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Cameron Jamie

 
Exhibition Catalogues and Monographs
2017
Snauwaert, Dirk. The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Brussels: Mercatorfonds, 2017.
Fox, Charlie. This Young Monster. London: Fitzcarraldo Editions, 2017.
Voyage d’hiver, Paris: Editions Flammarion, 2017.
Flora Mechano. Copenhagen: Cranium Editions Ltd, 2017.
Vitamin C: Clay + Ceramic. New York: Phaidon, 2017.
2016
The Infinite Mix. London: Hayward Publishing, The Store, 2016. 
2015
Curtain Pretty Pretty Enigine. Amsterdam: Ramona Editions, 2015.​
KOPBF Book XIII. Köln: Verlag der Buchhandlung Walther Köning, 2015.
Front Lawn Funerals and Cemeteries. Zurich: Patrick Frey Editions, 2015.
13e Biennale de Lyon. Dijon, France: Les presses du réel, 2015.
2014
Een Been. Zürich: Johnny Clean & Press Verlag, 2014.
KOPBF Book XII. Kyoto: Blacky Nakahara Books, 2014. 
Tierlexika. Mexico: Cabeza Antiquarian, 2014. 
2013
KOPBF Book XI. Finland: Kikker Förlags, 2013.
Voice of Images. Milan: Palazzo Grassi, 2013.
Inner Planets: Cameron Jamie. Koln: Verlag der Buchhandlung Walther Koenig, 2013.
Vitamin D2: New Perspectives in Drawing. New York: Phaidon, 2013. 
Them Kennel. Tokyo: Evidence Books, 2013. 
Peking Skinny. Tokyo: Evidence Books, 2013.
 Un Singe a Gauche. Wien: Merzenicht, 2013.
2012
Animal Spirits. Greece: DESTE Foundation for Contemporary Art, 2012. 
Narren. Künstler. Heilige. Lob der Torheit. Bonn: Nicolai, 2012.
Bunka. Copenhagen, Denmark: Lawless Ltd. Press, 2012.
Beetazz Neomb (Infrared Version). Finland: Kikker Förlags, 2012.
Beetazz Neomb. Finland: Kikker Förlags, 2012.
Inward/ Outward Blues. Munich: Biba Verlag, Rudolf Fuchs Editions, 2012.
KOPBF Book X. Tokyo: Evidence Books, 2012. 
Les Maîtres du Désordre. Paris: Musée du Quai Branly, 2012.
2011
KOPBF Book IX. Paris: False Flag, 2011.
Jamie, Cameron. Orphan’s Prayer. Paris: Petit Singe Press, 2011.
Jamie, Cameron. Clutch Fang Bush Toe. Stockholm: Hygienic Underground Press, 2011.
Jamie, Cameron. Mein Kochbuch. Berlin: Dice Men & Byrds Books, 2011.
Decapitron. Paris: Shoboshobo, 2011.
2010
KOPBF Book VIII. Tokyo: Evidence Books, 2010.
KOPBF Book VII. Tokyo: Evidence Books, 2010.
6th Berlin Biennale, curated by Kathrin Rhomberg. Cologne: DuMont, 2010.
2008
KOPBF Book VI. Tokyo: Evidence Books, 2008.
Sonic Youth etc.: Sensational Fix. Dijon: Les presses du reel, 2008.
Traces du Sacré. Paris: Le Centre Pompidou, 2008.           
Amateurs. San Francisco: CCA Wattis Institute for Contemporary Arts, 2008, pp. 60-65.
Anatomie les Peaux du Dessin, collection Florence & Daniel Guerlain. Amiens: Fonds Regional d’Art Contemporain de Picardie, 2008, pp. 31, 36.
2007
Halbreich, Kathy and Philippe Vergne. Cameron Jamie. Minneapolis: Walker Art Center, 2007.
KOPBF Book V. Tokyo: Evidence Books, 2007.
2006
KOPBF Book IV. Eindhoven: Kim’s Comforter Press, 2006.
Holler-Schuster, Günther. Cameron Jamie. Graz, Austria & Ostfildern, Germany: Neue Galerie Graz and Hatje Cantz Verlag, 2006.
Vergne, Philippe. "Cameron Jamie." Whitney Biennale 2006: Day for Night. New York: Publications and New media Department at the Whitney Museum of American Art, 2005, pp. 260-261.
2005
Vergne, Philippe. "Cameron Jamie." Bits & Pieces Put Together to Present a Semblance of a Whole. Minneapolis: Walker Art Center Collections, 2005, p. 287.
2004
Gioni, Massimiliano. "Cameron Jamie.” Scream: 10 artists x 10 writers x 10 scary movies. Miami: Anton Kern Gallery, The Moore Space, 2004, edition of 1000.
SKAL, David J. "Cameron Jamie." Planet B Magazine. Bregenz, Austria: Bregenzer Kunstverein, 2004, pp.84-89.
"THE MELVINS: Dessins et photogrammes de BB et Spookhouses de Cameron Jamie." Neither here nor there. Alameda, California: Ipecac Recordings, 2004.
KOPBF Book II. Dusseldorf: Douglas Klark Verlag, 2004, pp.84-89.
2003
Vergne, Philippe. “Cameron Jamie.” How Latitudes Become Forms: Art in Global Age. Minneapolis: Walker Art Center, 2003, pp. 200-203.
Kranky Klaus, BB, Spook House. London: Artangel, 2003.
Weibel, Peter and Günther Holler-Schuster, eds. M_ARS Kunst und Krieg. Graz, Austria: Neue Galerie Graz am Landsmuseum Joanneum, 2003.
Drawings: Maps and Composite Actions. Netherlands: De Vleeshal, 2003.
2002
Anton, Saul and Andrea K. Scott. “Cameron Jamie.” Casino 2001: 1st Quadriënale voor hededaagse Kunst. Gent, Belgium: S.M.A.K., 2001, pp.62-63, 229-230.
Collu, Cristiana. “ Cameron Jamie.” Casa dolce Casa. Nuoro, Italy: Man, 2002, pp.86-89.
Klark, Douglas. KOPBF Book I. Dusseldorf: Hot Nutz Press, 2002
2001
Fox, Howard N. Contemporary projects. Legitimate Theater. Los Angeles County Museum of Art May 17-July 29, 2001. Los Angeles: Museum Associates, Los Angeles County Museum of Art, 2001.
Scram #3. Eindhoven, Netherlands: Kim’s Comforter Press, 2001.
Exquisite Mayhem. Cologne: Taschen, 2001.
La Peur du Lieu Inconnu (black edition). Chatou, France: Centre national de L’estampe et de l’art imprime, 2001.
La Peur du lieu Inconnu Jr. Eindhoven, Netherlands: Kim’s Comforter Press, 2001.
BB. Paris: Self-published, 2001.
2000
Cousseau, Henry-Claude and Marie-Laure Bernadac, eds. Présumés innocents: l’art contemporain et l’enfance. Bordeaux : CAPC Musées d’art contemporain de Bordeaux, 2000.
Nicol, Michelle, and Nicolas Tremblay, eds. Cameron Jamie, BB, 2000. Bordeaux: CAPC Musée d’art contemporain de Bordeaux, 2000.
Scram Gemini II Gemini. Eindhoven, Netherlands: Kim’s Comforter Press, 2000
BB. Linz, Austria: Herbert Lachmayer & O.K Centrum fur Gegenwartskunst, 2000.
Rugburn. Los Angeles: Galerie Analix B & L Polla, Geneva & Smart Art Press, 2000.
1997
Grunenberg, Christoph, ed. Gothic: Transmutations of Horror in Late Twentieth Century Art. Boston: MIT Press, 1997.
1994
Retrato con Bart Simpson (Eight Untitled Portraits). Mexico City: Self-published, 2000.
Books by the Artist
2016
KOPBF Book XIV. Tokyo: Evidence Books, 2016.
2015
KOPBF Book XIIII. Köln: Verlag der Buchhandlung Walther König, 2015.
2013
Inner Planets. Köln: Verlag der Buchhandlung Walther König, 2013.
Them Kennel. Tokyo: Evidence Books, 2013
2012
Bunka. Copenhagen: Lawless Ltd. Press, 2012.
Beetazz Neomb (Infrared Version). Helsinki: Kikker Förlags, 2012.
Beetazz Neomb. Helsinki: Kikker Förlags, 2012.
Inward/Outward Blues. Köln: Biba Verlag, and Münich: Rudolf Fuchs Editions, 2012.
Outward/Inward. Köln: Biba Verlag, 2012.
KOPBF Book X. Tokyo: Evidence Books, 2012.
2011
KOPBF Book IX. Paris: False Flag, 2011.
Clutch Fang Bush Toe. Stockholm: Hygienic Underground Press, 2011.
Mein Kochbuch. Berlin: Dice Men & Byrds Books, 2011.
Decapitron. Paris: Shoboshobo Books, 2011.
Orphan's Prayer. Paris: Petit Singe Press, 2011.
2010
KOPBF Book VIII. Tokyo: Evidence Books, 2010.
KOPBF Book VII. Tokyo: Evidence Books, 2010.
2008
KOPBF Book VI. Tokyo: Evidence Books, 2008.
2007
KOPBF Book V. Zürich: Editions Teenie, 2007.
Cameron Jamie. Minneapolis: The Walker Art Center, 2007.
2006
KOPBF Book IV. Eindhoven: Kim's Comforter Press, 2006.
Cameron Jamie. Ostfildern-Ruit, Germany: Neue Galerie Landesmuseum Joanneum, Graz/ Hatje Cantz Verlag, 2006.
2005
KOPBF Book III. Münich: Douglas Klark Verlag, 2005.
2004
KOPBF Book II. Düsseldorf:  Douglas Klark Verlag.    
2003
Kranky Klaus, BB, Spook House. London: Artangel, 2003.
Drawings: Maps and Composite Actions. Middelburg, Netherlands: De Vleeshal, 2003.
2002
KOPBF Book I. Munich: Douglas Klark/Hot Nutz Press, 2002.
2001
Scram #3 (with Mark Gonzales and Jeffrey Vallance. Eindhoven: Kim's Comforter Press, 2001.
Exquisite Mayhem (with Mike Kelley). Cologne: Taschen, 2001.
La Peur du lieu Inconnu (black edition). Chatou: Centre national de l'estampe et de l'art imprimé, 2001.
La Peur du lieu Inconnu. Chatou: Centre national de l'estampe et de l'art imprimé, 2001.
La Peur du lieu Inconnu Jr. Eindhoven: Kim's Comforter Press, 2001.
2000
Scram Gemini II Gemini (with Mark Gonzales and Raymond Pettibon). Eindhoven/Hollywood: Kim Comforter Press, 2000.
BB. Linz: Herbert Lachmayer & O.K Centrum für Gegenwartskunst, 2000.
Scram (with Mark Gonzales, Kim Gordon, and Jutta Koether). Eindhoven: Kim's Comforter Press, 2000.
1997
Rugburn. Geneva: Galerie Analix B&L Polla, and Los Angeles: Smart Art Press/Pinspot Series, 1997.
1994
Retrato con Bart Simpson (Eight Untitled Portraits). Mexico City: Self-published, 1994.
Selected Articles and Reviews
2019
Bécourt, Julien, “Home Rituals,” Mouvement, May 2019.
2018
Tarasoff, Sabrina, “Ghost Stories of Almost Nobody,” Mousse Magazine, April/May 2018.
Blanc, Axelle, “Cameron Jamie: Personal Exhibition,” Slash Paris, April 27, 2018 .
2017
­­Jamie, Cameron, “Music: Best of 2017,” Artforum, December 2017.
Guitard, Anne-Cécile, “Cameron Jamie: Wishing You Were Anywhere But Here.” Roven, Spring 2017.
Hatfield, Zack, “Critics’ Picks: Cameron Jamie,” Artforum, May 2017.
2016
Jamie, Cameron, “Obituary for Blowfly,” Artforum, May 2016.
2014
Joseph, Branden W., "Minor Threat: The Art of Cameron Jamie," Artforum, October 2014.
Jamie, Cameron, Artforum, October 2014.
Smith, Roberta, "Fire!," The New York Times, October 2, 2014.
Liebman, Jeremy, "Art of Living," W Magazine, June/July 2014, p. 24.
2013
“The Mysterious Dance of the Masks,” Neue Burcher Zeitung, June 14, 2013.
Lissoni, Andrea, “Atlas Obscura,” Mousse, No. 39, Summer 2013, p. 86-95. 
“Comprehensive solo exhibition by the American artist Cameron Jamie opens at Kunsthalle Zurich,” artdaily.org, June 2013. 
Lehrer-Graiwer, Sarah, “Cameron Jamie,” Artforum, May 2013, p. 167.
2012
Obrist, Hans Ulrich, “Art, Like it is in the Books,” Das Magazin online, November 2, 2012.
2010
Gartenfeld, Alex, Art in America, October 2010, pp. 189.
Doran, Anne, Time Out, New York, Issue 765, May 27 – June 2, 2010.
2008
Carels, Edward, "Suburban Attractions," Afterall, Summer 2008, pp.65-73.
Janus, Elizabeth, "The Other Who Is Oneself: Cameron Jamie," Aferall, Summer 2008, pp. 75-79.
2006
Davila, Thierry, “New York. Biennale du Whitney,” Art press, 2006, n°323, Expos, pp.72-73.
Janus, Elizabeth, “Cameron Jamie. 37th International Theatre Festival of the Venice Biennale,” ARTFORUM, February 2006, pp. 220-221.
Lavrador, Judicaël, “Nouveaux talents. Cameron Jamie,” Beaux Arts Magazine Qu’est ce que l’art aujourd’hui, edition 2002, p.52-53.
Lechner, Marie, “JO ou Jeanne d’Arc en sandwich,” Libération, October 23, 2006.
Park, Jina, “Cameron Jamie,” Contemporary, 2006, n°83, pp.64-67.
Rosler, Martha, “The 2006 Whitney Biennal,” ARTFORUM, May 2006, pp.284-285.
Scheyerer, Nicole, “ Cameron Jamie & G.R.A.M,“ Wien Kultur findet Stadt, June 2006.
2005
Kopsa, Maxine, “Cameron Jamie & The Melvins,” Metropolis M, February-March 2005, pp.127-128. 
2004
Arnopp, Jason, “Original Soundtracks,” Word Music and More, January 2004, n°11, pp.27-28.
Azoury, Philippe, “L’art en trilogie gore,” Libération, November 6th 2004, p.41.
Beyer, Charles, “Scream,” Flash Art, March- April 2004, p.60.
Farquharson, Alex, “ The darkness,” Frieze, May 2004, n°83, pp.76-80.
Finel Honigman, Ana, “New York horticulture,” Artnet, 2004.
Goodbody, Bridget, “Scream,” Time Out New York, Art, February 5-12, 2004, p.59.
GIB, “The Strange Loves of Cameron Jamie,” Halloween All Year, Dec. 2004 - Jan. 2005, n°1, pp.10-21.
Hare, Karl, “Erforscher von Alltagsmythen ,” Salzburger Nachrichten, October 14, 2004, p.11.
Hoffmann, Jens, “ Cameron Jamie in conversation with Jens Hoffmann,” Salzburger Kunstverein magazin, 2004, n°9, pp.44-51.
Indiana, Gary,  “Spooks Run Wild,” Film Comment, September - October 2004, vol.5, n°5, pp. 44-46.
Johnson, Ken, “Scream,” The New York Times, February 14, 2004.
“Opening a Real Horror Show,” New York, January 19-26, 2004.
Pouncey, Edwin, “Cross Platform,” Wire, January 2004, n°239, p.78.
Saltz, Jerry, “Modern Gothic ,“ The Village Voice, February 4-10, 2004, pp.84-85.
“Scary Art,” THE NEW YORK SUN, January 16-18, 2004.
“Anton Kern Gallery,” TIME OUT NEW YORK, January 29-February 5, 2004, p. 69.
Valdez, Sarah, “Scream: 10 artists x 10 writers x 10 scary movies," Paper Magazine, January 12, 2004.
“Nightmare on W.20th Street,” V MAGAZINE, Spring Preview 2004.
 “Cameron Jamie and The Melvins,” VIENNALE, Viennale Special 2004, p. 24.
2003
“Trick or Treat ?,” ARTREVIEW, November 2003, volume LIV.
“Cameron Jamie & G.R.A.M.,” ALLESKUNST.NET, February 4, 2003.
Azoury, Philippe, “Projection/Deux films rares de Cameron Jamie. Plastique et percutant,” Libération, September 25, 2003, p.36.
“Cameron Jamie and The Melvins,” BRIGHTON ARGUS, November 25, 2003.
“Cult films and band,” BRIGHTON & HOVE LEADER, November 21, 2003.
“Kranky tour is so weird,” CAMBRIDGE EVENING NEWS, November 20, 2003.
Campion, Chris, “Safe As Houses,” Dazed & Confused, December 2003, pp.92-98.
Charity, Tom, “The Fright Stuff,” Time Out, October 29 - November 5, 2003, p.16.
“Events Near and Far,” CHICHESTER OBSERVER, November 6, 2003.
Cripps, Charlotte, “Night of the Riffing Dead,” The Independent, November 17th 2003, p.18.
“Krampus bis Mitternacht,” DER STANDARD, February 3, 2003.
“The Melvins perfom a live soundtrack to three films by Cameron Jamie,” EASTERN DAILY PRESS, November 14, 2003.
“Artangel. Cameron Jamie,” E-FLUX, September 26, 2003.
Hoffmann, Jens, “Cameron Jamie. Comparative anatomy,” Flash Art, 2003, March-April, pp.68-70.
Jones, Sammy, “Craft and brilliance on same platform,” Milton Keynes Citizen, November 20, 2003.
Kelly, Nicola, “Performance: Kranky Klaus and Spook House,” Exposé, December 1, 2003.
“Melvin Madness,” KERRANG, November 29, 2003.
“Cameron Jamie and The Melvins,” KULTUREFLASH, November 26, 2003.
Menestrel, Laure, “Devil,” Double +33, September-November, 2002, pp. 24-29.
“What’s on,” NORWICH EVENING NEWS, November 18, 2003.
“Melvins, Back in the ring,’ ROCK SOUND, December 2003.
Schedlmayer, Nina, ”Christine König Galerie: Cameron Jamie & G.R.A.M.,” Artmagazine, February 7, 2003.
“Cameron Jamie,” SIGHT & SOUND, November 2003.
“3 films by Cameron Jamie. Live soundtracks by The Melvins,” TIME OUT LONDON, November 3, 2003.
“Cameron Jamie,” TIME OUT LONDON, November 26-December 3, 2003.
“The Melvins,” TNT, November 28, 2003.
“The Spook House and Kranky Klaus,” The GUARDIAN, November 24, 2003.
“Spook house,” The INDEPENDENT, November 15, 2003.
2002
Price, Matt, “Cameron Jamie,“ Fused, 2002, n°10, pp.10-11.
2001
Indiana, Gary, “Openings: Cameron Jamie,” ARTFORUM, Summer 2001, pp.174-175.
Magnuson, Ann,  “Lord of the flies » meets « Fight club » on paint thinner,” Paper, May 2001, p.34.
2000
Diederichsen, Diederich, “Born to lose,” Frieze, November-December 2000, pp.70-71.
“Spooky House/Kranky Claus,” FLUX, 2000, p.16.
"HARDCORE IS MORE THAN MUSIC," November 28, 2000, p.82.
1999
Sanders, Mark, “ Come Wrestle With Me,” Dazed & Confused, February 1999, pp.100-105.
Dielesen, Wouter, “De bizarre werkelijkheid van Cameron Jamie,” Reload, n°11, 1999, pp.14-15.