Skip to main content

Huang Yong Ping

 
Solo Exhibition Catalogues and Monographs
2016
Azoulay, Audrey and Sylvie Hubac. Huang Yong Ping, Monumenta 16: Empires. France: Rmn-Grand Palais Publications, 2016.
Baton Serpent III: Spur Track to the Left. Shanghai: Shanghai People's Fine Arts Publishing House, Power Station Art, 2016.
Francois, Jullien. Our Worlds in Tongues: Huang Yong Ping Francois Jullien Conversation. Paris: Klincksieck, 2016. 
Memorandum: Bat Project I, II, III, 2001-2004. Köln: Buchhandlung Walther König and Museum Ludwig, 2016.
2015
Hou Hanru, ed. Huang Yong Ping: Bâton Serpent. Milan: Mousse Publishing, Kamel Mennour, 2015. 
2011
Wu Zei: Huang Yong Ping. Paris: Kamel Mennour and Nouveau Musée de Monaco Villa Paloman, 2011.
2009
Huang Yong Ping: Myths. Paris: Galerie Kamel Mennour, Les presses du reel, 2009.
2008
Parisi, Chiara, ed. Pantheon: Huang Yong Ping. Milan: Centre international d'art et du paysage de l'île de Vassivière, Silvana editoriale, 2008.
Huang Yong Ping: Ping Pong. Oslo: Astrup Fearnley Museet for Moderne Kunst, 2008.
Bonami, Francesco, ed. Huang Yong Ping. Milan: Electa, 2008.
2005
Hou Hanru; Doryun Chong and Philippe Vergne, eds. House of Oracles: A Huang Yong Ping Retrospective. Minneapolis: Walker Art Center, 2005.
1999
Huang Yong Ping: Travel Guide for 2000-2046. Kitakyushu, Japan: CCA Kitakyushu, 1999.
Obrist, Hans-Ulrich. Huang Yong Ping Cahier, interview Hans-Ulrich Obrist. Paris: Flux, 1999.
1998
Hou Hanru and Evelyne Jouanno. Huang Yong Ping. Amsterdam: De Appel Foundation, 1998.
1996
Dawei, Fei, Yan Bailleul, Karen Faure Comte, and Valérie Hervieu. Trois Pas - Neuf Traces. Marseille: Ateliers d’Artistes de la Ville de Marseille, 1996.
1995
Martin, Jean-Hubert, Philippe Garcia de la Rosa, and Michel Hignette. Huang Yong Ping: Musée national des arts d'Afrique et d'Océanie, 21 septembre 1995-15 janvier 1996. Paris: Musée National des Arts d’Afrique et d’Océanie, 1995.
1992
La Maison d’augures 1989-1992. Paris: Galerie Froment & Putman, 1992.
Group Exhibition Catalogues and General Publications
2017
Art and China after 1989: Theater of the World. New York: Guggenheim, 2017.
2015
Artistes et Architecture: Dimensions variables. Paris: Editions du Pavillon de l’Arsenal, 2015.
2013
Lévy, Bernard-Henri. Les aventures de la vérité. Paris: Grasset, 2013.
Steeds, Lucy. Making Art Global (Part 2), ‘Magiciens de la Terre’ 1989. London: Afterall, 2013.
2012
To Be With Art is All We Ask: Astrup Fearnley Museet. Oslo: Astrup Fearnley Museet, 2012.
2011
Song Dong: Dad and Mom, Don’t Worry About Us, We Are All Well. New York: DAP and YBCA, 2011.
2009
Bonami, Francesco and Alison M. Gingeras, eds. Mapping the Studio: Artists from the François Pinault Collection. Venice: Palazzo Grassi, 2009.
2008
Traces du Sacré. Paris: Le Centre Pompidou, 2008.
God & Goods: Spiritualità e Confusione di Massa/Spirituality and Mass Confusion. Codroipi, Italy: Villa Manin Centro d’Arte Contemporanea, 2008, pp. 92-94.
2007
Ice Cream. London: Phaidon Press Limited, 2007.
10th International Istanbul Biennial. Istanbul: Istanbul Kültür Sanat Vakfi, 2007.
2005
Erickson, Britta. On the Edge. Hong Kong: timezone 8, 2005.
Vitamin D: New Perspectives in Drawing. New York: Phaidon Press, 2005.
2000
Shanghai Biennal 2000. Shanghai: Shanghai Art Museum, 2000, pp. 86-89.
Ackerman, John. Unnatural Science. North Adams, Massachusetts: MASS MoCA, 2000, pp. 58-61, 122. 
La Beauté. Avignon: Mission 2000 en France, 2000, p. 90.
Over the edges. Ghent: S.M.A.K Stedelijk Museum voor Actuele Kunst, 2000, pp. 134-137.
Martin, Jean-Hubert. Zeitwenden. Cologne & Vienna: Kunst Museum Bonn, Museum Moderner Kunst Stifung Ludwig Wien, 2000, pp. 144-147.
1999
Jouanno, Evelyne. Kunst Welten im Dialog. Cologne: Museum Ludwig Köln, 1999, pp. 416-419.
Inside Out: New Chinese Art. New York: San Francisco Art and Asia Society Galleries, 1999, plate 15-16.
The Sultan’s Pool: International Project Art Focus 3. Jerusalem: BM Contemporary Art Center, 1999, p. 20.
Hasegawa, Yuko. Passage: New French Art. Tokyo: Setagaya Art Museum, 1999.
Global Conceptualism: Points of Origin 1950s-1980s, texte by Gao Minglu, Queens Museum of Art, New York, pp. 126, 134, 135, 220.
Yang Wen I. VOC Handle with Care: Huang Yong Ping and Yang Mao-Lin. Taipei: Lin & Keng Gallery, 1999, pp. 18-37.
Hou Hanru and Denys Zacharopoulos. France at the Venice Biennale - 48th International Exhibition of Contemporary Art. Paris: AFAA, 1999, p. 1-64.
Szeeman, Harald. 48th Biennale di Venezia: Over All - Aperto. Venice: Marsilio Editore, 1999, pp. 46-51, pp. 244-245.
Hou Hanru. Gare de l’Est, interview with Hou Hanru. Luxembourg: Casino du Luxembourg, 1999, pp. 58-63.
1998
Cream, text by Francesco Bonami. London: Phaidon press, 1998, pp. 192-195.
Unfinished History. Minneapolis: Walker Art Center, 1998, pp. 72-75.
The Hugo Boss Prize’ 98, text by Joan Young. New York: The Solomon R. Guggenheim Foundation, 1998, pp. 42-51.
Être nature. Paris: Fondation Cartier pour l’art contemporain, 1998, pp. 75-85.
La collection de la Fondation Cartier pour l’art contemporain, text by Hélène Kelmachter. Paris: Fondation Cartier pour l’art contemporain, pp. 142-147.
1997
Cities on the Move, Secession de Vienne (Autriche) & Capc. Bordeaux: Musée d’Art Contemporain, Bordeaux, 1997-98, p. 24.
Lee Young-chul. 2nd Gwangju Biennial, 1997: Unmapping the Earth. Gwangju, South Korea: Gwangju Biennale, 1997, pp. 408-409.
Enwezor, Okwui and Colin Richards. Trade Routes: History and Geography: 2nd Johannesburg Biennial. Johannesburg: Greater Johannesburg Metropolitan Council, 1997, pp. 334-335.
Fei Dawei. In Between Limits. Seoul: Sonje Museum of Contemporary Art, Kyungiu, 1997, pp. 55-65.
Bonami, Francesco. Truce: Echoes of Art in an Age of Endless Conclusions. Sante Fe, New Mexico: Site Santa Fe, 1997, pp. 20, 34, 35.
Yang, Martina Köppel. Verpachtetes Erbe. Frankfurt: Museum für Kunsthandwerk, 1997, p. 10.
Sculpture Projects in Münster 1997. Münster: Westfälisches Landesmuseum, 1997, pp. 222- 225.
Parisien(ne)s. London: Institute of International Visual Arts, Camden Arts Centre, 1997, p. 24-26.
Hou Hanru. Face à l’Histoire 1933-1996. Paris: Centre Georges Pompidou, 1997, pp. 550, 579.
1996
Hou Hanru. Linien & Zeichen. Berlin: Kunstlerhaus Bethanien, 1996, pp. 38-43.
Hou Hanru. Inklusion: Exklusion. Graz, Austria: Streirisher herbst, 1996, pp. 228-233.
1995
Manifesta 1. Rotterdam: Foundation European Art Manifestation, 1995, pp. 30-31.
6 Triennale Kleinplastik. Stuttgart: Südwest L.B. Forum, 1995.
Ripple Across the Water. Tokyo: Watari-Um, The Watari Museum of Contemporary Art, 1995, pp. 140-144.
Huang Du. Des del Pais del Centre: avantguardes artistiques xineses. barcelona: Centre d’Art Santa Monica, 1995, pp. 47-53.
Unser Jahrhundert Menschenbilder-Bilderwelten. Cologne: Museum Ludwig, 1995, p. 109.
Fei Dawei. Asian. Venice: Fundazione Mudima, 1995, pp. 43-57.
Heart of Darkness. Otterlo, The Netherlands: Kröller-Müller Museum, 1995, pp. 126-131.
Baton, Véronique. Fondation Cartier: A Collection. Seoul & Paris: The National Museum of Contemporary Art Korea, Fondation Cartier pour l’Art Contemporain, 1995, pp. 126-131.
1994
Schmid, Andreas. Paper Art. Düren, Germany: Leopold Hoesch Museum, 1994, pp. 129, 188-193.
Hou Hanru. Out of the Centre. Pori, Finland: Porin Taidemuseo, 1994, pp. 8, 13-14, 36-41.
1993
Photographies d’une collection. Paris: Caisse des Dépôts et Consignations, 1993, pp. 68-73,175.
Andrews, Julia F. Fragment Memory, the Chinese Avant-garde in Exile. Columbus, Ohio: Wexner Center for the Arts, 1993, pp. 24-27.
Rendez (-) Vous. Ghent: Museum Van Hedendaagse Kunst, 1993.
Hou Hanru. Silent Energy. Oxford: The Museum of Modern Art, 1993, pp. 16-17.
Interventions sur collection. Paris: Musée de l’Assistance Publique, Hôpitaux de Paris, 1993.
Schmid, Andreas. China Avant-Garde. Berlin: Haus der Kulturen der Welt, 1993, pp. 132-139.
1992
Martin, Jean-Hubert. Resistances. Tokyo: Watari-Um, The Watari Museum of Contemporary Art, 1992, pp. 25-33.
Small Medium Large: Lifesize, interview by Hou Hanru, Museo d’Arte Contemporanea, Prato, pp.87-92.
1991
Francis, Mark. The Carnegie International 1991. Pittsburgh: The Carnegie Museum of Art, 1991, Vol. 1, pp. 86-87 and Vol. 2, p. 52.
Magnin, André. Carte blanche à André Magnin. Paris: Galerie Froment & Putman, 1991, pp. 5-7.
1990
Sans, Jérôme. Chine demain pour hier. Pourrières, France: Les Domaines de l’Art, Pourrières (Var), 1990, pp. 68-71.
1989
Magiciens de la terre. Paris: Centre Georges Pompidou, Grande Halle de la Villette, 1989, pp. 152-153.
China Avant-Garde. Peking: Palais National des Beaux-Arts, 1989, p. 9.
1986
Xiamen 86: Néo- Dada exposl, p. 21.
General Art Books
2011
Defining Contemporary Art – 25 years in 200 pivotal artworks. London: Phaidon, 2011.
Komrij, Gerrit. Kunst Wonderen. Amsterdam: De Bezige Big, 2011.
2008
Qu’est-ce que La Sculpture Aujourd’hui? New York: Caroline Cross, Beaux Arts Editions, 2008.
2003
Boutoux, Thomas, ed. Hans Ulrich Obrist Interviews, Volume 1. Milan: Edizioni Charta, 2003.
2002
Hanru, Hou. On the Mid-Ground. Selected texts edited by Yu Hsiao-Hwei. Timezone 8 Limited: Hong Kong, 2002.
1995
Huang Yong Ping. Zurich: Kunst Bulletin, 1995.
1994
“Huang Yong Ping Chinese and Laundry, Chen Zhen Field of waste.” New York: The New Museum Views, 1994.
1992
“A fructuf incoherence.” Zurich: Kunst Bulletin, 1995.
Selected Articles and Reviews
2019
Farago, Jason, “The New MoMA Is Here. Be Ready for Change,” The New York Times, October 3, 2019.
2018
“Exhibition presents an important historical work by Huang Yong Ping for the first time in New York,” ArtDaily, May 3, 2018.
“French Art Museum Discovers Half of its Collection are Fakes,” Frieze, May 1, 2018.
Hill, Eli, “Artworks removed from the Guggenheim New York after animal cruelty allegations will go on display in Bilbao,” Artsy, May 1, 2018.
McGivern, Hannah, “Controversial animal works pulled from Guggenheim New York will go on show on show in Bilbao,” The Art Newspaper, May 1, 2018. 
Hutton, Belle and Daisy Woodward, “Brilliant Things To Do in May,” Another Magazine, May 1, 2018.
Heuendorf, Henrii, “The Guggenheim Bibao Will Show Two Controversial Animal Works That Were Pulled From Its Chinese Art Survey in New York,” artnet News, April 30, 2018.
Forman, Sarah, “How Marcel Duchamp Impacted Contemporary Chinese Artists,” Artsy, April 27, 2018.
“Huang Yong Ping is Back in NY at Gladstone After Notorious Censorship at the Guggenheim,” Blouin Artinfo, April 10, 2018.
Kinsella, Eileen, “Chinese Artist Huang Yong Ping Returns to New York for His First Show After the Guggenheim’s Animal Rights Controversy,” artnet News, April 4, 2018.
Jones, Darren, “A Dog in the Fight: The Exploitation of Animals in Art,” Artslant, January 26, 2018.
“Let the Art Marathon Begin: Here’s a Comprehensive List of All the Biennials and Triennials in 2018,” artnet News, January 3, 2018.
Desmarais, Charles, “‘Art and China’ at SFMOMA: defanged, but icky still,” SF Chronicle, November 8, 2018.
Stewart, Jessica, “Giant Serpent Emerges From the Sea Off the Coast of France,” My Modern Met, June 25, 2018.
Saltz, Jerry, “Three Sentence Reviews of Marlene Dumas, Dan Colen, and 11 other Art-World Big Shots,” Vulture, May 31, 2018.
Fontaine, Pearl, “Natalie Frank, Nick Cave, Cecilia Vicuña, and Other Must See Shows in New York,” whitewall, May 16, 2018.
Halle, Howard, “A 20-ton ‘sand castle’ has taken over a Chelsea art gallery,” TimeOut New York, May 9, 2018.
Andrews, Zach, “This Sand structure by Huang Yong Ping isn't a castle, but it does weigh 40,000 lbs,” Designboom, May 8, 2018.
Deng, Tianyuan, “A conversation with Huang Yong Ping,” OCULA, May 4, 2018.
Martinique, Elena, “8 Gallery Shows to see in New York During Frieze Week,” Widewalls, May 2, 2018.
2017
Farago, Jason, “The Best Art of 2017,” The New York Times, December 6, 2017.
Cascone, Sarah, “The Getty Villa Is Doing an Art Show Inspired by Plato – and Yes, It Includes Jeff Koon’s ‘Play-Doh’,” artnet News, November 15, 2017.
Huang, Banyi, “Art and China after 1989: Theater of the World,” The Brooklyn Rail, November 2, 2017.
Cheng, Scarlet, “After Guggenheim removed animal-related pieces from ‘Art and China,’ what’s left? More questions,” Los Angeles Times, October 27, 2017.
“How China’s artists made sense of their country,” The Economist, October 26, 2017.
D’Arcy, David, “Plenty to chew on: on Thearte of the World at the Guggenheim,” The Art Newspaper, October 18, 2017.
Scott, Andrea K., “Art: Fall Preview,” The New Yorker, August 28, 2017.
2016
Davis, Sylvia Edwards, “Monumenta 2016: A Hulking Serpent Invades the Grand Palais in Paris,” France Today, May 16, 2016.
Hossenally, Rooksana, “Jurassic Art: Huang Yong Ping’s ‘Empires’ fills the nave of the Paris’ Grand Palais,” Wallpaper*, May 9, 2016.
“Interview: Huang Yong Ping,” Apollo, April 4, 2016.
Wullschlager, Jackie, “Huang Yong Ping’s ‘Empires’ at Monumenta,” Financial Times, 2016.
Wee, Darryl, “Cai-Guo Qiang Curates Chinese Contemporary Show in Doha,” Blouin Artinfo, March 2, 2016.
2015
Wee, Darryl, “Huang Yong Ping to Take Over Grand Palais for Monumenta 2016,” Artinfo, December 7, 2015.
2014
Herbert, Martin, "Previewed," Art Review, December 2014.
Sutton, Benjamin, "Huang Yong Ping Tapped for Monumenta 2016," Artnet, June 30, 2014.
Squires, John, "Massive Serpent Skeleton Permanently Hangs Out on European Shore," Fear Net, January 8, 2014.
2013
"Huang Yong Ping-'Ceinture,'" Time Out, 2013.
Storer, Russell, “My Favorite Work: Ressort by Huang Yong Ping-Video,” The Guardian, September 15, 2013.
Harris, Gaeth and Julia Michalska, “Behold a Terrible Beauty,” The Art Newspaper, June 14-16, 2013.
Sutton, Kate, "Huang Yong Ping: Circus," leapleapleap.com, May 10, 2013.
2012
“Huang Yong Ping and Carroll Dunham at Gladstone Gallery,” Mousse, November 29, 2012.
Balestin, Juliana, “Huang Yong Ping at Gladstone Gallery, New York,” Purple Diary, December 28, 2012.   
Chow, Jason, ‘What Chinese Artists Say About China,” The Wall Street Journal, May 16, 2012.
2011
Letwin, Hilary, “Made in China: Contemporary Chinese Artists,” Montecristo, Winter 2011, p. 56.
2009
Freger, Charles, “After the Flood”, W Magazine, November 2009, p. 96-97.
“Five Artists for 2008,” ArtAsiaPacific, Almanac 2009, p.94.
“Galleries,” ArtAsiaPacific, Almanac 2009, p. 117.
“Art Festivals,” ArtAsiaPacific, Almanac 2009, p. 85.
“Japan,” ArtAsiaPacific, Almanac 2009, p. 193.
“Papers in Order?: How to bring an elephant from Oslo to Odense,” Kunsthallen Brandts Yearbook, 2009, pp. 30-36.
Holmberg, Ryan, “The Snake and the Duck: On Huang Yong Ping,” Yishu: Journal of Contemporary Chinese Art, 2009, pgs. 38-46.
2008
“Huang Yong Ping: Artist Interview," The Art Newspaper, July/August 2008, p 35.
"The Art of Visiting Oslo", Art World, February 2008, p 17.
"Huang Yong Ping Installation Taken Off Display," The Art Newspaper, March 2008, p 11.
"Huang Yong Ping," Art Actuel, March, 2008, p 56-57.
2007
Bush, Kate, “Provisional Authority: Skulptur Projekte Munster 07,” Artforum, September 2007, p 419-423.
Jansen, Gregor, "Huang Yong Ping," China Art Book, DuMont, Köln, pg. 152-159.
Chiu, Melissa, "Discourses of East and West," Breakout:  Chinese Art Outside China, Charta 2007, p 115-159.
Gioni, Massimiliano, "Where the Wild Things Are," Tate, etc., Autumn 2007, p. 35.
Morgan, Robert C., “Huang Yong Ping,” Tema Celeste, May/June 2007, pp. 70-71.
Ruiz, Cristina and Vanessa Fewster, “ Installation withdrawn from retrospective, then sold at action,” The Art Newspaper, February 15, 2007.
Morgan, Robert, "Huang Yong Ping," Tema Celeste, May/ June 2007, pg.70.
2006
"Huang Yong-Ping," Tema Celeste, Sept/Oct 2006, pg. 106.
Cotter, Holland, “Rattler of Cages, From China to Europe,” The New York Times, April 14, 2006, p. E29, 36.
Miller, Francine Koslow, "Huang Yong Ping," Frieze, Jun/July/Aug 2006, pg 268.
Spalding, David, 'Guan Yi', Contemporary 21, issue 80, 2006, pg. 116-117.
Heartney, Eleanor, “House of Huang,” Art in America, March 2006, pg. 118-125, 163, I lls. (cover).
2005
Leffingwell, Edward, “The Extraterritorial Zone,” Art in America, Feb. 2005, p. 51.
2004
Rocha, Janaina, “Huang Yong Ping,” BienArt, Nov. 2004, Italy, pp.38-9, ill.
2003
"Artworld." Art in America, January, 2003.
2002
Kerr, Merrily, "Huang Yong Ping," Flash Art, May-June 2002.
Smith, Roberta, "Huang Yong Ping", The New York Times, February 1, 2002.
"Huang Yong Ping at Barbara Gladstone Gallery," Artforum, January 2002, p. 33.
Sand, Olivia, "Huang Yong Ping," Asian Art, April 2002.
Wei, Lilly, "Huang Yong Ping at Barbara Gladstone Gallery," Art In America, May 2002.
2001
"Huang Yong Ping at Jack Tilton,” Art in America, Vol. 89, no. 1, January 2001, p. 111-12.
2000
 “Huang Yong Ping: Jack Tilton,” New Art Examiner, Vol. 28, no. 3, November 2000, p. 54-5.
1999
David, Chan, “View 3,” C Magazine, no. 63, September/November 1999, p. 28-31.
Bertrand, Jean-Pierre, “Licht wird zu Materie,” interview, Kunstforum International, no. 147, Sept/Nov 1999, p. 298-303.
“Frankreich,” Kunstforum International, no. 147, Sept/Nov 1999, pp. 102-5.
“Huang Yong Ping: cultural differences and negotiation,” Flash Art (International Edition), Vol. 32, no. 207, Summer 1999, pp. 114-15.
“Crise et confiance,” Connaissance des Arts, no. 563, July/Aug 1999, p. 5.
“Biennale de Venise 99: les temps forts,” Beaux Arts Magazine, no. 181, June 1999, pp. 91-3.
“Huang Yong Ping,” L'Oeil (Lausanne, Switzerland), no. 507, June 1999, pp. 50-3.
“La Biennale de Venise cote France,” L'Oeil (Lausanne, Switzerland), no. 507, June 1999, p. 45.
1998
“Huang Yong Ping and Xu Bing,” Art Beatus, Vancouver, C Magazine, no. 59, Sept/Nov. 1998, p. 38.
1997
“Parisien(ne)s: Huang Yong Ping,” Art Monthly, no. 204, March 1997, pp. 30-3.
Vedrenne, Elisabeth, “Ping, l’actualité reboudit,” Beaux Arts, 154, March 1997, p. 27.
Hunt, Ian, “Huang Yong Ping,” Art Monthly, 204, March 1997, pp. 30-33.
Mitchell, Charles Dee, “Report from Santa Fe,” Art in America, November 1997, pp. 42-47.
1996
Schröder, Gerhart, “Schwelle,” Jahrbuch 3, Akademie Schloss Solitude, 1996, pp. 45-47.
Holmes, Brian, “The Gallery of Five Continents,” World Art #2, 1996, pp. 88, 89.
Sans, Jérõme, “Huang Yong Ping,“ Artforum International, May 1996, Vol. 34, pp. 110-111.
1995
Boussand, Juliette, “Le Théâtre du Monde de Huang Yong Ping… Hors Limites?,” Art Présence 13, Winter 1995, pp. 30-34.
Hanru, Hou, “Huang Yong Ping,” Technikart, no. 18, May/June 1995, pp. 32, 33.
“Art(c)-en-ciel: five artists in the five continents gallery,” Cimaise, Vol. 42, Nov/Dec 1995, pp. 45-50.
“Huang Yong Ping and Chen Zhen at the New Museum,” Art in America, Vol. 83, January 1995, pp.104-5.
1994
Hanru, Hou, “Departure Lounge Art, Chinese Artists Abroad,” Art and Asia Pacific, no. 1, February 1994, pp. 40-41.
Hanru, Hou, “Huang Yong Ping,” Flash Art, Vol. 178, October 1994, p. 85.
Jouanno, Evelyne, “Out of the Centre or Without the Centre,” Third Text, no. 28/29, Autumn/Winter 1994, pp. 196-198.
1993
Hanru, Hou, “Le Plaisir du Texte,” Flash Art, Nov./Dec. 1993, p. 65 (interview).
1992
Ung Chan Lack, “Ten Years of the Chinese Avant-Garde,” Flash Art, 162, Jan/Feb 1992, p.113.
Deitcher, David, “Art on the Installation Plan,” Artforum, January 1992, p.82.
Obrist, Hans-Ulrich, “The Installation is Coming Through the Backdoor,” Meta Künstlerhaus Stuttgart, 1992, pp. 72, 73.
Jinkner-Lloyd, Amy, “Report from Pittsburgh,” Art in America, June 1992, p. 44.
Ardenne, P., “Huang Yong Ping,” Art Press, 170, p. 101.
Hanru, Hou, “Huang Yong Ping,” Flash Art, May/June 1992, p. 120.
1991
Huang Yong Ping, “Bedeutendes, das völlig leer ist (Dada) und (zen),” Gebrochene Bilder, Junge Kunst aus China, Horlemann, pp. 123-137.
Huang Yong Ping, “(8) (h),” Jahresring 38, Der öffentliche Blick Verlag silkeschreiber, pp. 212-225.
Legros, Hervé, “La longue marche des artistes chinois,” Beaux Arts 87, February 1991, p.99.
Hanru, Han, “Interview Huang Yong Ping,” Jiangsu Art Monthly, no.12, p.19.
1990
Aubé, Dominique, “Huang Yong Ping,” Art Press, 149, July/Aug 1990, p.98.
1989
Huang Yong Ping, "Dossier: Les Magiciens de la Terre. Cinq questions à des artistes non occidentaux," Art Press, 136, May 1989, p. 48.
Dawei, Fei, “Chine/Avant-Garde,” Art Press, 141, November 1989, pp. 8 & 28-34.
1985
Huang Yong Ping, “Painting with Industrial Technology: Looking for New Substitutions,” Leonardo, Vol. 18, no. 2, pp. 91-95.
Fine Arts Dictionaries
2002
Honour, Hugh and John Fleming. A World History of Art. London: Laurence King, 2002.
1996
The 20th-Century Art Book. London: Phaidon Press Limited, 1996, p. 214.
1995
Honour, Hugh and John Fleming. A World History of Art. London: Laurence King Ed., Fourth Edition,1995, p. 825.
1992
A History of China Modern Art 1979-1989. Hunan, China: Hunan Art Publisher, Chinese Edition, 1992, pp. 281-287.
Video-catalogues
1998
“Etre nature,” Snc Cartier & Cie, Fondation Cartier pour l’art contemporain, Paris, (VHS PAL-Secam – 10’57 color).
1994
“Chinese Hand Laundry – Field of Waste,” Pih Jokel, Lana, New York, 1994 (R.T. – 44’  color).
1989
“Les magiciens de la terre,” Centre Georges Pompidou, Paris, 1989 (VHS PAL-Secam – 50’  color).
Radio
1995
Bourriaud, Nicolas, France Inter, 10 June 1995.
Cited Works
1997
Another Long March – Chinese Conceptual and Installation Art in the Nineties, catalogue of the exhibition, Fundament Foundation Breda, Breda, Pays bas.
The storm society & post-storm art phenomenon, edited by Pant Tao, Chin Show Publishing Co., Taipei, Taiwan.
1995
Traité de l’efficacité, Jullien, François, éditions Grasset, Paris.
1993
Patries Imaginaires, Rushdie, Salman, collection 10/18, Paris (first edition 1991).
1992
Du Nouveau, Groys, Boris, éditions Jacqueline Chambon, Paris.
1989
Nous et les autres, Todorov, Tzvetan, éditions du Seuil, Paris.
1980
L’Orientalisme, Saïd, Edward, éditions du Seuil, Paris, preface by Tzvetan Todorov (first     edition: Orientalism, Penguin Books, London, 1978).
1976
Ruptures Cultures, Damisch, Hubert, éditions de Minuit, Collection Critique, Paris.
1975
Alors la Chine?, Barthes, Roland, éditions Christian Borgeois, Paris, no pagination.