, Italy: Marcovaldo Associazione Culturale, 2008.
The Conscious Reader. Edited by Caroline F. Shrodes, Michael F. Shugrue, Marc F. DiPaolo, et al. Longman, 2008.
Wall Rockets. Edited by Lisa Dennison. New York: The Flag Art Foundation, 2008. Exhibition Catalogue.

69 Histoires de désir: Un musée érotique imaginaire. Edited by Jean-Manuel Traimond. Paris, France: Aubanel, 2007.
Andy Warhol. Edited by Gallery H. New York / Seoul: ARS - SACK, 2007. Exhibition Catalogue.
Andy Warhol: A Guide to 706 Items in 2 Hours 56 Minutes: Other Voices, Other Rooms. Edited by Eva Meyer-Hermann. Rotterdam, Netherlands: NAi Publishers, 2007. Exhibition Catalogue.
Chadsey. USA: The Contemporary Museum, Honolulu, 2007. Exhibition Catalogue.
Etudes photographiques. Paris, France: Société Française de Photographie, 2007.
Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection. Annandale-on-Hudson, NY: Hessel Museum, CCS Bard, 2007. Exhibition Catalogue.
Guggenheim Collection: 1940s to Now. Australia: National Gallery of Victoria, 2007. Exhibition Catalogue.
Hommes Pour Hommes. Edited by Pierre Borhan. Paris, France: Editions des Deux Terres, 2007.
James McNeill Whistler: Uneasy Pieces. Edited by David Park Curry. Richmond, VA: Virginia Museum of Fine Arts Foundation / The Quantuck Lane Press, 2007.
Konzept: Fotografie: Dialogues and Attitudes. Edited by Luminita Sabau. Germany: Hatje Cantz Verlag, 2007. Exhibition Catalogue.
Leo Castelli. Edited by Alan Jones. Rome, Italy: Alberto Castelvecchi, 2007.
Louise Bourgeois. Essay by Claire Armstrong. Sydney, Australia: Kaliman Gallery, 2007. Exhibition Catalogue.
Mapplethorpe. Edited by Arthur C. Danto. Germany: teNeues, 2007. Monograph.
Only a Promise of Happiness: The Place of Beauty in a World of Art. Edited by Alexander Nehamas. Princeton, NJ: Princeton University Press, 2007.
Panic Attack! Art in the Punk Years. Edited by Mark Sladen and Ariella Yedgar. London, England: Merrell, 2007. Exhibition Catalogue.
Points of View: Masterpieces of Photography and their Stories. Edited by Annette and Rudolf Kicken. Germany: Steidl Publishers, 2007.
Polaroids: Mapplethorpe. Edited by Sylvia Wolf. Munich, Germany: Prestel Verlag / Whitney Museum of American Art, 2007. Monograph.
Pretty Baby. Edited by Andrea Karnes. Fort Worth, TX: Modern Art Museum of Fort Worth, 2007. Exhibition Catalogue.
Primitivism Revisited: After the End of an Idea. Edited by Susan Vogel. New York: Sean Kelly Gallery, 2006 - 2007. Exhibition Catalogue.
Seduced: Art & Sex from Antiquity to Now. Edited by Marina Wallace, Martin Kemp, and Joanne Bernstein London, England: Merrell Publishers Limited, 2007. Exhibition Catalogue.
The Lona-Frey Collection at Rowe Arts. Charlotte, NC: University of North Carolina-Charlotte, 2007. Exhibition Catalogue.
The Naked Portrait. Edited by Martin Hammer. Scotland: National Galleries of Scotland, 2007. Exhibition Catalogue.
The Sculpture of Louise Nevelson. Edited by Brooke Kamin Rapaport. New Haven, CT: The Jewish Museum / Yale University Press, 2007.
The Trials of Art. Edited by Daniel McClean. London: Ridinghouse, 2007.
Twenty-Eight Artists and Two Saints. Edited by Joan Acocella. USA: Pantheon, 2007.
Value: Art: Politics. Edited by Jonathan Harris. Liverpool University Press, 2007.
Vanitas: Robert Mapplethorpe. Edited by Juan Vicente Aliaga. Madrid: Galeria Pepe Cobo, 2007. Exhibition Catalogue.
Women, The New York School, and Other True Abstractions. Edited by Maggie Nelson. Iowa City, IA: University of Iowa Press, 2007.

(Id). Charlotte, NC: The Light Factory, 2006. Exhibition Catalogue.
Absolute Wilson: The Biography. Edited by Katharina Otto-Bernstein. Munch, Berlin, London, New York: Prestel Verlag, 2006.
Antinous: the face of the Antique. Edited by Henry Moore Institute. Leeds, England: Henry Moore Institute, 2006. Exhibition Catalogue.
Art in America, “Our Man in Havana: Robert Mapplethorpe.” Edited by Steven C. Dubin. June 2006.
Between the Lines: A Coloring Book of Drawings by Contemporary Artists. Edited by RxArt, Inc. New York: Modern Publishing, 2006.
Boys in the Band: Geoffrey Chadsey Drawings 1998-2006. Essay by David A. M. Goldberg. Foreword by Georgianna Lagoria. Introduction by James Jensen. Honolulu, HI: The Contemporary Museum, Honolulu, 2006. Exhibition Catalog.
Criticizing Photographs. Edited by Terry Barrett. New York: McGraw-Hill, 2006.
Double-Face: The Story about Fashion and Art from Mohammed to Warhol. Edited by Christoph Doswald. Zurich: JRP Ringier, 2006. Exhibition Catalogue.
Eros in der kunst der moderne. Edited by Fondation Beyeler. Germany: Fondation Beyeler, 2006. Exhibition Catalogue.
Focus on Photography. Edited by Hermon Joyner and Kathleen Monaghan. Worcester, MA: Davis Publications, Inc, 2006.
Full of Grace: A Journey Through the History of Childhood. Edited by Ray Merritt. New York: Cygnet Foundation, 2006.
Good Vibrations: Visual Arts and Rock Culture. Edited by Marco Pierini. Milan, Italy / Siena, Italy: Giunti Editore S.p.A. / Palazzo della Papesse Centro Arte Contemporanea, 2006. Exhibition Catalogue.
I Love Louise with a Large L. - Un salon pour Louise Bourgeois. Oudenburg, Belgium: Foundation De Elf Lijnen, 2006. Exhibition Catalogue.
Institutional Critique and After, “The Jouissance of Institutional Critique.” Edited by Juli Carson and John C. Welchman. Zurich: JRP Ringier, 2006.
Into Me / Out of Me. Edited by Klaus Biesenbach. P.S. 1 Contemporary Art Center / Hatje Cantz, 2006. Exhibition Catalogue.
John Cage. Madrid, Spain: La Casa Encendida, 2006.
La Donna Oggetto. Edited by Luca Beatrice. Torino, Italy: Umberto Allemandi & C., 2006. Exhibition Catalogue.
LB: Louise Bourgeois. Aller-Retour. Edited by Kunsthalle Wien, Gerald Matt, and Peter Weiermair. Austria: Verlag fur moderne Kunst Nurnberg, 2006.
New York New York: Fifty Years of Art, Architecture, Cinema Performance, Photography, and Video. Edited by Germano Celant and Lisa Dennison. Italy: Skira Editore S.p.A, 2006. Exhibition Catalogue.
Piekno w kulturze ponowoczesnej (Beauty in Postmodern Culture). Edited by Justyna Ryczek. Poland: RABID publisher, 2006.
Sound & Vision. Edited by Lica Beatrice. Italy: Grafiche Damiani, 2006.
The Downtown Book: The New York Art Scene 1974-1984. Edited by Marvin Taylor. Princeton, NJ: Princeton University Press, 2006. Exhibition Catalogue.
The Eighth Square: Gender, Life, and Desire in the Arts since 1960. Edited by Frank Wagner, Kasper Konig, and Julia Friedrich. Gesellschaft fur Moderne Kunst am Museum Ludwig. Germany: Hatje Cantz Verlag, 2006. Exhibition Catalogue.
The Folio Society Book of the 100 Greatest Photographs. Edited by Mark Haworth-Booth. London, England: The Folio Society, 2006.
Unter fernam griechischen Himmel: Klassik und Klassizismus. Edited by Andrejs Petrowski. Leipzig: Ernst Klett Schulbuchverlage, 2006.
Wrestle: Marieluise Hessel Collection. Edited by Tom Eccles and Trevor Smith. Annandale-on-Hudson, New York: Hessel Museum, CCS Bard, 2006. Exhibition Catalogue.

20th Century Photography: Museum Ludwig Cologne. Edited by Marianne Bieger-Thielemann, et al. Koln, Germany: Taschen, 2005.
40 Years at the Institute of Contemporary Art. Edited by Johanna Plummer. Philadelphia: Institute of Contemporary Art, 2005. Collection Catalogue.
A History of Western Art. Edited by Laurie Schneider Adams. New York: McGraw-Hill, Inc., 2005.
Art Today. Edited by Brandon Taylor. London: Laurence King Publishing, 2005.
Blumen Mythos / Flower Myth. Edited by Fondation Beyeler. Germany: Fondation Beyeler, 2005. Exhibition Catalogue.
Daniel Cordier: Le regard d’un amateur. Paris, France: Editions du Centre Pompidou, 2005. Collection Catalogue.
Family Pictures: Contemporary Photography and Video from the Collection of the Guggenheim Museum. Switzerland: Galleria Gottardo, Lugano, 2005. Exhibition Catalogue.
Fantastic Reality: Louise Bourgeois and a Story of Modern Art. Edited by Mignon Nixon. Cambridge, MA: MIT Press, 2005.
Gay Pride: L’Histoire. Edited by Oliviero Toscani. France: Editions Scali, 2005.
Glamour: Arte Seduzida e Sedutora. Edited by Isabel Carlos. PÚBILCO Serralves, 2005.
Il Male: Esempi di Crudeltà. Edited by Vittorio Sgarbi. Italy: Skira, 2005.
L’amour qui ose dire son nom: art et homosexualite. Edited by Dominique Fernandez. France: Stock, 2005.
Louise Bourgeois: Drawings and Sculptures. Edited by Gerald Matt and Peter Weiermair. Vienna, Austria: Kunsthalle Wien, 2005. Monograph.
Nancy Graves: A Retrospective. Edited by Ameringer & Yohe Fine Art. Italy:Ameringer & Yohe Fine Art, 2005.
Pierre Molinier: Jeux de Miroirs. “Pierre Molinier entre autre(s) genre(s)”. Edited by Mike Yves. Bordeaux, France: Le Festin, 2005.
Reclaiming Female Agency: Feminist Art History After Postmodernism. Edited by Norma Broude and Mary D. Garrard. London, United Kingdom: University of California Press, Ltd., 2005.
Sujeto (Subject). Edited by Museo de Arte Contemporaneo de Casilla y Leon (MUSAC). Spain: MUSAC, 2005. Exhibition Catalogue.
The Polaroid Book: Selections from the Polaroid Collections of Photography. Edited by Steve Crist. Germany: Taschen, 2005. Collection Catalog.

A Guide to Illustrious Lives & Location: 100 New Yorkers. Edited by Julia Holmes. New York: The Little Bookroom, 2004.
Adquisiciones 2003: Museo Nacional Centro de Arte Reina Sofia. Telefonica, 2004. Collection Catalogue.
Art in Our Time: A Chronicle of The Museum of Modern Art. Edited by Harriet S. Bee and Michelle Elligott. New York: The Museum of Modern Art, 2004. Collection Catalogue.
Fondation Cartier pour l’art contemporain. Verona, Italy: Fondation Cartier pour l’art contemporain, 2004. Collection Catalogue.
Inside the Studio: Two Decades of talks with Artists in New York. Edited by Judith Olch Richards. New York: Independent Curators International (ICI), 2004.
Keith Haring: 1958-1990 A Life of Art. Edited by Alexandra Kolossa. Los Angeles: TASCHEN, 2004.
Louise Bourgeois - Tejiendo el tiempo. Edited by Fernando Francés and Frances Morris‬. Spain: C.A.C. Malaga Centro de Arte Contemporáneo de Málaga, 2004. Exhibition Catalogue.‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬
Photography at the Worcester Art Museum: Keeping Shadows. Edited by David Acton. Ghent, Belhuim: Worcester Art Museum in association with Snoeck Publishers, 2004. Collection Catalogue.
Photography Speaks: 150 Photographers on Their Art. Edited by Brooks Johnson. New York: Aperture Foundation, 2004.
Rose c’est la vie: On Flowers in Contemporary Art. Tel Aviv, Israel: Tel Aviv Museum of Art, 2004. Exhibition Catalogue.
Speaking with Hands: Photographs from The Buhl Collection. Edited by Jennifer Blessing. New York, NY: Guggenheim Museum Publications, 2004. Exhibition Catalogue.
The Flower as Image. Edited by Michael Juul Holm, Ernst Jonas Bencard, and Poul Erik Tøjner. Humblebaek, Denmark: Louisiana Museum of Modern Art, 2004. Exhibition Catalogue.
The Queer Encyclopedia of the Visual Arts. Edited by Claude J. Summers. San Francisco, CA: Cleis Press, Inc., 2004.
Twenty Years [1984-2004]. Edited by Galeria Luis Serpa Projectos. Portugal: Galeria Luis Serpa Projectos, Lisboa, 2004. Exhibition Catalogue.

Arte¿?Diseño: Neuvos capítulos en una polémica que viene de lejos. Edited by Anna Calvera. Spain: GG Diseño, 2003.
Artful Seduction: Homosexuality and the Problematics of Exile. Edited by Karl Posso Routledge, 2003.
Eros e Fotografia: Robert Mapplethorpe. Edited by Judith Lange. Italy: Gruppo Editoriale l’Espresso, 2003. Exhibition Catalogue.
Louise Bourgeois: Intimate Abstractions. Berlin, Germany: Akademie der Künste, 2003. Exhibition Catalogue.
Only Skin Deep, Changing Visions of the American Self. Edited by Coco Fusco and Brian Wallis. Abrams, Inc., 2003. Exhibition Catalogue.
Phantom der Lust: Visionen des Masochismus in der Kunst. Graz, Austria: Gesellschaft der Freunde der Neue Galerie am Landesmuseum Joanneum, 2003. Exhibition Catalogue.
Stern Portfolio no. 33 (Spezial Fotografie). Edited by Tom Jacobi. Hamburg: Thomas Osterkorn, Andreas Petzold, 2003.
The Secret of Photography. Edited by Patricia Rochard. Rhein, Germany: Internationale Tage - Boehringer Ingelheim, 2003. Exhibition Catalogue.
Unpacking Art of the 1980s. Edited by Alison Pearlman. Chicago, IL: The University of Chicago Press, 2003.
Veil: Veiling, Representation and Contemporary Art. Edited by David A. Bailey and Gilane Tawadros. London, England: Institute of International Visual Arts, 2003. Exhibition Catalogue.

Meyer, Richard. Outlaw Representation: Censorship & Homosexuality in Twentieth-Century American Art. New York: Oxford University Press, 2002.
Aesthetics in a Multicultural Age. Edited by Emory Elliot, Lou Freitas Caton, and Jeffrey Rhyne. Oxford University Press, 2002.
Archaeology of Elegance 1980–2000: Twenty Years of Fashion Photography. Edited by Marion De Beaupre, Marion and Stephane Baumet. Rizzoli, 2002. Exhibition Catalogue.
Der Akt In Der Kunst Des 20. Jahrhunferts. Edited by Kunsthalle in Emden. 2002. Collection Catalogue.
Den maskulina mystiken: konst, kön och modernitet. Edited by Anna Lena Lindberg. Sweden: Studentlitteratur, 2002.
Isabella Rossellini: Looking at Me: On Pictures and Photographs. Edited by Peter Lindbergh and Bruce Weber. Schirmer/Mosel, 2002.
Learning To Look: Photographs from the Ronna and Eric Hoffman Collection. Portland, OR: The Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College, 2002.
Original Sources: Art and Archives at the Center For Creative Photography. Edited by Amy Rule. AZ: Center for Creative Photography, 2002. Collection Catalogue.
Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art. Edited by Richard Meyer. London, England: Beacon Press, 2002.
Portrait of the Art World: A Century of ARTnews Photographs. Edited by William F. Stapp. New Haven, CT / London: Yale University Press / National Portrait Gallery, Smithsonian Institution, 2002. Exhibition Catalogue.
The Breast Book: An Intimate and Curious History. Edited by Maura Spiegel and Lithe Sebesta. Workman Publishing Company, 2002.
The Great American Nude. Edited by Nancy Hall-Duncan. Greenwich, CT: The Bruce Museum of Arts and Sciences, 2002. Exhibition Catalogue.
Visions From America: Photographs from the Whitney Museum of American Art 1940-2001. Edited by Sylvia Wolf and the Whitney Museum of American Art. Prestel/Whitney Museum of American Art: Munich/New York, 2002. Collection Catalogue.

American Visionaries: Selections from the Whitney Museum of American Art, Harry Abrams, Inc., 2001.
Art 21: Art in the Twenty-First Century. New York: Art 21, Inc., 2001.
Censorship or Freedom of Expression. Edited by Nancy Day. Lerner Publishing Group, 2001.
Degrees of Stillness – Photographs from the Manfred Heiting Collection. Edited by Susanne Lange. Gingko Pr Inc, 2001.
DESIRE: Paintings, Photographs and Drawings. Edited by Ursula Blickle Foundation. Kraichtal, Germany: Edition Oehrli, 2001. Exhibition Catalogue.
Future Perspectives. Edited by Umag, Croatia. Umag, Croatia: Gallery Dante Marino, 2001. Exhibition Catalogue.
Game Face: What does a female athlete look like? Edited by Jane Gottesman and Penny Marshall. Italy: Random House, 2001.
“Instant Gratification: Robert Mapplethorpe’s Polaroids, 1970 – 1976.” Aperture, No. 163, Spring 2001. Edited by Arthur C. Danto. Italy: 2001 Aperture Foundation, Inc., 2001.
Louise Bourgeois: Stitches in Time. Dublin, Ireland: Cornerhouse Publishing / Irish Museum of Modern Art, 2002. Exhibition Catalogue.
Promiscuous Flowers: Robert Mapplethorpe & Nobuyoshi Araki. Edited by Noriko Fuku. Japan: Art Life, Ltd., 2001. Exhibition Catalogue.
The Nature of Still Life. Edited by Editor Peter Weiermair. Bologna: Electa / Galleria d'Arte Moderna, 2001. Exhibition Catalogue.
Unsettling 'Sensation': Arts-Policy Lessons from the Brooklyn Museum of Art Controversy. Edited by Lawrence Rothfield. New Jersey: Rutgers University Press, 2001.

Angelic Echoes. Edited by Herve Guibert. Toronto, Canada: University of Toronto Press, 2000.
Chorus of Light: Photographs From the Sir Elton John Collection. Edited by Jane Jackson and Ingrid Sischy. Atlanta, GA: The High Museum of Art, 2000. Exhibition Catalogue.
Emerging Bodies: Nudes from the Polaroid Collections. Edited by Barbara Hitchcock and Andy Grundberg. Edition Stemmle, 2000.
Louise Bourgeois: The Space of Memory. Kyunggi-Do, Korea: National Museum of Contemporary Art, 2000. Exhibition Catalogue.
Mennesket (Man: Body in Art from 1950 to 2000). Edited by Christian Gether, Margit Zuckriegl, Katy Deepwell, Stine Høholt and Gert Balling. Ishøj, Denmark: ARKEN Museum of Modern Art, 2000. Exhibition Catalogue.
On Black Men. Edited by David Marriott. New York: Columbia University Press, 2000.
One Man’s Eye: Photographs from the Alan Siegel Collection. Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 2000. Exhibition Catalogue.
The Century of the Body: 100 Photoworks 1900-2000. Edited by William A. Ewing. Lausanne, Switzerland. Musée de l’Elysée, 2000.
The Phallus in Art and Culture. Edited by Johan J Mattelaer. European Association of Urology, 2000.

Acts of Reading. Edited by Patricia Harkin. Prentice Hall, 1999.
Ana Maria Pacheco in the National Gallery. London, England: National Gallery, London, 1999. Exhibition Catalogue.
Continuous Replay: The Photographs of Arnie Zane. Edited by Jonathan Green with Introduction by Bill T. Jones. Cambridge, MA: MIT Press, 1999.
Ghost In The Shell: Photography and the Human Soul 1850-2000. Edited by Robert A. Sobieszek. Los Angeles, CA and Boston, MA: Los Angeles County Museum of Art and MIT Press, 1999. Exhibition Catalogue.
Icons of Photography: The 20th Century. Edited by Peter Stepan. Munich, London, & New York: Prestel, 1999.
Il Sentimento del 2000. Milan, Italy: Triennale di Milano, 1999. Exhibition Catalogue.
Khaki: Cut From The Original Cloth. Edited by David Fahey. Tondo, 1999.
Missing Link: Menschen - Bilder in der Fotografie. Edited by Christoph Doswald. Germany: Kunstmuseum Bern, 1999.
Patti Smith: Poetessa del Rock. Edited by Victor Bockris. Sperling & Kupfer Editori, 1999.
The American Century Art & Culture 1950 - 2000. Edited by Lisa Phillips. New York, NY: W. W. Norton & Company / Whitney Museum, 1999. Exhibition Catalogue.
The Warhol Look: Glamour, Style, Fashion. Edited by Mark Francis and Margery King. The Andy Warhol Museum, 1999. Exhibition Catalogue.

A Passion For Glass: The Aviva and Jack A. Robinson Studio Glass Collection. Michigan: Detroit Institute of Arts, 1998. Collection Catalogue.
Con Chatwin. Edited by Susannah Clap. Milan, Italy: Adelphi Edizioni, 1998.
Destruction of the Father Reconstruction of the Father. Edited by Marie-Laure Bernadac and Hans Ulrich Obrist. Cambridge, MA / London: MIT Press / Violette Editions, 1998. Monograph.
Fotograms – Arte E Cinema Na Colecao Marieluise Hessel. Rio de Janeiro: Centro Cultural Light, 1998. Collection Catalogue.
Glenn Ligon – un/becoming. Edited by R. Meyer, Thelma Golden, B. Kim, Glenn Ligon. Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 1998. Exhibition Catalogue.
La Collection de la Fondation Cartier pour l'art contemporain. Actes Sud / Fondation Cartier, 1998. Collection Catalog.
Lancome – Memoire De La Beaute. Edited by Jacqueline Demornex. Editions Assouline, 1998.
Love's Body: rethinking Naked and Nude in Photography. Edited by Asahi Shimbun. Japan: Tokyo Metropolitan Museum of Photography / Suntory Museum, Osaka, 1998. Exhibition Catalogue.
Master Breasts: Objectified, Fantasized, Eroticized, Feminized, by Photograph’s Most Titillating Masters. Edited by Francine Prose, Karen Finley, Dario Fo, and Charles Simic. New York: Aperture Foundation, 1998.
Patti Smith Complete: Lyrics, Reflects and Notes for the Future. By Patti Smith. Doubleday, 1998.
Hood, William. “A Lazy Man’s Approach: Robert Mapplethorpe and the Language of Sculpture.” In Sculpture and Photography: Envisioning the Third Dimension. Geraldine A. Johnson, ed. Cambridge: Cambridge University Press, 1998, p. 199–212.

Childs, Elizabeth C. Suspended License: Censorship and the Visual Arts. Seattle: University of Washington Press, 1997.
100 Jahre Schwulenbewegung. Edited by Schwules Museum. Berlin, Germany: Verlag, 1997.
160 Years of Photography, Masterworks from the San Francisco Museum of Modern Art. Japan: Ho-Am Art Museum, 1997. Exhibition Catalogue.
A Season in Hell. By Arthur Rimbaud. Boston / Toronto / New York: Bullfinch, 1997.
Bang! The Gun as Image. Edited by L. Harris. Tallahassee, FL: Museum of Fine Arts, Florida State University, 1997. Exhibition Catalogue.
Facettes de la photographie contemporaine. Edited by Kirsch Raymond. Luxembourg: Banque et Caisse d'Epargne de l'Etat du Luxembourg, 1997.
Feminine Image. Edited by Donald Kuspit. New York: Nassau County Museum of Art, 1997. Exhibition Catalogue.
Identity Crisis: Self Portraiture at the End of the Century. Milwaukee, WI: Milwaukee Arts Museum, 1997. Exhibition Catalogue.
Leg. Edited by Donna Karan. General Publishing Group, 1997.
Louise Bourgeois. Milan, Italy: Fondazione Prada, 1997.
Mapplethorpe: Museo Alejandro Otero. Caracas, Venezuela. 1997.
Psycho: De la figure au musée imaginaire. Edited by Martin Lefebvre. L'Harmattan, 1997.
Rrose is a Rrose is a Rrose: Gender Performance in Photography. Edited by Jennifer Blessing. New York: Harry N. Abrams, Inc., 1997. Exhibition Catalogue.
Table Tops: Morandi to Mapplethorpe. Escondido, CA: California Center for the Arts Museum, 1997. Exhibition Catalogue.
The Photograph. Edited by Graham Clarke. Oxford University Press, 1997.
The Portraits Speak: Chuck Close in conversation with 27 of his subjects. Edited by Chuck Close, Dave Hickey, William Bartman, and Joanne Kesten. Distributed Art Pub Inc, 1997.
Skulptur im Licht der Fotografie. Edited by Erika Billeter. Benteli Verlag, Bern, 1997.

Waugh, Thomas. Hard to Imagine: Gay Male Eroticism in Photography and Film from Their Beginnings to Stonewall. New York: Columbia University Press, 1996.
20/20: The Visionary Legacy of Doris Chanin Freedman. Reading, PA: Albright College, 1996. Exhibition Catalogue.
Art Now – Contemporary Art Post 1970, Book Two. Edited by Donald Williams and Colin Simpson. McGraw-Hill Education, 1996.
Artists Exposed. Edited by David A. Ross and Paul Brach. Nuoro, Italy: Ilisso, 1996.
Delirium. Edited by W. M. Hunt. New York, NY: Ricco / Maresca Gallery. Exhibition Catalogue. 1996
Dog Love. Edited by Marjorie Garber. New York: Touchstone, 1996.
Les Autoportraits de Mapplethorpe. Edited by Baudoin Lebon-Jean-Pierre Faur. France: Lebon/Faur, 1996. Exhibition Catalogue.
Looking at Fashion, Biennale Di Firenze. Edited by Germano Celant, Luigi Settembrini, and Ingrid Sischy. Milan, Italy: Skira, 1996. Exhibition Catalogue.
Patti Smith: Early Work 1970 - 1979. By Patti Smith. New York, NY: W. W. Norton & Company, 1995.
Pistils. Edited by John Ashbery. New York: Random House, 1996. Monograph.
Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe. Edited by Arthur C. Danto. California: University of California Press, 1996.
Right from the Start: The Early Polaroids of Robert Mapplethorpe. Edited by Thomas W. Sokolowski. Sydney, Australia: Roslyn Oxley Gallery, 1996. Exhibition Catalogue.
Sex & Crime: Von den Verhaltnissen der Menschen. Text by Ulrich Krempel. Hannover, Germany: Sprengel Museum, 1996. Exhibition Catalogue
Spellbound Art and Film. London, England: Hayward Gallery, 1996. Exhibition Catalogue.
The Contemporary Print: From Pre-Pop To Postmodern. Edited by Susan Tallman. Thames & Hudson, 1996.
The Coral Sea. By Patti Smith. New York: WW Norton and Company, 1996.
Une Aventure Contemporaine, la photographie 1955-1995. Paris, France: Maison européenne de la photographie, 1996.
Visual Arts in the 20th Century. Edited by Edward Lucie-Smith. Prentice Hall, 1996.

100 Bilder, 100 Jahre: Eine Geschichte der Fotografie 1895 - 1995. Edited by Wilfried Wiegand and Peter Weiermair. Kilchberg / Zürich, Switzerland: Edition Stemmle, 1995. Exhibition Catalogue.
Altars. Essay by Edmund White. New York: Random House, 1995. Monograph.
Avant-Garde and After: Perspectives. Edited by Brandon Taylor. Abrams, 1995.
Fetishism: Visualizing Power and Desire. Edited by Anthony Shelton. London, England: The South Bank Center, 1995. Exhibition Catalogue.
It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art. Edited by David S. Rubin. Prestel, 1995.
Intimate Terrorism, The Deterioration of Erotic Life. Edited by Michael Vincent Miller. W W Norton & Co Inc, 1995.
Green, Jonathan. The Garden of Earthly Delights: Photographs by Edward Weston and Robert Mapplethorpe. Riverside: University of California Riverside/California Museum of Photography, 1995.
Seeing Things. San Francisco, CA: Fraenkel Gallery, 1995. Exhibition Catalogue.
Spirit Poles and Flying Pigs. Edited by Erika Doss. Smithsonian Books, 1995.
Still Leben. Edited by Gorel Cavalli-Bjorkman. Stockholm, Sweden: Nationalmuseum, Stockholm, 1995. Exhibition Catalogue.
The Garden of Earthly Delights: Weston and Mapplethorpe. Edited by Jonathan Green. USA: UCR Arts, California Museum of Photography, 1995. Exhibition Catalogue.
Thom Gunn Collected Poems. Edited by Thom Gunn. Farrar, Straus & Giroux, 1995.
UNDER WORLD. Edited by Anne Rice and Kelly Klein. Knopf Doubleday, 1995. Monograph.

A MORE PERFECT UNION. Edited by Richard D. Mohr. Boston, MA: Beacon Press, 1994.
After Art – Rethinking 150 Years of Photography. Edited by Chris Bruce and Andy Grundberg‬. Seattle, WA: Henry Art Gallery, 1994. Exhibition Catalogue.‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬
Art’s Lament. Boston, MA: Isabella Stewart Gardner Museum, 1994.
Burroughs – Eine Bild-Biographie. Edited by Carl Weissner. Germany: Nishen, 1994.
Black Male: Representations of Masculinity in Contemporary American Art. Edited by Thelma Golden. New York: Whitney Museum of American Art, 1994. Exhibition Catalogue.
Endzeit Stimmung. Edited by Gregory Fuller. Germany: DuMont, 1994.
How to Look at Photographs. Edited by David Finn. Harry N. Abrams, 1994.
International Center of Photography Twenty Years 1974-1994. Edited by Marie R. Spiller and Ann Doherty. New York, NY: International Center of Photography, 1994.
The Body: Photoworks of the Human Form. Edited by William A. Ewing. London, England: Chronicle Books, 1994.

American Made: The New Still Life. Tokyo: Japan Art & Culture Center, 1993.
Segal, Lynne. Sex Exposed: Sexuality and the Pornography Debate. New Brunswick: Rutgers University Press, 1993.
Carr, C. “Mapplethorpe in Cincinnati.” In On Edge: Performance at the End of the Twentieth Century. Hanover: Wesleyan University Press, 1993, p. 265–80.
Hickey, Dave. “Nothing Like the Son: On Robert Mapplethorpe’s X Portfolio.” In Invisible Dragon: Four Essays on Beauty. Los Angeles: Art Issues, 1993.
Mercer, Kobena. “Reading Racial Fetishism: The Photographs of Robert Mapplethorpe.” In Fetishism as Cultural Discourse, Emily Apter and William Pietz, eds. Ithaca: Cornell University Press, 1993, p. 307–29.

Becher, Mapplethorpe, Sherman. Monterrey, Mexico: Museo de Monterrey, 1992.
Ellenzweig, Allen. The Homoerotic Photograph: Male Images from Durieu/Delacroix Mapplethorpe. New York: Columbia University Press, 1992.
Erotik in der Kunst des 20. Jahrhunderts. Cologne: Benedikt Taschen, 1992.
Bolton, Richard. Culture Wars: Documents from the Recent Controversies in the Arts. New York: New Press, 1992.

Dungan, Ellen. First Person Singular: Self-Portrait Photography, 1840–1987. Atlanta: High Museum at Georgia Pacific Center, 1988.

Cruger, George. Portrait: Faces of the ’80s. Richmond: Virginia Museum of Fine Arts, 1987.

Barendse, Henry, et al. The Fashionable Image: Unconventional Fashion Photography. Charlotte: Mint Museum Department of Art, 1986.
Mayer, Charles S., and Bert Brouwer. intimate/INTIMATE. Terre Haute: Turman Gallery, Indiana State University, 1986.
Hartshorn, Willis. Art and Advertising: Commercial Photography by Artists. New York: International Center of Photography, 1986.

Friis-Hansen, Dana. Nude, Naked, Stripped. Cambridge: Hayden Gallery, List Visual Arts Center, Massachusetts Institute of Technology, 1985.
Olander, William. Picture Taking: Weegee, Walker Evans, Sherrie Levine, Robert Mapplethorpe. Evanston: Mary and Leigh Block Gallery, Northwestern University, 1985.  

Bookhardt, Eric D. Radical Photography: The Bizarre Image. Atlanta: Nexus Gallery, 1984.
Fernandes, Joyce. Sex-Specific: Photographic Investigations of Contemporary Sexuality. Chicago: School of the Art Institute of Chicago, 1984.
Macklowe, Linda. Flower as Image in 20th-Century Photography. New York: Wave Hill, 1984.
Marincola, Paula. Investigation 10, Face to Face: Recent Portrait Photography. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1984.
Cooper, Emmanuel. The Sexual Perspective: Homosexuality in Art in the Last 100 Years in the West. London: Routledge, 1984.

Walsh, Philip Hotchkiss, et al. Phototypes. New York: Whitney Museum of American Art, 1983.

Lifson, Ben. Faces Photographed. New York: Grey Art Gallery and Study Center, New York University, 1982.
Naef, Weston J. Counterparts: Form and Emotion in Photographs. New York: Metropolitan Museum of Art, in assoc. with E. P. Dutton, 1982.
Sidlauskas, Susan. Intimate Architecture: Contemporary Clothing Design. Cambridge: Hayden Gallery, MIT Committee on the Visual Arts, 1982.
Minkkinen, A. R. New American Nudes. New York: Morgan & Morgan, 1982.

Collignon, Robert, et al. Figures: Forms and Expressions. Buffalo: Albright-Knox Art Gallery, 1981.
Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 1981. Translated by Richard Howard.
Hedberg, Lars Peder. U.S. Art Now. Stockholm: Nordiska Kompaniet Göteborgs Konstmuseum 1981.
Longwell, Dennis. Surrealist Photographic Portraits 1920–1980. New York: Marlborough Gallery, 1981.
Wise, Kelly, ed. Portrait: Theory. New York: Lustrum, 1981.

Squiers, Carol. Quattro fotografi differenti. Milan: Padiglione d’Arte Contemporanea; Amsterdam:Idea Books, 1980.
Sullivan, Constance, ed. Nude: Photographs, 1850–1980. New York: Harper and Row, 1980.
Barnes, Lawrence, ed. The Male Nude in Photography. Waitsfield: Vermont Crossroads Press, 1980.

The Male Nude: A Survey in Photography. New York: Marcuse Pfeifer Gallery, 1979.
Parker, Fred. Attitudes. Santa Barbara: Santa Barbara Museum of Art, 1979.

Szarkowski, John. Mirrors and Windows: American Photography since 1960. New York: Museum of Modern Art, 1978.
Wagstaff, Sam. A Book of Photographs from the Collection of Sam Wagstaff. New York: Gray Press, 1978. (Published in conjunction with traveling exhibition organized at the Corcoran Gallery of Art, Washington, D.C.).

Schneckenburger, Manfred. Documenta 6. Kassel: Documenta, 1977.

Silva, Horactio. "A Tribute to Robert Mapplethorpe in Fine Jewelry," W, March 11, 2022.

Ingram, Marielle. “Robert Mapplethorpe,” Artforum, April 14, 2021.
Farago, Jason. “4 Art Gallery Shows to See Right Now,” The New York Times, April 14, 2021.

Downey, Charles T. “In three parts, an artistic reexamination of Robert Mapplethorpe,” The Washington Post, April 7, 2019.
Arn, Jackson. “Seeing past the shock value of Robert Mapplethorpe’s photographs,” Apollo, March 30, 2019.
Jordan, Jerilyn. “Artist Robert Mapplethorpe celebrated with visual concert world premiere in Ann Arbor,” Detroit Metro Times, March 14, 2019.
Benson, Louise. “Domination and Submission in the Iconic Images of Robert Mapplethorpe,” Elephant, March 14, 2019.
Radin, Sara. “Honouring Robert Mapplethorpe’s Unexpected Images,” i-D Vice, March 13, 2019.
Kumar, Naveen. “30 Years After His Death, Robert Mapplethorpe’s Provocations Still Endure,” Them, March 8, 2019.
“Robert Mapplethorpe. The sensitive objective: photographic exhibition in Rome,” Roma Today, March 6, 2019.
Woolfe, Zachary. “Review: Mapplethorpe Inspires a Composer’s Meager Tribute,” New York Times, March 6, 2019.
Dell’Aquila, Mariana. “Robert Mapplethorpe, a great retrospective dedicated to the American photographer at the Madre in Naples,” Bon Culture, March 4, 2019.
Cavaluzzo, A., Avery, D. “The 12 Best Art Exhibits to See in 2019,” Newsweek, February 13, 2019.
“Robert Mapplethorpe at Madre, Naples, Italy,” Art News, February 13, 2019.
“From the Archives: Read What ARTnews Critics Said About Robert Mapplethorpe,” ARTnews, February 1, 2019.
“Robert Mapplethorpe Returns to the Guggenheim,” The New Yorker, January 28, 2019.
Jansen, Charlotte. “Implicit Tensions: Mapplethorpe Now,” British Journal of Photography, January 25, 2019.
Kennicott, Philip. “Robert Mapplethorpe was one of the most controversial artists of the ‘80s. Now he looks entirely innocent,” The Washington Post, January 24, 2019.
Peers, Alexandra. “Robert Mapplethorpe’s ‘Perfect Moment,’” Architectural Digest, January 24, 2019.
D’Antonio, Cristina. “New York: Robert Mapplethorpe, a genius in 12 steps,” GQ Italia, January 23, 2019.
Hubert, Craig. “Robert Mapplethorpe’s Photos No Longer Seem Shocking in 2019— And That’s a Good Thing,” Observer, January 22, 2019.
Arn, Jackson. “Why Mapplethorpe’s Photographs Remain Subversive, Even without the Shock Value,” Artsy, January 14, 2019.
LR. “The Good Exhibition: Mapplethorpe in large format at the Guggenheim,” The Good Life, January 3, 2019.

“New York Art Week/2. Tour A Chelsea, Dove Vincono Fabio Mauri, Cyprien Gaillard e Robin Rhode,” Exhibit Art, March 7, 2018.
Anania, Billy. “Robert Mapplethorpe at Gladstone Gallery,” Musee Magazine, March 6, 2018.
Kordic, Angie. “Robert Mapplethorpe, Curated by Roe Ethridge,” Widewalls, March 2, 2018.
Lempesis, Dimitris. “PHOTO: Robert Mapplethorpe,” Dream Idea Machine, March 2018.
“Exhibitions,” Photograph Magazine, February 27, 2018.

Hempton, Celia. “Robert Mapplethorpe’s Brian Ridley and Lyle Heeter 1979,” Tate Etc.,
Summer 2017.
Rensin, Emmett. “Ordinary Beauty,” Even, Issue 7, Summer 2017.
Morgan, Tiernan. “Art Movements,” Hyperallergic, May 5, 2017.
“La Gladstone Gallery va représenter l’Estate de Robert Mapplethorpe à New York.” Le Quotidien de l’Art, May 3, 2017.
“Gladstone Gallery to Represent Estate of Robert Mapplethorpe,” Artforum, April 28, 2017.
Freeman, Nate. “Gladstone Gallery Now Represents the Estate of RobertMapplethorpe,” ArtNews, April 18, 2017.
Memento Mori: Robert Mapplethorpe Photographs from the Peter Marino Collection. Tokyo: Chanel Nexus Hall, 2017.

Naughton, Jake. “Robert Mapplethorpe: In Search of Perfection,” The New York Times, February 11, 2016.
Cotter, Holland, and Roberta Smith. “The Best Art of 2016,” The New York Times, December 7, 2016.
Schneier, Matthew. “Raf Simons Salutes Robert Mapplethorpe, a Fellow Provocateur.”The New York Times, June 17, 2016.
Westerbeck, Colin. “Hedonists and Humanists: Mapplethorpe in Los Angeles,” Art in America, April 19, 2016.
Cotter, Holland. “Why Mapplethorpe Still Matters,” The New York Times, March 31, 2016.
Farago, Jason. “Robert Mapplethorpe: The Perfect Medium review – hunting for sex and death,” The Guardian, March 16, 2016.
Felsenthal, Julia. “Mapplethorpe Mania Hits Los Angeles,” Vogue, March 16, 2016.
Knight, Christopher. “How Robert Mapplethorpe went from America’s pariah to America’s sweetheart,” Los Angeles Times, March 3, 2016.
Colcacello, Bob. “When Robert Mapplethorpe Took New York,” Vanity Fair, March 2016.

Hodara, Susan. “Warhol and Mapplethorpe: Exploring Gender as Disguise and Identity.” The New York Times, December 25, 2015.

Milliard, Coline. “Robert Mapplethorpe Takes Over Paris, Are the French Ready?” Artnet News, March 26, 2014.
Moroz, Sarah. “Mapplethorpe’s Artistic Twin,” Daily Beast, April 8, 2014.
Hoberman, Mara. “Mapplethorpe: A Sculptural Perspective,” The New York Times, April 15, 2014.

Johnson, Ken. “Going Solo Has Its Day, in a Hodgepodge of Styles,” The New York Times, March 7, 2013.
Horyn, Cathy. “Before they Were Legendary,” The New York Times, March 27, 2013.
Lohrasbe, Shireen. “Emphasis on Solo Booths at ADAA: The Art Show,” Whitewall, March 6, 2013.
“Sean Kelly Gallery. ADAA: The Art Show 2013,” New York Art Scene Through the Eyes of Robert Mapplethorpe (Video)” Gallery Intell, March 2013.
Sutton, Benjamin. “Mapplethorpe Foundation, Margulies Among Whitney’s 2013 American Art Award Honorees,” ARTINFO, April 10, 2013.
“Thaddaeus Ropac Turns 30,” AMA Newsletter, August 8, 2013.
“Top Recommendations: The Armory Show, ADAA: The Art Show,” Gallery Intell, March 7, 2013.

“Art Exhibitions: Robert Mapplethorpe, the First Retrospective in Milan,” Lomography, February 25, 2012.
“James Franco channels Robert Mapplethorpe,” German GQ, March 2012.
Loos, Ted. “Deal Brings Mapplethorpe Shows,” The New York Times, October 26, 2012.

“50 Americans | Mr. Cartoon on His Favorite Mapplethorpe,” Curated, May 5, 2011.
Allsop, Laura. “Scissor Sisters tap into Robert Mapplethorpe’s photography,” CNN Entertainment, January 27, 2011.
Apter, Seth. “Must-See May Art Exhibits in Chelsea,” NearSay, April 29, 2011.
“Art, Galleries-Chelsea, Robert Mapplethorpe: 50 Americans,” The New Yorker, May 30, 2011.
Britt, Douglas. “Must-See Photography: In a world saturated with images, curate exhibits at Texas Gallery, FotoFest and HCP expose viewers
to the best lens-based work,” Houston Chronicle, April 8, 2011.
Caine, Paul. “50 Americans,” Nylon Magazine, May 2011.
Cash, Stephanie. “Everyone’s a Critic (or curator),” Art in America, May 2011. P.40. C.Bf. “Before Facebook censors us, we’ll do it ourselves.” The Art Newspaper, September 2011.
Cembalest, Robin. “Gee, I’m a Tree,” Tablemag.com, November 3, 2011.
Cooper, Ashton. “My Mapplethorpe: Cindy Sherman, David Hockney, Vik Muniz, and Other Artists on Curating the Provocative Photographer’s Art,” ARTINFO, July 19, 2011.
D’Addario, Daniel. “Spring Arts Preview: Top 10 Art Exhibitions,” The New York Observer, March 8, 2011.
“Eine Gute Wahl,” German Vogue, May 6, 2011.
Galperina, Marina. “Americans Select Their Favorite Robert Mapplethorpe Photographs,” Flavorwire, May 6, 2011.
Goffo, Andrea. “Sean Kelly Racconta Robert Mapplethorpe, con la mostra ‘americani qualunque’ nella sua galleria,” Vogue Italia, Maggio 12, 2011.
Hood, John. “Exploring Robert Mapplethorpe’s Portraits of Cultural Icons,” Flavorpill, June 22, 2011.
“Hot List: Swing vote,” Harper’s Bazaar, May 2011.
Jovinelly, Joann. “Robert Mapplethorpe – 50 Americans,” Cititour, May 13, 2011.
Karcher, Eva. “Herzstücke, Einst skandalös, heute ein Klassiker: 50 Amerikaner wählten für eine Ausstellung in New York ihr Lieblingsfoto von ROBERT MAPPLETHORPE,” Vogue, June 2011.
Kennedy, Randy. “A Resurgence in Art Buying Over the Web,” The New York Times, June 21, 2011.
Knight, Christopher. “L.A. the right home for Robert Mapplethorpe collection,” Los Angeles Times, February 9, 2011.
Malek, Paulina. “About Town”, The New York Observer, Summer 2011.
“Mapplethorpe, Revisited,” Details Magazine, May 2011.
“Mapplethorpe archive moves to West Coast,” FlashArtonline.com, February 11, 2011. Martin, Alison. “Diverse New York City photographer’s works hit Chelsea this month,” Examiner.com, May 3, 2011.
Meffre, Anne-Claire. “Robert Mapplethorpe par Sofia Coppola,” Le Figaro, November 23, 2011.
Michals, Susan. “Photos: Bruce Weber and Ingrid Sischy on Robert Mapplethorpe’s Legacy,” Vanity Fair, May 6, 2011.
Miranda, Carolina A. “This Week: Must-See Arts in the City”, WNYC, May 12, 2011.
“New York: What Robert Mapplethorpe Means in 2011,” Departures Dispatch, May 5, 2011.
“Robert Mapplethorpe,” New York Magazine, May 9, 2011.
“Robert Mapplethorpe,” New York Magazine, June 6, 2011.
“Robert Mapplethorpe ‘50 Americans’ at Sean Kelly Gallery,” Living Proof Magazine, May 5, 2011.
“Robert Mapplethorpe: 50 Americans, May 7 – Jun 18, 2011,” Artnet, May 6, 2011.
“Robert Mapplethorpe, 50 Americans,” Obit Magazine, May 10, 2011.
“Robert Mapplethorpe: 50 Americans,” Out Magazine, June 2011.
“Robert Mapplethorpe: 50 Americans,” The New Yorker, May 20, 2011.
Robertson, Rebecca. “Union of the States,” ARTnews, May 2011.
“Sean Kelly Gallery: Robert Mapplethorpe, 50 Americans,’” TimeOut, May 5-11, 2011. Sheets, Hilarie M. “The Writing on the Wall,” ARTnews, April 2011.
Siegel, Miranda, ed. “Art,” New York Magazine, May 30, 2011.
Suddath, Claire. “Robert Mapplethorpe,” Time, April 05, 2011.
Taylor, Leah. “Robert Mapplethorpe: 50 Americans,” Flavorpill, May 6, 2011.
Thatcher, Jennifer. “Robert Mapplethorpe: Night Work”, ArtReview Magazine, March 15, 2011.
Temple, Katherine. “Fine Photographs, Exceptional Prices,” Arts and Collections International, March 24, 2011.
Thérond, Eve. “A chacun son Mapplethorpe,” En Direct de New York, June 1, 2011.
“Union of the States,” ARTnews, May 2011.
Vogel, Carol. “Inside Art: Mapplethorpe Revisited,” The New York Times, March 18, 2011.
Vogel, Carol. “Simultaneous Shows, One Indoors, One Out: Mapplethorpe Revisited,” The New York Times, March 17, 2011.
Wagley, Catherine. “Looking at Los Angeles: Owning Robert Mapplethorpe,” Art:21, February 10, 2011.

Capps, Kriston. “Artist to Project Wojnarowicz Video Onto NPG During Protest,” Washington City Paper, December 2, 2010.
Capps, Kriston. “Bulls on Parade: How the GOP Picks (and Loses) Its Battles,” Washington City Paper, December 1, 2010.
Capps, Kriston. “Follow the Money: How Will The Wojnarowicz Controversy Affect the Bottom Line?,” Washington City Paper, December 2, 2010.
“Damien Hirst Gives Gagosian a Baby Skull for Xmas, Patti Smith on Smithsonian Censorship, and More Must-Read Art News,” Artinfo, December 23, 2010.
Doran, Ann. “The Original Copy: Photography of Sculpture, 1839 to Today,” Time Out New York, Sep 16–22, 2010.
Flett, Kathryn. “Kathryn Flett: Call me a prude, but…,”The Guardian, November 13, 2010.
“Franco May Play Mapplethorpe,” Advocate, October 15, 2010.
Fronczak Rogers, Mimi. “From bohemia to Bohemia: Life at a cultural outpost, as lived by three noteworthy artists,” Prague Post, January 13, 2010.
Gage, Marjorie E. “Full Exposure,” New York Spaces, October 2009, Cover, p. 86-93.
Gross, Joe. “Patti Smith goes inside her relationship with Robert Mapplethorpe,” Statesman, January 16, 2010.
Harris, Gareth. “Can Scissor Sisters cut it as curators,” The Art Newspaper, October 13, 2010.
Higgins, Charlotte. “Scissor Sisters to curate Mapplethorpe exhibition,” The Guardian, December 14, 2010.
Kiss, Jemima, “From the bedroom to the Guggenheim: search is on for a YouTube masterpiece,” The Guardian, June 14, 2010.
“Major Robert Mapplethorpe Retrospective in Düsseldorf,” PR Web, January 13, 2010.
“Kunsthalle Wien Examines the Portrait from Mapplethorpe to Goldin,” artdaily.org, October 13, 2009.
Loos, Ted. “Portraits Shed Light Through Gay Prism,” The New York Times, September 9, 2010.
Miller, Ben. “Museum and Gallery Exhibitions of 2010: Curators choose their favourites,” Culture24, December 21, 2010.
“NRW-Forum in Dusseldorf Organizes Major Robert Mapplethorpe Retrospective,” Art Daily, February 6, 2010.
Peers, Alexandra. “Art Is Inn,” The New York Observer, December 7, 2010.
“Photographs by Robert Mapplethorpe Donated to Italian Museums,” artdaily.org, March 25, 2010.
Sheperd, Kate. “Tap into your inner Blake, like Patti Smith does,” Medill Reports Chicago, December 2, 2010.
“Top 10 Shows to See In New York City,” ARTINFO, August 5, 2010.
“Vanities from Caravaggio to Damien Hirst at Musée Maillol,” Art Daily, February 5, 2010.
Wolfson, Elizabeth. “Music and Art,” Art21, December 7, 2010.

Sterling Ruby & Robert Mapplethorpe,” The Art Newspaper, December 2009, p. 60.
“Museum in Paris Shows Works by Artists Aware that Death was Imminent,” Artdaily.org, October 21, 2009.
Cripps, Charlotte. “Party of the Week: No sign of the crunch at Frieze Art Fair week,” The Independent, October 16, 2009.
Steward, Sue. “Robert Mapplethorpe: A Season in Hell,’’ London Evening Standard, October 14, 2009.
Higgins, Charlotte. “Glasgow’s sex and drugs row rumbles on,” guardian.co.uk, September 22, 2009.
Abel, Jennifer. “Photo exhibit at museum explores layers in images,” The Herald, June 4, 2009.
Knight, Christopher. “Review: ‘Robert Mapplethorpe: Black, white and silver’ at Marc Selwyn Fine Art,” Los Angeles Times, February 19, 2009.
Salkin, Judith. “Shadows and Light: The Works of Robert Mapplethorpe,” Desert Post Weekly, February 5, 2009.
Pierini, Marco. “Patti & Robert,” FMR White Edition, February 2009, p. 84-95.
Bernot, Kate. “Polaroids: Mapplethorpe,” The Daily Baltimore, January 29, 2009.
Haramis, Nick. “Eliza Dushku Casts Brother as Robert Mapplethorpe,” Blackbook.com, January 20, 2009.
“Mapplethorpe Polaroids at Northwestern University’s Block Museum,” artdaily.org, Saturday, January 17, 2009.
Lehet, Michael. “Mapplethorpe: Polaroids’ opens at Block Museum,” Examiner.com, January 13, 2009.

“Robert Mapplethorpe: Polaroids,” Art Exi, July 2008. p. 149.
Aletti, Vince. “Robert Mapplethorpe,” The New Yorker, March 3, 2008, p. 11.
Aletti, Vince. “Shoot to Thrill,” The New Yorker, May 26, 2008.
Baker, R.C. “Robert Mapplethorpe: ‘Certain People’,” Village Voice, February 27- March 4, 2008, p. 43.
Bischoff, Dan. “Whitney Snaps up Mapplethorpe Shots,” The Star-Ledger, May 4, 2008.
Bonano, Christopher. “Gone in an Instant,” New York Magazine, May 12, 2008, p.14.
Budick, Ariella. “Instant Gratification,” Financial Times, May 19, 2008.
Camhi, Leslie. “Robert Mapplethorpe’s Instant Precious Relics,” The Village Voice, June 3, 2008.
Charles, Katie. “Agenda: The Image,” New York Magazine, September 1-8, 2008.
“From vampire to Mr. Nice Guy with a 125 million splash of art,” The New York Times, February 1, 2008.
Indrisek, Scott. “A Minor Problem?,” Artnews, September 2008.
Hulme, Emily. “Exploring Mapplethorpe’s use of Polaroids,” amNew York, May 16, 2008. Raynor, Scott. “Artwork Appreciated by university professor,” Western Courier, October 10, 2008.
Rosenberg, Karen. “Polaroids: Mapplethorpe,” The New York Times, May 16, 2008. Rosenberg, Karen. “A Painter’s Social Network, Traced in Her Photographs,” The New York Times, July 11, 2008, E29.
Wolff, Rachel. “Mapplethorpe meets his match,” New York Magazine, March 10-17, 2008, p. 170.
Aletti, Vince. “Shoot to Thrill,” The New Yorker, May 26, 2008.
Rosenberg, Karen. “Spontaneity Was the Medium and the Message,” The New York Times, May 16, 2008.

Pinsent, Richard. “Robert Mapplethorpe’s Polaroids,” The Art Newspaper, November 2007, p. 65.
Holden, Stephen. “A Collector and His Polaroid Passions,” The New York Times, October 19, 2007, p. E21.
Van Meter, Jonathan. “How Edward Mapplethorpe Got His Name Back,” New York, September 24, 2007, p. 40-45
Bearzatto, Thierry. “When Chrome Hearts Met Mapplethorpe,” Flaunt, No. 80, 2007, p. 50-59.
Budick, Ariella. “June Bride,” Newsweek / New York City, June 29, 2007, p. B17. Gefter, Philip. “The Man Who Made Mapplethorpe,” The New York Times, Tuesday, April 24, 2007.
Jentleson, Katherine. “Black Humor,” Art + Auction, September 2007, p. 203.
Kaufman, Jason Edward. “Fairs: ‘It’s like a supermarket,’” The Art Newspaper, January 2007, p. 46.
Reynolds, Nigel. “Gallery puts its faith in the art of seduction,” The Daily Telegraph, February 22, 2007.
Rowland, Thomas. “Index: Mapplethorpe Polaroids,” State of Art 2007, Summer 2007.
Schwendener, Martha. “Blood Unsimple: The Ties That Bind, in All Their Complexity,” The New York Times, February 20, 2007.
Sheets, Hilarie M. “Seeking a Lift from the Contemporary,” The New York Times, March 28, 2007.
Smith, Roberta. “Art in Review: Role Exchange,” The New York Times, Friday, July 6, 2007.
Wolff, Rachel. “Always a Bridesmaid,” New York, July 17, 2007.

“Art Listing (recommended),” Time Out New York, Sunday, 21-25 June 2006, p. 80.
“Books/Libri: Robert Mapplethorpe,” Tema Celeste, March / April, 2006, p. 23.
“Contributors,” New York Times Magazine, Sunday, October 15, 2006.
Doenitz, Amanda. “Market Update: Photographs; Giving the People What
They Want,” art on paper, Vol. 10, No. 3, January/February 2006, p. 20-22.
Dubin, Steven. “Our Man in Havana: Robert Mapplethorpe,” Art in America, June/July 2006, pp.127-131.
“Galleries-Chelsea, Mapplethorpe/Warhol,” The New Yorker, July 3, 2006, p. 13.
Glueck, Grace. “The Downtown Scene, When It Was Still Dirty,” The New York Times, Friday, January 13, 2006.
Harris, Jane. “Into Me/Out of Me,” Time Out New York, August 10-16, 2006, p. 63.
“Herbert Muschamp,” The New York Times Style Magazine, Design Fall 2006, p .40.
“Mapplethorpe Travels to a Laid-Back Cuba,” The New York Times, Tuesday, January 10, 2006, E6.
“Mapplethorpe/Warhol” New York Magazine, 19 June 2006, p. 156.
Moore, Booth, “Dead art icons live on, in a fashion,” LA Times, December 16, 2006.
Rian, Jeff, “Robert Mapplethorpe: Galerie Thaddaeus Ropac,” Artforum, February 2006, pp. 221-22.
“Robert Mapplethorpe and the Classical Tradition,” artdaily.com, Tuesday, November 7, 2006.
“Robert Mapplethorpe: Words and Music by Patti Smith,” Tate Modern Online, September 8, 2006.
Teodorczuk, Tom, “The pig and the penguin: ICA trots out genius of youth,” Evening Standard, 2006, p. 23.
Wallach, Amei, “The Provocateur and His Well-Heeled Collaborator,” The New York Times, Sunday, November 12, 2006.
“What’s On: Rest of Europe,” The Art Newspaper January Listings, No.165, January 2006, p. 11.
Yablonsky, Linda. “True Grit: Grey Art Gallery revisits the ‘70s and ‘80s downtown scene,” Time Out New York, Issue 537, January 12- 18, 2006, p. 57.

“A Casa de Mapplethorpe,” O Estado de São Paulo, February 28, 2005.
“Alison Jacques Gallery: Press Release: ‘Robert Mapplethorpe Curated by David Hockney,’” March 18 – April 23, 2005.
Amy, Michaël. “You talkin’ to me?,” DITS: Violence, Vol. III, No. 5, Winter-Spring 2005, p. 18-31.
“Anote na Agenda,” O Estado de São Paulo, February 28, 2005.
Arrington, Vanessa. “Mapplethorpe arrives in more tolerant Cuba,” AP Wire, December 15th, 2005.
“Art Listings: Solomon R. Guggenheim Museum,” New York Magazine, July 25, 2005, p. 81.
“Art Market Watch,” artnet, October 14th, 2005.
“ASA 1,000,000,000,” Vogue RG, No. 38, March 2005.
Augusto de Andrade, Sérgio. “O Altar da Perversão,” Bravo!, Ano 8, March 2005.
Baer, Josh et. al., “Power 100: 2005,” ArtReview, Volume LVIII, November 2005, p. 100.
Burnett, Craig. “The World Made Flesh,” ArtReview, Volume LVII, October 2005, p. 82-85.
“Caderno 2,” O Estado de São Paulo, March 6, 2005.
“Censura Livre,” Portal Universidade Anhembe Morumbi, March 25, 2005.
Claudio, Ivan. “Belas e Feras,” Isto é, March 2, 2005.
Clover, Samuel T. “Like one giant, movable art party,” The New York Post, March 12, 2005.
“Colecionador de Polêmicas,” O Estado de São Paulo, March 3, 2005.
Copeland, Huey. “‘Bye, Bye Black Girl’: Lorna Simpson’s Figurative Retreat,” art journal, Vol. 64, No. 2, Summer 2005, p. 62-78.
De Souza, Eduarda. “Vik Muniz ferve com Seu Jorge na abertura da mostra de Mapplethorpe,” erikapalomino, March 2005.
Dubra, Pedro Ivo. “Vik Muniz expõe e faz curadoria de Mapplethorpe,” Folha de São Paulo, March 11, 2005.
Dubra, Pedro Ivo. “Vik Muniz expõe e faz curadoria de Mapplethorpe,” Guia da Folha, March 4, 2005.
Dubra, Pedro Ivo. “6 Coisas Que Você Não Sabio Sobre Robert Mapplethorpe,” Folha de São Paulo, February 27, 2005.
“Gallery Listings,” The New Yorker, September 12, 2005, p. 23.
Gardner, James. “Art Review: Robert Mapplethorpe and The Classical Tradition,” The New York Post, Friday, July 8, 2005, p. 56.
Gefter, Philip. “A Thousand Words? How About $450,000?” The New York Times, March 13, 2005, E32.
Harris, E. Lynn. “Private Parts,” The New York Times Book Review, Sunday, November 6, 2005, p. 19.
Horton, Anne. “auction reviews: photography,” Art + Auction, Vol. XXIX, No. 4, December 2005, p. 138.
“In the air: Holly, Go Lightly,” Art + Auction, Vol. XXIX, No. 3, November 2005, p. 33. Johnson, Ken. “Venerating and Sullying Sacred Space of a Gallery,” The New York Times, March 3, 2005, E4.
“Londres vê Robert Mapplethorpe pelos olhos de David Hockney,” Jornal do Brasil, January 15, 2005.
“Mapplethorpe & Vik Muniz,” NoOlhar.com, March 12, 2005.
“Mapplethorpe ganha exposição em São Paulo,” BR Press, March 3, 2005.
Maslin, Janet. “An Ex-Model Recalls Her Glamorous and Tormented Past,” The New York Times, Monday, October 10th, 2005, B1, B10.
McCord, Andy. “Art Market: Photography Sales Soar,” ARTnews, Vol. 104, No. 11, December 2005, p. 96, 98.
Molina, Camila. “Mapplethorpe comportado,” O Estado de São Paulo, March 3, 2005. Monachesi, Juliana. “A fotografia suspeita,” Folha de São Paulo, March 6, 2005.
Moraes, Mauricio. “Arte Valiosa,” O Estado de São Paulo, March 11, 2005.
“Mostra de fotos exibe Sônia Braga seminua,” Terra, March 3, 2005.
“Museum Listings: Solomon R. Guggenheim Museum,” Time Out New York, No. 513, July 28-August 3, 2005, p. 63.
“News & Around: Robert Mapplethorpe,” tema celeste, Volume XXII, No. 111, September-October 2005, p. 110.
“Notas,” Glamurama, January 22, 2005.
“Nova Visão de Uma Obra Polêmcia,” Isto é, March 2, 2005.
Novaes, Tereza, “Ver Para Creer,” Folha Illustrada, February 3, 2005, E1.
“Obras do artista americano Robert Mapplethorpe exposiçao na Fortes Vilaça,” Open Jornal Jardins, March 28, 2005.
“October Calendar,” Art + Auction, Volume XXIX, No. 2, October 2005, p. 181.
“On The Horizon: At The Guggenheim,” The New Yorker, May 30, 2005, p. 30.
“Photography: December,” ArtForum, Vol. XLIV, No. 4, December 2005, p. 204.
Pinsent, Richard. “Snap Up a Bargain,” ArtReview, Volume LVII, October 2005, p. 35-36.
“Polêmico Robert Mapplethorpe ganha mostra,” ARTEeLAZER, March 3, 2005. Rabinowitz, Cay Sophie. “Rudolf Stingel Talks About His Latest Installation,” ArtForum, Vol. XLIII, No. 9, May 2005, p. 220-221.
Ravache, Guilherme. “Revista Quem - Vice e Versa,” Art e História, March 2005.
“Retina,” Folha de São Paulo, March 3, 2005.
“Retrostyle: A Day in the 80s,” New York, December 12, 2005, p. 60.
“Robert Mapplethorpe,” Taste, March 2, 2005.
“Robert Mapplethorpe,” UOL Diversão e Arte, March 1, 2005.
“Robert Mapplethorpe,” Guia da Semana, March 2005.
“Robert Mapplethorpe at Asprey Jacques,” Art + Auction, January 2005, p. 104.
“Roteiro da Semana,” Veja São Paulo, March 2005.
“São Paulo ganha exposição do fotógrafo Robert Mapplethorpe em Março,” Mapa das Artes, February 11, 2005.
Schlaegel, Andreas. “The Vanity of Allegory: Deutsche Guggenheim, Berlin,” Flash Art, Vol. XXXVIII, No. 245, November-December 2005, p. 53.
Smith, Roberta. “Body Heat: Mannerism and Mapplethorpe Muscles in Tight Embrace,” The New York Times, Friday, July 1, 2005, E38.
Stevens, Mark. “Hooked on Classics,” New York Magazine, August 1-8, 2005, p. 78-79.
Taylor, Sue. “A New Catholic Iconography?,” Art in America, Feb. 2005, p. 39.
“Today’s Suggestions: photography,” The Art Newspaper: Art Basel Edition, June 17, 2005, p. 6.
“Torino: L’antico, moderno Mapplethorpe,” Flash Art Italia, Vol. XXXVIII, No. 254, October-November 2005, p. 81.
“Vik Muniz assina curadoria de exposição sobre Mapplethorpe,” erikapalomino, February 23, 2005.
“What’s On: Rest of Europe,” The Art Newspaper October Listings, No. 162, October 2005, p. 12.
“What’s On: United Kingdom,” The Art Newspaper: September Listings, No. 161, September 2005, p. 6.
“What’s On,” The Art Newspaper, No. 160, July-August 2005, p. 2.
Wolfe, Gene, “Mapplethorpe’s Manners,” Museums New York, Vol. 11, No. 3, Summer 2005, p. 57-59.
Smith, Roberta. “Mannerism and Mapplethorpe Muscles in Tight Embrace,” The New York Times, July 1, 2005.

“Photography: December,” Artforum: International. December, 2004.
Lawrence, Sidney. “Capital Roundup,” Artnet, November 11, 2004.
Abbe, Mary. “A new show of Robert Mapplethorpe photos dodges controversy to tout tradition,” Star Tribune, Friday, October 15, 2004, E20.
Aletti, Vince. “Robert Mapplethorpe,” Artforum, May 2004, p. 112.
Bader, Graham. “High and Low,” October, 2004, p. 109-110, 283.
Burton, Johanna. “Subject to Revision,” Artforum, October 2004, p. 259-262, 305.
“Orlando Hosts Cottrell/Lovett Collection,” and “New Photo Festival for Brooklyn Waterfront,” Artnet News, September 14, 2004.
Griffin, Tim. Artforum, September 2004, p. 205.
Gross, Jaime. “Peer Factor,” ArtNews, April 2004, p. 38.
“Horizont(e) 1984-2004,” Luis Serpa Projectos, EXIT Express, October 2004, p. 25.
Jefferson, Margo. “Photo Dynamics,” The New York Times Book Review, February15, p. 31. Larcen, Donna. “The Image of the Male Body,” The Hartford Courant, September 9, 2004.
Pollack, Barbara. “What Lies Beneath,” Time Out New York, January 1-8, 2004, p. 52. Rexer, Lyle. “Only Skin Deep,” Art on Paper, March/April 2004, p. 60 - 63.
Rosoff, Patricia. “Contemporary Art Takes the Stage,” The Hartford Advocate, September 2, 2004.
Rosoff, Patricia. “Belly Up to the Bar Boys,” Hartford Advocate, September 23, 2004, p. 42. Sorkin, Jenni. “Robert Mapplethorpe: Pictures Pictures,” Frieze, May 2004, p. 99.
Stevens, Mark. “Skin Games,” New York, February 2, 2004, p. 50.
Streitfeld, L.P. “The Traps of Masculinity at UConn,” The Advocate and Greenwich Time, September 2004.
Vogel, Carol. “Elton John’s Yard Sale,” New York Times, Friday, September 10, 2004, p. B-30.
Woodward, Richard. “Battleground Art: Revisiting the Culture Wars in Cincinnati,” New York Times, Sunday September 5, 2004, p. AR-24.
Horton, Anne. “Moving Pictures,” Art + Auction, August 2004, p. 56.

Abbe, Mary. “Review: Robert Mapplethorpe at Weinstein,” ARTNews, February 2003, p. 144.
Grant, Daniel. “Mapplethorpe Estate Changes Reps,” ARTnewsletter, March 18, 2003, p. 4-5.
Garrett, Craig. “Moving Pictures,” Flash Art, March-April, 2003 p. 47.
Flood, Richard. “Robert Mapplethorpe’s Self-Portraits,” Artforum, April, 2003, p. 103.
McCormick, Carlo. “Robert Mapplethorpe: Eye To Eye,” Camera Austria International, No. 84, 2003, p. 116.
Straub, Drew B. “Formalism and Premonition,” Gay City News, September 19-25, 2003, p. 20, 31.
Valdez, Sarah. “PM Picks,” Paper Magazine: pm insert, September 2003, p. 22. “Photography,” The New Yorker, October 6, 2003, p. 30.
Kidd, Dustin. “Mapplethorpe and the New Obscenity,” Afterimage, March/April 2003, p. 6–7.
Meyer, Richard. “The Jesse Helms Theory of Art.” October104, Spring 2003, p. 131–48.

Danto, Arthur C. “Instant Gratification: Robert Mapplethorpe’s Polaroids, 1970–1976.” Aperture, no. 163, Spring 2001, p. 44–53.
Meyer, Richard. “Mapplethorpe’s Living Room: Photography and the Furnishing of Desire,” Art History 24, no. 2, April 2001, p. 292–311.

Cottrell, Edith. “Robert Mapplethorpe: Portraits de corps et de choses/Portraits of Flowers and Body Parts,” Art Press, no. 242, January 1999, p. 36–39.

Hood, William. “A Lazy Man’s Approach: Robert Mapplethorpe and the Language of  Sculpture.” In Sculpture and Photography: Envisioning the Third Dimension. Geraldine A.  Johnson, ed. Cambridge: Cambridge University Press, 1998, p. 199–212. 

“Robert Mapplethorpe” (interview October 16, 1977). Night, no. 35, 1997.

Gupta, Sunil. “Cocks and Other Contradictions: The Works of Robert Mapplethorpe,” Portfolio, no. 24, December 1996, p. 62–63.

Jarzombek, Mark. “Sights of Contention: The Mapplethorpe Trial and the Paradox of Its Formalist and Liberal Defense,” Appendix 2, Spring 1994, p. 58–81. 

Cembalest, Robin. “Who Does It Shock? Why Does It Shock?” Artnews, March 1992, p. 32–33.
Hughes, Robert. “Art, Morality and Mapplethorpe,” New York Review of Books, April 23, 1992.

Gurstein, Rochelle. “Current Debate: High Art of Hard-Core? Misjudging Mapplethorpe: The Art Scene and the Obscene,” Tikkun 6, no. 6, November–December 1991, 70– 77.
Paglia, Camille. “The Beautiful Decadence of Robert Mapplethorpe: A Response to Rochelle Gurstein,” Tikkun 6, no. 6, November–December 1991, p. 77–80.
Storr, Robert. “Art, Censorship, and the First Amendment: This Is Not a Test,” Art Journal 50, no. 3, Autumn 1991, p.12–28.
Szegedy-Maszak, Andrew. “A Distinctive Vision: The Classical Photography of Robert Mapplethorpe,” Archaeology 494, no. 1, January–February 1991, p. 60–63.
Tannenbaum, Judith. “Robert Mapplethorpe: The Philadelphia Story,” Art Journal 50, no. 4, Winter 1991, p. 71–76.

Butler, Judith. “The Force of Fantasy: Mapplethorpe, Feminism, and Discursive Excess,” Differences: A Journal of Feminist Cultural Studies 2, No. 2, 1990, 105–25.
Cembalest, Robin. “Cincinnati: Imperfect Moment,” Artnews, Summer1990, p. 51.
Merkel, Jayne. “Art on Trial,” Art in America, December 1990, p. 41–46.
Meyer, Richard. “Imagining Sadomasochism: Robert Mapplethorpe and the Masquerade of Photography,” Qui Parle 4, no. 1. Fall 1990, p. 62–78.
Parachini, Allan. “Year of the Censor: How Photography Became the Focus of Fear and Loathing,” American Photo, November–December 1990, p. 39–42.
Wilkerson, Isabel. “Cincinnati Jury Acquits Museum in Mapplethorpe Obscenity Case,” New York Times, October 6, 1990.
Yingling, Thomas. “How the Eye Is Caste: Robert Mapplethorpe and the Limits of Controversy,” Discourse 12, no. 2, Spring–Summer 1990, p. 3–28.

Artner, Alan G. “The 1989 Artist of the Year: Photographer Robert Mapplethorpe,” Chicago Tribune, December 31, 1989.
Chua, Lawrence. “Robert Mapplethorpe,” Flash Art, 144, January–February 1989, p. 100–103.
Dunne, Dominick. “Robert Mapplethorpe’s Proud Finale,” Vanity Fair, February 1989, p. 125–32, 183–87.
Fritscher, Jack. “Pentimento for Robert Mapplethorpe: Fetishes, Faces, and Flowers of Evil,” Drummer, no. 133, September 1989, p. 8–15.
Lewis, Jo Ann. “Mapplethorpe’s Transformations,” Washington Post, July 21, 1989.
Lucie-Smith, Edward. “Mapplethorpe Gets His Revenge,” Independent, November 18,1989.
Sischy, Ingrid. “Photography: White and Black,” New Yorker, November 13, 1989, p. 128–46.
Zurlinden, Jeff. “Robert Mapplethorpe: Art on the Edge,” Outlines, March 1989

Bultman, Janis. “Bad Boy Makes Good,” Darkroom Photography, July 1988, p. 22-29.
Cooper, Dennis. “At the Mapplethorpe Opening,” 7 Days, August 10, 1988.
Danto, Arthur C. “Robert Mapplethorpe,” Nation, September 26, 1988, p. 246–50.
Filler, Martin. “Robert Mapplethorpe,” House and Garden, June 1988, p.158–63.
Grundberg, Andy. “The Allure of Mapplethorpe’s Photographs,” New York Times, July 31, 1988.
Indiana, Gary. “Robert Mapplethorpe,” Bomb 22, Winter1988, p.18–23.
Kramer, Hilton. “Mapplethorpe Show at the Whitney: A Big, Glossy, Offensive Exhibit,” New York Observer, August 22, 1988.
McGuigan, Cathleen. “Walk on the Wild Side,” Newsweek, July 25, 1988, p. 56–57.
Schjeldahl, Peter. “The Mainstreaming of Mapplethorpe, Taste and Hunger,” 7 Days, August 10, 1988, p. 48.
Squiers, Carol, and Steven Koch. “Mapplethorpe,” American Photographer, January 1988, p. 44.
Grundberg, Andy. “Photography View: The Allure of Mapplethorpe’s Photographs,” The New York Times, July 31, 1988.

Goldberg, Vicki. “The Art of Salesmanship: Photography as a Tool of Advertising,” American Photographer, February 1987, p. 28.
Green, Roger. “Softening a Sex Image with Flowers,” Lagniappe, January 30, 1987.
Jordan, Jim. “A Decade of Diversity,” Artweek, April 11, 1987, p. 10.
Morgan, Stuart. “Mapplethorpe,” Clichés, October 1987, p. 16–23.
Morgan, Stuart. “Something Magic,” Artforum, May 1987, p. 118–23.
Walker, Anne. “Holly Solomon/Robert Mapplethorpe,” Shift, no. 1, 1987, p. 18–19.

Aronson, Steven M. L. “Reflections in a Photographer’s Eye,” House and Garden, May 1986, p. 84-87.
Catalano, Gary. “Pictures of Sculpture Vision,” The Age, February 12, 1986, p. 14.
Davis, Douglas. “The Return of the Nude,” Newsweek, September 1, 1986, p. 79.
Kissel, Howard. “Robert Mapplethorpe: Unsettling Images,” W, July 14, 1986, p. 22.
Koch, Steven. “Guilt, Grace and Robert Mapplethorpe,” Art in America 74 (November 1986): 144–51.
Lifton, Norma. “Picture-Taking,” New Art Examiner, February 1986, p. 56.
Nurnberg. W. “Staging the Self,” British Journal of Photography, December 19, 1986, p. 1450–52.
Rooney, Robert. “The Unambiguous Stare of Mapplethorpe’s Lens,” Australian, February 25, 1986.

Celant, Germano. “The Infernal Divinities of Photography in Mapplethorpe and Witkin,” Art Press, February 1985, p. 4–8.
Coupland, Ken. “Robert Mapplethorpe,” Sentinel USA, May 23, 1985, p. 12.
Indiana, Gary. “Mapplethorpe,” Village Voice, May 14, 1985, p. 97.
McKenzie, Barbara. “Robert Mapplethorpe,” Open City, November 1985, p. 19–21.
Morch, Al. “It’s More Than Parlor Decadence,” San Francisco Examiner, November 27, 1 985, p. B12.
“Robert Mapplethorpe,” Photo/Design, August 1985, p. 44.
Rozon, R. “The Challenges of the Salon National of the Montreal Art Galleries,” Vie des Arts, March 1985, p. 60–61.
Sontag, Susan. “Sontag on Mapplethorpe,” Vanity Fair, July 1985, p. 68–73.
Squiers, Carol. “Mapplethorpe off the Wall,” Vanity Fair, January 1985.
Sturman, John. “Robert Mapplethorpe,” Artnews, November 1985, p. 147.
Weaver, Mike. “Mapplethorpe Human Geometry: A Whole Other Realm,” Aperture, no. 101 (Winter 1985): 42–51 

Donkers, Jan. “Fotograaf Robert Mapplethorpe,” Avenue, January 1984, p. 81–84.
Evans, Tom. “Photographer in Focus,” Art and Artists, March 1984, p.16–19.
Haenlein, C. “Robert Mapplethorpe Photographien 1970–83,” Du: Die Kunstzeitschrift, 1984, p.10–13.
Hullenkremer, Marie. “Spitzenpreise für alte Woken und aggressive Porträts,” Art: Das Kunstmagazin, January 1984, p.15.
Llopis, Silvia. “El sexo es el mensaje,” Cambio, no. 16, May 3, 1984, 110–12.
Manegold, C. S. “Robert Mapplethorpe: The Latest Wave,” Artscribe, February–April 1984, p. 36–40.
Marinas, J. Alberto. “Robert Mapplethorpe expone en la Galería Fernando Vijande,” Diorama, fotografía, cine, sonido, y video, April 1984, p. 3–15.
Panicelli, Ida. “Robert Mapplethorpe, Palazzo delle Cento Finestre, Galleria Lucio Amelio,” Artforum, October 1984, p. 98–99.
Peral, E. “Robert Mapplethorpe: Fotografías, 1970–1983,” Arte Fotográfico, May 1984, p. 543–45.
Pinharanda, João. “Robert Mapplethorpe: O exercício dos corpos,” Oblobo, February 25, 1984, p.1.
“Robert Mapplethorpe,” Photo Japan, January 1984, p. 74–81.
Trucco, Terry. “State of the Art: Print Sales in Cameraland,” American Photographer, January 1984, p.18.

Butler, Susan. “Revising Femininity,” Creative Camera, September 1983, p. 1090-93.
Caujolle, C[hristian]. “Robert Mapplethorpe: Black, White and Square,” Beaux Arts, November 1983, p. 64-69.
Chatwin, Bruce. “Body Building Beautiful,” Sunday Times Magazine, April 17, 1983, p. 4.
Grundberg, Andy. “Is Mapplethorpe Only Out to Shock?” New York Times, March 13, 1983.
Hayes, Robert. “Robert Mapplethorpe.” Interview 8. no. 3, March 1983, p. 50–54.
Hershkovits, David. “Visceral Visual,” East Village Eye 5, no. 31, April 1983, p. 8.
Himmel, Eric. “Cut Flowers,” Camera Arts, April 1983, p. 56–61.
Holleran, Andrew. “Dicks and Daffodils,” Christopher Street, June 1983.
Jentz, Terri. “Robert Mapplethorpe: Restless Talent,” New York Photo, April 1983.
Kent, Sarah. “Mapplethorpe: Dick Tracing,” Time Out (London), November 3–9, 1983, p. 12–13.
Kolbowski, Silvia. “Covering Mapplethorpe’s ‘Lady,’” Art in America, Summer1983, p. 10–11.
“The Lady Is a Lyon,” American Photographer, October 1983, p. 85.
Lee, D. “Robert Mapplethorpe,” Arts Review, December 9, 1983, p. 84.
Lucie-Smith, Edward. “Robert Mapplethorpe,” Art and Artists, November 1983, p.15–16.
Morrisroe, Patricia. “Prints of Darkness,” Sunday Times Magazine (London), October 30, 1983, p. 81–85.
Novi, M. “Tutto il corpo di Lisa,” La Repubblica, April 10, 1983.
Pally, M. “Radiant Rebel,” New York Native, March 28, 1983.
Pozzo, S. del. “Che forza quell’artista,” Panorama, March 14, 1983.
“Robert Mapplethorpe,” British Journal of Photography, November 25, 1983, p. 1249.
“Robert Mapplethorpe,” East Village Eye, April 1983.
“Robert Mapplethorpe: Faire de l’art avec des tabous,” Photo-Reporter, January 1983.
Simson, Emily. “Portraits of a Lady,” Artnews, November 1983, p. 53–54.
Squiers, Carol. “Undressing the Issues,” Village Voice, April 5, 1983.
Walker, Barry. “Subversive Classicism,” New York Native, March 28, 1983.

Burnett, W. C. “Ex-Painter Gets in Focus with Camera,” Atlanta Journal, April 2, 1982.
Green, Roger. “Dureau and Mapplethorpe: Two Points of View,” New Orleans Times-Picayune, January 3, 1982.
Henry, Gerrit. “Robert Mapplethorpe, Collecting Quality: An Interview,” Print Collector’s Newsletter, September/October 1982, p.128–30.
Kohn, Michael. “Robert Mapplethorpe,” Arts, September 1982, p. 43.
Levy, Mark. “Robert Mapplethorpe at Fraenkel Gallery,” Images and Issues, Spring 1982, p. 77–78.
Post, Henry. “Mapplethorpe’s Camera Lusts for Exposing Sex Objects,” Gentlemen’s Quarterly, February 1982, p. 28.
Pousner, Howard. “Shoot First, Ask Questions Later,” Atlanta Journal/Atlanta Constitution, April 17, 1982, p. 50.
Sischy, Ingrid. “Lisa Lyon,” Artforum, November 1980, p. 55–60.
Welch, M. “Mapplethorpe’s Garden: Manhattan Fleurs du Mal,” New Art Examiner, January 1982.

“Der Ledermann Stehr Modell,” Leverkusener, May 6, 1981.
Ellenzweig, Allen. “Robert Mapplethorpe at Robert Miller,” Art in America, November 1981.
Fischer, Hal. “The New Commercialism,” Camera Arts, January 1981.
Flood, Richard. “Skied and Grounded in Queens: ‘New York/New Wave’ at P.S.1.,” Artforum, Summer 1981, p. 84–87.
Hershkovits, David. “Shock of the Black and the Blue,” SoHo Weekly News, May 20, 1981, p. 9–11.
Larson, Kay. “Robert Mapplethorpe at Robert Miller,” New York, June 7, 1981, p. 57–58.
Lynne, Jill. “Interview,” Palace Magazine, October 1981.
“Symboles de Mapplethorpe: Fantasmes sur le thème de ‘L’Homme, jardin de géométrie,’” Photo, October 1981, p. 112–17.

Albright, T. “The World of Decadent Chic,” San Francisco Chronicle, May 1, 1980.
Boettger, S. “Black and White Leather,” Daily Californian, April 11, 1980.
Artner, Alan G. “Mapplethorpe’s Photographs Seek More Than Arousal,” Chicago Tribune, February 29, 1980.
Ellenzweig, Allen. “The Homosexual Aesthetic,” American Photography, August 1980, p. 60–63.
Fischer, Hal. “Calculated Opulence: Robert Mapplethorpe,” Artweek, November 21, 1980.
Koffman, P. “Zwarte Mannen, Gezien door Robert Maplethorpe,” NRC Handelsblad, November 22, 1980.
Lafferty, Elizabeth. “The Cool Elegance of Robert Mapplethorpe,” San Francisco Focus, April 1980.
Papale, Richard S. “Mapplethorpe’s Forgotten Art,” Bostonia, January–February 1980.
“Robert Mapplethorpe,” Advocate, July 24, 1980.
“Robert Mapplethorpe,” San Francisco Bay Guardian, April 30, 1980.
Squiers, Carol. “With Robert Mapplethorpe,” Hamptons Newsletter, August 27, 1981.
Stambolian, George. “The Art and Politics of the Male Image: A Conversation between Sam Hardison and George Stambolian,” Christopher Street 4, no. 7, March 1980, p. 18.
Thompson, Mark. “Portfolio: Robert Mapplethorpe,” Advocate, July 24, 1980, p. 21–22.
White, Edmund. “The Irresponsible Art of Robert Mapplethorpe,” Sentinel, September 5, 1980.

Bas Roodnat, D. “Mapplethorpe’s Foto’s Met Onderkoelde ‘Power,’” NRC Handelsblad, May 23, 1979.
Bondi, Inge. “The Yin and the Yang of Robert Mapplethorpe,” Print Letter, January- February 1979, p. 9-11.
Burg, Lester. “The Art of Being Gay,” Gaysweek, April 23, 1979, p. 8.
Coumans, W. K. “Robert Mapplethorpe,” Foto, August 1979.
Friedman, Jon R. “Robert Mapplethorpe,” Arts, June 1979, p. 32.
Hodges, Parker. “Robert Mapplethorpe: Photographer,” Manhattan Gaze, December 10, 1979–January 6, 1980.
“In Bloom: Photographs by Robert Mapplethorpe,” 35mm Photography, Spring 1979, p. 94–105.
Kramer, Hilton. “Robert Mapplethorpe,” New York Times, April 6, 1979, p. C21
Lifson, Ben. “Games Photographers Play,” Village Voice, April 2, 1979, p. 80.
Lifson, Ben. “The Philistine Photographer: Reassessing Mapplethorpe,” Village Voice, April 9, 1979, p. 79.
Lucie-Smith, Edward. “The Gay Seventies?” Art and Artists, December 1979, p. 4–11.
Perrone, Jeff. “Robert Mapplethorpe: Robert Miller Gallery,” Artforum, Summer 1979, p. 69–73.
Van Ginneken, L. “Mapplethorpe,” De Volkskrant, May 18, 1979.
Whelan, Richard. “Robert Mapplethorpe: Hard Sell, Slick Image,” Christopher Street, June 1979, p.17–19.

Bulgari, Elsa. “Robert Mapplethorpe,” Fire Island Newsmagazine, July 3, 1978, p. 22.
Champeau, Albert. “Robert Mapplethorpe,” Créatis: La Photographie au présent, no. 7, 1978.
Foster, Hal. “Robert Mapplethorpe, Holly Solomon Galley,” Artforum, February 1978, p. 67–69.
Fritscher, Jack. “The Robert Mapplethorpe Gallery,” Son of Drummer (special issue of Drummer), 1978.
McDonald, Robert. “Censored,” Advocate, June 28, 1978.
McDonald, Robert. “Getting Off (Turning Off?),” Leica Journal, October/November 1978.
Ricard, Rene. “Patti Smith and Robert Mapplethorpe at Miller,” Art in America, September/October 1978, p. 126.
“Robert Mapplethorpe: Le Portrait intime,” Photo. February 1978, p. 58–65.

Bourdon, David. “Robert Mapplethorpe,” Arts, April 1977, p. 7
Henry, Gerrit. “Outlandish Nature,” Artnews, April 1977, p.118.
Porter, Allan. “Transfiguration/Configuration: Mapplethorpe,” Camera, Summer 1977, p. 4–13.
Smith, Patti. “Patti Smith parle de Robert Mapplethorpe,” Caméra 56, no. 9 (September 1977): 4–5, 33.
Tatransky, Valentin. “Robert Mapplethorpe,” Arts, April 1977, p. 29.

Bockris, Victor. “Robert Mapplethorpe,” New York Rocker, 1976.
Coleman, A. D. “The Directorial Mode: Notes toward a Definition,” Artforum, September 1976, p. 55–61.

Leonhart, M. Michael. “Photographer Evokes Precise Portrait Statements,” Gay Life, February 29, 1975.

Andre, Michael. “Recent Religious and Ritual Art,” Artnews, March 1974, p. 107.