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Matthew Barney

 
Exhibition Catalogues, Artist’s Books, and Monographs
2019
Matthew Barney: Redoubt. New Haven: Yale University Press, 2019.
2016
Matthew Barney: Otto Trilogy. New York: Gladstone Gallery, 2016.
Matthew Barney: Bildungsroman. Oslo: Astrup Fearnley, 2016.
2015
Marcopoulos, Ari. Fumes. New York: Karma, 2015.
2014
Enwezor, Okwui. Matthew Barney: River of Fundament. New York: Skira Rizzoli, 2014. 
2013
Obrist, Hans Ulrich. The Conversation Series 27: Matthew Barney.  Koln: Verlag der Buchhandlung Walther König, 2013. 
Subliming Vessel: The Drawings of Matthew Barney. New York: Skira Rizzoli, 2013.
2012
Matthew Barney: polimorfismo multimodalita neobarocco. Milan: Silvana Editoriale, 2012.
2011
Matthew Barney: DJED Playbill, feat. “I Am Yesterday I Know Tomorrow” by Angus Cook, Gladstone Gallery, New York
2010
Matthew Barney: KHU Playbill, feat. “Osiris in Detroit” by Angus Cook, Barney Studio, New York
Matthew Barney: DRAWING RESTRAINT Volume 6, Schaulager/Laurenz Foundation, Basel
Matthew Barney: Prayer Sheet with the Wound and the Nail, Schaulager, Switzerland, Schwabe Verlag Basel
2009
Matthew Barney • Elizabeth Peyton Blood of Two, Deste Foundation Centre for Contemporary Art, Greece, Walther Koenig
2007
Matthew Barney: DRAWING RESTRAINT Volume 5, Verlag der Buchhandlung Walther König,Köln, Germany
Matthew Barney: DRAWING RESTRAINT Volume 4, JMc & GHB Editions, New York
Matthew Barney, Sammlung Goetz, Munich
Matthew Barney: Kaiserring 2007,  Mönchehaus Museum für moderne Kunst, Goslar, Germany, Eulogy by Dr. D. Ronte
2005
Matthew Barney: DRAWING RESTRAINT Volume 1, Verlag der Buchhandlung Walther König, Köln, Germany
Matthew Barney: DRAWING RESTRAINT Volume 2, Uplink Co., Tokyo
Matthew Barney: DRAWING RESTRAINT Volume 3, Leeum, Samsung Museum of Art, Seoul
2003
Matthew Barney: The Cremaster Cycle, Astrup Fearnley Museet for Moderne Kunst, Oslo
2002
Spector, Nancy and Neville Wakefield, Matthew Barney: The Cremaster Cycle, Harry N. Abrams Inc., and Guggenheim Museum Publications, New York
Matthew Barney/ The Cremaster Cycle, Meeting House Square, Temple Bar, Dublin 
1999
Matthew Barney: CREMASTER 2, Walker Art Center, Minneapolis
1997
Matthew Barney: CREMASTER 5, Portikus Frankfurt, Germany and Barbara Gladstone Gallery, New York
Matthew Barney: CREMASTER 1, Kunsthalle Wien, Museum für Gegenwartskunst Basel
1995
Matthew Barney: CREMASTER 4, Fondation Cartier, Paris and Barbara Gladstone Gallery, New York, Essay by James Lingwood
Matthew Barney: PACE CAR FOR THE HUBRIS PILL, Museum Boymans van Beuningen, Rotterdam
Matthew Barney: DRAWING RESTRAINT, Cantz Verlag, Ostfildern, Germany, Essay by Klaus Kertess
1993
Barney, Matthew. "Headlever Near Side Cradle," (Found and manipulated text), Verbal Abuse Magazine, Issue #2, Fall 1993, p. 27.
1991
MATTHEW BARNEY: New Work, San Francisco: San Francisco Museum of Modern Art
Selected Group Exhibitions Catalogues/Books
 2017
The Garden Sees. Athens: Megaron, 2017. Gartenfeld, Alex, Gean Moreno, and Stephanie Seidel, ed. The Everywhere Studio. Miami: Institute of Contemporary Art; Munich: Del Monico Books/Prestel, 2017.
 2019
Berecz, Agnes. 100 Years, 100 Artworks: A History of Modern and Contemporary Art. Munich: Prestel, 2019.
2016
Baier, Simon. Sculpture on the Move: 1946 – 2016. Berlin: Hatje Cantz; Basel: Kunstmuseum Basel, 2016. 
2015
Writers Respond: Storylines: Contemporary Art at the Guggenheim, New York: Solomon R. Guggenheim Foundation, 2015.
Whitney Museum of American Art: Handbook of the Collection, New York: Whitney Museum of American Art, 2015.
Schwartz, Alexandra. Come As You Are: Art of the 1990s. Montclair: Montclair Art Museum, 2015.
Artistes et Architecture: Dimensions variables. Paris: Editions du Pavillon de l’Arsenal, 2015.
2014
Intenzione Manifesta: Il Disegno in Tutte Sue Forme. Torino: Castello di Rivoli Museo D'Arte Contemporanea, 2014.
A Secret Affair: Selections from the Fuhrman Family Collection. Austin: The Contemporary Austin, 2014.
2013
Altars of Madness. Luxembourg: Casino Luxembourg, 2013. 
NYC 1993: Experimental Jet Set, Trash and No Star. New York: New Museum, 2013.
For øjeblikket Samtidskunst til Billedkunst. Denmark: Lindhardt og Ringhof, 2013.
2012
The Circus as a Parallel Universe (Parallelwelt Zirkus). Vienna: Kunsthalle Wien, 2012.
Regarding Warhol: Sixty Artists Fifty Years. New York: Metropolitan Museum of Art, 2012.
Kvaran, Gunnar. To Be With Art is All We Ask. Oslo: Astrup Fearnley, 2012.
V15IONS: 15 Years Deutsche Guggenheim. Berlin: Deutsche Bank AG, 2012.
2011
Dion, Mark, Oceanomania, Nouveau Musée National de Monaco, 2011
Defining Contemporary Art – 25 years in 200 pivotal artworks. London: Phaidon, 2011
Albert Oehlen.  Nimes: Musée D’Art Contemporain de Nimes, 2011.
The Luminous Interval: The D. Daskalopoulos Collection. Bilbao: Guggenheim Bilbao, 2011.
The Mask & The Mirror. New York: Leila Heller Gallery, 2011.
Danser Sa Vie. Paris: Editions du Centre Pompidou, 2011.
NOMA 100: Gifts for the Second Century: Celebrating the Centennial of the New Orleans Museum of Art. New Orleans: New Orleans Museum of Art, 2011.
Smith, Marianne W. Albright-Knox Art Gallery: Highlights of the Collection. London: Scala, 2011.
2010
Skin Fruit, New Museum, New York, D.A.P., New York, 2010
2009
Matthew Barney: DRAWING RESTRAINT Volume 2, Whitney Biennial 2010 exhibition catalogue, Whitney Museum of American Art, Yale University Press, 2010
2008
Beck, Hubert, and Günter Engelhard, Index: Fotografie, - DZ Bank Sammlung Im Städel
Museum, Hatje Cantz Verlag, Ostfildern, 2008
Bousteau, Fabric, ed., Qu’est-ce que L’Art Vidéo Aujourd’hui? Beaux Arts Editions, Boulogne, France, 2008
Strickland, Carol, The Annotated Mona Lisa," Andrew McMeel Publishing, Kansas City, 2008
Love is a prison. Love is a possibility, Bayerische Staatsoper, München, 2009
Las Implicaciones de la Imagen, Museo Universitario de Ciencias y Arte, Mexico City, 2008
Art Editions 6, Edition Schellmann, New York, 2008
Stations: 100 Masterpieces of Contemporary Art, DuMont Buchverlag, Köln
Qu’est-ce que La Sculpture Aujourd’hui? Caroline Cross, Beaux Arts Editions
Time Crevasse, Yokohama International Triennale of Contemporary Art, 2008
2007
Into Me/Out of Me, KW Institute for Contemporary Art, P.S.1 Contemporary Art Center, Hatje Cantz, Ostfildern, 2007
Gioni, Massimiliano, Supercontemporary: Matthew Barney, Electa, New York, 2007
I Am As You Will Be: The Skeleton in Art, Cheim & Read, New York, 2007
Art Now: 2008 Taschen Diary, Taschen, 2007
Brasil Des Focos, Banco do Brasil, Brasil, 2007
Sculptors Drawing, Aspen Art Press, Aspen, 2007
Davidson, Susan, ed., "Art in America: 300 Years of Innovation," Merrell, New York, 2007
"Matthew Barney," Frieze Art Fair: Yearbook 2007-08, Frieze, London, 2007
Gielen, Denis, Atlas of Contemporary Art For Use By Everyone, Musée des Arts Contemporains au Grand-Hornu, Belgium, 2007
Kvaran, Gunnar B. et al., Not all is Visible, Astrup Fearnley Museum of Modern Art, Oslo, 2007
De Corral, Maria and John R. Lane, Fast Forward: Contemporary Collections for the Dallas Museum of Art, Yale University Press, New Haven and London, 2007
Schneider, Eckhard, Mythos, Kunsthaus Bregenz, 2007
2006
Garbagna, Crista, C’era Una Volta Un Re: La Fiaba Contemporanea, Arcos/Electa, 2006
 Esquiador en el fondo de un pozo, La Fondación Jumex, Ecatepec de Morelos, 2006
 Schmidt, Jason, Artists, Edition 7L, Paris, 2006
Rogers, Henry, and Aaron Williamson ed., Art Becomes You, Article Press, Birmingham
Richer, Francesca, and Matthew Rosenzweig, No. 1: First Works by 362 Artists, DAP, New York
The Eighth Square: Gender, Life, and Desire in the Arts since 1960, Hatje Cantz, 2006
Catalogue, Dark Places, Santa Monica Museum of Art, Santa Monica, 2006
Aitken, Doug, Broken Screen: 26 Conversations with Doug Aitken, New York, DAP, 2006
Adams, Laurie Schneider, Exploring the Humanities: Creativity and Culture in the West Vol. 2, New Jersey: Pearson Prentice Hall, 2006
2005
Paparoni, Demetrio, L’arte contemporanea e il suo metodo, Grafica Veneta S.p.A. di Trebaseleghe, Venice, 2005
Marsh, Margaret, Michelle Watts, and Craig Malyon, eds., Art 2: Practice, Oxford University Press, New York, 2005, p. 257
Art Now Vol 2, Taschen, New York, 2005
Les Grand Spectacles: 120 Jahre Kunst und Massenkultur, Museum der Moderne Salzburg und die Autoren, 2005
“L’art du Xxe Siecle: De l’art Moderne a l’art Contemporain 1939- 2002,” Citadelles & Mazenod,  Paris, 2005
Mahon, Alyce, Eroticism & art, Oxford University Press, New York, 2005
Grunenberg, Christoph, and Jonathan Harris, eds., Summer of Love, edited, Liverpool University Press, London, 2005
Uberschonheit: About Beauty, Haus der Kulturen der Welt, Germany, 2005
2004
Il Bello e le bestie. MARTA, Skira Ginevra, Milano,  2004
Fondation Cartier pour l’art contemporain. Paris, Cartier Foundation, 2004
Bonami, Francesco, ed.,  Bidibidobidiboo:  Works from Collezione Sandretto Re Rebaudengo, Skira Editore S.p.A., Milano, 2005
Deitch, Jeffrey, ed., Monument to Now, The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, 2004
Coetzee, Mark, Not Afraid: Rubell Family Collection,  Phaidon Press, New York, London, 2004
Sinnreich, Ursula, “Uber die poetische Hydraulik des Wagenhebers oder wie Matthew Barney,” Kurt, Basel, 2004
Beatrice, Luca, L’arte in testa, MACI: Museo Arte Contemporanea Isernia, 2004
Rotterdam 33rd International Film Festival, Catalogue, 2004
2003
Schwerfel, Heinz Peter, Kinoundkunst: Eine Liebesgeschichte, Dumont, Germany, 2003
Black Box Illuminated.  Propexus:  Lund, Sweden, 2003, essay by Saul Anton, pp.9-24
Fast Forward:  Media Art Sammlung Goetz, Kunstverlag Ingvild Goetz G.m.b.H: Karlsruhe, 2003
Subjective Realities, The Refco Group, LTD,New York and Chicago, 2003
Molesworth, Helen, Image Stream. Ohio State University: Wexner Center for the Arts, 2003
Himmel & Helvete: Amerikansk og tysk samtidsfotografi. Kistefos-Museet, Labyrinth Press, 2003
Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, The Solomon R. Guggenheim Foundation, New York, 2003
Ein / Blicke in Privat / Sammlungen, Zeitgenössische / Fotografie. Museum Folkwang Essen, 2003
Schumacher, Rainald and Matthias Winzen, Just Love Me: Post\Feminist Positions of the Weintraub, Linda, 1990s from the Goetz Collection. Köln: Verlag der Buchhandlung, Walther König, 2003
In the Making: Creative Options for Contemporary Art, By, DAP, New York, 2003
2002
Art Tomorrow, Edward Lucie-Smith, Paris 2002
HAUTNAH, “Interview between Matthew Barney and Thyrza Nichols Goodeve,” Munich, 2002
2001
Voilà, le Monde dans la Tête, Musée d’Art de la Ville de Paris, Paris, 2001
Steiner, Wendy, and William Heineman, The Trouble with Beauty, London
Ten Photographers, Galleri K, Oslo
American Art from the Goetz Collection, Galerie Rudolfinum, Prague
ART NOW, Burkhard Riemschneider and Uta Grosenick, Taschen, 2001
Die Sammlung Olbricht Teil 2, First View, Wolfgang Schoppmann and Neues Museum Weserburg Bremen, Sammlung Olbricht Essen, 2001
The Glen Dimplex Artists Award Exhibition 2001, Caoimhin Mac Giolla Léith and Annie
Fletcher, Irish Museum of Modern Art, Irish Museum of Art, 2001
Parkett, Collaborations and Editions since 1984, Deborah Wye and Susan Tallman, Parkett Publishers, 2001
Storr, Robert, Art: 21, Art for the Twenty First Century, Harry N. Abrams, Inc., New York, 2001
2000
Art at Work:  Forty Years of the JP Morgan Chase Collection, The Chase Manhattan Corporation, New York, 2000
Anton, Saul, Fiction or Other Accounts of Photography, Dazibao, Montreal, Canada
Invisible London, Ellipses, London, 2000
Curiger, Bice, and Christoph Henrich, Hyper Mental, Kunsthaus Zurich, 2000
Varnedoe, Kirk, and Paola Antonelli, Joshua Siegel, Art At MoMA Since 1980, Museum Of Modern Art, New York, 2000
Warr, Tracey, and Amelia Jones, The Artists Body, Phaidon Press, 2000
Storr, Robert, Modern Art Despite Modernism, The Museum of Modern Art, New York, 2000
Voilà, le monde dans la tête, Musée d’art moderne de la ville de Paris, June-October 2000
1997
“Rrose is a Rrose is a Rrose,” Gender Performance In Photography, Solomon R. Guggenheim Museum, New York, 1997
1995
Altered states: American Art in the 90's, Forum for Contemporary Art, St. Louis, MO, 1995, p.24
The Masculine Masquerade. MIT List Visual Arts Center, Cambridge, Massachusetts, January-March 1995, pp.102-103, ill
1994
Acting Out (The Body In Video: Then and Now), The Royal College of Art, London, 1994. ill (and cover)
1993
Witte de With - Cahier #1, Witte de With, Rotterdam, Netherlands, October, 1993, ill
Aperto '93 Emergency, XLV Biennale de Venezia.  Giancarlo Politi Editore, Milan, Italy, May 1993. pp. 236-7, ill
1993 Biennial Exhibition, Whitney Museum of American Art, New York, 1993
1992
Documenta IX,  Edition Cantz, Stuttgart / Abrams, New York, Kassel, 1992, Vol. 1, p. 115; Vol. 2, pp. 32-5
General Art Books
2016
Glesman, Amanda. The Campaign for Art: Gifts for the San Francisco Museum of Modern Art. San Francisco: San Francisco Museum of Modern Art, 2016.
Bloch, Judy and Suzanne Stein. San Francisco Museum of Modern Art 360: Views on the Collection. San Francisco: San Francisco Museum of Modern Art, 2016.
Adamson, Glenn and Julia Bryan-Wilson. In the Making: Artist and their Materials from the Studio to Crowdsourcing. London: Thames & Hudson, 2016.
2014
Cunningham, Lawrence S., John J. Reich, and Lois Fichner-Rathus. Culture and Values, A Survey of the Humanities. Boston: Wadsworth, 2014.
2013
Grovier, Kelly. 100 Works of Art That Will Define Our Age. London: Thames & Hudson, 2013.
Holzwarth, Hans Werner. Art Now Vol 4. Cologne: Taschen, 2013. 
Serrus, Charlotte. Glissades: Instabilité, indistinction et postures humoristiques à l’ère dite postmoderne. Aix-en-Provence: Presses Universitaires de Provence, 2013. 
2012
Perl, Jed. Magicians and Charlatans: Essays on Art and Culture. New York: Eakins Press Foundation, 2012.
Gateways to Art: Understanding the Visual Arts. New York: Thames & Hudson, 2012.
Müller, Ulrich. Joseph Beuys: Parallelprozesse: Archäologie einer Künstlerischen Praxis. Munich: Hirmer Verlag, 2012.
The Art Book. London: Phaidon Press, 2012.
Gielen, Denis. S.F. Art Science & Fiction. Hornu: Musée des Arts Contemporains au Grand-Hornu, 2012.
Finger, Brad. Modern Art: The Groundbreaking Moments. Munich: Prestel, 2012.
2011
Petry, Michael. The Art of Not Making: The New Artist/Artisan Relationship. London: Thames & Hudson, 2011.
Contemporary Art in North America. London: Black Dog Publishing, 2011.
Are You Experienced? How Psychedelic Consciousness Transformed Modern Art. London: Prestel, 2011.
Vervoordt, Axel, ed. TRA: Edge of Becoming. Belgium: Vervoordt Foundation, 2011.
Parent, Francis. Le Portrait dans l’art contemporain. Arcueil: Editions Patou, 2011.
2010
Olivares, Rosa, ed., 100 Video Artists, EXIT Publicaciones, Madrid, 2010
2007
Keith Edmier 1991 – 2007, Bard College Center for Curatorial Studies, New York, 2007
2006
Higgins, Steven, Still Moving The Film and Media Collections of the Museum of Modern Art, The Museum of Modern Art, New York, 2006
2004
Lovejoy, Margot, Digital Currents:  Art in the Electronic Age, Routledge, New York, 2004
Anker, Suzanne, and Dorothy Nelkin, The Molecular Gaze: Art in The Genetic Age, Cold Spring Harbor Laboratory Press, New York, 2004
Video 25 Jahre Videoästhetik Hatje Cantz Verlag:  Düsseldorf, 2004
2003
Naldi, Fabiola, I'll Be Your Mirror, Rome, 2003
Andersen, Karin, and Roberto Marchesini, Animal Appeal: Uno Studio sul Teriomorfismo, Hybris, Bologna, 2003
Boutoux, Thomas, ed., Hans Ulrich Obrist Interviews, Volume 1: Edizioni Charta: Milan, 2003
Onfray, Michel, Archéologie du Présent: Manifeste pour une esthétique cynique, Adam Biro, Paris, 2003
Sparks, Karen J., “Redefining Art.” Encyclopedia Britannica: 2002-03 Year in Review, Encyclopedia Britannica
2002
Kertess, Klaus, Photography Transformed: The Metropolitan Bank & Trust Collection, Harry N. Abrams Inc., New York, 2002
Honour, Hugh, and John Fleming, A World History of Art, Laurence King, 2002
2001
Getlein, Mark, Living with Art,  McGraw Hill, New York, 2001
1998
History of Modern Art, Fourth Edition, Harry N. Abrams Inc., New York, 1998
1997
Gender Performance In Photography, Solomon R. Guggenheim Museum, 1997
1996
The 20th Century Art Book, Phaidon, London, 1996
Selected Articles and Reviews
 2019
Vilas-Boas, Eric, “An Artist’s Take on the Symbolic Relationship of Art and Nature,” Hyperallergic, May 22, 2019
Reiman, Josh, “Matthew Barney,” Sculpture Magazine, April 26, 2019
Dunne, Susan, “Matthew Barney is at it again. Film, sculpture, engravings come together to create ‘Redoubt’ at Yale,” Hartford Courant, March 27, 2019
Wu, Brianna, “Doubting Redoubt,” The Yale Herald, March 8, 2019.
Schwartzman, Allan, “Transformative Sculpture, The Visionary Work of Matthew Barney,” Art Agency, Partners, March 7, 2019.
Alm, David, “Myth, Dance, Alchemy and Wolves: Matthew Barney’s ‘Redoubt,’” Forbes, March 5, 2019.
Cummings, Mike, “Artist Matthew Barney’s latest work enriched by Yale experience,” Yale News, March 1, 2019.
Nord, Kristin, “Death, Destruction, Regeneration: Matt Barney’s Temporary Fortification at Yale,” Artscope, March/April 2019
Battaglia, Andy, “Wolves at the Door: Matthew Barney on Animals, Alchemy, and Art in His New Film and Exhibition, ‘Redoubt,’” Art News, February 28, 2019.
Clayton Press, “Matthew Barney, Redoubt, Yale University Art Gallery, New Haven, CT,” Forbes, June 4, 2019
“Exhibit features work of contemporary artist and alumnus Matthew Barney,” Yale News, February 14, 2019
Taft, Catherine, “Survivor Syndrome,” Artforum, March 2019.
Lempesis, Dimitris, “Art-Presentation: Matthew Barney-Redoubt,” Dream Idea Machine, March 2019.
“Matthew Barney Tells a Complex Narrative With an Idaho Wolf Hunt and a Copper Tree in ‘Redoubt’ at Yale,” art fix daily, March 4, 2019.
Teager, Michael, “Matthew Barney’s ‘Redoubt’ at Yale University Art Gallery,” Michael Teager, March 6, 2019.
Smee, Sebastian, “Who wants to join the cult of video artist Matthew Barney?” The Washington Post, March 8, 2019.
Farago, Jason, “A Lighter Matthew Barney Goes Back to School, and Back Home,” The New York Times, March 21, 2019
Holahan, Oona, “Holahan: Matthew Barney’s Redoubt,” The Politic, April 2, 2019
Kastner, Jeffrey, “Matthew Barney,” 4 Columns, May 3, 2019
 2018
Brady, Anna, “Plastic fantastic at Art Basel: Don’t throw it in the ocean--hang it on your wall,” The Art Newspaper, June 13, 2018
“Sarah Lucas Tells Matthew Barney About the Joys of Wreaking Havoc with her Art,” Interview Magazine, September 10, 2018
2017
Farago, Jason. "Matthew Barney," Even Magazine, Issue 6, Spring 2017. 
“Luling, Todd Van. “A Guide to Anti-Trump Art You Can See in New York Right Now,”
Huffington Post, November 8, 2017.
“1 interview and 1 creative wisdom with Matthew Barney here,” The Creative Independent, November 7, 2017.
Wilkinson, Tom. “Typology Skyscraper,” The Architectural Review, May 2017.
Farago, Jason. “Interview: Matthew Barney,” Even, Spring 2017.
2016
Saltz, Jerry. "A New Show Restages Matthew Barney's 1991 Breakthrough, and It's Even Better the Second Time," New York Magazine, October 17, 2016.
Gopnik, Blake. "Matthew Barney's Early Work Is Messed Up, and It Rivals Cezanne." artnet News, October 13, 2016.
Johnson, Ken. "Matthew Barney: 'Facility of DECLINE,'" The New York Times, October 7, 2016.
Smith, William S. "Matthew Barney," Art in America, October 6, 2016.
Krasinski, Jennifer. "Matthew Barney at Gladstone: Gorgeous, Creepy, and Sublimely Strange," The Village Voice, October 5, 2016.
McNicholas, Darragh. "MATTHEW BARNEY: Facility of Decline," The Brooklyn Rail, October 4, 2016.
Gutkin, Len. “Matthew Barney’s ‘Excrementitious’ Transcendentalism: On ‘River of Fundament,’” Los Angeles Review of Books, April 8, 2016.
Smee, Sebastian. “Barney’s extravagant video opera washes into MFA,” Boston Globe, January 28, 2016.
2015
Holubiak, Ian. “Matthew Barney’s ‘River of Fundament’ Celebrates Norman Mailer and Ancient Ritual,” Classicalite, December 9, 2015.
Kenny, Glenn. “Review: In ‘River of Fundament,’ Matthew Barney Contemplates Waste,” The New York Times, December 3, 2015.
“Matthew Barney and Jonathan Bepler Talk ‘River of Fundament’ on Pitchfork.tv,” Pitchfork, December 3, 2015.
Swenson, Eric Minh. “Matthew Barney and the Fountain of Youth,” Huffington Post, September 25, 2015.
Kennedy, Randy. “Matthew Barney’s Most Punishing Tour: River of Fundament,” The New York Times, September 16, 2015.
Hoffman, Jordan and Alex Needham. “Matthew Barney’s Cremaster Cycle: nine hours of ‘challenging’ art on film,” The Guardian, July 14, 2015.
Byrt, Anthony. "Reviews: Matthew Barney Museum of Old and New Art," Artforum, May 2015.
Schjeldahl, Peter. "New York Odyssey," The New Yorker, April 27, 2015.
"Top 100 Artists Worldwide," Zeit Kunstverlag, March 20, 2015.
Crawford, Ashley. "Matthew Barney's River of Fundament," The Saturday Paper, February 14, 2015.
Rees, Lucy. "Matthew Barney," Flash Art, January — February 2015.
Fortescue, Elizabeth. "Matthew Barney: Exploring the Myths," The Art Newspaper, January 2015.
Buffalo Mailer, John. "Modern Myth," Wallpaper, January 2015.
Barney, Matthew. Wallpaper, January 2015.
2014
Simonini, Ross. "Both and Neither: On Matthew Barney, Debbie Harry and the Uncanny," Artand, December 2014.
Searle, Adrian. “Matthew Barney: ‘My work is not for everyone,’” The Guardian, June 16, 2014.
Skeggs, Toby. “Wagner had a word for it: gesamtkunstwerk. Matthew Barney’s epic film ‘River of Fundament’ makes its Swiss debut at Art Basel,” The Art Newspaper, June 18, 2014.
Reiman, Joshua. “The Drama of Proportion: A Conversation with Matthew Barney,” Sculpture, May 2014, p.30-37.
Simonini, Ross. “Black Water: Combustion and Digestion in Matthew Barney’s Latest Work,” Frieze, May 2014, p.29-30.
Greenberg, Kevin. "Matthew Barney." PIN-UP Magazine, Summer 2014, p.129-133.
Ebony, David. “Matthew Barney: New York- Brooklyn Academy of Music,” Art in America, May 2014, p.169-170.
Pieknik, Matt. “Crude Thoughts & Fierce Forces: Matthew Barney’s ‘River of Fundament’,” The American Reader, 2014.
“These Weary Territories: A Conversation Between Matthew Barney and Okwui Enwezor,” Modern Painters, April 2014, p. 64- 73.
“Whitechapel Gallery and ENO Collaborate With Matthew Barney in New Exhibition,” Artlyst, March 29, 2014.
"Matthew Barney and Gaspar Noé," Bomb​, Spring 2014, p.37-43.
Scarano, Ross. "Sh*t Talking: A Conversation About Artist Matthew Barney's Epic Film 'River of Fundament,'" Complex Art + Design, February 18, 2014.
Ricciardi, Nicola. “Matthew Barney & Jonathan Bepler ‘River of Fundament (2014)’,” The Brooklyn Rail, March 4, 2014.
Hickling, Alfred. “River of Fundament review- Matthew Barney’s magnum opus is calculated to divide opinion,” The Guardian, March 3, 2014.
Creahan, D. "New York- The World Premiere of Matthew Barney and Jonathan Bepler's River of Fundament at BAM," Art Observed, March 2, 2014.
Battaglia, Andy. “River of Fundament,” Paris Review, February 12, 2014.
Yablonsky, Linda. “Art Matters |  Sexy Beast,,” T Magazine, February 7, 2014.
Cheng, Susan. “Matthew Barney Will Make His Debut at the Brooklyn Academy of Music With Another Stunning Film,” Complex, February 4, 2014.
 
2013
Chroman, Brooke. “A Conversation With Matthew Barney,” The Travel Almanac, Autumn 2013, pp. 44-53.
“Matthew Barney,” Modern Painters, October, 2013, p. 107.
Akel, Joseph. "Subliming Vessel: The Drawings of Matthew Barney," Art Review, September, 2013, p. 158.
Hoby, Hermione. “Matthew Barney Interview: ‘It’s what’s outside the frame that’s scary,’” The Telegraph, July 13, 2013.
McCoy, Ann. “Subliming Vessel: The Drawings of Matthew Barney,” The Brooklyn Rail, July 15, 2013.  
Nichols Goodeve, Thyrza. “The Library For Non-Amnesiacs: A Possible Reading of Matthew Barney’s Drawings,” The Brooklyn Rail, July 15, 2013. 
Tavecchia, Elena. “Subliming Vessel: The Drawings of Matthew Barney,” Mousse, Issue 39, Summer 2013, p. 188-190.
Micchelli, Thomas. “Bridge to Nowhere: Matthew Barney’s Drawings,” Hyperallergic.com, June 15, 2013.
Esplund, Lance. “Barney Incest, Messy Remnant; Met’s Boxer: Lance Esplund,” Bloomberg.com, June 15, 2013.
Pollack, Maika. “‘Subliming Vessel: The Drawings of Matthew Barney’ at the Morgan Library & Museum,” GalleristNY, June 18, 2013. 
Epstein, Edward M. “Mythology, Mortality, Mailer, and Vaseline: Matthew Barney at the Morgan,” Artcritical, June 12, 2013. 
Frank, Priscilla. “Matthew Barney’s New York Summer: Avant-Garde Art Darling Talks New Projects,” The Huffington Post, May 24, 2013. 
Cotter, Holland. “Fixations of a Fabulist, Hermetic and Mystical,” The New York Times, May 9, 2013. 
Cope, Mitch and Gina Reichert. “Lance Mountain and Matthew Barney,” Juxtapoz, February 2013, p. 38-47.
Vogel, Carol. “Matthew Barney Heads to the Morgan Library,” The New York Times, March 1, 2013.
Milliard, Coline. “From Death to Death and Other Small Tales,” Modern Painters, Vol. XXV No. 3, March 2013, p. 95.
Campbell-Dollaghan, Kelsey. “Matthew Barney Creates A Skateboard That Doubles as a Pencil,” Fast Company, February 2013.
“Updated: Matthew Barney, The Cremaster and the Markers of an Invisible Masculinity,” Seattle Post Intelligencer, February 2013.
2012
Romero, Simon “A Keeper of a Vast Garden of Art in the Hills of Brazil,” The New York Times, March 9, 2012.
Battaglia, Andy “An Artist’s River Journey Into a Writer’s World,” The Wall Street Journal, October 27 2012, p. A22.
Cotter, Holland, “Here’s Looking at You, Conceptualism,” New York Times, September 6, 2012.
Smith, Liz, “My ‘Ancient Evenings’ with Norman Mailer,” Chicago Tribune, September 7, 2012
“Museum Says Doomsday is not Here, Matthew Barney’s Norman Mailer Barge, and More,” Artinfo.com, October 29, 2012.
2011
Kastner, Jeffrey, “Matthew Barney: Gladstone Gallery,” Artforum, December 2011, p. 250.
Belcove, Julie. “Forged in Myth,” Financial Times, September 3/September 4, 2011, 12
Fioretti, Fabiana. “Matthew Barney and Piombo,” Italian Vogue, June 16, 2011
Gaddy, James. “For New Sculpture, Matthew Barney Dredges Up A Drowned 1967 Chrysler”, Fast Co. Design, October, 2011.
Heinrich, Will. “Richard Serra’s Junction/Cycle at Gagosian Gallery and Matthew Barney’s DJED at Gladstone Gallery,” New York Observer, September 20th, 2011
Prengel, Kate. “Junkyard of the Future,” CityArts, October 12, 2011
Saltz, Jerry. “Imported From Detroit,” New York Magazine, September 23, 2011
Thackara, Tess. “Drawing Restraint 17,” Art Practical, April 30, 2011
Warren, Tamara. “DJED: Matthew Barney x The Remains Of A 1967 Chrysler Imperial”, Forbes, October 5, 2011.
Yablonsky, Linda. “Artifacts: Matthew Barney.” New York Times Style Magazine. September 26, 2011.
“Matthew Barney, DJED, Ancient Evenings, Detroit, and a 1967 Chrysler Crown Imperial”, Juxtapoz, October 24, 2011.
2010
“Khu & The Gang”, Interview Magazine, Dec. 2010
Latimer, Quinn. “Matthew Barney.” Frieze. September 2010, Issue 133, p. 138-9.
Carducci, Vince. “Matthew Barney’s Heart of Darkness.” Brooklyn Rail. October 2, 2010, p. 30.
James, Nicholas, “Ancient Evenings, Ancient Rituals,” ArtSlant, February 14, 2010
Mack, Joshua, “Matthew Barney + Jonathan Bepler”, Art Review, December 2010, #46
Helfand, Glen. “KHU, Act 2 of Ancient Evenings, by Matthew Barney & Jonathan Bepler.” ArtPractical.com, October 15, 2010.
R.C. “Barney shared over the ocean.” The Art Newspaper, July/August 2010, p. 18.
Indrisek, Scott, “Matthew Barney’s “Cremaster” Cycles into a New York Theater”, artinfo.com, May 21, 2010
“Insight: Matthew Barney.” Art in America, June/July 2010, p. 30.
David Velasco, “Matthew Barney: Prayer Sheet with the Wound and the Nail,” Artforum, May 2010, p.147
Brett Littman, “Executive Director Brett Littman on Matthew Barney’s Prayer Sheet with the Wound and the Nail at Schaulager,” The Drawing Center, 6 Jul 2010.
Byrt, Anthony, “Matthew Barney,” Artforum, February 2010
Schlenzka, Jenny, “Matthew Barney,” Monopol, November 2010, pg. 108
Lindemann, Adam, “The Grand Tourist”, The New York Observer, July 12, 2010, p. 42
Uhlich, Keith, “The Cremaster Cycle”, Time Out New York, May 20-26th, Issue 764 2010, p. 76
Rose, Zak and Barney, Matthew, “Khu”, 032c, 19th Issue Berlin, Summer 2010
2009
Yablonsky, Linda, “Greek Mythology,” Artforum.com, June 23, 2009
David Velasco, “Matthew Barney and Elizabeth Peyton”, Artforum International, November 2009, 251
Bors, Chris, “Matthew Barney & Elizabeth Peyton: Blood of Two”, Art Review, September 2009, Issue 34
Biesenbach, Klaus, “Trans-former”, Monopol, November 11, 2009, pg 28 – 41
2008
Bonami, Francesco, "Matthew Barney: The Artist as a Young Athlete," Flash Art Vol. XLI No. 261, July -September 2008, p170-173
Neri, Louise, “Civilization and its Discontents: Barney and Bepler’s Ren,” Domus issue 917, September 2008, pp. 48-55
Campagnola, Sonia, “Matthew Barney,” Flash Art Vol. XLI No. 262, October 2008, p.136
"Who's Who at the Yokohama Triennale 2008," Art iT, Spring/Summer 2008, p.101
Young, Paul, "Black Box, White Cube," Art and Auction, February 2008, pp. 125-131
"Matthew Barney,” Arte Contemporanea: Cinque, Mondadori, 2008
Casadio, Mariuccia, "Motion Picture," Vogue Italia, March 2008
"Matthew Barney,” Arte Contemporanea: Sei, Mondadori, 2008
Arte Contemporanea: Nove Contaminazioni, Electra, Milan, 2008
“Matthew Barney & David Cronenberg,” tar mag, Fall 2008, pp. 177-190
2007
Caviness, Madeline H., "Retomando La Iconografie Vaginal," Quintana (6), 2007, pp.13-37
Griffin, Jonathan, “Il Tempo del Postino.” Frieze. September 2007, p. 176-177
Veis, Greg, "The Legacy Project," GQ Magazine, October 2007, p. 396
"The Artists' Artists," Artforum, December 2007, p. 122
Saltz, Jerry, "Best of 2007: Art," New York Magazine, December 2007, p. 74
Bishop, Claire, "Best of 2007," Artforum, December 2007, p. 324
Punj, Rajesh, "Matthew Barney: Drawing Restraint 15," Flash Art, November 2007, p. 71
Gioni, Massimiliano, "Where the Wild Things Are," Tate, etc, Autumn 2007, p.35
Rimanelli, David, “Preview: Matthew Barney, Serpentine Gallery,” Artforum, September 2007, p.188
Obrist, Hans Ulrich, "Matthew Barney's Stunning British Debut," Art World, November 2007, p.20
Herbert, Martin, and Daniel Birnbaum, “The Postman Rings Twice,” Artforum, September 2007, pp.97-101
Rappolt, Mark, "Playing For Time," Art Review, September 2007, pp. 52-61
Jack, Caroline, “Bizarre night at the Opera,” www.manchestereveningnews.co.uk, July 13, 2007
“Preview: Il Tempo del Postino, Opera House, Manchester: Reflect on giant mirrors and a live bull,” The Independent, July 11, 2007
Bourne, Dianne, “Art… or a load of bull?” www.manchestereveningnews.co.uk, July 10, 2007
Walker, Lynn, “How the Manchester International Festival looks set to break new ground,” The Independent, June 7, 2007
Zoller Seitz, Matt, “Movie Review I ‘De Lama Lamina’: Biomechanical Erotica,” The New York Times, July 6, 2007
Kunitz, Daniel, “When Artists Turn To Film,” The New York Sun, July 6, 2007  
Hillis, Aaron, “Barney in Brief,” The Village Voice, July 3, 2007
Seitz, Matt Zoller, “Movie Review: De Lama Lamina, Biomechanical Erotica,” The New York Times, July 6, 2007
“American Evolution,” The Financial Times, June 8, 2007
Garrett, Stephen, "De Lama Lamina and other shorts," Time Out New York, July 5-11, 2007, p.102
Powers, Bill, “ He Shall Perform,” New York Post, March 25, 2007, p. 49
Martin, Francesca, “ Serpentine gets ready for Matthew Barney and his Vaseline extravaganza,” The Guardian, March, 28th, 2007, p. 27
Saltz, Jerry, “Matthew Barney, the Bull, and the Chrysler,” New York Magazine, April 17, 2007
Holl, Jess, "Generally Speaking: with a new book, Matthew Barney," Black Book, April/May 2007, p. 148
Ebony, David, "Report from Lisbon: Sailing into the 21st Century," Art in America, April 2007, pp.52-57
Kishkovsky, Sophia, “Moscow biennale pokes fun at consumers and politicians,” International Herald Tribune, March 10-11, 2007
Hofstatter, Amrei, "Matthew Barney," Bello 022, February 2007, pp. 41-46
Stosuy, Brandon, “Matthew Barney,” The Believer, December 2006- January 2007, pp. 51-64
Plagens, Peter, "Contemporary Art, Uncovered," Art in America, February 2007, pp. 45-51
Lee, Chia-Ling,"The Cremaster Cycle by Matthew Barney," Fantasy 2007, Vol. 1, pp. 54-56
Rogers, Mike, "Matthew Barney's Drawing Restraint," artUS, February 2007, pp. 20-23
Zawadzki, Stephane, "The Cinema Otherwise," Canal Studio, 2006/7 No.8, pp. 20
Williams, Alena, and Stefan Heidenreich, "Broadcast yourself!" Monopol, January 2007, pp. 34-37
Wittneven, Katrin, "Entlarvend: Matthew Barney und Joseph Beuys im Deutschen Guggenheim Berlin," Monopol, January 2007, pg. 116
Romney, Jonathan, “Loving the Alien,” The Independent on Sunday, September 16, 2007, pp. 26-27
Gavin, Francesca, “Extreme reactions,” Dazed & Confused, Summer 2007, pp. 230-231
Aftab, Kaleem, “Mr. Björk comes to town,” The Independent, August 31, 2007
Laughlin, Nicholas, “Inspirational Island: Trinidad a supposed cultural backwater is actually art central,” Culture+Travel, Jan/Feb 2008
2006
Koerner von Gustorf, Oliver, “All in the Present Must Be Transformed: Nancy Spector on Matthew Barney and Joseph Beuys at the Deutsche Guggenheim,” Special Print Issue 2006, No. 1, pp. 22- 23
Albig, Jorg, "Into Me/Out of Me," Texte Zur Kunst, December 2006, pp. 173-175       
Catsoulis, Jeannette, “An Artist Shows His Process by Way of a Film Within a Film,” The New York Times, December 20, 2006
Morton, Tom, “’Destricted’ Round Table,” Frieze, Nov/Dec 2006, p. 53
Ryan, Jeffrey, “Matthew Barney,” Frieze, Nov/Dec 2006
“The Power 100: 90 Matthew Barney” Art Review, November 2006, p. 132
Mendelsohn, Adam, "Dark Star," The London Magazine, October/November 2006, p. 30
Cobb, Chris, "Review- Matthew Barney: SF MoMA," Flash Art, October 2006, p. 118
Korotkin, Joyce, "Matthew Barney," Tema Celeste, Sept/Oct 2006, p. 77
Moreno, Shonquis, "Cult Classic," Pol Oxygen, Issue 18, pp. 30-38
Joselit, David. “Matthew Barney: San Francisco Museum of Modern Art.” ARTFORUM, September 2006, p. 365
Maher, Kevin, "The Old In Out: Destricted," Art Review, September 2006, p. 99
"A Dialogue on Blood & Iron: Matthew Barney and Arthur C. Danto on Joseph Beuys," Modern Painters, September 2006, p. 62
Littlejohn, David, “Immersed in the Goo:  The Surreal World of Matthew Barney,” The Wall Street Journal Online, July 27, 2006
Miles, Christopher, “Proving himself a master of multiplicity,” Los Angeles Times Calendarlive.com, July 31, 2006
“Bazaar,” Art Review, Issue 02, August 2006, p. 29
Kotobuki, Shiriagari “Matthew Barney Drawing Restraint 9,” ArtIt, Spring/Summer 2006, pp. 26-27
Yablonsky, Linda, “A Satyr Wrapped In an Enigma,” Artnews, June 2006
Helfand, Glen, “The Occidental Tourist: Matthew Barney in Foreign Territory,” Res, vol. 9, #3
Chonin, Neva, “Barney, Björk, and Blubber.” SFGate, May, 21, 2006
Schjeldahl, Peter, “Post-Barney,” The New Yorker, May, 1, 2006, p. 26
Chen, Aric, “Five ‘Don’t Miss’ Exhibitions This Summer,” The New York Times, May, 7, 2006
Fineman, Mia, “Looks Brilliant on Paper. But Who, Exactly, Is Going to Make It?” The New York Times, May, 7, 2006
Saltz, Jerry, “Leviathan: Drawing Restraint 9 is a story that takes place nowhere but that touches on everything,” The Village Voice, May, 5, 2006
Karcher, Eva, “Der Klang der Perlenfischerinnen beim Auftauchen,” Monopol, April/May 2006, pp.58-68
“Der Bilder Sturmer,” German Elle, May 2006, pp. 24-30
“Björk & Matthew Barney Saga Drawing Restraint 9,” Art Actuel, Apr/May 2006
Wakefield, Neville, “Drawing Restraint 9; Matthew Barney,” Art Review, May 2006
Lee, Chris, “Master of all he surveys,” Art Review, May 2006
Taubin, Amy, “Backdoor Man: On Larry Clark and Destricted,” Artforum, May 2006, p. 67
Crippa, Antonella, “Patrizia Sandretto Re Rebaudengo,” Contemporary 21, Issue 80, p. 114
Belcove, Julie L., “Barney’s Voyage,” W Magazine, May 2006, pp. 190-199
Davis, Ben, “The Unbearable Lightness of Barney,” artnet.com, April 2006
Strauss, Bob, “Björk, Please use more ‘restraint,’” LA Daily News, April, 21, 2006
Cohen, David, “A Control Freak’s Prodigious Passion,” The New York Sun, April, 13, 2006
Yablonsky, Linda, “Whale Meat, Plastic, Erotic Nerve Create Barney’s Cinematic Art," Bloomberg.com, April 11, 2006
Kennedy, Randy, “The Björk-Barney Enigma Machine,” The New York Times, April, 9, 2006
Zafiris, Alex, “Slime Time,” Paper, April 2006, p. 34
Craig, Jeff, “DRAWING RESTRAINT 9” (Review) :60 Sixty Second Preview, April 2006
Robertson, Campbell “Boldface,” The New York Times, Mar 30, 2006, p. B2
Goodbody, Bridget L., “Sea change,” Timeout New York, Mar 30-Apr 5, 2006, p. 64
Fear, David, Reviews: Drawing Restraint 9, (Review) Timeout New York, Mar 29, 2006
Frimbois, Jean-Pierre, and Aude de Bourbon, "Björk & Matthew Barney: Saga Drawing Restraint 9," Art Actuel, March-April 2006, Issue #43, pp. 74-77
Stuart, Jan, “Tea for 2 may not be your cup,” Newsday, Mar, 29, 2006
Musetto, Vincent, “It’s not your typical whaling trip,” New York Post, Mar, 29, 2006
Holden, Stephen, “Adrift in Japanese Waters with Whales and a Wedding,” The New York Times, March 29, 2006, p. E5
Halter, Ed, “Barney’s Rubble,” The Village Voice. March 28, 2006
Hernandez, Eugene, “A Natural Love Story: Matthew Barney Talks About “Drawing Restraint 9,” indieWIRE, March 27, 2006
Rosenberg, Karen, “Influences: Matthew Barney,” New York Magazine, Mar 27, 2006
O’Steen, Danielle, “Matthew Barney and Wife Björk Make Feature-Length Film,” ArtInfo, March 16, 2006
Gonzalez, Ed, “Drawing Restraint 9,” Slantmagazine.com, February 2006
Goldstein, Gregg, “IFC Films nabs experimental ‘Restraint’,” Reuters, January, 17, 2006
2005
Crisell, Luke, “New Björk,” New York Magazine, November 28, 2005, pp.121-122
“Guggenheim International Gala,” New York Magazine, November 21, 2005, p. 20
Cunningham, Bill, “A Royal Night,” The New York Times, November 13, 2005
Wakefield, Neville, "For the Sceptic," I-D, November 2005, pp. 124- 135
Sarrazin, Stephen, "Jack London dans le ventre de la baleine," Turbulences video, October 2005, pp. 8-12
Mason, Christopher, "Ephemeral Art, Eternal Maintenance," New York Times, November 10, 2005
"Tokion's Heroes," Tokion, Nov/Dec 2005, p. 44
Miller, Ken, “Björk,” Tokion, Nov/Dec 2005, pp. 54-57
Felperin, Leslie, "Drawing Restraint 9," Variety, October 3-9, 2005, p. 56
Matsui, Midori, "Matthew Barney," Flash Art, Oct. 2005, p. 123
"Art Shows That Made Big Waves," TimeOut NY, September 29, 2005, p. 32
D'Arcy, David, "Matthew Barney confounds the critics," The Art Newspaper, Oct. 5, 2005
Heilman, Jeremy, "Drawing Restraint 9," Moviemartyr, September 2005
Macnab, Geoffrey, “Drawing Restraint 9,” Screen International, September 2005
Hasegawa, YuKo, “Matthew Barney: Drawing Restraint 1-9,” High Fashion, August 2005, pp. 88-95
“Matthew Barney,” Tema Celeste, Sep/Oct 2005, p. 110
Felperin, Leslie, “Drawing Restraint 9,” Variety, September, 1, 2005
Suzuki, Tomo, “Where is Drawing Restraint heading?” ArtIt, Summer/Fall 2005, pp. 10-15
Kasai, Chikashi,  “Matthew Barney’s Crazy Fantasy,” Studio Voice, Aug. 2005, pp. 28-61
Yuriko, Banno, “Matthew Barney,” Switch, Aug. 2005, pp. 18-69, cover
Darrieussecq, Marie, “Björk & Barney,” Beaux Arts, Sep. 2005, pp. 44-49
Robinson, W., “Matthew Barney’s Drawing Restraint 9 Premieres,” Artnet News, July 28, 2005
“Cremaster: Matthew Barney,” Art Actuel, Juillet-Aout 2005
Althen, Michael, “Tausend Tonnen Walpett,” F.A.Z., Sep 5, 2005, p. 33
D’Arcy, David, “Roth and Other Riches,” Modern Painters, July/August 2005, p. 43
Field, Marcus, “The Iceberg Cometh,” Modern Painters, June 2005, p. 40
Studiovoice, multi-media mix magazine (Japanese), cover, p. 13, pp. 28-61
Louie, Elaine, “How it Sparkled in the Skyline,” New York Times, May 26, 2005, pp. F8-F9
Kirwan-Taylor, Helen, “Living off the Wall,” ArtReview, International Edition, V3N2, p. 63
Bonami, Francesco, “The Legacy of the Myth Maker,” Tate Etc., London, Spring 2005, pp.75-6, ill
“Blitzlichter,” Monopol, Feb/March 2005, p. 74
“Ten Years of the Hugo Boss Prize,” Guggenheim Magazine, (New York), Winter 2005, pp.18-21
2004
“Matthew Barney vs. Jeff Koons,” Black Book. Oct/Nov 2004, No. 35, pp. 82-87
De Lama Lâmina, Domus 870
“Cremaster 3, 2003,”  WA:  World Architecture,  4/2004, issue 166, pp. 56-59
“1000 Words: Matthew Barney talks about DE LAMA LÂMINA, 2004” Artforum, May 2004, pp.190-191
Ezabella, Fernanda, “ENTREVISTA – Matthew Barney se rende à magia do Candomblé,” Yahoo Notícias Brasil, April 22, 2004
Ezabella, Fernanda, “Bienal descarta trator de Matthew Barney; tenta trazer video,” Yahoo Notícias Brasil and UOL Diversão & Arte, April 22, 2004
Nestruck, J. Kelly, “Barney’s Rubble,” National Post (Canada), Friday, April 23, 2004, p. PM5
Lacey, Liam, “The Cremaster Cycle,” Globe and Mail. April 23, 2004, p. R3
Anderson, Jason, “Cremastery for the beginner,” Eye Weekly,  April 22, 2004
Milroy, Sarah, “The Art of the male mystique,” Globe and Mail,  April 21, 2004
Goddard, P, “Master of his freaky domain,” Toronto Star,  April 2004
Braun, Liz, “Sex Unappeal,” Toronto Sun, April 23, 2004, p. E11
Bailey, Cameron, “Cremaster’s Cream,” NOW, April 22-28, 2004
Stoilas, Helen, “Contemporary art leads museum acquisitions in 2003,” The Art Newspaper, No. 146, April 2004, pp. 22-26
Yuko, Hasegawa, “Interview with Matthew Barney,” R, Issue 03/2004, pp. 22-35
Paparoni, Demetrio, “Così barocco, così perverso,” Panorama, April, 1, 2004, pp. 214-216
Belchior, Camila, “Metamorfose,” Vogue Brazil, December(Summer) 2003, p.140
“Release,” 032c.  6th issue, Berlin Winter 2003/2004, pp. 68-80
Woodward, Richard, “ Home Team Advantage,” The New York Times, February 15, 2004
“Matthew Barney,” Tokion: Creativity Now, 2004, No. 39 Jan/Feb. pp. 70-73
“Numéro Scope: Les 30 Artistes Vivants les Plus Importants au Monde,” Beaux Arts Magazine, No. 236, January 2004
2003
Barney, Matthew, “Release,”  032c magazine, December 2003, pp. 68-80
Cousins, Mark, “The White Stuff,” Sight and Sound, December 2003
Runólfsson, Halldór Björn,  “Matthew Barney:  The Living Art Museum,” FlashArt, November-December 2003
Anderson, Allen,  “Escape Artistry and Entrapment,” Art Papers, Nov/Dec 2003
Gadegaard, Maria,  “Gender Displacement: A queer-theoretical reading of Matthew Barney’s Cremaster 4,” Statens Museum for Kunst,  Journal Vol. 6, 2002, pp. 139-155
Allen, Greg, “When Fans of Pricey Video Art Can Get it Free,” The New York Times. August 17, 2003
Blank, Gil and Louise Ner, “How can the artist isolate those ideas?” (discussion), Influence, Issue 01, 2003, pp. 19-23
French, Christopher,  “Matthew Barney:  Cremaster 3,” Glass Tire,  October 2003.
Schnoor, Chris,  “The Unauthorized Biography,” Ohio Arts Quarterly, Fall 2003
Schnoor, Chris,  “Back in Boise,”  Artweek, September 2003
Boettger, Susan, “Artistic Rivalry: An Ongoing Story or So Past-Century?” NYFA Quarterly, Fall 2003
Gibson, Jeff, “SMITHSON! SMITHSON! SMITHSON!” Visit, no. 6 Winter/Spring 2003
Pagel, David,  “Old haunts rethought, reinstalle:  A timidly haunted house,” Los Angeles Times, October 31, 2003
Monaghan, John,  “Cremaster Review,”  Detroit Free Press, October 29, 2003
Gregos, Katerina, “Dakis Joannou Collection, Athens,” ARCO: Contemporary Art, Number 29, autumn 2003, pp. 38-41
Bulie, Kåre, “Kroppsspråk,” DN Magasinet. 6./7, September 2003 (Norway)
Current Biography, Vol. 64, No. 8, August 2003, pp. 7-13
Schulze, Troy,  “Big Balls,” Houston Press. August 28, 2003
Johnson, Patricia,  “Dream Weaver,”  Houston Chronicle.  August 24, 2003
Rogers, Christina, “The Chrysler Building’s strange role in Cremaster 3,” Architectural Record, Volume 7, 2003, p. 65
Foundas, Scott, “Self-Portraiture Meets Mythology: Matthew Barney Talks About His Cremaster Cycle’” http://www.indiewire.com/people/people_03051barney.html
Ennis, Betsy, “Barney Show Hits the Mark,” Guggenheim Magazine, Summer 2003, pp. 5-9
Mazzoleni, Gian Emilio,“Matthew Barney,” Carnet, June, 2003
Picard, Charmaine, “The Eternal Return: Matthew Barney Zone of Potential,” Art Nexus, No. 49, Volume 2, Year 2003
Schnoor, Chris,  “Matthew Barney Comes Home,” Boise Weekly, July 23-29, 2003, pp. 15-18
Oland, Dana, “Matthew Barney ‘Cremaster,’” The Ohio Statesman, July 18, 2003
Oland, Dana, “Matthew Barney Comes Home,” The Ohio Statesman, July 17, 2003  
Oland, Dana,  “Matthew Barney,” The Ohio Statesman. March 9, 2003
O’Neal, Lauren “Denatured Beauty: Matthew Barney’s Cremaster Cycle,” Art New England, June/July 2003
“Cremaster a Blockbuster,” Art in American, Issue 7, July 2003, p. 112
“Cremaster 3,” ING hair magazine, Issue 6, p. 84
Chast, Roz, “The Back Page: The Cremaster Cycle,” The New York Times, June 2, 2003
Haller, Howard, “Dead Man Walking,” The New Yorker, March 6-13, 2003
Griffin, Tim, “ Creature Feature,” Time Out New York, April 24-May1, 2003
Viveros-Faune, Christian, “Art: Post Boredom,” New York Press, Volume 16, Issue 14, 2003
A.P. “Guggenheim Art Oozes Petroleum Jelly,” The New York Times, March, 5, 2003
Rockwell, John, “Man vs. Cremaster, The 10 Hour Test,” The New York Times, March 23
Gleiberman, Owen, “The Cremaster Cycle: A Sculptor turns director with a surreal film series Matthew Barney,” Palm Pictures News, June 13, 2003
“Matthew Barney versus Donkey Kong,” Game Girl Advance Online, May 23, 2003, pp. 1-11
Knight, Christopher, “Creation Commotion,” The New York Times, May 11, 2003, pp. E 26, 7
Reynolds, Christopher, “An Artist’s bold statements of ambiguity,” The Los Angeles Times, May 7, 2003    
“Matthew Barney, The Cremaster Cycle,”  Pioneer Press,  May 4, 2003
 Habich, John, “Crash of Symbols,”  Star Tribune,  May 4, 2003
 Ritter, Peter, “Body of Evidence,” City Pages,  May 7, 2003
Nelson, Rob, “Cremaster 2,” City Pages,  May 7, 2003
Baumgartner, Allison  “Cremaster of the Universe,” Surface,  No. 40  May, 2003
Griffin, Tim, “Matthew Barney: The Cremaster Cycle,” Artforum, May 2003 p. 162
Smith, Roberta, “Matthew Barney: The Cremaster Cycle,” Artforum, May03 p. 161
Hernando, Javier “Spaces for Art and Photography, Appropriation and Updating of a Traditional Pictorial Genre,” EXIT 9
“Matthew Barney” Flash Art, Jan/Feb 2003
Darst, Jeanne, “A Little Like Everest, Only Greasy and Illegal,” The New York Times, Spring 2003
“Matthew Barney: The  Cremaster Cycle,” Walker Art Center, May 2003 Calendar
Solomon, Deborah, “Seeking a Cure for Art Anxiety,” The New York Times, April 23, 2003
“Matthew Barney," Tokion, May /June, 2003
Schoeneman, Deborah, “Scene,” New York Magazine, April 21, 2003
“On With the Show,” ArtReview, April, 2003
“Hugo Boss,” ArtReview, April, 2003
“The Cremaster Cycle,” ArtReview, April, 2003
Baird, Daniel,  “Matthew Barney: The Cremaster Cycle” The Brooklyn Rail, April/May 03
Rimanelli, David, “Time Capsules: 1986-1990,” ARTFORUM, April, 2003
Fawcett, Marlowe, "Sex, Life and Video Games, The Economist, March 8, 2003
Sozanski, Edward  J., "Fertile brew in film cycle at Guggenheim,”  Philadelphia Enquirer, March 23, 2003
Rockwell, John, "Man vs. ‘Cremaster’: the 10-hour Test,”  New York Times, March 23, 2003
Schjeldahl, Peter, "The Art World,” The New Yorker,  March 24, 2003
Fong, William, "Eye Spy” Miami Sun Post,  March 20, 2003
Hoberman, J., "Cults of Personality," Village Voice, March 12-18, 2003
Milroy, Sarah, "Come into His Parlor," Globe Review, March 4, 2003
Halle, Howard, "Dead Man Walking," Time Out New York, March 6-13, 2003
Stevens, Mark, "Master of His Domain," New York Magazine, March 10, 2003
Kimmelman, Michael, “Free to Play and be Gooey,” New York Times, February 21
Saltz, Jerry, “Swept Away,” Village Voice, February, 26 – March 4, 2003
Chua, Lawrence, "Hideous Kinky," Black Book, March/April, 2003
Vincent, Erwan, “Le  Marché s’emballe," BeauxArts, January 2003
Madoff, Steven Henry, “Bewildering, Bewitching, Above All Strange," The New York Times, February 16, 2003
Wilson, Michael, “Caves of New York," ArtForum, February 2003
McNally, Whitney, “Life Imitates Art," Details, March 2003
Kinzer, Stephen, “Deep in the Heart of Modernity," The New York Times, January 29, 2003
Tomkins, Calvin, “His Body, Himself," The New Yorker,  January 27, 2003
Groth, Trevor, "Cremaster III,"  Sundance Film Festival, 2003
Ritter, Peter,  "Cremaster 3," City Pages, January 8, 2003
Pioneer Press, "Cremaster 3,"January 5, 2003
Holden, Stephen, "Cremaster 3," Star Tribute, January 3, 2003
White, Armond, “Double X: Bryan Singer’s complex comic book,” The New York Press, Volume 16, Issue 18, March 30, 2003
Bonisteel, Sara, “Art-House Flicks.” The New York Resident, April, 28, 2003
Knight, Christopher, “An Artists’ bold statements of ambiguity,” Calendar Live Online, May 7, 2003
Strauss, Bob, “Cremaster 3”: arty, edgy, repetitive, silly, draining,” LA Daily News, May, 16, 2003
Harvey, Doug, “Willful Perversity,” LA Weekly,  May 16-22, 2003
Harvey, Doug, “Review of Cremaster 1-2 and 4-5,” LA Weekly,  May 22-29, 2003
Morris, Wesley, “Completed film Cycle is the odyssey of a mind,” Boston Globe Online, May 30, 2003
Temin, Christine, “Cremaster feasts on imagery, architecture,” The Boston Globe Online, May 30, 2003
Keough, Peter, “ Pop Art,” The Boston Phoenix Online, May 29, 2003
McGavin, Patrick, “Bold, beautiful Cremaster 3 Conjures mesmerizing world,” The Chicago Tribune, May 23, 2003
Elder, Robert, “Movie Review: Cremaster cycle,” The Chicago Tribune, May 29, 2003.
Stamets, Bill, “Spectacle, not plot, defines Cremaster Cycle,” The Chicago Sun Times, May 23, 2003
Rosenbaum, Jonathan, “Cremaster: Capsule,” The Chicago Reader Guide to Movies, May 30, 2003
Shen, Ted, "Cremaster 2: Capsule,” The Chicago Reader Guide to Movies, May 30, 2003
Camper, Fred, “ Cremaster 3: Capsule,” The Chicago Reader guide to Movies, May 30, 2003
Pride, Ray, “ Review Cremaster 3,” Chicago Reader, May 23, 2003
Workman, Michael, “Eye Exam,” New City Chicago, May 30, 2003
Winn, Steven, “Hot Artist Barney exists in a ‘Zone’ all his own,” San Francisco Chronicle, May 22, 2003
Stephens, Chuck, “Thigh High Art,” The Guardian, May 21, 2003
Britton, Charles, “Cremaster 3, for surrealism lovers only,” Daily Breeze, May, 16, 2003
Klein, Andy, “A Long, Strange Trip,” The San Francisco Weekly, May 21, 2003
Habich, John, “Matthew Barney’s Whole Sensational Cremaster Film Series comes to Town,” Star Tribune, May 4, 2003
Ritter, Peter, “ Body of Evidence,” City Pages Online, May 7, 2003
Scheck, Frank, “Cremaster 3,” Palm Pictures Online, April 25, 2003
Danto, Arthur, “The Anatomy Lesson,” Books and the Arts.
Garrett, Stephen, “ Cremaster,” IFCRant Magazine, May/June 2003
Roman, Shari, “Matthew Barney,” Surface Magazine, March 2003
Baumgartner, Allison, “ Cremaster of the Universe,” Surplus
Torneo, Erin, “ Barneyland,” Soma Magazine
Craig, Jeff, “Cremaster 3,” 60 Second Preview, April 23, 2003
Reynaud, Berenice, “ Sundance Film Festival 2003- The Independent Body,” Senses of Cinema, June, 2, 2003
Heilman, Jeremy, “Cremaster 2,” Moviemartyr.com, April 7, 2003
Heilman, Jeremy,  “Cremaster 2, 1999,” Moviemartyr.com, April 10, 2003
Schoeneman, Deborah, “ Invisible Woman,” New York, April 21, 2003
Britton, Charles, Daily Breeze Review, April 25, 2003
Oei, Lily, “Blackwell’s Palm Pix up Cremaster,” Daily Variety, January 14, 2003
Brooks, Brian, “Palm Acquires Matthew Barney’s “Cremaster Cycle: Company Will Release Cremaster 3 This Spring,” Indie Wire, January 13, 2003
Variety Staff, “Artsy Crowd on ‘Cycle’ Ride,” Variety.com, April 16, 2003
Rooney, David, “Forum Slots ‘Cremaster’ Series,” Variety.com, April 21, 2003
“Barney hands ‘Cremaster 3’ to Palm,” The Hollywood Reporter, January 13, 2003
Goodridge, Mike, “Palm buys North America and UK rights to entire Cremaster Cycle,” Screendaily.com, January 13, 2003
Mitchell, Wendy, “Gen Art and ‘Cremaster’ Parties,” Indiewire.com, April 11, 2003
Brooks, Brian, “iPOP on the Scene at the party for Matthew Barney’s Cremaster Cycle,” Indiewire.com, April 28, 2003
Brooks, Brian, “Cremaster Muscles Its Way To Box Office Successes Amid Many Openers,” Indiewire.com, April 29, 2003
TOMOTOMO, January 2003
SEDA, January 2003
ROADSHOW, February 2003
Monthly Art Magazine Bijutsu Techo, January 2003
MAINICHI Daily News, December 19, 2002
Monthly Art Magazine Bijutsu Techo, February 2003
Monthly Art Magazine Bijutsu Techo, March 2003
Monthly Art Magazine Bijutsu Techo, April 2003
Monthly Art Magazine Bijutsu Techo, May 2003
Kaufman, Anthony, “Sundance On The Edge,” Indiewire, Page 2. 2003
Finkelstein, David, “Review of Cremaster 3,” Filmthreat.com, July 2, 2002
“Matthew Barney,” ING Hair Magazine, Issue 6, Spring 2003, p. 86
White, Ian, "Roll Up!” ArtReview, December/January 2003
2002
Birnbaum, Daniel, “Master of Ceremony,” Art Forum. September 2002, p. 181
Turner, Megan, “Visually Stunning Oddity,” NYPost, May 1, 2002
Spayde, Jon,  "Matthew Barney: Delirious Dreamer,"  UTNE, December 2002
Dagen, Philippe, "Le Big Bang de Matthew Barney," Le Monde 2, November 2002
Rimanelli, David, "Matthew Barney, artist and superstar," Paris Vogue, October 2002
Bulat, Vladimir, “Barney: pariuri fortate," Balkon, Autumn 2002
McGavin, Patrick Z.,  “Cremaster 3 offers a stunning concept,” Chicago Tribune,  September13, 2002
Stadel, Stephanie, Auf- und Abstract, Kunstjahr,  2002
Time Out, November 6-13, 2002
Cork, Richard, "Appetizingly Destructive,” The Times, October 28, 2002
Romney, Jonathan, "You've Not Seen Anything Like It (Unless You've Seen 1, 2, 4, 5)," The Independent, October 27, 2002
MacRitchie, Lynn, "Manly Mysteries Of A Golden Boy,” Financial Times, October 25, 2002
The Daily Telegraph, October 31, 2002
Renton, Andrew, "A Series of Remarkable Films Made by Artists is Redefining the  Genre," Evening Standard, October 22, 2002
Jalouse, October 2002
Smee, Sebastian, The Daily Telegraph, October 19, 2002
Jones, Jonathan, The Myth Maker, The Guardian, October 16, 2002
Guerrin, Michel, "Matthew Barney: Le Corps de L'imaginaire," Le Monde, Oct. 13-14, 2002
Dagen Philippe, L'art Total de Matthew Barney, Le Monde, October 13-14, 2002
Frodon, Jean-Michel, "Sur Grand Ecran, de Grandes Oevres Non Cinematographics," Le Monde, October 13-14, 2002
Exposition: "Matthew Barney, Artists Total, Investit Le musee d'art moderne," Le Monde, October 13-14, 2002
Templado, Louis, "Puzzling Journey Through Space, Time, and the Male Anatomy," The Asahi Shimbun, 2002
Kunst Bulletin, October, 2002
Gielen, Denis, "Le Cycle Cremaster," DITS, September, 2002
Holmes, Pernilla, "Can Contemporary Art Cut it?" Art Review, October 2002
Schwendener, Martha, "From Art to Film and Back," Art Index, Fall 2002
Bousteau, Fabrice, "Matthew Barney: Sculpteur D'outre Monde," Beaux Arts, October 2002
Rimanelli, David, "Matthew Barney, Artiste and Superstar," Vogue, October 2002
McCormick, Carlo, "Dazzled & Confused," Paper, October 2002
Suzuki, Tomo, The Cremaster Film Cycle," So-En, September 2002
Shimizu, Toshio, Cut, September 2002
Shimizu, Toshio, "Ultimate Matthew Barney,” Vogue Japan, September 2002
Tietenberg, Annette, "Bodies of Evidence,” Form, September / October 2002
Birnbaum, Daniel, "Master of Ceremony,” Artforum, September 2002
"Sub-Culture is Super-Culture: SUBCULTURE," Hanatsubaki 2002, Shiseido, September 2002
Grosenick, Uta and Riemschneider, Burkhard, "Art Now: 137 Artists at the Rise of the New Millennium," The Art Newspaper, 2002
Stadel, Stefanie, "Das Auf Ab Im Hodenmuskel-Spiel," Die Rheinpfalz, June 2002
Schon, Jurgen, "Bizarre Visionen," Aachener Nachrichten, June 2002
Wiensowski, Ingeborg, "Klettern im Aufzugschacht," Kultur SPIEGEL, June 2002
Leske, Marion, "Kraftakt im Museum Ludwig: Matthew Barney's Kunst so viel Aufmerksamkeit erregt," DIE WELT, June 2002
"Matthew Barney: The Cremaster Cycle," Kollefornia nr. 63, 2002
Grob, Roland, "Albtraum-Produzent, Narziss und sterbender Schwan," Mannheimer Morgen, June 2002
Nebelung, Sigrid,  "Bodykult und Horrotrip," Handelsblatt, June 2002
Kummel, Von Peter, "Die Verruckte Suchmaschine," Suddeutsche Zeitung, June 2002
Proektteil, Dritter,  "Puppenspieler Libet Mutationen," Saarbrucker Zeitung, June 2002
Leske, Marion,  "Eros und Ekel," Kunstzeitung, #70, June 2002
Schulze, Karin, "Der Kunstler als Action-Held," Financial Times Deutschland, June 2002
Manigold, Anke, "Deutschland-Premiere Fur Einen Super-star aus New York," Kunst-Kultur Magazin, 2002
"Barocka Orgier sa att man Storknar," Dagens Nyheter, June 2002
Frangenberg, Frank, "Barney's Cremaster-Zyklus,” Kolner Stadt-Anzeiger, June 2002
Weif, Matthias, "Schwitzende Vaseline," Westphalischer Anzeiger, June 2002
Liebs, Holger,  "Manns Genug," Suddeutsche Zeitung,  June 2002
Kothenschulte, Daniel, "Wagner Aus Vaseline,” Frankfurter Rundschau, June 2002
De Righi, Roberta, "Kopfuber in die Unsterblichkeit," Munchner Abendzeitung, June
Haase, Amine, "Der Entfesselte Satyr," Kolner Stadt-Anzeiger, June 2002
"Muskelspiel des Lebens," Suddeutsche Zeitung, June 2002
Poschardt, Ulf, "Wegbereiter der Evolution," Welt am Sonntag, June 2002
Blebmann, Sabine, "Groteske Filmskulpturen," Ticket, June 2002
Linden, Thomas, "Wo ein Maurer Morbides treibt," Kolnische Rundschau, June 2002
"Spektakularer Irrsinn," Ausstellungen des Monats, June 2002
 "Ausstellungen," GQ (Gentleman's Quarterly), June 2002
Holert, Tom,  "Schottenrock Aus Menschenfleischer," Stadtrevue, June 2002.
"The Cremaster Cycle," Kultur News, June 2002
"Narziss am Abgrund," Focus, May 2002
Richter, Peter, "Hoden runter!" Frankfurter Allgemeine Sonntagszeitung, May 2002
"Barocke Exzesse oder der Ennui des Informations Zeitalters?" Apart, May 2002
"Tickets fur Film-Epos," Kolner Stadtanzeiger, 2002
"Mit Horror in die Hochsaison," Der Spiegel, May 2002
Mejias, Jordan, "Kletterpartie in den Weltuntergang," Feuilleton, May 2002
"Ludwig,” Stern extra, May 2002
"Der Korper-Mythen-Inszenator," Dbmobil, May 2002
Holden, Stephen, "Racing Dead Horses. Dental Torture. The Usual," The New York Times, May 2002
Lueken, Verena, "Kartenhaus," Frankfurter Allgemeine Zeitung, February 2002
Vincent, Stephen, "The Producers," Art & Auction, June 2002
"Cremaster 3," Newyorkmetro.com, May 13, 2002
Kehr, Dave, "'Cremaster' Is a Wrap," New York Times, May 10, 2002
Thon, Von Ute, "Der Alptraum-Fabrikant,” Art das Kunstmagazin, May 2002, pp.62-71
Rimanelli, David, "Matthew Barney:The CREMASTER Cycle at Museum Ludwig, Cologne," Artforum, May 2002, pp.64-65
Amalfitano, Madelynn, "Matthew Barney," SOMA, December 2001 January 2002,  Vol.15.10, p.16
Frankel, David, "Engine," 2wice, Vol. 5 No. 2, pp.38-45
"Matthew Barney: The Cremaster Cycle," Flash Art, March-April, 2002
Roman, Shari, "The Genius of the System," Filmmaker, Spring 2002, Vol. 10, #3
Wakefield, Neville, "The Passenger," Frieze, May 2002, Issue 67
Mead, Rebecca, "Opening Night, An Art-House Epic," The New Yorker, May 13, 2002
Anderson, John, "Welcome to the Chrysler: Going Up!" Newsday, May 15, 2002        
Lee, Nathan, "The Apotheosis of the 'Art Film'," The New York Sun, May 15, 2002
Weltzman, Elizabeth, "Double Vision," Daily News, May 15, 2002
Griffin, Tim, "Cremaster 3," Time Out New York, May 16-23, 2002
Turner, Megan, "Cremaster-full," New York Post, May 15, 2002
Halter, Ed, "Going To Extreme," Village Voice, May 21, 2002
Foundas, Scott, "Cremaster 3," Variety.com, May 15, 2002
Plagens, Peter, "Films Extreme Art House," Newsweek, May 13, 2002
Gonzalez, Ed, "Cremaster 3," Slant Magazine, May 13, 2002
Gopnik, Blake, "The Anti-Modern Film: Stopping at Nothing," Washington Post, May 14 , 2002
The Rake, "Cremaster 3," January 1, 2002
Chunichi Shimbun, March 9, 2002
The Asahi Shimbun, March 9, 2002
Monthly Art Magazine Bijutsu Techo. July 2002
High Fashion, August 2002
Studio Voice, August 2002
Casa BRUTUS, August 2002
Monthly Art Magazine Bijutsu Techo, August 2002
X-knowledge Home, August 2002
S0-EN, August 2002
Weekly Pia, August 5, 2002
Vogue Nippon, September, 2002
Ryuko Tsushin, September, 2002
FIGARO Japon, August 20, 2002
DAZED & CONFUSED JAPAN, August 2002
Hanatsubaki, September 2002
BRUTUS, August 1, 2002
Metropolis, August 16, 2002
SPUR, October 2002
Tokyo BROS, September 2002
Htwi, September 2002
SPA! September 3, 2002
Bien, September-October 2002
Tokyo Walker, No. 18, 2002
Chiba Walker, No. 18, 2002
Yokohama Walker, No. 18, 2002
Chou Chou  No. 19, 2002
The Asahi Shimbun, August 27, 2002
Shin-Bijyutsu Shimbun, September 1, 2002
MAINICHI Daily News, September 2, 2002
MAINICHI Daily News, September 6, 2002
The Kobe Shimbun, September 7, 2002
Weekly Pia, September 9, 2002
THE KYOTO SHIMBUN NEWS. September 12, 2002
CUT, October 2002
THE DAILY YOMIURI, September 20, 2002
PLUS ING, Autumn 2002
PADO, September 24, 2002
Weekly Pia (Kansai), September 24 , 2002
Leaf, November 2002
L Magazine, November 2002
HEADLINE TODAY, September 25, 2002
Weekly Pia (Kansai), October 7, 2002
Monthly Art Magazine Bijutsu Techo, November 2002.
The Kochi Shimbun, October 28, 2002
The Asahi Shimbu,  December 1, 2002
The Kochi Shimbun, November 20, 2002
Tokai Walker, November 26, 2002
Monthly Art Magazine Bijutsu Techo, December 2002.
X-Knowledge Home, December 2002
2001
Ratnam, Niru, “Please Let it All Mean Something,” The Face, October 2001
 Israel, Nico, “Public Offerings,” Art Forum, September
Moroney, Mic, “Who will win the Glen Dimplex,” iVenus.com, January 5, 2001
The Event Guide,  "Happy Birthday, IMMA!" May 16-29, 2001
Dunne, Aidan, “Glen Dimplex Award Goes to US Artist for Muscular Films,” The Irish Times, May 26, 2001
Dunne, Aidan, “Nominees for the Glen Dimplex Award are a Typical Mix of the Well and not so Well Known,” The Irish Times, May 24, 2001
Tynan, Jane, “The Lovable Matthew Barney,” The Irish Times, May 16, 2001
Poschardt, Ulf “Blows to the ‘Menschenpark,’” Kunste Werke Yearbook
Muchnic, Suzanne, “Ascent of the Early Risers,” Los Angeles Times Sunday Calendar, April 1, 2001
Danto, Arthur C., “L’Idee de-Chef-D’Ouevre dans L’Art Contemporain,” Art et Artistes, 2001
Sarah Douglas, “Contemporary Art Exhibitions in 2001,” The Art Newspaper,  January 2001
Erika Biddle,”Book report,” artnet.com
Keats, Jonathan, “Shelf Life,” Art&Auction, December 2001, p. 115
Poels, Jan-Willem, “Master, Let Me Enter,” Frame, November-December, pp.78-85
Jacobson, Marjory, "Art in Transition: At the Threshold of the New Media," ARCO, October 2001, p.61
Bohlen, Celestine, "The Guggenheim's Scaled-Back Ambition," NY Times, November 20, 2001
Bohlen, Celestine, "Suffering After Attack, Guggenheim Announces Plans for Layoffs," New York Times, November 9, 2001
2000
Jones, Jonathan, “Lonesome Cowboys-Matthew Barney,” Untitled, no. 21, Spring 2000
“Glen Dimplex shortlist, despite everything,” Circa.com, December 14, 2000
Dunne, Aidan, “Four Artists on Glen Dimplex List,” The Irish Times, December 14, 2000
Becker, Ilka, “Einblendung,” Imagineering, Jahresring 47
“Barbara Gladstone: 3,” The New York Observer, December 18 2000
Biddle, Erika, “Book Report,” artnet.com, December 19, 2000
Ploeebst, Helmut, “The Artist As Film-Maker as Choreographer,” Ballet Tanz Aktuell, December 2000
Johnson, Ray, “Matthew Barney, Jennifer Pastor, Charles Ray,” The New York Times, December 8, 2000
Birnbaum, Daniel, “top 10,” Artforum, December 2000
Levine, Karen A., “Open Collection,” Summer 2000, Open, the Magazine of the San Francisco Museum of Modern Art
Vogel, Carol, “Bicoastal ownership,” The New York Times, May 5, 2000
Baker, Kenneth, “SFMOMA acquires work from Matthew Barney,” San Francisco Chronicle, May 2, 2008
“Buying a Barney,” Star Tribune, Minneapolis, May 5, 2000
Vogel, Carol, “Museums expand audience via the Web,” Marin Independent Journal, Novato, CA May 6, 2000
Vogel, Carol, “A joint between galleries?” Santa Barbara News Press, May 19, 2000
“Far-flung museums join forces,” Charlotte Observer, Charlotte, NC, May 14, 2000
“Matthew Barney, Cremaster 2,” Time Out New York, May 11, 2000
Helfand, Glen, “Projections,”  San Francisco Bay Guardian, May 31, 2000
Bonetti, David, “Giving Art a  bad name?” San Francisco Examiner, May 22, 2000
Baker, Kenneth,"Cremaster 2, the Horror,” San Francisco Sunday Examiner, June 18, 2000
Reizman, Laura, “Cremaster 2,” The Arts, July 12, 2000
Friedman, Boberto, and Beau Ziegfeld, “ Out  there,” Bay Area Reporter, May 20, 2000
“Matthew Barney’s Cremaster 2,”  Artnews, January 2000
Jenkins, Steven , “Cremaster 2,” bayarea.Citysearch.com
“Matthew Barney: Cremaster 2: The Drones Exposition,” abolutearts.com
Breuvart, Valerie, “Voila’,” November 2000, Artforum. #4, 2000, Mohntop Unlimited
Berrebi, Sophie, “Volia’,” Frieze, November/December 2000
New York Magazine, October 9, 2000
“Scare Tactics,” Newsweek, September 4, 2000
“Art in the Media Era,” ART Vol. 9, 2000
Coleman, Beth, “Soft Machines,,”  Artbyte Magazine, September-October 2000
“Cremaster 2” July 7-16, Miff 2000 Program Guide
Scholder, Ramona “The Artistry of Cremaster 2,” THE magazine, July 2000
Frye Brian, “Video Triumphs in the Galleries,”  The Independent Film and Video Monthly, July 2000
“What's it all about, Barney,” The Irish Times, May 11, 2000
Porter, Amy Jean, “Fluid Talk,” CIRCA, Summer 2000
Mauriès Patrick, “Le dandy ou l’homme invisible/The dandy or the Invisible Man,” Summer 2000, Beaux-Arts Magazine, numéro spécial, “Qu’est-ce que la beauté ?”
Siegel, Jeanne, “ Matthew Barney,” May-June, Tema Celeste
Hetting, F., “Cremaster 2,” Metropolis M, April-May 2000
“Cremaster 2,” NAT, Filmfestivalen 2000, March 2000
Gibson, Jeff, “12th Biennale of Sydney,” May 2000, Artforum.Coagula, May 2000
“Barney traces the afterlife of a killer,” Austria Today, February 2, 2000,
“Tracing a killer’s afterlife,” Austria Today, February 8, 2000
“Matthew Barney,” Profile, January 31, 2000
Krumpl, Doris, “Jenseit des Willens,” Observer, January 29 2000
“Matthew Barney,” Falter, January 26, 2000
“Cremaster 2 im Kino,” Observer, January 25, 2000
Moller, Olaf, “Die einsame Weite Utahs,” Der Standard, January 25, 2000
“Kunsthalle Wien: Junge Kunst fur junge Menschen,” AM.PULS, January 1 2000
“Cremaster 2,” Le Monde, February 10, 2000
“Cremaster 2. Projections,” Le Monde, February 20 2000
“Matthew Barney,” Les Inrockuptibles, February 2000
“Poeme visuel,” Le Figaro, February 8, 2000,
Lebovich, Elisabeth, “ Le barnum de Barney,” Liberation, February 2000
“Cinema,” Liberation, February 9, 2000
Evans, Gareth, “The body politic - in the ring with Brisley and Barney,” Optic, April/May 2000
Neumaier, Otto, “Beauty Now,” Frame, March/April 2000
Whyte, Murra, “Two-stepping cowboys, Harry Houdini, Mormons and bees…it must be art,” National Post, March 3 2000
Jones, Jonathan, “Lonesome Cowboys. Matthew Barney,” Untitled, Spring 2000
Groen, Rick, “What planet is he from?” The Globe and Mail, March 3, 2000
Hodge, Roger D., “Onan the Magnificent. The triumph of the testicle in Contemporary art,” Harper’s Magazine, March 2000
Staple, Polly, “Cremaster of Crime,” Art Monthly, March 2000
Bourbon, Matt, “Regarding Beauty,” February 2000, N Y Arts, International Edition
Willis, Holly, “Cremaster 2,” LA Weekly, February 18-24 2000
Thomas, Kevin “Matthew Barney’s Surreal Western ‘Cremaster 2’…,” Los Angeles Times, February 17, 2000
Knofel, Ulrike, “Showmaster der Mutanten,” no. 7, Der Spiegel, February 14, 2000
McKenna, Christine, “Gary Gilmore , Meet Harry Houdini: Matthew Barney on his film Cremaster 2,” LA Weekly, February 11-17, 2000
Harvey, Doug, “Barney’s Sticky Adventure Beyond Death,” LA Weekly, February 11-17, 2000
Lebovici, Elisabeth, “Le barnum de Barney,” Liberation, February 9, 2000
Cumming, Laura, “Dottier than Warhol,” The Observer Review, January 30, 2000
Romney, Jonathan, “Barney and the beehive,” The Guardian, January 26, 2000
Kent, Sarah, “Matthew Barney” Time Out London, January 25, 2000
Mullins, Charlotte, “And it’s all beautifully executed,” The Independent on Sunday, January 23, 2000
Dorment, Richard ”The making of a man,” The Daily Telegraph, January 26, 2000
Etherington, Daniel, “Cremaster 2,”  AN, January 2000
Smith, Gavin, “Come dancing with Gary in Utah,” Sight and Sound, January 2000
Tom, Gilman , Sevcik Frantiska, “Cremaster 2,” Flash Art, January-February 2000
1999
Bless, Nancy, “Signs and Wonders” Sculpture, December 1999
Review, “Matthew Barney: Cremaster 2. A Firenze,” no. 76, 1999, Tema Celeste Artnews
Syman, Stefanie, “Matthew Barney’s Garden of Unearthly Delights,” Feedmag.com, December 8, 1999
Angus, Denis, “Post Human,” Beaux Arts, December 15, 1999
Birnbaum, Daniel, “Best of the ’90s,”(Special issue), Artforum, December 1999
Rosenblum, Robert, “Best of the ’90s,” (Special issue), Artforum, December 1999
Rimanel, David, “Best of the ’90s,” December 1999 (Special issue), Artforum
Pollack, Barbara, “The 10 Best Living Artists. The Wizard of Odd,” Artnews, December 1999
Eichler, Dominic, “Matthew Barney. Walker Art Center, Minneapolis,” Frieze, November-December
Erickson, Karl, “Matthew Barney at the Walker Art Center,” New Art Examiner,  November 1999
Jones, Oliver, “Cremaster 2. Film Review,” Daily Variety, October 25, 1999
Tabuin, Amy, “Erratic Artist with Sequel Syndrome,” Village Voice, October 19, 1999
Ken Fox, “Gary Gilmore’s eyes,” TV Guide Online, October 19, 1999
“Cremaster 2,” The New Yorker, October 18-25, 1999
“Previews: Phantom Premise,” New York, October 18, 1999
Anderson, John, “Fertile Imagery,” Newsday, October 15, 1999
“Cremaster of His Domain,” HX Magazine, October 15, 1999
“New Releases: Cremaster 2,” The Christian Science Monitor, October 15, 1999
Yablonsky, Linda, “A portrait of the artist as a gun man,” Time Out New York, October 14-21, 1999
 Lumenick, Lou,“ ’2’ slow a ‘Song’," New York Post,  October 14, 1999
Bernard, Jami, “’Cremaster’ is arty and opaque,” Daily News, October 14, 1999
Anton, Saul, “CREMASTER 2,” Time Out New York, October 14-21, 1999
Holden, Stephen, “It’s about a murderer And yes, Bees, Houdini…,” The New York Times, October 13, 1999
Kimmelman, Michael, “The Importance of Matthew Barney,” The New York Times Magazine, October 10, 1999
“Arts & Leisure Guide: Cremaster 2,” The New York Times, October 10, 1999
Poschardt, Ulf, “Squall in the genepool,” Suddeutsche Zeitung, October 1, 1999
'Cremaster 5', Temple Bar Properties, The Irish Times, September 18, 1999
'Cremaster 1&4,' Temple Bar Properties, The Sunday Times, September 19, 1999
'Cremaster 5', Temple Bar Properties, Evening Herald, September 20, 1999
'Al Fresco Flix', Temple Bar Properties, dSIDE, September 1999
'Dreamy and Barney', Temple Bar Properties, The Event Guide, September, 1999
"M: Matthew Barney,” Esquire, September, 1999
“Matthew Barney Cremaster 2,” Walker Art Center Calendar, September, 1999
Pitti Immagine, Florence, Press Release “Cremaster 2,” September 1999
'Cremaster 5', Temple Bar Properties, Circa, Autumn, 1999
Madoff, Steven Henry, “Hallucinatory Acts,” Time, August 30, 1999
Gell, Aaron, “Guns’ n’ poses,” Mirabella, August 1999
Sigel, Katy, “Nurture Boy: Matthew Barney’s Cremaster 2,” Artforum, Summer 1999
Patrick, Keith, “Global Vision: new art from the 90’s,” Contemporary Visual Arts, Number 22
Morrison, Angeline, “Barney bare,” The Sunday Tribune, May 9, 1999
Dunne, Adian, “On the edge of camp,” The Irish Times, April 28, 1999
'Cremaster 5', Temple Bar Properties, Irish Independent,  April 27, 1999
Green, Frank, “Anatomy. Matthew Barney’s extravaganzas,” Cleveland Free Times, March 17-23, 1999
Girst, Thomas, “Sex, art, and videotape,” National Post, January 30 1999
1998
Bijutsu Techo, BT 9, Vol. 50, No. 761, September 1998
von Buchau, Stephanie. “Matthew Barney’s candy box,” Bay Area Reporter, 39, April 2, 1998
Boyon IM, Seattle weekly goings on, April 2, 1998
Carlisle, Isabel, “Ursula Andress is now a work of art,” The Times, London March 19,1998
Carlisle, Isabel, “Cremaster 5,” Tate Summer, 1998
Dargis, Manohia, “ Cremaster4, Cremaster 5,” La Weekly, March 6-12 1998, p. 66
Everett-Green, Robert, “High-concept film making on a low budget,” The Globe and Mail, April, 1998
Hacket, Regina, “ Matthew Barney’s Cremaster series reaches delirious heights in ‘5’,” The Seattle Times Movies, April 3, 1998
Kent, Sarah, “Cremaster 5,” Time Out, London March 1998
Moestrup, Julie, “Cremaster 5,” Jyllandsposten, 28 February 1998
O’Farrell, Maggie, “The muscle man cometh, again,” Independent on Sunday, March 15,1998
Reid, Bruce, “Cult Rapture,” The Stranger, April 2, 1998
Ritchie, Matthew, “Barney’s CREMASTER 5,” Flash Art, 198, January-February1998, pp. 108-9
Romney, Jonathan, ”Sheep or goat?” The Guardian, London March 13. 1998
Shaw, Michael, “ Myth Media,” Resident, 25 February, March 3, 1998
Skotte, Kim, “Et barokt univers,” Politiken, Fredag 27, February 1998
Sladen, Mark, “Unspeakable Beautiful,” Art Monthly, 217, 6.98
A.K. The New Times Los Angeles, March 5-11, 1998
“another Cremaster oh so tired,” The Seattle Times Movies, Friday, April 3, 1998
Los Angeles Times, Thursday, March 5, 1998
1997
“4th Lyon Biennial,” Art Monthly, September 1997
Albrethsen, Pernille, “Vaseline, motorcykler og ungarsk opera,” Kunst, August 1997
Erfle, Anne, “Matthew Barneys Plazentäre Phantasmagorien-die Fünfte,” Neue Bildende Kunst, pp. 49-52
Frankel, David, “Hungarian Rhapsody,” Artforum, October 1997, pp. 76-79, ill
Greco, Stephan, “Flesh Prince,” New York Post, Saturday, November 1997, pp. 26-27
Hasegawa, Yuko, “Utopistics: Non-Determinate Eros,” BT, 6/97 pp. 28-33, Ill
Hultkrans, Andrew talks with J.G.Ballard and David Cronenberg, “Body Work,” Artforum, March 1997, pp. 76-81 
Kemp,Wolfgang, “Zeitgenössische Kunst und ihre Betrachter,”Jahresring 43, Jahrbuch für moderne Kunst, Oktagon, Köln
Nagoya, Satoru, “De-Genderism,” Flash Art, Summer 1997, pp. 132-3, ill
Pedrosa, Adriano,  “Matthew Barney,” Poliester, Volume 5, #17, Winter, pp. 22-25, ill
Rather, Megan, “ Matthew Barney’s obscure objects of desire,” NYarts magazine, 15 November
Saltz, Jerry, “Danube Blue,” Time Out, November 13-20. 1997, p. 43
Schaub, Mirjam, “Die Kunst als Foltergeschirr,” Die Zeit Nr. 31, 25.July 1997, p. 47
Smith, Roberta, “From a Fantasy Film, Luxury Transformed,” The New York Times, November 14,1997, p. E43
1996
Crump, James,  "Third Person Singular: Profiles and Personae," See: A Journal of Visual Culture, December, Vol.2, p. 3
The Hugo Boss Prize:1996, Comprehensive Press Coverage, Guggenheim Museum SoHo
Guardiola, Juan, ”Sangre, sudor y Software”, ALIAS REVISTA D ARTE, No. 15-16, pp. 70-88
Lebovici, Elisabeth,  "Barney dessine la carte du muscle," Liberation, Paris, Thursday, Feb.8, p.30
Macadam, Barbara A., "Here's Looking at Us!" Artnews, October, pp. 130 -33
Riley, Robert, "Matthew Barney," SF MOMA, March-April , pp.8-9, ill
Saltz, Jerry, "The Next Sex," Art in America, October, pp. 82-91,  ill
Taubin, Amy,  "Making Tracks," Village Voice, July 23, p. 66
Woods, Vicky,  "Matthew Barney's Personality Parade," Vogue, January , pp.160-63
1995
Matthew Barney’s Black and Blue Period,” New York, December 11, 1995, p. 18
Leonard, John, “Review of Cremaster 4,” New York, May 1, 1995, p. 69
Bryson, Norman,  "Matthew Barney's Gonadotrophic Cavalcade," Parkett, No.45, pp. 28-35, ill
Onfray, Michel,  "Mannerist Variations on Matthew Barney," Parkett, No.45,  pp. 50-57, ill
Seward, Keith,  "Matthew Barney and Beyond," Parkett, No.45, pp. 58-60, ill
Czoppan, Gabi, "Kunstler des Jahres," Focus, number 23, October
Hainley, Bruce, "Creamy Kids' Stuff," Art Forum, December, p. 64, ill
Pontzen, Rutger, "De Videomythen van Matthew Barney," Vrij Nederland, 11 November, pp. 52 55
"Tanten und Mutanten,” Der Spiegel, No. 46, November 13, 1995, p. 254
De Vries, Marina, "Barney's wereld blijft een raadsel,” Het Parool, October 23, ill
Sütö, Wilma, "Barney's optocht, processie van prijsram en offerdier,” de Volkskrant, October 23, ill
Tazzi, Pier Luigi, "Berichten uit de polymorfe zone. De mythografie van Matthew Barney,” Metropolis M, October 1995
Keunen, Mirjam, "Matthew Barney maakt Belofte Niet Waar," Algemeen Dagblad, October
Mison, John Peter, "Modest Konst" O Mode, 1995, pp. 16-21
Sans, Jerome, "Die Moglichkeiten des Menshlichen Organismus," Album, August 25, 1995
Aukeman, Anastasia, "Rising Stars Under 40," Art News, Special Issue, p. 30
Als, Hilton, "Downtown Artthrob," New Yorker, November 6, 1995
Ritchie, Matthew, "Matthew Barney," Flash Art, October, p.105
Houser, Craig, "Matthew Barney,” World Art, 3/1995, p.100
Gaché, Sherry, "London Reviews," Sculpture, July-August, p.49
Sans, Jérôme, "Modern Heroes," art press, #204, July/August, pp.25-32, ill
Sladen, Marc, " Assault Course. Mark Sladen tackles Matthew Barney head on," Art Monthly, #187, June, p.8
ART, #6, Juni, " Narsiss und Fegefeuer. Der Körper als Thema und Material der Kunst - junge Künstler entdecken neue Dimensionen der Schönheit und der Provokation,"
Boyer, Charles-Arthur, "Histoires d'hommes sur l'île de Man," Tribus Magazine, June pp. 6-7, ill
Nichols Goodeve, Thyrza, "Travels in Hypertrophia," Artforum, May 1995
Schjeldahl, Peter, "The Isle of Male,” The Village Voice, May 9, 1995
"Matthew Barney," (cf.Spiral show), Nikkei Art, March 1995, p.45
Morgan, Stuart, "Of Goats and Men,” Frieze, January/February 1995, pp. 34-39, ill
"A Quirky Whitney Biennial," The New York Times, March 24, 1995
Jarton, Cyril, "Barney: Sexe et Mecanique,” Les Beaux Arts, April 1995
Kimmelman, Michae, "Matthew Barney's Surreal Visions, on Film and in the Gallery,” The New York Times, April 28, 1995
Stevens, Mark, New York, May 1, 1995, p. 69
Lingwood, James, "Keeping track of Matthew Barney,” Tate,The Art Magazine, Summer 1995, pp. 52-53
Manami, Fujimori,  "Matthew Barney,” BT (Japanese magazine), July p. 8-25
Nichols Goodeve, Thyrza, "Matthew Barney 95: Suspension (CREMASTER), Secretion  (PEARL), Secet (Biology)," Parkett, No. 45, pp. 66-69
Barclay Morgan, Anne, "Video-Installations : Shigeko Kubota, Marcel Odenbach, Matthew Barney, Pierrick Sorin, Bruce Nauman," Art Papers, Vol.18, May/June, p.61
1994
Birnbaum, Daniel, "Kroppen som forvandlingsnummer,” Dagens Nyheter, May16, 1994, p. B2
Bonami, Francesco, "Matthew Barney," Flash Art, May/June, p.101
Cameron, Dan, "Self-Determination," Vogue, July, pp. 152-158, 192, ill
Holert, Tom, "Too Much, Too Young? - Barney's Raum," Texte Zur Kunst, ill
McKenna, Kristine, "This Boise Life, or Hut Hut Houdini," Los Angeles Times, November 20, ill
 Melrod, George, "Boys Will Be Boys," Mirabella, April, pp. 67-71, ill
Pagel, David, "'Cremaster' Drama Explores Ideas of Self," Los Angeles Times, November 10, 1994
Saltz, Jerry, "The Chimes of Freedom Flashing," Art Vision, Vol. 22-2, pp.4-6
Wakefield, Neville, "Matthew Barney's Fornication  With the Fabric of Space," Parkett, #39, March 1994, pp. 118-130, ill
Artforum, Vol. 32, #8, April, p. 77, ill
Art News Japan, June 1994, p.28
"Face to Face," du, January 1994, pp. 16, ill
1993
Als, Hilton, "Two Character Play," Frieze, Issue 10, May, pp. 17, ill p. 14
BT, Vol 45, No 672, pp 22-25, ill
Boyer, Charles-Arthur, "Le corps mis al'epreuve," Omnibus, Number 7, October.
Fleissig, Peter, "Lèche-Vitrine," Parkett, No. 35, pp. 102-113, ill
Flood, Richard, "Rosebud, Anyone?" Frieze, Issue 9, March, pp. 35-36.
Haus, Mary, "Fast Forward," ARTnews, November, pp. 123-4, ill
Helfand, Glen, "Matthew Barney," (Interview) Shift, Vol. 6, No. 2, pp. 36-41, ill
Larson, Kay, "What a Long Strange Trip," New York Magazine, March 22, 1993, pp. 71-72
Lewis, Jim, "Anatomy of an Artist," Harper's Bazaar, Issue #3375, March, 1993 , pp. 272-277, 321, ill
Millet, Catherine, "45e Biennale," Artpress, 183, September, pp. 64-66, ill
O'Brien, Glenn, "Dividing the Sheep from the Goats," Artforum, Vol. 31, No. 9, May 1993, p. 8, ill
Pagel, David, "Notes Toward Art's Backside," Shift 15, Vol. 7, No. 1, pp. 16-23
Rankin-Reid, Jane, "Pocket Pool: A Matthew Barney Exclusive," Art & Text, No 45, May 1993, pp.42-47
Rees, Michael, "Yale Sculpture," Flash Art, Vol. XXVI, No. 170, May/June 1993, pp. 65-67, ill
Rian, Jeff, "The 1993 Whitney Biennial," Flash Art, Vol. XXVI, No. 170, May/June
Rian, Jeff, "What's All This Body Art?" Flash Art, Vol. XXVI, No. 168, January/February 1993
Saltz, Jerry, "10 Artists for the '90s," Art & Auction, May, pp. 122-125, 155, ill
Schjeldahl, Peter, "Canal Vision: The Venice Biennale," Village Voice, July 6, 1993, pp. 58-59
Siegel, Jeanne, "Unveiling The Male Body,” Artpress, No. 183, September 1993
"The News," Galeries, No. 54, April/May, p. 13, ill
"Looking Ahead: Venice Biennale 1995," Flash Art, Vol XXVI, No 172, October 1993
1992
Adams, Brooks, "Matthew Barney: nouvel androgyne," Art Press, No. 167, March, pp. 36-39, ill
Bonami, Francesco, "Matthew Barney: The Artist as a Young Athlete," Flash Art, Vol. XXV, No. 162, January/February, pp. 100-103, ill
Cameron, Dan, "The Changing Tide," Art & Auction, January, pp. 50-52.
Decter, Joshua, "New York in Review," Arts, Vol. 66, No. 5, January, pp. 80-81, ill
Dworkin, Nancy, "Matthew Barney - Barbara Gladstone," ARTnews, Vol. 91, No. 2, February, pp. 123-24, ill
Gallagher, Ed, "Fine Tune: Notes on Matthew Barney," Publicsfear, Volume 1, No. 1, pp. 71-74,
Helfand, Glen, "Fully pumped for fame: Artist/jock Matthew Barney works out at SFMOMA," SF Weekly, January 22, p. 19, ill
Hoet, Jan, "Documenta als Motor," Kunstforum, No. 119, pp. 220-503, ill
Johnson, Ken, "Matthew Barney at Barbara Gladstone," Art in America, Vol. 80, No. 1, January, pp. 115-117, ill
Kaplan, Steven, "Matthew Barney: Barbara Gladstone Gallery," etc. Montreal, No. 19,  August-November, pp. 64-66, ill
Kunz, Martin, "USA - Blickpunkt Eastcoast," Kunstforum, No. 119, pp. 164-174, ill
Larson, Kay, "Art on Site: Twenty-five Years in Two Hours," Atelier, July, pp. 64-83, ill
Liebmann, Lisa, "Mr. Hoet's Holiday," Artforum, September, Vol. 31, No. 1, pp. 87-89, ill
Morgan, Stuart, "Body Language," Frieze, Issue 6, September/October, pp. 28-34, ill
Nesbitt, Lois, "The Young, The Wild, and the Wicked: Art's Bad Boys," Elle, March, pp. 130-132
Nilsson, John Peter, "Här hänger nittiotalets konstnär," Aftonbladet - Kultur (Swedish), Nr. 2, October, pp. 20-23, ill
Padon, Thomas, "Matthew Barney - Barbara Gladstone Gallery," Sculpture, Vol. II, No. 2, March/April, p. 68, ill
Perl, Jed, "Review," Art & Antiques, Vol. IX, No. 2, February, p. 80, ill
Riley, Robert R., "Matthew Barney - Museum of Modern Art, San Francisco," Flash Art, Vol. XXV, No. 167, p. 139, ill
Saltz, Jerry, "Matthew Barney, Sam Reveles, & Nancy Rubins: Gladstone, New York," Flash Art, Vol. XXV, No. 167, November/December, p. 136
Saltz, Jerry, "Lufthansa Was Half the Fun," Galeries, No. 49, September, pp. 77-79, 88
Saltz, Jerry, "The Ten Commandments of Taste," Art & Auction, November, pp. 104-109, ill
Smolik, Noemi, "Matthew Barney und Constantin Zvezdochotov," Kunstforum, No. 119, pp. 155-157, ill
Sugiura, Kunié, "News from Abroad," Bijutsu Techo, Vol. 44, No. 649, January, p. 127
van den Boogerd, Dominic, "Perspectieven," Metropolis M, No. 4, August, p. 31, ill
Vogel, Sabine B., "Matthew Barney: Sport, Sex und Kunst," Artis, June, pp. 40-42, ill
Weil, Benjamin, "Matthew Barney," Flash Art, Vol. XXV, No. 162, January/February1992
"Matthew Barney at Modern Museum," San Francisco Chronicle, January 9, 1992, p. E2
1991
Bonetti, David, "This kid's just a jock," San Francisco Examiner, December 20, 1991
Cottingham, Laura, "Art and Thought," NYQ, November 24, 1991, p. 41
Krone, Larry, "Gladiator Art," 15 Minutes, Issue 9, December/January, pp. 15-16, ill
Larson, Kay, "Getting Physical," New York Magazine, Vol. 24, No. 45, November 18, 1991
McKenna, Kristine, "Body and Soul," The Los Angeles Times, June 4, 1991, Section F, page 4
Pagel, David, "Matthew Barney," Art Issues, No. 19, September/October, p. 39, ill
Relyea, Lane, "Openings: Matthew Barney," Artforum, Vol. XXX, No. 1, September 1991
Saltz, Jerry, "Wilder Shores of Art," ARTS Magazine, May, pp. 29-31, ill
Schneider, Greg, "A Sporting Subversion," Artweek, June 20, p. 13, ill
Selwyn, Marc, "Spotlight: Matthew Barney - Personal Best," Flash Art, Vol. XXIV, No. 160, October, p. 133, ill
Smith, Roberta, "Matthew Barney's Objects and Actions," The New York Times, October 25, p. C28, ill
The New Yorker, November 4, p. 18
Review, “Matthew Barney” Newsweek, September 6, 1991
Kramer, Hilton, “A fatality on Art’s Critical list?” The New York Observer, Vol. 5, Number 40, November 11, 1991
“Matthew Barney” Village Voice, October 30, 1991
1990
Nesbitt, Lois E., "New York Fax," Art Issues, September/October, p. 38
Smith, Roberta, "The Group as Crystal Ball," The New York Times, July 6, 1990
Writings by the Artist
 
Barney, Matthew. “1000 Words: Matthew Barney talks about DE LAMA LÂMINA, 2004,” Artforum, May 2004, p.190-191.