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Elizabeth Murray

Selected Publications
“Essential Books: 9 Recent Monographs on Women Artists,” ARTnews, February 22, 2022.
Wild Life: Elizabeth Murray & Jessi Reaves. Houston: Contemporary Arts Museum Houston, 2021.
Back in Town. Buffalo: University of Buffalo Art Galleries, 2021.
Alvaro Barrington: Artists I Steal From. London: Galerie Thaddaeus Ropac, 2019.
Katz, Anna. Elizabeth Murray: Flying Bye. London: Camden Arts Centre; Arts Council England, 2019.
Schjeldahl, Peter. “Elizabeth Murray,” in Hot, Cold, Heavy, Light, 100 Art Writings, 1988–2018. New York: Abrams Press, 2019.
Jones, Kellie. Elizabeth Murray: Painting in the ‘80s. New York: Pace Gallery, 2017.
Storr, Robert and Francesca Pietropaolo, ed. “Elizabeth Murray,” in Interviews on Art. London: Heni Publishing, 2017.
Why Draw? 500 Years of Drawings and Watercolors. Brunswick: Bowdoin College Museum of Art; Munich: DelMonico Books·Prestel, 2017.
Painting Paintings (David Reed) 1975. New York: Gagosian Gallery, 2017.
Dunham, Carroll. “Shapes of Things to Come: On Elizabeth Murray,” in Into Words: The Selected Writings of Carroll Dunham. New York: Badlands Unlimited, 2017.
Woodham, Doug. “Elizabeth Murray: Right Place at the Right Time, Until Tastes Changed,” in Art Collecting Today: Market Insights for Everyone Passionate About Art. New York: Allworth Press, 2017.
Art at Work: The JPMorgan Chase Art Collection. Third edition. New York: JP Morgan Chase & Co., 2016.
Hickey, Dave. 25 Women: Essays on Their Art. Chicago and London: The University of Chicago Press, 2016.
Painting 2.0: Expression in the Information Age. Munich: Museum Brandhorst; Vienna: Museum Moderner Kunst Stiftung Ludwig Wien, 2016.
Sayre, Henry M. A World of Art. 8th edition. Boston, New York and other cities: Pearson, 2016.
Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. New York: Whitney Museum of American Art, 2015.
Allen, Gwen, David Cateforis, and Evelyn C. Hankins, et al. A Family Affair: Modern and Contemporary American Art from the Anderson Collection at Stanford University. Stanford: The Anderson Collection at Stanford University; New York, 2014.
Frank, Ryan, Caitlin Smith, Joan Simon, et al. The Distaff Side. Sharon, Connecticut: The Granary, 2014.
Eliel, Carol S. John Altoon. Los Angeles: Los Angeles County Museum of Art; New York: Prestel Verlag, 2014.
Murray, Elizabeth and Greg Masters. “Interview with Elizabeth Murray,” in For Artists: Critical Writing, Volume 1. New York: Crony Books, 2014.
Collecting Ideas: Modern and Contemporary Works from the Polly and Mark Addison Collection. Denver: Denver Art Museum, 2013.
Rubinstein, Raphael. Reinventing Abstraction: New York Painting in the 1980s. New York: Cheim & Read, 2013.
Van Dijk, Kari. Unvollkommene Androgynie: Menschliche Stemmen bei Ingeborg Bachmann, Elizabeth Murray and Yoko Tawada. PhD diss., University Press of the Radboud University, 2012.
Pogue, Dwight W. Printmaking Revolution: New Advancements in Technology, Safety, and Sustainability. New York: Watson-Guptill Publications, 2012.
To be a Lady: Forty-Five Women in the Arts. New York: Norte Maar, 2012.
Allen Memorial Art Museum: Highlights from the Collection. Oberlin, Ohio: Allen Memorial Art Museum, Oberlin College, 2011.
Storr, Robert. Elizabeth Murray: Painting in the ‘70s. New York: The Pace Gallery, 2011.
Benezra, Neal, Doris Fisher, and Gary Garrels. Calder to Warhol: Introducing the Fischer Collection. San Francisco: San Francisco Museum of Modern Art, 2010.
Glimcher, Arne, et al. 50 Years at Pace. New York: The Pace Gallery, 2010.
North Carolina Museum of Art: Handbook of the Collections. Raleigh: North Carolina Museum of Art, 2010.
Weatherspoon Art Museum: 70 Years of Collecting. Greensboro: Weatherspoon Art Museum, The University of North Carolina, 2010.
Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art. Waterville, Maine: Colby College Museum of Art, 2009.
The Collection of Francie Bishop Good + David Horvitz. Fort Lauderdale: Museum of Art, 2009.
Lewis, Sarah. Elizabeth Murray. Chicago: Arts Club of Chicago, 2009.
Marmor, Michael F. and James G. Ravin. The Artist’s Eyes: Vision and the History of Art. New York: Abrams, 2009.
Matrix/Berkeley: A Changing Exhibition of Contemporary Art. Berkeley: University of California, Berkeley Art Museum and Pacific Film Archive, 2009.
Rattemeyer, Christian, ed. The Judith Rothschild Foundation Contemporary Drawings Collection. Catalogue Raisonné. New York: The Museum of Modern Art, 2009.
Riley II, Charles A. Art at Lincoln Center: The Public Art and List Print and Poster Collections. Hoboken: John Wiley & Sons, Inc., 2009.
Rush, Michael. The Rose Art Museum at Brandeis. New York: Abrams, 2009.
Taylor, Michael R. Arshile Gorky: A Retrospective. Philadelphia: Philadelphia Museum of Art in association with Yale University Press, 2009.
Prose, Francine. Elizabeth Murray. Stony Brook: University Art Gallery, Staller Center for the Arts, Stony Brook University, 2008.
Heartney, Eleanor. Art & Today. London: Phaidon Press Limited, 2008.
Helander, Bruce and Susan Hall, ed. Learning To See: An Artist’s View on Contemporary Artists from Artschwager to Zakanitch. West Palm Beach: StarGroup International, 2008.
Ishikawa, Chiyo, ed. A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Seattle: Seattle Art Museum, 2008.
Nesbett, Peter, ed. Letters to a Young Artist. New York: Darte Publishing, 2008.
Schall, Jan and Robert Storr. Sparks! The William T. Kemper Collecting Initiative at the Nelson-Atkins Museum of Art. Kansas City: Trustees of the Nelson-Atkins Museum of Art, 2008.
Scott, Deborah Emont, ed. The Nelson-Atkins Museum of Art: A Handbook of the Collection. Kansas City: The Nelson-Atkins Museum of Art, 2008.
Weinberg, Adam and Shamim M. Momin. Whitney Museum of American Art at Altria. New York: Whitney Museum of American Art, 2008.
After the Revolution: Women Who Transformed Contemporary Art. Long Island City, New York: Dorsky Gallery, 2007.
Beal, Graham W. J. and Dera N. Mancoff. Treasures of the DIA (Detroit Institute of Arts). Detroit: Detroit Institute of Arts, 2007.
Boswell, Peter. LeWitt x 2. Miami: Miami Art Museum, 2007.
Hanzal, Carla M. Contemporary, Cool and Collected. North Carolina: Mint Museum of Art, 2007.
Lauer, David A. and Stephen Pentak. Design Basics. 7th edition. Boston: Thomas Learning, Inc., 2007.
Neff, Terry Ann R. The Fisher Collection: L–Z. San Francisco: Doris and Donald Fisher, 2007.
Princeton University Art Museum Handbook of the Collections. Princeton: Princeton University Art Museum, 2007.
Ravenal, John B. Modern & Contemporary Art at the Virginia Museum of Fine Arts. Richmond: Virginia Museum of Fine Arts, 2007.
Reilly, Maura and Linda Nochlin, eds. Global Feminisms: New Directions in Contemporary Art. London: Merrell; New York: Brooklyn Museum, 2007.
The Speed Art Museum: Highlights from the Collection. London and New York: Merrell Publishers Limited, 2007.
Think with the Senses, Feel with the Mind: Art in the Present Tense. Venice: La Biennale di Venezia, 52. Esposizione internazionale d’arte; Marsilio, 2007.
Adams, Laurie Schneider. “Elizabeth Murray on Painting,” in The Making and Meaning of Art. Upper Saddle River: Pearson, Prentice Hall, 2006.
Driskell, David C. and Willard W. Cummings. The Skowhegan School of Painting and Sculpture: 60 Years. Waterville: Colby College Museum of Art, 2006.
Elderfield, John and Ann Temkin. Against the Grain: Contemporary Art from the Edward R. Broida Collection. New York: The Museum of Modern Art, 2006.
Hickey, Dave. Elizabeth Murray: Paintings 2003–2006. New York: PaceWildenstein, 2006.
Nesbett, Peter, Shelly Bancroft and Sarah Andress, eds. Letters to a Young Artist. New York: Darte Publishing, LLC, 2006.
Process & Promise: 75 Years of Art, Education and Community at the 92nd Street Y. New York: 92nd Street Y, 2006.
Richer, Francesca and Matthew Rosenzweig, eds. No. 1: First Works by 362 Artists. New York: D.A.P./Distributed Arts Publishers, Inc., 2006.
Siegel, Katy, ed. High Times Hard Times: New York Painting 1967–1975. New York: Independent Curators International, 2006.
Bits and Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. Minneapolis, Minnesota: Walker Art Center, 2005.
Contemporary Voices: Works from the UBS Art Collection. New York: The Museum of Modern Art, 2005.
Hickey, Dave. Elizabeth Murray: Collages and Prints 1993–2005. New York: Gemini G.E.L. at Joni Moisant Weyl, 2005.
Image/Word: A Book of Poems. Lynchburg: Maier Museum of Art, Randolph-Macon Woman’s College, 2005.
Storr, Robert. Elizabeth Murray. New York: The Museum of Modern Art, 2005.
Storr, Robert. Disparities and Deformations: Our Grotesque SITE Santa Fe Fifth International Biennial Exhibition. Santa Fe: SITE Santa Fe, 2004.
Richards, Judith Olch, ed. “Elizabeth Murray, March 12, 2003,” in Inside the Studio: Two Decades of Talks with Artists in New York. New York: Independent Curators International (ICI), 2004.
Off the Wall: Work from the JPMorgan Chase Collection. Greenwich: Bruce Museum of Arts and Science, 2004.
Cassel, Valerie, Roger Sabin and Bernard Welt. Splat Boom Pow! The Influence of Comics in Contemporary Art. Houston: Contemporary Arts Museum, 2004.
Foster, Alicia. Tate Women Artists. Millbank, London: Tate Publishing, 2004.
Prose, Francine. Elizabeth Murray Paintings 1999–2003. New York: PaceWildenstein, 2003.
Inside Out. New York: Children’s Museum of Manhattan, 2003.
Armstrong, Richard, Sheryl Conkelton and Elizabeth Thomas. An International Legacy: Selections from Carnegie Museum of Art. New York: American Federation of Arts, 2003.
Heilmann, Mary. Elizabeth Murray: Paintings and Works on Paper. Hanover: Hopkins Center Dartmouth College, 2002.
Varnedoe, Kirk. Elizabeth Murray Watercolors. New York: PaceWildenstein, 2002.
Fabozzi, Paul F. Artists, Critics, Context: Readings in and Around American Art Since 1945. Upper Saddle River: Prentice Hall, 2002.
Beebe, Mary Livingston and Robert Storr. Landmarks: Sculpture Commissions for the Stuart Collection at the University of California, San Diego. San Diego: University of California; New York: Rizzoli International, 2002.
Glimcher, Arne. Adventures in Art: 40 Years at Pace. Milan: Leonardo International, 2001.
Gift To The Nation. Washington, D.C.: Friends of Art and Preservation in Embassies in Embassies, 2001.
Kinds of Drawing. Amherst: University of Massachusetts, 2001.
Kertess, Klaus. 00: Drawings 2000 at Barbara Gladstone Gallery. New York: Barbara Gladstone Gallery, 2000.
Celebrating Modern Art: Highlights of the Anderson Collection. San Francisco, California: San Francisco Museum of Modern Art, 2000.
Phillips, Lisa. The American Century: Art & Culture 1950–2000. New York: Whitney Museum of American Art, 1999.
Art 30 Basel: The Art Fair. Munich: Weltkunst Verlag GmbH, 1999.
The Dual Muse: The Writer As Artist, The Artist As Writer. St. Louis: International Writers Center, Washington University, 1999.
Elizabeth Murray: Recent Paintings. Interview by Bob Holman. New York: PaceWildenstein, 1999.
Spaulding, Karen Lee. Masterworks at the Albright-Knox Art Gallery. Enlarged and revised edition of: 125 Masterpieces from the Collection of the Albright-Knox Art Gallery. New York: Rizzoli, 1987; New York: Hudson Hills Press in association with Albright-Knox Art Gallery, 1999.
Hinson, Tom E. and Carolyn S. Jirousek. Cleveland Collects Contemporary Art. Cleveland: The Cleveland Museum of Art, 1998.
Drawn from Artists’ Collections. New York: The Drawing Center, 1998.
The Edward R. Broida Collection: A Selection of Works. Orlando: Orlando Museum of Art, 1998.
Elizabeth Murray: Recent Paintings and Works on Paper. San Francisco: John Berggruen Gallery, 1998.
Elizabeth Murray: Works on Paper. Richmond: Anderson Gallery, Virginia Commonwealth University, 1998.
Kimmelman, Michael. “Elizabeth Murray,” in Portraits: Talking with Artists at the Met, The Modern, The Louvre and Elsewhere. New York: Random House, 1998.
Shirey, David L. Masters of the Masters: MFA Faculty of the School of Visual Arts, New York, 1983–1998. Youngstown, Ohio: Butler Institute of American Art, 1998.
Perry-Lehmann, Meira. Modern Masterworks on Paper from the Israel Museum, Jerusalem. Cleveland: Cleveland Museum of Art, 1998.
Friedrich, Maria and Julie Graham. Powder. Aspen: The Aspen Art Museum, 1998.
Fairbrother, Trevor and Bagley Wright. The Virginia and Bagley Wright Collection. Seattle: The Seattle Art Museum, 1998.
Georgia, Olivia, Elaine A. King, Robert C. Morgan et al. After the Fall: Aspects of Abstract Painting since 1970. Staten Island: Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, 1997.
The Dual Muse: The Writer as Artist, The Artist as Writer. Saint Louis: Washington University Gallery of Art, 1997.
Elizabeth Murray: Recent Paintings. Interview by Joan Simon. New York: PaceWildenstein, 1997.
Heller, Nancy G. Women Artists: An Illustrated History. 3rd ed. New York: Abbeville Press, 1997.
Hughes, Robert. American Visions: The Epic History of Art in America. New York: Alfred A. Knopf, 1997.
Humor and Whimsy in Contemporary Art. Pomona: Millard Sheets Gallery, 1997.
Minnerly, Denise Bennett. Molly Meets Mona And Friends. A Magical Day in the Museum. Bridgeport: Greene Bark Press, 1997.
Proof Positive: Forty Years of Contemporary American Printmaking at ULAE, 1957–1997. Washington, D.C.: The Corcoran Gallery of Art, 1997.
Fineberg, Jonathan. Art Since 1940: Strategies of Being. New York: Abrams, 1996.
Pasquine, Ruth and Townsend Wolfe. Large Drawings and Objects from the Permanent Collection, part one: Structural Foundations of Clarity. Little Rock: Arkansas Arts Center, 1996.
Flam, Jack, Trudie Grace and Townsend Wolfe. Powerful Expressions: Recent American Drawings. New York: National Academy of Design, 1996.
Sandler, Irving. Art of the Postmodern Era, From the Late 1960s to the Early 1990s. New York: Harper Collins, 1996.
Sobel, Dean. 25 Americans: Painting in the 90s. Milwaukee: Milwaukee Art Museum, 1995.
Rosenthal, Mark. Contemporary Drawing: Exploring the Territory. Aspen: Aspen Art Museum, 1995.
Elizabeth Murray: Paintings and Works on Paper. Aspen: The Baldwin Gallery, 1995.
Varnedoe, Kirk. Elizabeth Murray, Modern Women: The Museum of Modern Art, New York, June 20-August 22, 1995. New York: The Museum of Modern Art, 1995.
Rubin, David S. It’s Only Rock and Roll: Currents in Contemporary Art. Phoenix: Phoenix Art Museum, 1995.
Margo Leavin Gallery: 25 Years. Los Angeles: Margo Leavin Gallery, 1995.
Matsumoto, Michiko. Portraits: Women Artists. Tokyo: Kawade Shobo Shinsha, 1995.
Printmaking in America: Collaborative Prints and Presses, 1960–1990. New Brunswick: The Jane Voorhees Zimmerli Art Museum, Rutgers, 1995.
Feinstein, Rochelle, Shirley Kaneda, Margaret A. Miller, W.J.T. Mitchell and Christine Van Schoonbeek. Re: Fab. Tampa: Art Museum, University of South Florida, 1995.
American Abstraction: A New Decade. Loretto: Southern Alleghenies Museum of Art, 1994.
Elizabeth Murray: Recent Painting and Drawings. San Francisco: John Berggruen Gallery, 1994.
Evolutions in Expression: Minimalism and Post-Minimalism from the Permanent Collection of the Whitney Museum of American Art. Stamford: The Whitney Museum of American Art at Champion, 1994.
Gemini G.E.L: Recent Prints and Sculpture. Washington, D.C.: National Gallery of Art, 1994.
Novices Collect: Selections from the Sam and May Gruber Collection. Manchester, New Hampshire: The Currier Gallery of Art, 1994.
Ballatore, Sandy and Robert Rosenblum. Romantic Modernism, 100 Years. Santa Fe: Museum of Fine Arts, Museum of New Mexico, 1994.
Worcester Art Museum: Selected Works. Worcester: Worcester Art Museum, 1994.
American Art in the 20th Century: Painting and Sculpture, 1913–1993. Berlin: Martin-Gropius-Bau; London: Royal Academy of Arts, 1993.
Elizabeth Murray. Overland Park: Johnson County Community College, 1993.
Saltz, Jerry. Elizabeth Murray: New Paintings. Philadelphia: Locks Gallery, 1993.
Philbrick, Jane, ed. The Return of the Cadavre Exquis. New York: The Drawing Center, 1993.Text by Ann Philbin.
Timely and Timeless. Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1993. Text by Douglas F. Maxwell.
Storr, Robert. Devil on the Stairs: Looking Back on the Eighties. Philadelphia: Institute of Contemporary Art, 1992.
Tuchman, Phyllis. Drawing Redux. San Jose: Museum of Art, 1992.
Brodie, Judith, Ruth E. Fine, Andrew Robinson, et al. Dürer to Diebenkorn: Recent Acquisitions of Art on Paper. Washington, D.C.: National Gallery of Art, 1992.
Elizabeth Murray, Prints 1779–1990. New York: Sidney Mishkin Gallery, Baruch College, 1992.
Howard, Jan. Marking the Decades: Prints 1960–1990. Baltimore: The Baltimore Museum of Art, 1992.
Then & Now. New York: Philippe Staib Gallery, 1992.
1991 Acquisitions. Kansas City, Missouri: The Hallmark Art Collection, 1991.
Connors, Joseph. Annual Exhibition, School of Fine Arts. Rome: American Academy, 1991.
Molica, Guiseppe. Drawing Conclusions. New York: Molica Guidarte Gallery, 1991.
Jennifer Bartlett & Elizabeth Murray: Works from the Anderson Collection. Oakland: Mills College Art Gallery, 1991.
Large Scale Works on Paper. San Francisco: John Berggruen Gallery, 1991.
Physicality. New York: Hunter College, 1991.
Rogers-Lafferty, Sarah. Recent Work by Elizabeth Murray. Columbus, Ohio: Wexner Center for the Arts, 1991.
Davis, Susan L., Karen D. Kneisley and Norma Roberts. Setting the Stage: Contemporary Artists Design for the Performing Arts. Columbus, Ohio: Columbus Museum of Art, 1991.
Sieben Amerikanische Maler. Munich: Staatsgalerie Moderner Kunst, 1991.
Kauffman, Ruth and Mike Metz. Stubborn Painting: Now and Then. New York: Max Protetch Gallery, 1991.
Armstrong, Richard, John G. Hanhardt, Richard Marshall and Lisa Phillips. Whitney Biennial 1991. New York: Whitney Museum of American Art, 1991
Binai, Paul. The 80s: A Post Pop Generation. Loretto: The Southern Alleghenies Museum of Art, 1990.
Smith, Roberta. Amerikanische Zeichnungen in den Achtziger Jahren. Vienna: Graphische Sammlung Albertina, 1990.
Storr, Robert. Elizabeth Murray. Tokyo: Gallery Mukai, 1990.
Elizabeth Murray Prints, 1979–1990. (Included catalogue raisonné of published prints from 1979 through October 1990) Boston: Barbara Krakow Gallery, 1990.
Gopnik, Adam and Kirk Varnedoe. High & Low: Modern Art and Popular Culture. New York: The Museum of Modern Art, 1990.
Stoops, Susan L. The Image of Abstract Paintings in the 80s. Waltham: Rose Art Museum, Brandeis University, 1990.
Sargent, Denis. The Matter at Hand: Contemporary Drawings. Milwaukee: University of Wisconsin, Milwaukee, 1990.
Morris, Dan W. and Townsend Wolfe. National Drawing Invitational. Little Rock: Arkansas Art Center, 1990.
Women Artists of the Day. Osaka: IMP Hall, 1990.
The 1980s: Prints from the Collection of Joshua P. Smith. Interview by Ruth E. Fine and Joshua P. Smith. Washington, D.C.: National Gallery of Art, 1989.
Larsen, Susan E. and Tom Armstrong. Art in Place: Fifteen Years of Acquisitions. New York: Whitney Museum of American Art, 1989.
Oresman, Janice C. Art of the Eighties from the Collection of Chemical Bank. Montclair: The Montclair Art Museum, 1989.
Ferguson, Bruce W., Joseph Jacobs, Joan Simon and Roberta Smith. Contemporary Perspectives 1: Abstraction in Question. Sarasota: John and Mable Ringling Museum of Art, 1989.
Shields, Kathleen. The Elusive Surface: Painting in Three Dimensions. Albuquerque: Museum of Albuquerque, 1989.
Encore: Celebrating Fifty Years. Cincinnati: Cincinnati Art Museum, 1989.
Armstrong, Elizabeth and Sheila McGuire. First Impressions: Early Prints By Forty-six Contemporary Artists. Minneapolis: Walker Art Center, 1989.
Jennifer Bartlett, Elizabeth Murray, Eric Fischl, Susan Rothenberg: The Saatchi Collection. London: Saatchi Collection, 1989.
Brawer, Catherine C. and Randy Rosen. Making Their Mark. Cincinnati: Cincinnati Art Museum, 1989.
Walker, Barry. Projects and Portfolios: The 25th National Print Exhibition. Brooklyn: Brooklyn Museum of Art, 1989.
Cameron, Dan. Selections from the Collection of Marc and Livia Straus. Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1989.
Synnyt: Sources of Contemporary Art. Helsinki: Museum of Contemporary Art, 1989.
Bowman, Russell. 1988: The World of Art Today. Milwaukee: Milwaukee Art Museum, 1988.
Sobel, Dean. Art since 1970 from the Milwaukee Art Museum. Milwaukee: Milwaukee Art Museum, 1988.
Levin, Kim. Contemporary American Art, 1988. Tokyo: Seibu Museum of Art, 1988.
Kyung-Sung, Lee and Lee Soo Yeon. Contemporary Art from New York. Seoul: Ho-Am Art Hall, 1988.
Beal, Graham W. J. Elizabeth Murray: New Work. San Francisco: San Francisco Museum of Modern Art, 1988.
Holman, Bob. Cupid’s Cashbox. Illustrated by Elizabeth Murray. United States: J. Davies, c. 1988.
Levin, Kim and Mark Rosenthal. Jennifer Bartlett, Elizabeth Murray, Eric Fischl, Susan Rothenberg. London: The Saatchi Collection, 1988.
Larson, Kay. New Work New York. Kansas: Spencer Museum of Art, 1988.
Recent Pastel Drawings. Middlebury: Christian A. Johnson Memorial Gallery, Middlebury College, 1988.
ROSC ‘88. Dublin: The Guinness Hip Store and The Royal Hospital, 1988.
Stachelberg, Cas. SoHo at Duke. Six Artists from the Paula Cooper Gallery: Jonathan Borofsky, Elizabeth Murray, Michael Hurson, Joel Shapiro, Robert Mangold and Donald Judd. Durham: Duke University Museum of Art, 1988.
Jones, Caroline A. Twentieth Century Drawings from the Anderson Collection, Auguste Rodin to Elizabeth Murray. Stanford, California: Stanford University Museum of Art, 1988.
Eleven Artists from Paula Cooper. London: Mayor Rowan Gallery, 1987.
Rifkin, Ned. The Fortieth Biennial Exhibition of Contemporary American Painting. Washington, D.C.: Corcoran Gallery of Art, 1987.
Artistas da Paula Cooper Gallery. Lisbon: Galeria EMI Valentim de Carvalho, 1987.
Field, Richard S. and Ruth E. Fine. A Graphic Muse: Prints by Contemporary American Women. South Hadley, Massachusetts: Mount Holyoke College Art Museum, 1987.
Elizabeth Murray, Drawings: (Centric 26). Long Beach: University Art Museum, California State University, 1987.
Smith, Roberta. Elizabeth Murray: Paintings and Drawings. New York: Harry N. Abrams, Inc., Publishers, in association with the Dallas Museum of Art and the MIT Committee on the Visual Arts, 1987. Interviews by Sue Graze and Kathy Halbreich and notes by Clifford S. Ackley.
Elizabeth Murray. Berkeley: University Art Museum, University of California, 1987.
Images on Stone: Two Centuries of Artists’ Lithographs. Houston: Sarah Campbell Blaffer Gallery, University of Houston, 1987.
Paintings and Sculptures by Candidates for Art Awards. New York: American Academy and Institute of Arts and Letters, 1987
Sims, Patterson and Suzanne Stroh. 1976–1986: Ten Years of Collecting Contemporary American Art. Selections from the Edward R. Down, Jr. Collection. Wellesley: Wellesley College Museum, 1986.
Ashton, Dore and Irving Sandler. After Matisse. New York: Independent Curators, 1986.
Knight, Christopher. The Barry Lowen Collection. Los Angeles: The Museum of Contemporary Art, 1986.
Connecticut Collects: American Art since 1960. Stamford: Whitney Museum of American Art, 1986.
King, Elaine A., Ann Sutherland and Paul Gardner. Elizabeth Murray: Drawings 1980–1986. Pittsburgh: Carnegie Mellon University Press, 1986.
Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940. New York: Abbeville Press, 1986.
Foster, Hal, Howard Singerman, Julia Brown Turell et al. Individuals: A Selected History of Contemporary Art. Los Angeles: The Museum of Contemporary Art, 1986.
Linker, Kate. “Abstraction: Form as Meaning,” in Individuals: A Selected History of Contemporary Art 1945–1986. Edited by Howard Singerman. Los Angeles: Museum of Contemporary Art, 1986.
New Visions in Contemporary Art: The RSM Company Collection. Cincinnati: Cincinnati Art Museum, 1986.
NYC: New Work. Wilmington: Delaware Art Museum, 1986.
Percy, Ann, Mark Rosenthal and Amy Ship. Philadelphia Collects: Art since 1940. Philadelphia: Philadelphia Museum of Art, 1986.
Pintar con Papel. Madrid: Circulo de Bellas Artes, 1986.
Public and Private: American Prints Today. The 24th National Print Exhibition. Brooklyn: Brooklyn Museum of Art, 1986.
Recent Acquisitions. New York: Whitney Museum of American Art, 1986.
Smith, Roberta. “Elizabeth Murray: Recipient of the Skowhegan Medal for Painting,” in Skowhegan School of Painting & Sculpture 40th Anniversary Awards Dinner. New York and Skowhegan, Maine: Skowhegan School of Painting & Sculpture, 1986.
Elliott, James. Works from the Paula Cooper Gallery. San Francisco: John Berggruen Gallery, 1986.
Armstrong, Richard, John G. Hanhardt, Barbara Haskell, et al. 1985 Biennial Exhibition. New York: Whitney Museum of American Art, 1985.
A Decade of Visual Arts at Princeton: Faculty 1975–1985. Princeton: The Art Museum, Princeton University, 1985.
A New Beginning: 1968–1978. Yonkers: Hudson River Museum, 1985.
An Architect’s Eye: Selections from the Graham Gund Collection. South Hadley, Massachusetts: Mount Holyoke College Art Museum, 1985.
Castleman, Riva. American Impressions: Prints Since Pollock. New York: Alfred A. Knopf, 1985.
Contemporary American Prints, Recent Acquisitions, Louis Comfort Tiffany Foundation Purchases. Brooklyn: Brooklyn Museum of Art, 1985.
Correspondences: New York Art Now. Tokyo: Laforet Museum Harajuku, 1985.
Illuminating Color: Four Approaches in Contemporary Painting and Photography. New York: Pratt Manhattan Center Gallery, 1985.
Lucie-Smith, Edward. American Art Now. New York: William Morrow and Company, Inc., 1985.
Dolmatch, Rosalie, Jonathan Fineberg and Katherine Moore. Rethinking the Avant-Garde. Katonah, New York: Katonah Gallery, 1985.
Plous, Phyllis. Scapes. Santa Barbara: University Art Museum, University of California, 1985.
The Security Pacific Collection, 1970–1985: Selected Works. Los Angeles: Security Pacific Corporation, 1985.
Marshall, Richard. American Art since 1970: Painting Sculpture and Drawings from the Collection of the Whitney Museum of American Art, New York. New York: Whitney Museum of American Art, 1984.
McShrine, Kynaston. An International Survey of Recent Painting and Sculpture. New York: The Museum of Modern Art, 1984.
Art of Our Time: The Saatchi Collection, Book 4. London: Lund Humphries, Ltd., 1984.
Dash, Robert, Susan Davis, Helen A. Harrison and Judy K. Van Wagner. Artist in the Theater. Greenvale: Hillwood Art Gallery, Long Island University, C. W. Post Campus, 1984.
Blinderman, Barry, Thomas Lawson, and Susan Morgan. Contemporary Perspectives 1984. Lewisburg: Center Gallery, Bucknell University, 1984.
Currents: Elizabeth Murray. Boston: The Institute of Contemporary Art, 1984.
Elizabeth Murray: Paintings and Drawings. Charlotte, North Carolina: Knight Gallery/Spirit Square Arts Center, 1984.
Armstrong, Richard and Richard Marshall. Five Painters in New York: Brad Davis, Bill Jensen, Elizabeth Murray, Gary Stephan and John Torreano. New York: Whitney Museum of American Art, 1984.
Freeman, Phyllis et al. New Art. New York: Harry N. Abrams, Inc., 1984.
Robins, Corinne. The Pluralist Era: American Art 1968–1981. New York: Harper and Row Publishers, 1984.
Painting and Sculpture by Candidates for Art Awards. New York: American Academy and Institute of Arts and Letters, 1984.
Ferruli, Helen. Painting and Sculpture Today: 1984. Indianapolis: Indianapolis Museum of Art, 1984.
Marano, Lizbeth. Parasol and Simca: Two Processes. Lewisberg: Center Gallery, Bucknell University, 1984.
Hudspeth, Tom, Ron Janowich, Barbara Zabel and William Zimmer. Small Works: New Abstract Painting. Easton: Williams Center for the Arts, Lafayette College, 1984.
Ortman, George and Roy Slade. Viewpoint ‘84: Out of Square. Bloomfield Hills, Michigan: Cranbrook Art Museum, 1984.
Walker, Barry. The American Artist as Printmaker: 23rd National Print Exhibition. Brooklyn: Brooklyn Museum of Art, 1983.
Coad, Robert James. “Between Painting and Sculptures: a study of the works and working processes of Lynda Benglis, Elizabeth Murray, Judy Pfaff, and Gary Stephan.” Master’s Thesis, New York University, 1983.
Rosenzweig, Phyllis D. Directions 1983. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 1983.
Elizabeth Murray: Recent Painting & Drawings. Portland: Portland Center for the Visual Arts, 1983.
Tucker, Marcia, Lynn Gumpert and Ned Rifkin. Language, Drama, Source & Vision. New York: The New Museum, 1983.
Minimalism to Expressionism: Painting and Sculpture since 1965 from the Permanent Collection. New York: Whitney Museum of American Art, 1983.
Faison, Jr., S. Lane. The New England Eye: Master American Paintings from New England School, College & University Collections. Williamstown, Massachusetts: Williams College Museum of Art, 1983.
King, Elaine A. and Donald B. Kuspit. New York Painting Today. Pittsburgh: Carnegie-Mellon University Art Gallery, 1983.
Belag, Andrea. Selected Drawings: An Exhibition of Works by Sixteen Contemporary Artists. Jersey City: Jersey City Museum, 1983.
Speyer, A. James and Anne Rorimer. 74th American Exhibition. Chicago: The Art Institute of Chicago, 1982.
A Private Vision: Contemporary Art from the Graham Gund Collection. Boston: Museum of Fine Arts, 1982.
Abstract Drawings, 1911–1981: Selections from the Permanent Collection. New York: Whitney Museum of American Art, 1982.
Stearns, Robert. Dynamix. Cincinnati: Contemporary Arts Center, 1982.
Great Big Drawings. Cambridge, Massachusetts: Hayden Gallery, Massachusetts Institute of Technology, 1982.
Alexander, Brooke, Catherine Little and Andrea Yoda. Selected Prints III. New York: Brooke Alexander, 1982.
Phillips, Lisa. Surveying the Seventies: Selections from the Permanent Collection of the Whitney Museum of American Art. New York: Whitney Museum of Art, 1982.
Angel, Caroline and Karl Willers. 1981 Biennial Exhibition. New York: Whitney Museum of American Art, 1981.
Amerkanische Malerei 1930–1980. Munich: Haus der Kunst, 1981.
Dempsey, Bruce H. and Margaret A. Miller. Currents: A New Mannerism. Jacksonville: Jacksonville Art Museum, 1981.
Deschamps, Madeleine. La Peinture Américaine: Les mythes et la matière. Paris: Editions Denoel, 1981.
Morrin, Peter and Eric Zafran. Drawings from Georgia Collections, 19th & 20th Centuries. Atlanta: The High Museum of Art, 1981.
Murray, Elizabeth. Notes for Fire and Rain. New York: Lapp Princess Press, Ltd., 1981.
Thomson, Pat. The RSM Collection. Cincinnati: Contemporary Arts Center, 1981.
Posner, Helaine. Selections from the Chase Manhattan Bank Art Collection. Amherst: University Gallery, University of Massachusetts, 1981.
American Drawing in Black & White: 1970–1980. Brooklyn: Brooklyn Museum of Art, 1980.
Van Dyke, Andrea S. Art in Our Time: HHK Foundation for Contemporary Art Inc.. Milwaukee: Milwaukee Art Museum, 1980.
1979 Biennial Exhibition. New York: Whitney Museum of American Art, 1979.
American Painting: The Eighties. A Critical Interpretation. New York: Grey Art Gallery, New York University, 1979.
Tucker, James E. Art on Paper 1979. Greensboro: Weatherspoon Art Gallery, University of North Carolina, Greensboro, 1979.
Sims, Patterson. The Decade in Review: Selections from the 1970s. New York: Whitney Museum of American Art, 1979.
Callner, Richard and Nancy Liddle. Faculty Choice: An Exhibition of the Work of Ten Distinguished Artists Chosen by the Faculty of the State University of New York at Albany. Albany: State University of New York at Albany, 1979.
Lampert, Catherine. New Painting/New York: Jake Berthot, Ross Bleckner, Alan Cote, Philip Guston, Elizabeth Murray, Jerry Zeniuck, Joseph Zucker. London: Hayward Gallery/Arts Council of Great Britain, 1979.
Einreinhofer, Nancy and Barbara Toll. Some Abstract Paintings. Wayne, New Jersey: Ben Shahn Gallery, William Paterson College, 1979.
Eight Abstract Painters. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1978.
Invitational Exhibition, Academic Year 1977–1978. Columbus: The Ohio State University Gallery of Fine Art, 1978.
Thick Paint. Chicago: The Renaissance Society at the University of Pennsylvania, 1978.
Two Decades of Abstraction: New Abstraction. Tampa: University of South Florida Art Galleries, 1978.
Haskell, Barbara, Marcia Tucker, and Patterson Sims. 1977 Biennial Exhibition. New York: Whitney Museum of American Art, 1977.
Friedman, Martin, Peter Gay, Robert Pincus-Witten and Stephen Prokopoff. A View of a Decade 1967–1977. Chicago: Museum of Contemporary Art, 1977.
Critics’ Choice. Syracuse, New York: The Joe and Emily Lowe Art Gallery, Syracuse University, 1977.
Tucker, Marcia. Early Work by Five Contemporary Artists: Ron Gorchov, Elizabeth Murray, Dennis Oppenheim, Dorothea Rockburne, Joel Shapiro. Interview by Allan Schwartzman. New York: The New Museum, 1977.
“Invitation Exhibition, Academic Year 1977–1978,” in The Portfolio Exhibition 1977–1978. Columbus: The Ohio State University Gallery of Fine Art, 1977.
Sales, Courtney. New York: The State of Art. Albany: The New York State Museum, 1977.
Nine Artists: Theodoron Awards. New York: The Solomon R. Guggenheim Museum, 1977.
Delahoyd, Mary, Lee Edwards, Stephen Fife, et al. Painting 75 76 77. Bronxville: Sarah Lawrence College Art Gallery, 1977.
Space Widow. Providence: Rhode Island School of Design and Brown University, 1977.
Tilghman, Doug. New Work/New York. Los Angeles: Fine Arts Gallery, California State University, 1976.
Lubowsky, Susan and Gerald Hayes. Recent Abstract Painting. Brockport: Brockport Fine Arts, New York State University College, 1975.
Armstrong, Richard, Richard Marshall and William Zimmer. Continuing Abstraction in American Art. New York: Whitney Museum of American Art, Downtown Branch, 1974.
1973 Biennial Exhibition: Contemporary American Art. New York: Whitney Museum of American Art, 1973.
Solomon, Elke M. American Drawings 1963–1973. New York: Whitney Museum of American Art, 1973.
Fall Exhibitions 1972: Selections from the Aldrich Museum Collection and the Invitational Showing of Paintings on Paper. Ridgefield: The Aldrich Museum of Contemporary Art, 1972.
1972 Annual Exhibition: Contemporary American Painting. New York: Whitney Museum of American Art, 1972.
Selected Articles and Reviews
"Essential Books: 9 Recent Monographs on Women Artists," ARTnews, February 22, 2022.
Carrier, David. “Elizabeth Murray & Jessi Reaves: Wild Life,” Brooklyn Rail, November 2021.
“Elizabeth Murray at Gladstone,” Art Viewer, November 12, 2021.
Westall, Mark. “Elizabeth Murray,” FAD Magazine, November 3, 2021.
Villareal, Jose. “Elizabeth Murray,” Art Daily, November 2021.
Carrier, David. “Elizabeth Murray & Jessi Reaves: Wild Life,” Brooklyn Rail, November 2021.
“Elizabeth Murray,” Studio International, December 23, 2021.
“Elizabeth Murray at Gladstone Gallery,” Arte Fuse, December 2021.
“Longform: Roberta Smith on Painter Elizabeth Murray: Anderson Collection at Stanford University,” Daily Plinth, March 16, 2019.
Cohen, Alina. “Elizabeth Murray’s Rule-Breaking Paintings Continue to Inspire Young Artists,” Artsy, January 12, 2018.
Heartney, Eleanor. “The Way We Were,” Art in America, April 2018, p. 51–53.
Jefferson, Robin Seaton. “American Masters Films to Explore Lives of Four of America’s Most Celebrated Visual Artists,” Forbes, August 27, 2018.
MacMillan, Kyle. “Educated in Chicago, Painter Elizabeth Murray Created a Genre of Her Own,” Chicago Sun Times, September 4, 2018.
Phillips, Jevon. “On ‘American Masters,’ Relatives Open Up About the Famous Artists in Their Families,” Los Angeles Times, September 7, 2018.
Schwabsky, Barry. “Elizabeth Murray,” Artforum, March 2018, p. 226–227.
Wilkin, Karen. “At the Galleries,” The Hudson Review LXX, no. 4, Winter 2018, p. 647–656.
Andrew, Jason. “How Graffiti Influenced Elizabeth Murray,” Hyperallergic, October 24, 2017.
Corwin, William. “Elizabeth Murray: Painting in the ‘80s,” The Brooklyn Rail, December 13, 2017.
Fishman, Beverly. “40 Artists Share Their Favorite Shows of 2017: Beverly Fishman,” Artsy, December 25, 2017.
Frankel, David. “Elizabeth Murray,” Artforum 55, no. 7, March 2017, p. 267– 268.
Gardner, Paul. “From the Archives: Elizabeth Murray on Shattering Expectations for Abstract Painting, in 1984,” ARTnews, November 17, 2017.
Heinrich, Will. “What to See in New York Art Galleries This Week: Elizabeth Murray,” The New York Times, December 29, 2017, p. C18.
Linden, Sheri. “Documentary ‘Everybody Knows ... Elizabeth Murray’ brings the artist’s work boldly to life,” Los Angeles Times, November 2, 2017.
McCoy, Ann. “Making Space: Women Artists in Postwar Abstraction,” The Brooklyn Rail, June 2017.
Micchelli, Thomas. “Elizabeth Murray, Force of Nature,” Hyperallergic, January 14, 2017.
Micchelli, Thomas. “The Pursuit of Art, 2017,” Hyperallergic, December 30, 2017.
Panero, James. “The Critic’s Notebook: Art,” New Criterion, November 28, 2017.
Pobric, Pac. “Pace Gallery Remembers Elizabeth Murray with Show of her 1980s Work,” The Art Newspaper, November 2, 2017.
Schor, Mira. “Painting in the 1980s: Elizabeth Murray,” A Year of Positive Thinking, November 11, 2017.
Smith, Roberta. “Elizabeth Murray: A Singular Style, Steeped in Many,” The New York Times, January 6, 2017, p. C27.
Solomon, Deborah. “Review: What’s Doing in the Chelsea Galleries,”, December 15, 2017.
Stevenson, Jonathan. “Elizabeth Murray’s Magnificent Tensions,” Two Coats of Paint, November 11, 2017.
Yau, John. “The Gritty Poetry of Elizabeth Murray’s Paintings,” Hyperallergic, November 18, 2017.
Ambrose, David. “Elizabeth Murray at Canada, New York curated by Carroll Dunham and Dan Nadel,” Whitehot Magazine, December 2016.
“Elizabeth Murray: ‘When the House is Quiet’,” Spike, no. 47, Spring 2016, p. 185.
KHO. “Elizabeth Murray,” Kunst Bulletin, April 2016, p. 89.
Luo, Shuyin. “Pace Beijing ‘Zhi Shang Tan Bing’ Qun Zhan Kai Mu, Cheng Xian 28 Wei Guo Nei Wai Yi Shu Jia de Hui Hua Li Zuo,” Artron, April 16, 2016.
Gardner, Ralph. “Platforms for Art Under the City (If You Notice),” The New York Times, January 8, 2015, p. A14.
Baker, Kenneth. “Bay Area Art Highlights in 2014,” SF Gate, January 12, 2014.
Hill, Peter. “To Be a Lady: Sundaram Tagore,” ARTnews, February 2014, p. 103.
Moyer, Carrie. “Carrie Moyer on Elizabeth Murray,” Painters on Paintings, September 25, 2014.
Roth, David M. “Elizabeth Murray @ Cantor Arts Center – Stanford University,” Square Cylinder, March 11, 2014.
“To Be A Lady,” Art Republik, December 2013–February 2014, p. 232.
Shetty, Deepika. “Bold New Look at the Lady,” The Straits Times, October 22, 2013.
Smith, Roberta. “Hold That Obit; MoMA’s Not Dead,” The New York Times, January 2, 2011, p. AR1, AR8.
Smith, Roberta. “Raw Like Chelsea: A Big Tent, Gentrified but Not Gentle,” The New York Times, April 22, 2011, p. C27, C30.
Johnson, Ken. “‘Reinventing Abstractions’; ‘New York Painting in the 1980’s,” The New York Times, July 12, 2011, p. C23.
Epstein, Victor. “Underground Art: A Map to N.Y.C.’s MetroCard Masterpieces,” New York Observer, July 12, 2010.
Smith, Roberta. “A World of Paintings in One City: ‘Do the Dance,’ by Elizabeth Murray, Museum of Modern Art,” The New York Times, December 31, 2010, p. C27.
Foumberg, Jason. “Art: The Arts Club of Chicago, Elizabeth Murray,” New City, October 1, 2009.
Myers, Terry R. “Elizabeth Murray,” The Brooklyn Rail, November 2009
“2007 in Review: Obituaries,” Art in America 2008 Guide, Annual 2008-2009, p. 61.
Genocchio, Benjamin. “Playful, but Pensive: Elizabeth Murray’s Colorful, Cartoonish Work Disguised a Serious Intent,” The New York Times (Long Island edition), November 16, 2008, p. 14.
Genocchio, Benjamin. “Special Fall Arts Issue: New Season That’s Rich In Its Mix,” The New York Times (Long Island edition), September 7, 2008, p. 1.
“Kemper’s Passion for Art Sparks Exhibition,” The Nelson-Atkins Museum of Art Member Magazine, Spring 2008, p. 2–4.
Birnbaum, Molly. “Tunnel Vision.” ARTnews, 106, January 2007, p. 30.
Bischoff, Dan. “What A Great Idea Looks Lie In Print,” The Star–Ledger, January 28, 2007.
Bonami, Francesco. “Isolated Incident,” Artforum, September 2007, p. 396.
“Briefing: Milestones, Died: Elizabeth Murray,” Time, August 27, 2007, p. 23.
Bui, Phong. “A Tribute to Elizabeth Murray (1940–2007),” The Brooklyn Rail, September 2007.
Cohen, David. “Painting When Painting Was Dead,” The New York Sun, February 15, 2007, section 2, p. 1, 14.
Cohen, David. “Venice Biennale 2007: The Olympics of the Visual Arts,” The New York Sun, June 11, 2007, p. 15.
Goodrich, John. “Meandering through Time,” The New York Sun, November 29, 2007, p. 17, 26.
Heartney, Eleanor. “New York: Elizabeth Murray at PaceWildenstein,” Art in America, February 2007, p. 148–149
Klinkenborg, Verlyn. “Appreciations: Elizabeth Murray,” The New York Times, August 14, 2007, p. A20.
Kugel, Seth. “Weekend In New York: It’s All Happening Downstairs,” The New York Times, January 14, 2007.
Levin, Kim. “National News: ‘Tooned In,” ARTnews, October 2007, p. 94
MacAdam, Barbara A. “Reviews: The Venice Biennale,” ARTnews, September 2007, p. 144–145.
Morgan, Jessica. “Categorical Imperatives,” Artforum, September 2007, p. 391–397.
Richard, Frances. “Reviews—High Times, Hard Times: New York Painting 1967–1975,” Artforum, April 2007, p. 265.
Rubinstein, Raphael. “Annals of Painting: It’s Not Made by Great Men,” Art in America, September 2007, p. 60–67.
Saltz, Jerry. “Art: Bohemian Rhapsody—Remembering Elizabeth Murray,” New York Magazine, August 27, 2007, p. 162.
Siegel, Katy. “The Buck Stops Here,” Artforum, September 2007, p. 388–397.
Smith, Roberta. “Painting in the Heady Days, After It Was Proclaimed Dead,” The New York Times, February 16, 2007, p. E42.
Smith, Roberta. “Obituaries: Elizabeth Murray, Artist of Vivid Forms, Dies at 66,” The New York Times, August 13, 2007, p. B6.
Somerstein, Rachel. “Class Act,” ARTnews, January 2007, p. 32.
Storr, Robert and Amy Sillman. “Passages: Beyond the Frame,” Artforum, November 2007, p. 71–76.
Vadukul, Max. “United States of America: Elizabeth Murray,” L’uomo Vogue, May/June 2007.
Vetrocq, Marcia. “The Venice Biennale, all’americana,” Art in America, September 2007, p. 136–147.
Westfall, Stephen. “Front Page: Elizabeth Murray 1940–2007,” Art in America, October 2007, p. 53.
Cohen, David. “An ‘Old Master,’ Defiantly at Work,” The New York Sun, October 19, 2006, p. 13, 18.
“Goings on about Town: Elizabeth Murray,” The New Yorker, November 13, 2006.
Longhi, Tomassio. “ArtSeen: Elizabeth Murray,” The Brooklyn Rail, November 2006, p. 28.
Mizota, Sharon. “ULAE Prints from the Collection 1957–2006,” ARTnews, September 2006, p. 142.
Mueller, Stephen. “Life After MoMA,” Gay City News, October 26, 2006.
Sheets, Hilarie M. “Reviews: Elizabeth Murray, Museum of Modern Art, Joni Moisant Weyl,” ARTnews, January 2006, p. 120.
Smith, Roberta. “Art in Review: ‘Women’s Work,’ Greenberg Van Doren,” The New York Times, April 7, 2006, p. E34.
Waldman, Anne. “Fun-House Mirror: for Elizabeth Murray,” Bomb, no. 97, Fall 2006, p. 103.
Westfall, Stephen. “Elizabeth Murray: Scary Funny.” Art in America, January 2006, p. 76–85.
Murray, Elizabeth. “Art: Elizabeth Murray in Conversation with Robert Storr and Phong Bui,” The Brooklyn Rail, October 2005, p. 12–14.
Bartlett, Jennifer. “Jennifer Bartlett by Elizabeth Murray,” Bomb 93, Fall 2005, p. 54–59.
Cohen, David. “Arts and Letters: Murals from the Underground,” The New York Sun, August 18, 2005, p. 16.
Dunham, Caroll. “Shapes of Things to Come,” Artforum, November 2005, p. 208-213.
“Fall Preview–Art: Fresh Paint,” Time Out New York, September 8-14, 2005, p. 22.
Finch, Charlie. “Elizabethtown,”, October 21, 2005.
“Galleries and Museums,” Chicago Reader, October 29, 2004, section two, p. 30.
Gardner, James. “Elizabeth Murray, Museum of Modern Art,” The New York Post, October 21, 2005, p. 80.
“Heart of the Matter: Recent Work by Elizabeth Murray,” Maier Museum of Art [Members’ Newsletter], Fall 2005.
“Homecoming Queen,” New York, September 12, 2005, p. 94.
Kazanjian, Dodie. “Freeing the Spirit,” Vogue, October 2005, p. 351–356.
Kimmelman, Michael. “Stirring Up a Commotion on Canvas,” The New York Times, October 21, 2005, p. E31, E35.
Kino, Carol. “A Visit With the Modern’s First Grandmother,” The New York Times, October 2, 2005, Arts and Leisure, p. 30.
Kramer, Hilton. “Caution to Views: Murray’s Paintings May Induce Vertigo,” New York Observer, October 31, 2005, p. 1, 16.
Kraus, Lisa. “A Beautiful Mind,” Dance Magazine, April 2005, p. 32–36.
“On the Horizon–Art: Form and Function,” The New Yorker, October 3, 2005, p. 36.
Plagens, Peter. “Coloring Outside the Lines,” Newsweek, October 31, 2005, p. 57.
Rosenblum, Robert. “Fall Preview 2005: Elizabeth Murray,” Artforum, September 2005, p. 115.
Saltz, Jerry. “Relentless Tempest,”, October 21, 2005.
Scott, Andrea K. “Art: The Best and Worst of 2005: Elizabeth Murray at MoMA,” Time Out New York, December 29–January 4, 2006, p. 66.
Stevens, Mark. “Wow! Neat–o! Elizabeth Murray embraced PopArt’s playfulness without succumbing to chilly detachment,” New York, November 7, 2005, p. 110.
Esplund, Lamce. “Arts and Letters: How To Be Postmodern: Elizabeth Murray,” The New York Sun, October 20, 2005 p. 10.
Artner, Alan G. “Murray’s Solo Show Delights,” Chicago Tribune, October 29, 2004, section seven, p. 2.
Hawkins, Margaret. “Galleries/Museums: Knit wit and Abstract Fun,” Chicago Sun– Times, November 19, 2004.
King, Sarah S. “Santa Fe Summer Preview,” Art in America, June/July 2004, p. 59.
Mitchell, Charles Dee. “Report From Santa Fe: Everything in Excess,” Art in America, November 2004, p. 84–91.
“Galleries–Chelsea: Elizabeth Murray,” The New Yorker, March 31, 2003, p. 19.
Kimmelman, Michael. “Elizabeth Murray,” The New York Times, March 21, 2003, p. E40.
Landi, Ann. “Who Are the Great Women Artists?,” ARTnews, March 2003, p. 94–97.
Levine, Cary. “Elizabeth Murray at PaceWildenstein,” Art in America, July 2003, p. 87, 89.
Matusow, Cathy. “Cartoon Networks,” Houston Press, April 10–16, 2003, p. 41.
Naves, Mario. “Boxed In,” New York Observer, April 21, 2003, p. 16.
Rexer, Lyle. “The Pen: Mightier Than You Thought,” The New York Times, April 13, 2003, p. 31.
Schjeldahl, Peter. “Grand Funk: Elizabeth Murray lightens up,” The New Yorker, April 14, 2003, p. 82–83.
“Splat, Boom, Pow! The Influence of Cartoons In Contemporary Art,” Art Newspaper, March 2003.
“State of Wonder: Gulf Coast,” Texas Monthly, April 2003, p. 144.
Yablonsky, Linda. “New York Reviews: Elizabeth Murray PaceWildenstein/Chelsea,” ARTnews, Summer 2003, p. 153.
Angeline, John. “Exhibition Room: Elizabeth Murray/Kiki Smith,” Velvet Park Magazine, 2002, p. 46.
Anspon, Catherine. “Elizabeth Murray, Texas, Houston,” ARTnews, February 2002, p. 130, 132.
Aria, Barbara. “Teaching creationism. A new interactive show at the Children’s Museum of Manhattan helps kids unlock their inner artist,” Time Out New York, August 29 – September 5, 2002, p. 16.
Berwick, Carly. “ARTtalk: Play’s the Thing,” ARTnews, October 2002.
Frankel, David. “Elizabeth Murray PaceWildenstein,” Artforum, Summer 2002, p. 173.
“Galleries-Chelsea: Elizabeth Murray,” The New Yorker, April 8, 2002, p. 22.
Ganno, S.E. “Elizabeth Murray: Watercolours PaceWildenstein,” Art Newspaper, April 2002, p. 4.
Glueck, Grace. “For Wall Street’s Sake: art to Lure Visitors Downtown,” The New York Times, June 14, 2002, p. E37.
Johnson, Ken. “Elizabeth Murray,” The New York Times, March 29, 2002, p. E38.
Johnson, Patricia C. “Pop Goes the Culture. When Art and Cartoons Collide, It’s ‘Splat, Boom, Pow,’” Houston Chronicle, April 12, 2002, section D, p. 9, 12.
Kimmelman, Michael. “Modest Moments That Remain,” The New York Times, December 29, 2002.
Moss, E. Lynne. “Elizabeth Murray’s Watercolor Collages,” Watercolor, Fall 2002, p. 48–55.
“PaceWildenstein: ‘Elizabeth Murray: Watercolors’ and ‘Kiki Smith: Realms,” Time Out New York, March 21–28, 2002, p. 89.
Pollack, Barbara. “MoMA Makes Its Move,” ARTnews, June 2002, p. 114–115.
Smith, Roberta. “Bad News For Art, However You Define It,” The New York Times, Arts & Leisure, March 31, 2002.
Murray, Elizabeth. “The Aftermath: Clinging To Belief In Art,” The New York Times, September 23, 2001, Art/Architecture, p. 29.
Wallach, Amei. “Reassessing an Era When Excess Was the Norm,” The New York Times, April 29, 2001, Art/Architecture, p. 38.
Arditi, Fiamma. “Vivi e lascia vivere,” Ars, June 2000, p. 45–46.
Baker, Kenneth. “Borrowed Glory: SFMOMA and the Palace of the Legion of Honor show off the stellar Anderson collection,” San Francisco Chronicle, October 5, 2000, p. E1, E3.
“Elizabeth Murray.” Mills Quarterly, Winter 2000, p. 34.
MacAdam, Alfred. “Drawings 2000,” ARTnews, October 2000, p. 177.
Moretti, Andrés. “Elizabeth Murray,” Animus (Buenos Aires), August/September 2000, p. 94–101.
Murray, Elizabeth. “Elizabeth Murray’s Utah,” Travel & Leisure 4, no. 30, April 2000, p. 196–101.
Simon, Jordan. “Art on the Move,” Art & Antiques, January 2000, p. 90–97.
Bell, J. Bowyer. “Elizabeth Murray: Recent Paintings,” Review (London), March 1, 1999, p. 38–39.
Cotter, Holland. “Elizabeth Murray, Pace Wildenstein Gallery,” The New York Times, February 19, 1999.
Day, Carol. “New York Genius at Work,” Daily News, June 27, 1999, p. 28.
Everett, Deborah. “Elizabeth Murray: New Paintings,” NY Arts, February 1999, p. 58–59.
“Galleries—Uptown: Elizabeth Murray,” The New Yorker, March 8, 1999, p. 13.
Holland Cotter, “Elizabeth Murray,” The New York Times, February 19, 1999, p. E37.
Kingsley, April. “Elizabeth Murray at Pace,” Art International, Spring/Summer 1999, p. 30–33.
MacFarquhar, Neil. “32 Receive Grants From MacArthur Foundation,” The New York Times, June 23, 1999, p. A15.
Murray, Elizabeth. “NY Artist Q&A: Elizabeth Murray,” Interview by Daniel Pinchbeck, Art Newspaper, no. 90, March 1999, p. 72.
Paparoni, Demetrio. “Matissiana,” Tema Celeste (Milan), no. 74, 1999, p. 56–71.
Reichert, Herbert. “The Woman Behind the Kid on the Skateboard: Elizabeth Murray at
PaceWildenstein,” Review (London), March 1, 1999, p. 18–23.
Thorson, Alice. “Idiosyncratic Artist Stretches the Bounds,” Jan Weiner Gallery, April 23, 1999.
Thorson, Alice. “Eye of the Collector: Bruce Hartman’s Connoisseur Approach Helps Build JCCC Holdings,” Kansas City Star, October 3, 1999, p. J1, J3.
Trafton, Robin. “Shields+Murray=Convincing Combo,” Review (London), April 1999 p. 18.
Wilkinson, Jeanne C. “Elizabeth Murray at PaceWildenstein,” Art International, Spring/Summer 1999, p. 45.
Dunlap, David W. “Next Stop, Murals; Change Here for Uptown Sculpture,” The New York Times, May 1, 1998, p. E37, E52.
Frankel, David. “Ifs, Ands, and Buts: Elizabeth Murray’s If Only, 1997–98,” Artforum 36, no. 7, March 1998, p. 70–75.
Hagedorn, Jessica. “Elizabeth Murray,” Bomb, Winter 1998, p. 56–63.
Long, Andrew. “Openings,” Art & Antiques, September 1998, p. 32.
Worth, Alexi. “Elizabeth Murray’s Terrifying Terrain,” ARTnews, May 1998, p. 112, 114.
Bell, J. Bowyer, “Exhibitions: Elizabeth Murray Recent Painting,” Review (London), June 1, 1997, p. 29.
Bourdon, David. “Elizabeth Murray at PaceWildenstein,” Art in America, October 1997, p. 114.
Carrier, David. “New York: Spring exhibitions,” Burlington Magazine (London), August 1997, p. 571.
Doktorczyk–Donohue, Marlena. “Elizabeth Murray,” Art Scene, February 1997, p. 9–11.
Donohue, Marlena. “Cartoonish and Goofy, Yet Disciplined,” Christian Science Monitor, June 5, 1997, p. 11.
Ebony, David. “David Ebony’s New York Top Ten: Elizabeth Murray at PaceWildenstein,”, June 6, 1997.
“Elizabeth Murray,” The New Yorker, May 19, 1997.
“Elizabeth Murray/PaceWildenstein,” The New York Times, May 9, 1997, p. C24.
Frank, Peter. “Art Picks of the Week: Elizabeth Murray,” LA Weekly, February 28 – March 6, 1997, p. 142.
Fressola, Michael. “Driven by Abstraction,” Staten Island Advance, June 15, 1997, p. E1, E3.
Gardner, Paul. “Who Will Be Remembered in the Year 2022?,” ARTnews, November 1997, p. 200–203.
Loughery, John. “The Telling Detail,” Hudson Review 50, no. 3, Autumn 1997, p. 463 – 469.
McEvilley, Thomas. “A Painter Who Pops Your Top,” Interview, May 29, 1997, p. 40.
Milani, Joanne. “Artist Sheds the Boundaries of Canvas,” Tampa Tribune-Times, May 25, 1997, Travel, p. 1–2.
Murray, Elizabeth. “Cartoonish and Goofy, Yet Disciplined,” Interview by Marlena Doktorczyk– Donohue, Christian Science Monitor, June 5, 1997, p. 11.
Pagel, David. “Giddy Energy,” Los Angeles Times, January 30, 1997, p. F4.
Smith, Roberta. “Despite Changes, a Gallery Scene That’s Resilient and Vital,” The New York Times, May 9, 1997, p. C1, 24.
Smith, Roberta. “A Century Sweeps By, Reflected in Still Life,” The New York Times, May 23, 1997, p. C1, C24.
Solomon, Deborah. “The Gallery: Elizabeth Murray canvases, Stephan Balkenhol sculpture,” Wall Street Journal, May 19, 1997, p. A16.
Solomon, Ken. “The Vision of Elizabeth Murray,” New York 92 St. Y Review, Spring 1997, p. 4.
Worth, Alexi. “Elizabeth Murray, PaceWildenstein,” ARTnews, May 1997, p. 165.
Yablonsky, Linda. “Elizabeth Murray, PaceWildenstein,” Time Out New York, June 12–19, 1997, p. 47.
Bell, J. Bowyer. “Elizabeth Murray at PaceWildenstein,” Review, June 1996, p. 29. Cohen, Ronny. “Elizabeth and Paula, ‘a really amicable separation,’” Art Newspaper (London), March 1996, p. 36.
Kimmelman, Michael. “Elizabeth Murray at PaceWildenstein,” The New York Times, May 24, 1996.
Landi, Ann. “Murray Motion,” ARTnews, March 1996, p. 25.
Stevens, May. “Painting and Women’s Place in the Discipline,” Art New England, August–September 1996, p. 26, 67.
Vogel, Carol. “Inside Art,” The New York Times, January 26, 1996, p. C24.
Artner, Alan G. “Elizabeth Murray Returns Home in Person and Spirit,” Chicago Tribune, April 28, 1995, section 7, p. 48.
Cotter, Holland. “100 Works by Women, Not Intended for Women Only,” The New York Times, July 21,1995, p. C15.
Polsky, Richard. “Ahead of the curve: Buy? Sell? Hold?,” Art + Auction, December 1995, p. 60–64.
Stein, Judith E. “Elizabeth Murray,” ARTnews, September 1995, p. 146–147.
Colby, Joy Hakanson. “Sculpted canvases cut a colorful swathe,” Detroit News, March 4, 1994, p. D12.
Kimmelman, Michael. “Looking for the Magic in Painting,” The New York Times, October 21, 1994, p. C1.
Smith, Roberta. “Elizabeth Murray,” The New York Times, April 15, 1994, p. C26.
“Prints & Photographs Published,” Print Collector’s Newsletter, July–August 1993, p. 107–110.
Adams, Brooks. “Elizabeth Murray at Paula Cooper,” Art in America, December 1992, p. 110–111.
Gardner, Paul. “Do titles really matter?,” ARTnews, February 1992, p. 92–97.
Kimmelman, Michael. “Contrapuntal Paintings from Elizabeth Murray,” The New York Times, April 10, 1992, p. C22.
Malloy, Nancy. “Elizabeth Murray at Paula Cooper,” ARTnews, Summer 1992, p. 126. Paris, Wendy. “Sculpture on stage,” Sculpture, January–February 1992, p. 40–43.
Raynor, Vivien. “Two Artists: From Ambiguity to Innuendo,” The New York Times, November 1, 1992, New Jersey Edition, p. 12.
Schwindler, Gary J. “Elizabeth Murray at Wexner Center for the Arts,” New Art Examiner, May 1992, p. 34–35.
Tarbell, Bethany. “Elizabeth Murray at Paula Cooper,” Art & Antiques, Summer 1992, p. 97.
Baker, Kenneth. “Mills College Show for Two Art Graduates,” San Francisco Chronicle, February 7, 1991, p. E5.
Messinger, Lisa M. “Terrifying Terrain,” Metropolitan Museum of Art Bulletin, Fall 1991, p. 78.
Nyo, Paula Tin. “Language of the brush,” Artweek, March 7, 1991, p. 14.
“Prints & Photographs Published,” Print Collector’s Newsletter, May/June 1991, p. 56–60.
Robins, Corinne. “Elizabeth Murray: deconstructing our interiors,” Art Journal, Spring 1991, p. 57–59.
Solomon, Deborah. “Celebrating Paint,” The New York Times Magazine, March 31, 1991, p. 20–25.
Baker, Kenneth. “Earthy Works by Elizabeth Murray,” San Francisco Chronicle, December 26, 1990, p. E2.
Cebulski, Frank. “Elizabeth Murray at John Berggruen,” Artweek, December 6, 1990, p. 19.
Jones, Bill. “Truth, justice and the comics: or MoMA to NY: DROP DEAD,” Arts Magazine, December 1990, p. 72–74.
Kido, Hitoshi. “Printer karano me,” Mizue (Tokyo), Winter 1990, p. 105–115.
Stapen, Nancy. “A Must–See Exhibit of Murray’s Works,” Boston Globe, October 25, 1990, p. 79.
Clark, Vicky A. “Postmodernism in the 1988 International,” Carnegie Magazine, July–August 1989, p.12–16.
Cyphers, Peggy. “Elizabeth Murray at Paula Cooper,” Arts Magazine, Summer 1989, p. 90.
Howell, John. “Paula Cooper: quite contrary,” ARTnews, March 1989, p. 152–157.
Ottmann, Klaus. “Moira Dryer,” Journal of Contemporary Art, Spring–Summer 1989, p. 50–57.
Schor, Mira. “From liberation to lack,” Heresies, no. 24, 1989, p. 15–21.
Smith, Roberta. “The Interplay of Real and Painted Forms,” The New York Times, March 17, 1989, p. C32.
“Statements by Alex Katz, Frank Stella, Brice Marden, Elizabeth Murray, and Bill Jensen,” Art Journal, Fall 1989, p. 234–236.
Storr, Robert. “Shape Shifter,” Art in America, April 1989, p. 210–221.
Temin, Christine. “Great Contemporary American Art in London.” Boston Globe, March 16, 1989, p. 91.
Brenson, Michael. “A Decade of Work from Elizabeth Murray,” The New York Times, April 24, 1988, p. C24.
Cohn, Terri. “Unfolding layers of imagery,” Artweek, October 8, 1988, p. 7.
Felstehausen, Deborah. “Forum: an untitled drawing by Elizabeth Murray,” Drawing, September–October 1988, p. 60.
Grimes, Nancy. “Whitney Museum of American Art,” ARTnews, September 1988, p. 151.
Hess, Elizabeth. “The Color of Murray,” Ms., June 1988, p. 34–37.
Loughery, John. “‘Elizabeth Murray, paintings and drawings,’” Woman’s Art Journal, Fall/Winter 1988/89, p. 55–56.
Perl, Jed. “All Around the Town,” New Criterion, September 1988, p. 50–59.
“Prints & Photographs Published,” Print Collector’s Newsletter, November–December 1988, p. 90–193.
Rantan, Mari. “Elizabeth Murrayn haastattelu maaliskuussa 1988, New Yorkissa,” Taicle (Finland) 28, part 3, 1988, p. 38–41, 64–65.
Schwendenwien, Jude. “Elizabeth Murray at the Whitney Museum of American Art,” New Art Examiner, October 1988, p. 55.
Seliger, Jonathan and John Zinsser. “Elizabeth Murray,” Journal of Contemporary Art, Fall–Winter 1988, p. 31–37.
Freudenheim, Susan. “Elizabeth Murray at Dallas Museum of Art,” Artforum, Summer 1987, p. 126.
Galligan, Gregory. “Elizabeth Murray’s new paintings,” Arts Magazine, September 1987, p. 62–66.
Gill, Susan. “Elizabeth Murray (at Paula Cooper),” ARTnews, October 1987, p. 168.
Johnson, Ken. “Elizabeth Murray’s New Paintings.” Arts Magazine, September 1987, p. 67–69.
Kutner, Janet. “Dallas: Elizabeth Murray,” ARTnews, May 1987, p. 45–46.
Schwabsky, Barry. “Elizabeth Murray at Paula Cooper,” Flash Art, Summer 1987, p. 107.
Tillim, Sidney. “Elizabeth Murray at Paula Cooper,” Art in America, October 1988, p. 177.
Van Proyen, Mark. “Presentation and representation,” Artweek, September 5, 1987, p. 7.
Wei, Lilly. “Talking Abstract: Part One,” Art in America, July 1987, p. 67–69.
Bell, Tiffany. “Drawing With Respect to Painting,” Arts Magazine, June/Summer 1986, p. 123–124.
Brenson, Michael. “Drawing With Respect to Painting,” The New York Times, May 2, 1986, p. C32.
Horsfield, Kate. “Elizabeth Murray,” Profile, Summer 1986.
Larson, Kay. “One from the Heart,” New York Magazine, February 10, 1986, p. 40–45.
Storr, Robert. “Added Dimension,” Parkett, no. 8, 1986, p. 8–19.
Brenson, Michael. “The Whitney Biennial–Art’s Cutting Edge?,” The New York Times, March 17, 1985, section 2, p. 1, 24.
Flam, Jack. “The Museum as Funhouse,” Wall Street Journal, March 27, 1985, p. 32.
Gardner, Paul. “When Is a Painting Finished?” ARTnews, November 1985, p. 89–99.
Glueck, Grace. “Art: Modern Shows Off Some of Best Drawings,” The New York Times, January 11, 1985, p. C19.
Hughes, Robert. “Careerism and Hype Amidst the Image Haze,” Time, June 17, 1985, p. 78–83.
Larson, Kay. “Keep your Eye on Art...Women in the Vanguard,” Harper’s Bazaar, March 1985, p. 276– 77, 318, 320.
Perrone, Jeff. “Hugging and Tugging,” Arts Magazine, February 1985, p. 74–77.
Perrone, Jeff. “The Salon of 1985,” Arts Magazine, June/Summer 1985, p. 70–73.
Plagens, Peter. “Nine Biennial Notes,” Art in America, July 1985, p. 114–119.
Rose, Barbara. “Portrait of Paula,” Vogue, April 1985, p. 362–367, 410.
Russell, John. “Art: 1985 Biennial Arrives at Whitney,” The New York Times, March 22, 1985, p. 17, 22.
Sofer, Ken. “Elizabeth Murray.” ARTnews, January 1985, p. 139.
Brenson, Michael. “Elizabeth Murray,” The New York Times, October 19, 1984, p. C32.
Fineberg, Jonathan. “Tracking the Avant–Garde,” Harvard Magazine, January–February 1984, p. 24–35.
Gardner, Paul. “Elizabeth Murray Shapes Up,” ARTnews 83, September 1984, p. 46–55.
Gibson, Eric. “Spring exhibitions,” New Criterion, June 1984, p. 69–72.
Glueck, Grace. “At Whitney, 5 New York Painters,” The New York Times, March 30, 1984, p. C1, 28.
Maschal, Richard. “Murray’s ‘Hot’ Art Full Of Energy,” Charlotte Observer, February 5, 1984, p. 11F.
“Prints & Photographs Published ‘Elizabeth Murray,’” Print Collector’s Newsletter, July–August 1984, p. 106.
“Prints & Photographs Published ‘Elizabeth Murray.’” Print Collector’s Newsletter, September– October 1984, p. 144.
Ratcliff, Carter. “Five Painters in New York,” Vanity Fair, March 1984, p. 20–21.
Simon, Joan. “Elizabeth Murray ou le melange des metaphors,” Art Press, December 1984–January 1985, p. 16–18.
Simon, Joan. “Mixing Metaphors: Elizabeth Murray.” Art in America, April 1984, p. 140–147.
Smith, Roberta. “Hidden Manias,” Village Voice, April 17, 1984, p. 95.
Smith, Roberta. “A Three–Sided Argument,” Village Voice, October 30, 1984, p. 107. Westfall, Stephen. “Jan Hashey at Barbara Toll,” Art in America, December 1984, p. 165.
Ashbery, John. “Biennials Bloom in the Spring,” Newsweek, April 18, 1983, p. 93–94.
Cohen, Ronny H. “Drawing Now in New York City: The New Pictorial Image of the Eighties,” Drawing, January–February 1983, p. 97–101.
Eisenman, Stephen F. “Elizabeth Murray,” Arts Magazine, June 1983, p. 45–46.
“Elizabeth Murray,” Portland Center for The Visual Arts Newsletter, October–November 1983.
Fleming, Lee. “Directions 1983,” ARTnews, Summer 1983, p. 79–82.
Glueck, Grace. “Elizabeth Murray,” The New York Times, April 8, 1983, p. C25.
Hayakawa, Alan R. “Murray stacks puzzle into pleasing abstract,” Portland Oregonian, November 25, 1983, p. 63.
Howe, Katherine. “Elizabeth Murray at Paula Cooper,” Images & Issues, September–October 1983, p. 63.
Madoff, Steven Henry. “A New Generation of Abstract Painters,” ARTnews, November 1983, p. 65.
Miller, Bud. “Elizabeth Murray,” Flash Art, Summer 1983, p. 65.
Rosenthal, Mark. “The Structured Subject in Contemporary Art: Reflections on Works in the Twentieth–Century Galleries,” Philadelphia Museum of Art Bulletin, Fall 1983.
Russell, John. “Painting Is Once Again Provocative,” The New York Times, April 17, 1983, section 2, p. 1, 31.
Smith, Roberta. “Healthy Egos,” Village Voice, May 3, 1983, p. 100.
Sofer, Ken. “Elizabeth Murray,” ARTnews, September 1983, p. 184.
Cohen, Ronny H. “Elizabeth Murray’s Colored Space,” Artforum, December 1982, p. 51–55.
“Elizabeth Murray/Dondi White,” Bomb, no. 4, 1982, p. 28.
Fox, Catherine. “A Portrait of a Painter,” Atlanta Constitution, February 8, 1982, p. B1, 3.
Friedman, Jon R. “The Abstract Image,” Arts Magazine, June 1982, p. 4.
Knight, Christopher. “Paintings with a Potential for Rich Complexity,” Los Angeles Herald Examiner, September 15, 1982, p. C4.
Murray, Elizabeth. Bomb, no. 4, 1982, p. 64–65.
Murray, Elizabeth. “Elizabeth Murray, Thinking in Print: An Interview,” Interview by Jacqueline Brody. Print Collector’s Newsletter, July–August 1982, p. 73–77.
Nadelman, Cynthia. “New Editions ‘Elizabeth Murray,’” ARTnews, September 1982, p. 76–77.
Pincus, Robert L. “Venice,” Los Angeles Times, September 17, 1982, part 6, p. 9.
“Prints & Photographs Published ‘Elizabeth Murray,’” Print Collector’s Newsletter, September– October 1982, p. 202.
Sofer, Ken. “An Exhibition of Abstract Painting,” ARTnews, November 1982, p. 202.
Collings, Matthew. “Nothing deep,” Artscribe, August 1981, p. 26–29.
Knight, Christopher. “The Puzzle that Group Art Shows so often Pose,” Los Angeles Herald Examiner, October 4, 1981, p. E9.
La Badie, Donald. “This Stormy Piece Of Art No ‘Tempest’ In A Teapot,” Memphis Commercial Appeal, February 14, 1981.
Levin, Kim. “Elizabeth Murray,” Village Voice, May 20–26, 1981, p. 90.
Murry, Jesse. “Quintet: The Romance of Order and Tension in Five Paintings by Elizabeth Murray,” Arts Magazine, May 1981, p. 102–105.
Perrone, Jeff. “Notes on the Whitney Biennial,” Images & Issues, Summer 1981, p. 46–49.
Phillips, Deborah C. “Elizabeth Murray at Paula Cooper,” Images & Issues, Fall 1981, p. 66.
“Prints & Photographs Published ‘Elizabeth Murray,’” Print Collector’s Newsletter, January–February 1981, p. 210–211.
Russell, John. “Art: Exploding Canvases of Elizabeth Murray,” The New York Times, May 8, 1981, p. C20.
Colby, Joy Hakanson. “Twisted shapes, with anxiety built in,” Detroit News, June 8, 1980, p. 10E.
“Elizabeth Murray Exhibit,” Daily Yomiun (Tokyo), February 22, 1980, p. 6A.
Mollenkof, Peter. “Elizabeth Murray,” Ashai Evening News (Tokyo), February 22, 1980, p. 10.
“Picasso: A Symposium,” Art in America, December 1980, p. 9–19, 185, 187.
Ashbery, John. “The Perennial Biennial,” New York Magazine, March 19, 1979, p. 70–71.
Frank, Peter. “Elizabeth Murray,” ARTnews, January 1979, p. 146, 148.
Lampert, Catherine. “New Work/New York,” Artscribe (London), April 1979, p. 42–43.
Lawson, Thomas. “Painting in New York: An Illustrated Guide,” Flash Art, October–November 1979, p. 4–11.
Morgan, Stuart. “New Work/New York at the Hayward Gallery, Joe Zucker at the Mayor Gallery,” Artscribe (London), July 1979, p. 52–53.
Perrone, Jeff. “Elizabeth Murray,” Artforum, January 1979, p. 65–66.
Smith, Roberta. “Elizabeth Murray at Paula Cooper,” Art in America, March–April 1979, p. 150–151.
Smith, Roberta. “Portfolio, a Celebration of Women Artists,” Ambiance (London), March 1979, p. 84–87.
Tatransky, Valentin. “Elizabeth Murray,” Arts Magazine, January 1979, p. 18.
Artner, Alan. “A painter’s lucky stars turned fate in her favor,” Chicago Tribune, May 5, 1978, section 2, p. 11.
Kuspit, Donald B. “Elizabeth Murray’s Dandyish Abstraction,” Artforum, February 1978, p. 28–31.
Lubell, Ellen. “Elizabeth Murray,” Arts Magazine, January 1977, p. 36.
Russell, John. “Art: The New Museum Where Small Is Beautiful,” The New York Times, November 11, 1977, p. C17.
Russell, John. “It Could Have Been a Disaster. But....” The New York Times, November 2, 1977, p. C21.
Smith, Roberta. “Elizabeth Murray at Paula Cooper,” Art in America, March–April 1977, p. 114.
Ratcliff, Carter. “The Paint Thickens,” Artforum, June 1976, p. 43–47.
Russell, John. “Elizabeth Murray,” The New York Times, November 12, 1976, p. C18.
Gilbert-Rolfe, Jeremy. “John Torreano, Elizabeth Murray, Marilyn Lenkowsky,” Artforum, June 1974, p. 70.