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Jim Hodges

Solo Exhibition Catalogues and Monographs
Jim Hodges. New York: Phaidon, 2021. Texts by Jane M. Saks, Robert Hobbs and Julie Ault.
Psychic Wounds: On Art & Trauma. New York, NY. MW Editions/The Warehouse, 2021.
Grove, Jeffery and Olga Viso, eds. Jim Hodges: Give More Than You Take. Dallas: Dallas Museum of Art; Minneapolis: Walker Art Center, 2013. Texts by Bill Arning, Susan Griffin, Jeffrey Grove, Helen Molesworth, and Olga Viso.
Jim Hodges: Drawings. Aspen: Baldwin Gallery, 2012. Poem by John Masterson.
Storsve, Jonas, ed. Jim Hodges: Love et cetera. Paris: Centre Pompidou, 2009. Texts by Jonas Storsve and Colm Tóibín.
Jacobson, Heidi Zuckerman. Thank You Very Much. Aspen: Aspen Art Museum, 2009. (Online essay)
Jim Hodges: 1991, 1992. New York: CRG Gallery, 2007. Text by Nayland Blake.
Harris, Susan, ed. Jim Hodges: This Line to You. Santiago de Compostela: Centro Galego de Arte Contemporanea, 2005. Texts by Susan Harris, Manuel Olveira, and Lynne Tillman.
Morris, Bob. “On Jim Hodges,” in Converge 2. Miami: Miami Art Museum, 2005.
Hileman, Kristen. Jim Hodges: Don’t Be Afraid. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 2005. (Brochure)
Jim Hodges: colorsound. Andover: Addison Gallery of American Art, Phillips Academy, 2004. (Interactive CD-ROM)
Stoops, Susan L. Jim Hodges: Don’t be Afraid. Worcester: Worcester Art Museum, 2004. (Brochure)
Berry, Ian and Ron Platt, eds. Jim Hodges. Saratoga Springs: The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2003. Texts by Ron Platt and Allan Schwartzman. Interview by Ian Berry.
Littman, Brett. Jim Hodges: Like This. New York: Dieu Donne, 2002.
Jim Hodges. Sao Paulo: Galeria Camargo Vilaca, 2001. (Brochure)
Capp Street Project: Jim Hodges: Subway Music Box. Oakland: Oliver Art Center at California College of Arts and Crafts, 2000. (Brochure). Interview by Lawrence Rinder.
Cruz, Amanda, ed. Jim Hodges: every way. Chicago: Museum of Contemporary Art, 1999.
Self, Dana. Jim Hodges: Welcome. Kansas City: Kemper Museum of Contemporary Art, 1998. (Brochure)
Jim Hodges: No Betweens and More. Santa Fe: SITE Santa Fe, 1997. (Brochure)
Jim Hodges. New York: CRG Gallery, 1995. Text by Julie Ault.
Group Exhibition Catalogues and General Publications
BMW Art Guide by Independent Collectors. Berlin: Hatje Cantz, 2015.
Twentieth Anniversary Exhibition. London: Stephen Friedman Gallery, 2015.
Passions Secretes: Collections Privées Flamandes. Lille, France: Lille3000, 2014.
A Secret Affair: Selections from the Fuhrman Family Collection. Austin: The Contemporary Austin, 2014.
Klein, Alex and Kate Kraczon. First Among Equals. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2013.
Petry, Michael. Nature Morte: Contemporary Artists Reinvigorate the Still-Life Tradition. New York: Thames & Hudson, 2013.
Schneider, Claire. More Love: Art, Politics, and Sharing Since the 1990s. Chapel Hill: Ackland Art Museum, 2013.
Brodie, Judith, ed. Shock of the News. Washington: National Gallery of Art, 2012.
Rosenthal, Mark, ed. Regarding Warhol: Sixty Artists, Fifty Years. New York: Metropolitan Museum of Art, 2012.
Komrij, Gerrit. Kunst Wonderen. Amsterdam: De Bezige Big, 2011.
Kaplan, Mike and Michael Miracle. Art in Unexpected Places. Aspen: Aspen Art Museum, 2011. Texts by Jim Crown and Paula Crown.
Smith, Mariann W. Albright-Knox Art Gallery: Highlights of the Collection. London: Scala Publishers, 2011.
Berry, Ian, and Jack Shear, eds. Twice Drawn: Modern and Contemporary Drawings in Context. Saratoga Springs: Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2011.
Roach, Stephanie, ed. One, Another. New York: FLAG Art Foundation, 2011.
Floating a Boulder: works by Felix Gonzalez-Torres and Jim Hodges. New York: FLAG Art Foundation, 2010. Texts by Bill Arning, Justin Bond, David Deitcher, Jim Hodges, and Joel Wachs.
L’Or dans l’art contemporain. Paris: Flammarion, 2010.
The Art Auction at the Museum of Contemporary Art Chicago. Chicago: The Museum of Contemporary Art Chicago, 2010.
Rondeau, James. Contemporary Collecting: The Donna and Howard Stone Collection. New Haven: Yale University Press; Chicago: Art Institute of Chicago, 2010.
Gonzalez-Torres, Felix. A Selection of Snapshots Taken by Felix Gonzalez-Torres. New York: A.R.T. Press, 2010.
Munoz, Jose Esteban. Cruising Utopia: The Then and There of Queer Futurity. New York: New University Press, 2009.
Rattemeyer, Christian, ed. Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection. New York: Museum of Modern Art, 2009.
Dennison, Lisa, ed. Wall Rockets: Contemporary Artists and Ed Ruscha. New York: FLAG Foundation, 2008.
Juncosa, Enrique, ed. Order, Desire, Light: Contemporary Drawing. Dublin: Irish Museum of Modern Art, 2008.
Marclay, Christian, ed. Ensemble. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2008. (Audio CD and pamphlet)
Thompson, Don. The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art. New York: Palgrave Macmillan, 2008
Munoz, Jose. I Remember Heaven: Jim Hodges and Andy Warhol. St. Louis: Contemporary Art Museum St. Louis, 2007.
Jacobson, Heidi Zuckerman, ed. Like Color in Pictures. Aspen: Aspen Art Museum, 2007.
Pasternak, Anne, et. al. Creative Time: The Book. New York: Princeton Architectural Press, 2007.
Tillman, Lynne. “Absence Makes Art,” in Harris, Susan, ed. Jim Hodges: This Line to You. Santiago de Compostela: Centro Galego de Arte Contemporanea, 2005, p. 169-179.
Brougher, Kerry, ed. Visual Music: Synaesthesia in Art and Music Since 1900. Washington, D.C.: Hirshhorn Museum and Sculpture Garden; Los Angeles: Museum of Contemporary Art, in association with Thames & Hudson, 2005.
Purves, Ted, ed. What We Want Is Free: Generosity And Exchange in Recent Art. Albany: State University of New York Press, 2005.
Molesworth, Helen. Landscape Confection. Columbus: The Wexner Center for the Arts and The Ohio University, 2005, p. 34-37.
Grosenick, Uta, ed. Art Now Vol 2. Cologne: Taschen GmbH, 2005.
Bonami, Francesco, ed. Universal Experience: Art, Life, and the Tourist’s Eye. Chicago: Museum of Contemporary Art, 2005.
Converge 2. Miami: Miami Art Museum, 2005.
Kantor, Jordan, ed. Drawing from the Modern, 1975-2000. New York: Museum of Modern Art, 2005.
Bonami, Francesco, and Sarah Cosulich Canarutto, ed. Love/Hate: From Magritte to Cattelan. Passariano: Villa Manin, 2004.
Gershon, Stacey B., and Nancy Hall-Duncan, ed. Off the Wall: Works form the J.P. Morgan Chase Collection. Greenwich: Bruce Museum of Arts and Sciences, 2004.
Iles, Chrissie, et al., ed. Whitney Biennial 2004. New York: Whitney Museum of American Art, 2004.
Medvedow, Jill, and Carole Anne Meehan, ed. Vita Brevis: History, Landscape, and Art 1998-2003. Boston: Institute of Contemporary Art; Gottingen: Steidl, 2004.
Richards, Judith Olch, ed. Inside the Studio: Two Decades of Talks with Artists in New York. New York: Independent Curators International, 2004.
Buskirk, Martha. The Contingent Object of Contemporary Art. Cambridge: MIT Press, 2003.
Foster, Carter and Jeffrey Grove, ed. Drawing Modern: Works from the Agnes Gund Collection. Cleveland: Cleveland Museum of Art, 2003.
Ross, Lauren, ed. Fast Forward: Twenty Years of White Rooms. New York: White Columns, 2003.
Checefsky, Bruce and Julie Langsam, ed. Arte Povera American Style: Funk, Play, Poetry, and Labor. Cleveland: Cleveland Institute of Art, 2002.
SFMOMA Painting and Sculpture Highlights. San Francisco: San Francisco Museum of Modern Art, 2002.
Smith, Elizabeth et al., ed. Life Death Love Hate Pleasure Pain: Selected Works from the Museum of Contemporary Art, Chicago, Collection. Chicago: Museum of Contemporary Art, 2002.
Stoops, Susan L., ed. Mask or Mirror? A Play of Portraits. Worcester: Worcester Art Museum, 2002.
Stroud, Marion Boulton, ed. New Material as New Media: The Fabric Workshop and Museum. Cambridge: MIT Press, 2002.
Burkard, Lene and Karsten Ohrt, eds. Patterns: Between Object and Arabesque. Odense: Kunsthallen Brandts Klaedefabrik, 2001.
Ulmer, Sean M., ed. Uncommon Threads: Contemporary Artists and Clothing. Ithaca: Herbert F. Johnson Museum of Art, Cornell University, 2001.
Cabello, Helena, and Ana Carceller, ed. Zona F. Valencia: Generalitat Valenciana, 2000.
Daftari, Fereshteh. Projects 70: Jim Hodges, Beatriz Milhazes, Faith Ringgold. New York: Museum of Modern Art, 2000.
Friis-Hansen, Dana, et al., ed. Outbound: Passages from the 90’s. Houston: Contemporary Arts Museum, 2000.
Ravenal, John B., ed. Vanitas: Meditations on Life and Death in Contemporary Art. Richmond: Virginia Museum of Fine Arts, 2000.
Benezra, Neal, and Olga Viso, ed. Regarding Beauty: A View of the Late Twentieth Century. Washington, D.C.: Hirshhorn Museum and Sculpture Garden in association with Hatje Cantz, 1999.
Morgan, Jessica, ed. Collectors Collect Contemporary: 1990-99. Boston: Institute of Contemporary Art, 1999.
Perchuk, Andrew. Matter of Time: Jim Hodges, Charles LeDray, Michelle Segre, and Jonathan Seliger. New York: Dorsky Gallery, 1999. (Brochure)
Phillips, Lisa.The American Century: Art and Culture, 1950-2000. New York: Whitney Museum of American Art in association with W. W. Norton, 1999.
Friis-Hansen, Dana, ed. Abstract Painting, Once Removed. Houston: Contemporary Arts Museum, 1998.
Bishop, Janet C., Gary Garrels, and John S. Weber, ed. Present Tense: Nine Artists in the Nineties. San Francisco: San Francisco Museum of Modern Art, 1997.
Gian Ferrari, Claudia, ed. Metamorphosis. Milan: Charta, 1997.
Grunenberg, Christoph, ed. Gothic: Transmutations of Horror in Late Twentieth-Century Art. Boston: Institute of Contemporary Art; Cambridge: MIT Press, 1997.
Keiter, Ellen J. Hanging by a Thread. Yonkers: Hudson River Museum, 1997.
Marcoci, Roxana, Diana Murphy, and Eve Sinaiko, eds. New Art. London: Harry N. Abrams, 1997.
Zelevansky, Lynn. Contemporary Projects: Longing and Memory. Los Angeles: Los Angeles County Museum of Art, 1997. (Brochure)
Aguilar, Nelson, ed. Universalis: 23 Bienal Internacional Sao Paulo. Sao Paulo:Fundacao Bienal de Sao Paulo, 1996.
Blake, Nayland, Lawrence Rinder, and Amy Scholder, ed. In a Different Light: Visual Culture, Sexual Identity, Queer Practice. San Francisco: City Lights Books, 1995.
Gumpert, Lynn, ed. Material Dreams. New York: Gallery at Takashimaya, 1995.
Pottier, Marc, ed. Avant-Garde Walk a Venezia. Venice: Edizioni d’Arte Fratelli Pozzo, 1995.
Arning, Bill. “Sure, everyone might be an artist… but only one artist gets to be the guy who says that everyone else is an artist.” In Ted Purves, ed. What We Want Is Free: Generosity and Exchange in Recent Art. Albany: State University of New York Press, 1992.
Update 1992. New York: White Columns, 1992.
Painting and Works on Paper: National Endowment for the Arts Regional Fellowships, 1992. Baltimore: Mid Atlantic Arts Foundation, 1992.
Smith, Valerie, ed. Selections from the Artists File. New York: Artists Space, 1988
Selected Articles and Reviews
Sommer, Mark. “Acclaimed sculpture moves to Richardson Olmsted Campus,” Buffalo News, July 10, 2018.
Gilger, Lauren. “World Renowned Artist Jim Hodges On How Art Can Save Us All,” KJZZ, April 24, 2018.
Desmarais, Charles. “Impact of Jim Hodges, Kara Maria gallery shows impossible to reproduce,” San Francisco Chronicle, March 1, 2018.
Russ, Sabine. “Music and Art – Meredith Monk and Jim Hodges,” Bomb Magazine, January 4, 2018.
Trimble, Lynn. “What We Know About Pheonix Art Museum’s New Contemporary Art Initiative,” Pheonix New Times, December 15, 2017.
Masushio, Taro. “Critics’ Picks: Jim Hodges,” Artforum, December, 2016.
Droitcour, Brian. “Jim Hodges at Gladstone,” Art in America, December, 2016.
Graves, Jen. “Yes! Art AIDS America Is Here,” The Stranger, July 15, 2015.
Fialho, Alex. “The ‘typical’ day at Jim Hodges’ studio is a constant rollercoaster of possibilities,” Visual AIDS, April 15, 2015. 
Cotter, Holland. “Taking Wing in a Time of Extremis,” The New York Times, August 18, 2014, p. C21.
Cook, Greg. “As AIDS Ravaged His Friends, Jim Hodges Made Art About Beauty And Loss,” The ARTery, June 11, 2014.
Fensom, Sarah E. “Reflective By Nature: The Walker Center Launches the Most Comprehensive Survey to Date of Jim Hodges’ 25- Year Career,” Art & Antiques, March 2014, p. 62-64.
Abbe, Mary. “Jim Hodges taps the sublime in new show at Walker Art Center,” Star Tribune, February 13, 2014.
Harper, Amina. “Jim Hodges: Give More Than You Take’ juxtaposes light and dark at the Walker Art Center,” Daily Planet, February 17, 2014.
Gustafson, Amy Carlson. “Walker director ‘transfixed’ by sculptor Jim Hodges,” Twin Cities Press, February 14, 2014.
Eshaghpour, Julia. “Jim Hodges ‘Give More Than You Take’ at the Walker,” The Mac Weekly, February 21, 2014.
Sachs, Danica Willard. “Jim Hodges: Give More Than You Take at the Walker Art Center,” Daily Serving, March 5, 2014.
Joyce, Erin. “Jim Hodges and the Denim Sublime,” Hyperallergic, January 7, 2014.
Sheets, Hilarie M. “Suspended Moments in Time,” ARTnews, January 2014, p. 78-83.
Fichter, Mary. “Jim Hodges: Give More Than You Take at Dallas Museum of Art,” 2 Paragraphs, December 6, 2013.
Spears, Dorothy. “Jim Hodges, a Survey of a Career Reflecting on Life,” The New York Times, October 25, 2013.
Duty, Michael. “A Fine Association: In a new retrospective, Jim Hodges relies on mutuality for high effect,” ART DESK, Winter 2013, p. 62-63.
Brettell, Rick. “Art Review: Jim Hodges takes sting out of contemporary art,” The Dallas Morning News, October 16, 2013.
“Dallas Museum Opens Exhibit on Artist Jim Hodges,” Associated Press, October 8, 2013.
“Jim Hodges,” Artforum, October 6, 2013.
Kastner, Jeffrey. “Jim Hodges: Give More Than You Take,” Artforum, September 2013, p. 190.
“Jim Hodges,” Art in America, August 2013.
Nichols, Matthew. “Jim Hodges,” Art in America, January 2012, p. 93-94.
Viso, Olga. “Jim Hodges’ Buoyant Monoliths: The Walker’s Newest Outdoor Commission,” Walker Magazine, February 9, 2012.
Combs, Marianne. “Walker Acquires New Outdoor Sculpture,” Minnesota Public Radio News, March 29, 2012.
“Metal-Coated Boulders Make Minneapolis Look Extraterrestrial,”, November 7, 2012.
“Bits & Pieces: No Stone Left Unturned,” Walker Magazine, March/April 2012, p. 4.
Stamberg, Susan. “Print-Inspired Art: All the News That’s Fit to Paint,”, September 25, 2012.
Espeland, Pamela. “The Walker’s New Acquisition is a Rock Star,” Minnpost, March 30, 2012.
Pittman, Mitch. “New, Shiny Sculpture at Walker Art Center,”, April 11, 2012.
“Jim Hodges,” Glamcult, April 2012.
“Jim Hodges Survey to Premiere at the Dallas Museum of Art,” Dallas Art News online, October 21, 2012.
May, Stephen. “Headline Grabbers,” Art News 111, No. 11, December 2012, p. 30.
Hodges, Jim. “India, As told to David Ebony,” Art in America, November 2011, p. 54-55.
Dailey, Meghan. “The Local Element,” Art + Auction, July/August 2011.
Gopnik, Blake. “Wilderness Meets Fun Fair,” The Daily Beast, November 24, 2011.
“Jim Hodges at Gladstone Gallery,” Mousse Blog, December 9, 2011.
“Jim Hodges,” The New Yorker, November 28, 2011, p. 11.
Heinrich, Will. “Mirror Phase: Jim Hodges at Gladstone Gallery, Llyn Foulkes at Andrea Rosen,” The New York Observer, November 28, 2011, p. B8.
Yablonsky, Linda. “Artifacts | The Activist Inside Us,” New York Times: T Magazine, November 30, 2011.
Schmelzer, Paul. “A ‘Fragment of a Continuum’: Jim Hodges’ World AIDS Day Film Puts Felix Gonzales-Torres’ Art in Context,” Walker Art Center Blog, November 30, 2011.
Plagens, Peter. “Feats of Rock, Paint & Clay,” Wall Street Journal, November 12-13, 2011, p. A24.
Cotter, Holland. “New Sparkle for an Abstract Ensemble,” New York Times, January 7, 2011.
Princenthal, Nancy. “The Jewel Thief,” Art in America, January 5, 2011.
Rosenberg, Karen. “Simple Truths in Matters of Life and Death,” New York Times, March 25, 2011.
Smith, Roberta. “Jim Hodges,” New York Times, November 18, 2011.
Klein Zandvoort, Bernke. “Seduction is a Voluntary Act,” Mister Motley, issue 26, 2010.
“Jim Hodges Fondazione Bevilacqua La Masa,” Artforum, Summer 2010, p. 372.
“Generator,” Art Review, January/February 2009, p. 44-45.
Moriarity, Bridget. “Jim Hodges,” Modern Painters, September 2009, p. 73.
Hossenally, Rooksana. “Jim Hodges: Love Et Cetera,”, December 11, 2009.
Carey-Kent, Paul. “White Works,” Art World, No. 8, December 2008-January 2009, p. 42-47.
Chambers, Christopher. “Jim Hodges,” Flash Art, 41, January-February 2008, p. 162.
Finkelstein, Alix. “Crossing the Line: A Year in Drawing,” New York Sun, July 31, 2008.
Johnson, Ken. “Jim Hodges,” New York Times, March 28, 2008.
Ostrow, Saul. “Jim Hodges: CRG,” Art in America 96, No. 8, March 2008, p. 159-160.
Hackett, Regina. “Solo Artists’ Works Come Together in Harmony in Tacoma Art Museum Exhibit,” Seattle Post Intelligencer, June 8, 2007.
Bonetti, David. “I Remember Heaven: Jim Hodges and Andy Warhol,” St. Louis Post-Dispatch, February 2, 2007.
Marquis, Cate. “‘I Remember Heaven’ Offers Intriguing Pairing of Artists,” The Current, March 2, 200
Knight, Christopher. “Adventurers Enticed by the landscape,” Los Angeles Times, February 28, 2006.
Spears, Dorothy. “Evidence of a Life Lived,” Art on Paper, January 2006.
Goodell, Jennifer Wulffson. “Hey, Good Looking,” X-TRA: Contemporary Art Quarterly 8, No. 4, July 2006, p. 41-44.
Carrier, David. “Jim Hodges: Museum of Contemporary Art, Cleveland,” Artforum, April 2005, p. 192-193.
Chattopadhyay, Collette. “Visual Music in the Key of Three D,” Sculpture 24, No. 6, July-August 2005, p. 192-193.
Cohen, Joyce. “Public Space Private Encounters: The Wall(s) at WAM,” Art New England 26, No. 2, April-May 2005, p. 18-19.
Cooper, Harry. “An Eye for an Ear: Art and Music in the Twentieth Century,” Artforum 43, no. 10, Summer 2005, p. 310-315, 366.
Ebony, David. “Art Show Shines in Big Apple,” Art in America 93, No. 4, April 2005, p. 47.
Gopnik, Blake. “Here and Now,” Washington Post, September 4, 2005.
Grabner, Michelle. “A Different Kind of Animal,” Art Review, No. 56, 2005, p. 38-39.
Hartman, Carl. “Art Work Addresses Fear in Scores of Languages,” Washington Times, August 20, 2005.
Klein Zandvoort, Bernke. “Seduction Is a Voluntary Act,” Mister Motley, No. 26, 2005.
Kutner, Janet. “The Rachofskys Talk About Their Top Ten,” Dallas Morning News, August 28, 2005.
Mack, Joshua. “The Art of Letting Go,” Modern Painters, July-August 2005, 94-97.
Millett, Ann. “Jim Hodges: Weatherspoon Art Museum,” Sculpture 24, No. 1, January-February 2005, p. 75-76.
Zaza, Tony. “No More Super-Sizing: Sizing the Biennial,” New York Arts, May/June, 2004, p.17.
Smith, Roberta. “At Shows Painted With Sound, Be Prepared to See With Your Ears,” The New York Times, May 21, 2004, p. E29.
Hoban, Phoebe. “Open Houses, Miami Style: 7BRs, OcnVu, WrldClass Art,” New York Times Magazine, March 14, 2004.
Kimmelman, Michael. “Touching all Bases at the Biennial,” The New York Times, March 12, 2004, p. E27.
Rothkopf, Scott. “Subject Matters,” Artforum 42, No. 9, May 2004.
Johnson, Ken. “Alumni Return, Juxtaposing Past and Present,” The New York Times, November 28, 2003, p. E46.
Baker, Kenneth. “Capp Street Benefit Show,” San Francisco Chronicle, August 16, 2003.
Johnson, Ken. “Gathering a Flock of Quirky Grown-Ups,” The New York Times, July 18, 2003.
Temin, Christine. “His Sound Art Echoes in the Mind,” The Boston Globe, 2003, p. D1, D6.
Camper, Fred. “On Exhibit: First Glimpses of Art Chicago 2003,” Chicago Reader, May 9, 2003. p. 35.
“Pulp Nonfiction,” Soho-Style, 2003.
Boyce, Roger. “Neither Here Nor There: Mirror Mirror at MASS MoCA,” Art New England, February/March, 2003, p. 16-17; 74.
Harris, Susan. “Jim Hodges at CRG,” Art in America, January 2003, p. 107.
Rizk, Mysoon. “Arte Povera American Style,” Art Papers 27, No. 2, March-April 2003, p. 44.
Jowitt, Deborah. “Slow down!,” The Village Voice, November 6, 2002.
Crane, Julianne. “Eye-Catcher,” Spokesman Review, August 22, 2002.
Mahoney, Robert. “Chapter V,” Time Out NY, August 15, 2002.
Hughes, Robert J. “All the Way with Jim and Shell,” The Wall Street Journal, August 2, 2002, p. W2.
Crane, Julianne. “Craftiness Comes in Many Shades,” Spokesman Review, August 1, 2002.
“Jim Hodges,” Art On Paper, July/August, 2002, p. 44-45.
Johnson, Ken. “Linger,” The New York Times, June 28, 2002. p. E34.
Johnson, Ken. “Jim Hodges,” The New York Times, May 31, 2002, p. E39.
Demarest, Marty. “Subterranean Sounds,” The Inlander Online, 2002.
Horodner, Stuart. “Jim Hodges,” Bomb Magazine, Spring 2002, p. 100-101.
Pascucci, Marisa J. “Jim Hodges,” The Art Economist, Volume 1, Issue 4, 2001.
Mahoney, Robert. “Jim Hodges,” Time Out NY, August 9, 2001.
Levin, Kim. “Short List,” Village Voice, August 7, 2001.
Smith, Roberta. “Quick as a Shutter, Group Shows Shatter Conventional Wisdom,” The New York Times, July 6, 2001.
Schmerler, Sarah. “James Graham and Sons, through Aug. 3,” Time Out New York, July 19-26, 2001.
Labelle, Charles. “Review,” Frieze, September/October, 2000, p. 119-120.
“Museum of Modern Art,” The New Yorker, September 11, 2000, p. 18.
Moreno, Gean. “Interview: Jim Hodges,” New Art Examiner, June 2000, p.13-15.
Baker, Kenneth. San Francisco Chronicle, April 22, 2000, p. E1, E10.
Jowitt, Deborah. “Amour, Sex, and All That Jazz,” The Village Voice, February 29, 2000, p. 61-62.
Keats, Jonathon. “Letters to a Young Artist,” San Francisco Magazine, February 2000, p. 56-57.
Musgrave, David. “Natural Dependency,” Art Monthly, November/December 2000, p. 232.
“Musical Gifts from the Underground,” San Francisco Chronicle, April 22, 2000.
Bensinger, Ken. “Art and Money,” Wall Street Journal, December 22, 2000.
Johnson, Patricia C. “‘Outbound’ Captures Moments of a Decade,” Houston Chronicle, March 18, 2000.
Moreno, Gean. “Miami,” Art Papers 24, No. 4, July-August 2000, p. 13-15.
Schutz, Heinz. “Beauty Now,” Kunstforum International, No. 151, July-September 2000, p. 381-384.
Sheets, Hilarie M. “The Oranges Are Alive,” Art News 99, No. 3, March 2000, p. 118-120.
“He’s not Here: Terry Myers Visits Jim Hodges Studio in New York,” TRANS>, No. 6, 1999, p.174.
Benjamin, Marina. “One Sensation After Another,” Evening Standard, November 5, 1999, p. 62.
Rugoff, Ralph. “Beauty Bites Back,” Harper’s Bazaar, October 1999, p. 234-235.
Cotter, Holland. “Art in Review,”The New York Times, September 10, 1999, p. E36.
Temin, Christine. “Thurber, Hodges Limn a Landscape of Loss,” The Boston Globe, September 10, 1999, p. F1, F10.
Kastner, Jeffrey. “Review: Jim Hodges,” ART/TEXT, February-April 1999, p. 96-97.
Dobrzynski, Judith H. “Taking the Ordinary and Finding the Beautiful,” The New York Times, March 24, 1999.
Hegarty, Laurence. “Jim Hodges,” New Art Examiner, February 1999, p. 54-55.
Richard, Paul. “Beauty Is Back! And She’s Got Quite an Attitude in the Hirschhorn’s Look at What Pleases the Human Eye,” Washington Post, October 10, 1999
Perchuk, Andrew. “Review: Jim Hodges,” Artforum, December 1998.
Heartney, Eleanor. “Review: Jim Hodges,” Art in America, November 1998, p.135.
Cotter, Holland. “Review: Jim Hodges,” The New York Times, September 25, 1999.
Arning, Bill. “Jim Hodges: An Artist’s Mirror Image,” OUT, September 1998, p. 38.
Grundberg, Andy. “Review: Present Tense: Nine Artists in the Nineties,” Artforum, February 1998, p. 87.
Cotter, Holland. “Review: Messages Woven, Sewn Or Floating in the Air,” The New York Times, January 9, 1998, p. E37.
Brown, Glen R. “Jim Hodges: Kemper Museum of Contemporary Art,” New Art Examiner 26, No. 1, September 1998, p. 46.
Grundberg, Andy. “Present Tense: Nine Artists in the Nineties,” Artforum 36, No. 6, February 1998, p. 87.
Laffner, Christine. “Present Tense: Nine Artists in the Nineties,” Art Papers 22, No. 2, March-April 1998, p. 36.
Darling, Michael. “Review: Longing and Memory,” LA Weekly, June 20-26, 1997.
Knight, Christopher. “Review: Longing and Memory,” The Los Angeles Times, June 7, 1997.
McKenna, Kristine. “The Contemporary Not Temporary at LACMA,” The Los Angeles Times, June 7, 1997, p. F15.
Hart, Jane. “Review,” ZINGMAGAZINE, Autumn/Winter 1997.
McClure, Lissa. “Review,” Review, February 1, 1997.
Clemmer, David. “SITE Sante Fe, Sante Fe, New Mexico,” Flash Art, No. 197, Summer 1997, p. 98.
Smith, Roberta. “The Horror: Updating the Heart of Darkness,” New York Times, June 1, 1997.
Decter, Joshua. “Review,” Artforum, November 1996.
Killam, Brad. “Review,” New Art Examiner, September 1997.
Spector, Nancy. “Peripheral Visions: Jim Hodges and Siobhan Liddell,” The Guggenheim Magazine, Fall 1996, p. 33.
Deitcher, David. “Death in the Marketplace,” Frieze, June/July/August 1996, p. 40-45.
Kandel, Susan. “Review,” Los Angeles Times, June 6, 1996.
“Horror Art,” Flash Art, May 1996, p. 52.
Darling, Michael. “Review,” Los Angeles Reader, May 31, 1996.
Smith, Roberta. “Critics’ Choice,” The New York Times, November 24, 1995.
Canning, Susan. “Review: Ethereal Materialism,” New Art Examiner, February 1995.
Levin, Kim. “Choices,” The Village Voice, November 28, 1995.
Smith, Roberta. “The New, Irreverent Approach to Mounting Exhibitions,” New York Times, January 6, 1995.
Smith, Roberta. “Art Reviews,” The New York Times, February 11, 1994.
Edelman, Robert G. “Review,” artpress, March 1994.
Harris, Susan. “Review,” ARTnews, April 1994.
Upshaw, Reagan. “Review,” Art In America, May 1994.
Weinstein, Matthew. “Review,” Artforum, May 1994.
Harrison, Helen A. “‘Flowers’ and Modern Masters,” New York Times, June 28, 1992.