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Jill Mulleady

Exhibition Catalogues & Publications
Jill Mulleady, Swiss Institute (forthcoming)
BloodFog, Midway Contemporary (forthcoming)
Fear of Fear, Kunsthalle Bern, 2021
May You Live In Interesting Times, Venice Biennale 2019
Emissaries for Things Abandoned by Gods, Casa Luis Barragan Fear, Museo Archeologico Na-zionale Napoli
Painting Rituals, Shelter Press, London
Selected Press
Andrew Witt, "Jill Mulleady’s Twilight Hour", Momus, August 14, 2021
"Jill Mulleady: Blood Flog", Cura Magazine, July 2021
Robin Pogrebin, "The Huntington Gets Hip", New York Times, April 20, 2021
Camila McHugh, "Jill Mulleady", Artforum International, March 2021
"Jill Mulleady 'Decline & Glory' at Gladstone Gallery, Brussels", Mousse Magazine, November 11, 2020
Editors Picks, Nate Freeman, ArtNet, July 2020
“The Whitney debuts public artwork by Jill Mulleady”,, March 2020
Valentina Di Liscia, “The Somber Symbolism of Jill Mulleady”,,
December-Interview by Lola Kramer, Kaleidoscope, December 11, 2019
Martha Schwendener, “What to See Right Now in New York Art Galleries”, The New York Times, December 11, 2019
Johanna Fateman, New Yorker, 2019
Philomena Epps, “Critics’ Picks: Claude Mirrors: Victor Man, Jill Mulleady, Issy Wood at Schinkel Pavillon”,, September 2019
Suzanne Unrein, “Jill Mulleady: Fight-or-Flight”,, September - December 2019
Matthieu Jacquet, “L’imaginaire et le fantasme en Technicolor prennent le pouvoir”, L’Officiel Art, November 2019
Johanna Fateman, “Goings on About Town: Jill Mulleady at Swiss Institute”, The New Yorker, September 2019
Sarah Cascone, “Editors’ Picks: 20 Things Not to Miss in New York’s Art World This Week”,, September 23, 2019
“The Artsy Vanguard 2019: The Artists to Know Right Now”,, September 16, 2019
“Your Concise New York Art Guide for Fall 2019”,, September 10, 2019
Miguel Cullen, “Why has figurative painting become fashionable again?”, The Spectator, Septem-ber 7, 2019
Kelly Crow, “New Game Plan for a Smithsonian Showcase”, The Wall Street Journal, August 21, 2019
Cécile Daumas, “Biennale de Venise, au-delà du genre”, Libération, August 27, 2019
Judith Benhamou-Huet, “Art Basel : des prix stratosphériques”, Les Echos, June 13, 2019
Scott Reyburn, “In Basel, Taking the Temperature of the Art World”, The New York Times, June 13, 2019
Pedro Morais, “Jill Mulleady”, Le Quotidien de l’Art, June 11, 2019
“Messe-Tipps: 9 dinge, die Sie auf der Art Base nicht verpassen sollten”, Monopol Magazin für Kunst und Leben, June 2019
Ingrid Luguet-Gad, “La 58ème Biennalle d’art de Venise, und foire comme les autres?”, Les In-rocktuptibles, May 20, 2019
Director’s cut: Ralph Rugoff picks the artists to watch in his 2019 Venice Biennale show, The Art Newspaper, May 3, 2019
Andrew Witt, “Critics’ Pick: Jill Mulleady at Galerie Neu”,, November 2018
Stephano Pirovano, “In Preparation for Jill Mullleady’s Debut at Galerie Neu”, Conceptual Fine Arts, November 2018
Timotheus Vermeulen, “Jill Mulleady‘s Disembodied Porsche Windows Find Their Way Home”, Frieze, August 2018
Aleksi Mannila, “Bak glasset og utenfor boblen, Jill Mulleady gransker psyken gjennom Porsche-vinduer”, Morgenbladet, August 2018 Eddy Frankel, “Review: Spiegelgasse (Mirror Alley) Re-view”, Time Out, April 2018
Alexander Sury, “Störende und verstörende Amazonen”, Der Bund, May 19, 2017
Maurin Dietrich, “Jill Mulleady”, CURA, June 2017
Ciara Moloney, “Nightmares in Oil: On the Demons in the Paintings of Jill Mulleady”, Flash Art, May 2017
Hana Cohn, “Review: Jill Mulleady at Freedman Fitzpatrick”, Frieze, April 2017
Franklin Melendez, “Jill Mulleady”, Kaleidoscope, Issue 29, Spring 2017
Pierre-Alexandre Mateos, “Review: Jill Mulleady at Gaudel de Stampa”, Flash Art, Summer 2016
Andrew Berardini, “The Marriage of Heaven and Hell”, Mousse, Issue 53, April-May 2016