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Rachel Rose

Selected Bibliography
“Rachel Rose,” Artforum, September 28, 2020
“Grimes Considers the End of the World,” GARAGE Magazine, March
“The Women Artists Who Deserve Our Attention, According to 9 Leading Artists,” Artsy, March
Dafoe, Taylor, "Nan Goldin, Kara Walker, and the DIS Art Collective Are Among the Hundreds of Cultural Figures Endorsing Bernie Sanders for US President," artnet, February
“New exhibit ‘Rachel Rose: Lake Valley’ to open at El Paso Museum of Art,” El Paso Herald-Post, January
“Lawrence Abu Hamdan wins $125,000 time-based media commission,” Artforum, January
Braithwaite, Phoebe, “Art’s Ecological Turn and the Sixth Great Extinction,” Frieze, November
Barone, Joshua, “Park Avenue Armory Unveils Its 2020 Season,” The New York Times, November
“Art Industry News: LACMA Director Michael Govan Just Organized a Show for Hauser & Wirth. Is That a Problem? + Other Stories,” artnett, November
Bruesewitz, Gail, “Parrish Art Museum & Sag Harbor Cinema Present 'SAW',” Patch, November
“Being Seen In The Age Of Documentation,”, October
Seymour, Tom, “In the Piedmont hills, a collector celebrates the modern history of Italian photography,” Wallpaper, October
Edwards, Caryn, “The Overview Effect by SA artist Ann Grim during London Frieze Art Week,” The South African, September
Madden, Helena, "The Next Big Art Destination Is One of Van Gogh's Old Haunts in the South of France," Robb Report, May
Scrimgeour, Alexander, "Rachel Rose: 'Wil-o-Wisp’,” Spike Art Magazine, Spring
Solly, Meilan, "Wealth is a Strong Predictor of Whether an Individual Pursues a Creative Profession,"
Smithsonian, May
Lefkowitz, Melanie, "Art Inspired by Slime Mold-Like Robots Unveiled at NYC Museum," Cornell Chronicle, April
Greenberger, Alex, “’Anyone Can Be a Roboticist’: Artists and Technologists Team Up for Rhizome’s Seven on Seven Conference,” ArtNews, April
Gleadell, Colin, "Neglected in His Lifetime, the Late African-American Artist Robert Reed's Paintings are a Revelation," The Telegraph, April
"Rhizome Announces 2019 Seven on Seven Participants," Artforum, March
"Works by Park McArthur, Alex Da Corte, Huma Bhabha, and More Enter Carnegie Museum of Art Collection," Artforum, March
Chiaverina, John, "Rhizome Announces Details for 2019 Seven on Seven Conference," Artnews, March
"Servico Social do Comercio - Sesc," e-flux, March
"Morning Links: Shrunken Heads Edition," Art News, March
MacSweeney, Eve, “Everything Is Video For Rachel Rose, the Art World’s Screen Star,” W Magazine, March
Epps, Philomena, “Rachel Rose,” Burlington Contemporary, February
Trigg, David, "Life After Life; Rachel Rose's videoworks explore the edges of human experience in the modern age," ArtReview, December
Tenaglia, Francesco, “Coincidence as a Sublime: Rachel Rose,” Mousse Magazine, Fall
Slight, Tilly, “How can museums make us pay proper attention to moving images?,” Apollo, November
Boggio, Sara, "Rachel Rose Racconti per immagini," Arte, November
Shaw, Anny, “Witchy Works Cast a Spell at Turin’s Artissima Art Fair,” The Art Newspaper, November
Guadagnino, Kate, “The Witch Continues to Enchant as a Feminist Symbol,” The New York Times Style Magazine, October
Casavecchia, Barbara, “Ahead of Artissima Your Guide to the Best Shows in Turin,” Frieze, October
Re Rebaudengo “Women in the Arts: The Italian Collector and Patron Patrizia Sandretto Re Rebaudengo” Frieze, September
Russeth, Andrew, “Korakrit Arunanondchai Plans Ghost, Performance and Video Festival in Bangkok Set for October,” Artnews, September
Zinman, Toby, “A Dilettante at Large reviews two new shows at the Philadelphia Museum of Art,” Phindie, June
“Palais de Tokyo,” e-flux, June
Russeth, Andrew, “303 gallery Will Screen Doug Aitken Video Through the Night,” Art News, May
Newhall, Edith, “New art to see in Philly this month: at Eastern State Pen, the Art Museum… and on napkins,” Inquirer, May
Helfet, Gabriela, “The Store X The Vinyl Factory presents collaborative New Museum exhibition Strange Days: Memories of the Future,” The Vinyl Factory, May
Rose, Julian, “Rachel Rose: Wil-o-Wisp,” Artforum, May
Harris, Gareth, "Biennale bonanza: artist line-ups revealed for Riga, Berlin and São Paulo shows," The Art Newspaper, April
McCarthy, Ciara, “‘Peanuts’ Murals On Display In The West Village,” West Village Patch, April
Harris, Gareth, “Biennale bonanza: artist line-ups revealed for Riga, Berlin and São Paulo shows”, The Art Newspaper, April
Schuster, Angela M. H., “Joan Jonas Talks About Her Evolution as an Artist,” Robb Report, April
Ruiz, Cristina, “Kehinde Wiley—the artist behind Obama's presidential portrait—signs with Hollywood talent agency,” The Art Newspaper, April
“Contemporary Art Centre (CAC), Vilnius”, E-Flux, March
“Women in the Spotlight at Museums,” The New York Times, March
Drew, Emma, "Remains of a Day," Art Writing, January
Saraceno, Tomás, "Rachel Rose," Art Review, December
McDermon, Daniel, “Down an Internet Rabbit Hole With an Artist as Your Guide,” New York Times, December
Marks, Thomas, “Personality of the Year: Patrizia Sandretto Re Rebaudengo,” Apollo, November
Greenberger, Alex, “Cally Spooner Wins Artissima’s Illy Present Future Prize,” ArtNews, November
Roux, Caroline, "Inside the home of Italian art collector Patrizia Sandretto Re Rebaudengo," The Telegraph, October
Lacava, Stephanie, “Rachel Rose is Redefining Video Art,” Interview Magazine, October
Greenberger, Alex, “Gavin Brown’s Harlem Space Will Screen Rachel Rose Work All Night, Five Days a Week,” Art News, September 2017
Herriman, Kate, “The Venetians,” Cultured Magazine, July
Tome, Anna. “Painting Pictures,” Muse Magazine, June
Barone, Joshua, “Philadelphia Museum of Art Chooses Rachel Rose for New Commission, The New York Times, May
Salisbury, Stephan, “Philly Art Museum and Italian foundation launch initiative to commission and acquire new works,”, May
Herriman, Kate, “The 10 Best Things We Saw at Venice Biennale,” The New York Times, May
Casavecchia, Barbara, “57th Venice Biennale ‘Viva Arte Viva’,” Art Agenda, May
Goldstein, Andrew, "The Unmissable Highlights of Christine Macel's 2017 Venice Biennale," artnet News, May
Freeman, Nate, “’Everything Is Not What It Fully Is on the Surface’” Rachel Rose on ‘Lake Valley’, Her Beguiling Video in the Biennale,” ArtNews, May
Roberts, Nathan, “Launched into Space: Non-Representation in ‘Everything and More,’ by Rachel Rose,” Los Angeles Review of Books, January
Scarry, Olympia, “Rachel Rose,” Marfa Journal, Issue 6
Buck, Louisa, “The Hayward Gallery’s Infinite Mix,” The Telegraph, October
Frankel, Eddy, “The Infinite Mix,” Time Out London, October
Maerkle, Andrew, “Of Time Ran Golden,” Art It, October
Shaw, Anny, “Rachel Rose heads to Hollywood,” The Art Newspaper, October
Luke, Ben, “The Infinite Mix, Review: This incendiary mix of sound and vision is a contender for show of the year,” The Evening Standard, September
Cumming, Laura, “The Infinite Mix; Wifredo Lam – Review,” The Guardian, September
“The 10 best… Things to do this week,” The Guardian, September
Howard, Ellie, “Now Showing: Rachel Rose: Lake Valley,” Elephant Magazine, September
Marti, Silas, “Four artists to see at the Sao Paulo biennial,” The Art Newspaper, September
Epps, Philomena, “A Sprawling, High –Tech Exhibition Takes Over an Abandoned Office Space in London,” Artsy, September
Mara de Wachter, Ellen, “Rachel Rose, Pilar Corrias, London, UK,”, September
Kinsella, Eileen, “Bienal De Sao Paulo Explores Themes of Chaos and Uncertainty,” Artnet News, September
Humphrey, David, “Rachel Rose: Everything and More,” Art Papers, May/June
Florian, Federico, “Rachel Rose at Serpentine Sackler,” Art in America, January
Hoti, Ajay RS, “Talk – Rachel Rose,” TANK Magazine, December
Zhong, Fan, “Rachel Rose: Art Star,” W Magazine, November
Scott, Andrea K., “Seeing Stars,” The New Yorker, November
Gopnik, Blake, “Rachel Rose, Driven by Distraction, Heads to the Whitney,” The New York Times, October
McGarry, Kevin, “Openings: Rachel Rose,” Artforum, October
Rutland, Beau, “It Looked Like a Universe,” Flash Art, October
Burns, Charlotte, “Rachel Rose: artist sets our on Gravity-inspired space odyssey,” The Guardian, October
McGarry, Kevin, “The Frieze Project That Has Collectors on Their Hands and Knees,” The New York Times Style Magazine, October
Sulcas, Roslyn, “Frieze Projects Puts the Focus on Physical Space,” The New York Times, October
Burns, Charlotte, “Rising star Rachel Rose invites Frieze visitors to take a walk on the wild side,” The Art Newspaper, October
Vasey, George, “HIGHLIGHTS,” Kaleidoscope, October/Fall
Loeffler, Frances, “Rachel Rose,” Cura Magazine, October
Coomer, Martin, “Review: Rachel Rose: Palisades,” Time Out, October“Rachel Rose ‘Palisades’ at Serpentine Sackler Gallery and Jimmie Durham ‘Various Items and Complaints’ at Serpentine Gallery, London,” Mousse Magazine Online, October
La Force, Thassaly, "Life Studies,” Vogue US, October
Luke, Ben, “Rachel Rose, exhibition review: A Rose in full bloom,” Evening Standard, October
Davidson, Alex, “Critics’ Picks: Rachel Rose, Serpentine Galleries,", October
Greenberger, Alex, “More is More and More,” Artnews, October
Kerr, Dylan, “Animal Architecture: a Q&A with Frieze Artist Award Winner Rachel Rose,” ArtSpace, October
Burns, Charlotte, “Rising star Rachel Rose invites Frieze visitors to take a walk on the wild side,” The Art Newspaper, October
Wright, Karen, “Review: Slick, engaging work from a pair of risk-takers – Jimmie Durham: Various Items and Complaints/Rachel Rose: Palisades, Serpentine Gallery, London,” The Independent, October
Nash, Aily, “Rachel Rose,” Bomb Magazine, September
Jobey, Liz, “Sound and visionary,” FT Weekend Magazine, September
Roux, Caroline, “Where the Wild Things Are,” Frieze Week Magazine, September
Obrist, Hans Ulrich, “Rachel Rose,” Fraeulein Magazin, August
Scott, Andrea K., “Fall Preview,” The New Yorker, August
Kobald, Christian, “Rachel Rose,” Spike Magazine, Summer
Cornell, Lauren, “We have always been in the end times – a conversation between Lauren Cornell, Rachel Rose and Ben Russell,” Mousse Magazine, July
Smith, William S., “First Look: Rachel Rose,” Art in America, May
Vogel, Wendy, “Reel to Real: Rachel Rose’s Trippy Videos Have Painterly Roots,” Modern Painters, January

McGarry, Kevin, “Review: Taipei Biennial 2014,” Art in America, December
Demircan, Saim, “Highlights 2014,” Frieze d/e, December
Greenberger, Alex, “Rachel Rose wins the 2014 Illy Present Future Prize at Artissima,” Artnews, November
Stevens, Jamie, “Present Future: Rachel Rose,” Artissima 2014 Catalogue, November
Harris, Gareth, “Tapei Biennal: Everything is connected,” The Art Newspaper, September
“Rachel Rose,” Arts Magazine, July-August
Charlesworth, JJ, “Review: Phantom Limbs,” art-agenda, July
Nachitgall, Jenny, “Review: Geographies of Contamination,” Artforum, May
McLean-Ferris, Laura, “Rachel Rose,” Artreview, March
Katrib, Ruba, “Rachel Rose: Sitting Feeding Sleeping,” Vdrome, March
“Review,”, March
Sam, Sherman, “Critic’s Picks,” Artforum, February
Sargsyan, Tatevik, “Review,” Kaleidescope, February
McLean-Ferris, Laura, “A State of Constant Becoming, interview with Laura McLean-Ferris,” Mousse Magazine, October-November
Catalogues and Essays
Viva Arte Viva: 57th International Art Exhibition: La Biennale Di Venezia, Rizzoli, October
Rachel Rose, Edited by Thomas D. Trummer, with Chus Martinez, Laue Mclean-Ferris, and Claudia La Rocco, Kunsthaus Bergenz
Tiravanija, Rirkrit, “Artists’ Artists, Best of 2016,” Artforum, December
“Artist, Curator, Meaning,” The Exhibitionist, No. 12 Journal on Exhibition Making, June
Two Works: Rachel Rose and Laura Mulvey: Visual Pleasure and Narrative Cinema Edited by Afterall Books, London
Rachel Rose: The Sandy Cat, Badlands Unlimited, New York
Rachel Rose: Palisades, Edited by Emma Enderby with Agnes Gryczkowska and Melissa Larner, Serpentine Galleries and Koenig Books
Wysocan, Erik, Contempt & Catastrophe, Rachel Rose in the Machine Stops, Halmos Press
Illy Present Future Prize, Artissima, Turin, Italy
Visual Visual: SalonArtist Talk Art Basel in Miami Beach, Transcript of Chissie Iles in conversation with Rachel Rose and Tobor Robak, Art Basel I Year 45, May
“How to Download a Boyfriend,” edited by Paul Chan, Ian Cheng and Micaela Durand, Badlands Unlimited