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Alighiero Boetti

 
Selected Publications
2022
Index: Maurizio Cattelan. Milan: Pirelli, HangarBicocca, 2022.
2017
Cherubini, Laura, Boetti / Salvo "Vivere lavorando giocando" "Living Working Playing", 2017, Edizione Casagrande, Lugano
2017
COLORI: emotions of color in art. Milan: Silvana Editorial S.p.A, 2017.
Unpacking The Marciano Collection. New York, London, Munich: Prestel, 2017.
2016
Totah David, Boetti / Bochner, 2016, totah
2016
Wall to Wall: Carpets by Artists. Cleveland: MOCA, 2016.
Pinault Collection 07. Paris: Pinault Collection, 2016.
2015
Alighiero Boetti: Catalogo general Tomo terzo/1. Milan: Electa, 2015.
Milazzo, Richard. The Mannequin of History: Art After Fabrications of Critique and Culture. Modena: MATA Manifattura Tabacchi Modena, 2015.
Alighiero Boetti: Catalogo general Tomo terzo/1. Milan: Electa, 2015.
Milazzo, Richard. The Mannequin of History: Art After Fabrications of Critique and Culture. Modena: MATA Manifattura Tabacchi Modena, 2015.
Szántó, András, ed. The Sense of Movement: When Artists Travel. Ostfildern: Hatje Cantz Verlag, 2015.
2014
Intenzione Manifesta: Il Disegno in Tutte Sue Forme. Torino: Castello di Rivoli Museo D ‘Arte Contemporanea, 2014.
2012
Order and Disorder: Alighiero Boetti by Afghan Women. Los Angeles: Fowler Museum, 2012.
Ends of the Earth: Land Art to 1974. Munich: Prestel; Los Angeles: Museum of Contemporary Art, 2012.
Bürgi, Bernhard Mendes. ARTE POVERA: The Great Awakening. Basel: Kunstmuseum Basel; Ostfildern: Hatje Cantz, 2012.
2011
Boetti By Afghan People. Santa Monica: RAM Publications, 2011.
Alighiero Boetti: Game Plan. New York: Museum of Modern Art, 2011.
Defining Contemporary Art – 25 years in 200 pivotal artworks. London: Phaidon, 2011.
All of This and Nothing. Los Angeles: Hammer Museum, 2011.
TRA: The Edge of Becoming. Belgium: Vervoordt Foundation, 2011.
Godfrey, Mark. Alighiero e Boetti. New Haven: Yale University Press; London: Tate, 2011.
Global Studies: Mapping Contemporary Art and Culture. Ostfildern: Hatje Cantz, 2011.
2010
Sauzeau, Annemarie. Alighiero Boetti. Paris: Tornabuoni Art, 2010.
Ammann, Jean-Christophe. Alighiero e Boetti: Mappa. New York: Barbara Gladstone Gallery; Zurich: JRP Ringier, 2010.
Che Fare? Arte Povera — The Historic Years. Vaduz: Kunstmuseum Liechtenstein; Heidelberg: Kehrer Verlag, 2010.
Collezione Christian Stein: A History of Italian Art. Milan: Electa, 2010.
2009
Ammann, Jean-Christophe. Alighiero Boetti: Catologo generale, Tomo primo. Milan: Electa, 2009.
Oliva, Achille Bonito. Alighiero Boetti: Bringing the World into Art 1993/1962. Naples: Museo D’Arte Contemporanea Donna Regina (MADRE), 2009.
2008
Cerizza, Luca. Alighiero e Boetti: Mappa. London: Afterall Books, 2008.
This is Not to be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles. Los Angeles: Museum of Contemporary Art Los Angeles, 2008.
2007
Tomassoni, Italo. Anni Settanta: Artisti italiani fra cronaca e mito. Bari: Editori Laterza, 2007.
Italian Visions: 40 Years of Art. New York: Vivian Horan Fine Art, 2007.
De Corral, Maria and John R. Lane. Fast Forward: Contemporary Collections for the Dallas Museum of Art. New Haven: Yale University Press, 2007.
2005
Schmidt, Kristin and Cordula von Keller. Niente Tutto. Vaduz: Kunstmuseum Lichtenstein, 2005.
L’art du Xxe Siecle: De l’art Moderne a l’art Contemporian1939- 2002. Paris: Citadelles and Mazenod, 2005.
2004
Alighiero Boetti: Quasi Tutto. Milan: Sivana Editoriale, 2004.
2001
Boetti, Annemarie Sauzeau. Alighiero e Boetti: Shaman-Showman. Turin: Umberto Allemandi & CO., 2001.
Green on Greene. New York: Sperone Westwater, 2001.
2000
Criqui, Jean-Pierre. Le Temps, vite. Paris: Editions du Centre Georges Pompidou, 2000.
da Warhol al 2000. Regione Piemonte: Palazzo Cavour, 2000, p. 64.
35 Anni di Mostratra Europa e America. New York, Torino, Roma: Gian Enzo Sperone, 2000, p. 52, 136-137, 145, 166, 200, 255.
Pugliese, Marina. Le Tecniche e I Materiali Nell’Arte Contemporanea. Rome: Arti della Accademia Nazionale dei Lincei, 2000.
1999
Allianz & Kunst, Collection of Bayerische Versicherungsbank AG. München: Allianz Versicherungs-AG and Anderland Verlag,1999. Forewords by Dr. Michael Albert and Harald Szeemann.
1998
Ammann, Jean-Christophe. Change of Scene XIII. Frankfurt: Museum für Moderne Kunst,1998.
Cooke, Lynne ed. Terra Incognita: Alighiero e Boetti, Vija Celmins, Neil Jenney, Jean Luc Mylayne, Hiroshi Sugimoto. Weserburg: Neues Museum Weserburg, 1998. Essays by Stephen Bann, and Michael Newman Bremen.
Bonami, Francesco. Unfinished History. Minneapolis: Walker Art Center, 1998.
1997
Bianchi, Paolo and Sabine Folie, eds. Atlas Mapping. Linz: Offenes Kulturhaus Linz;
Bregenz: Kunsthaus Bregenz; Brussels; Magazin 4; Vienna: Verlag Turia + Kant, 1997, p. 34, 38.
Goetz, Ingvild and Christiane Meyer-Stoll, eds. Arte Povera: Arbeiten und Dokumente aus der Sammlung Goetz,1958 bis heute. Munich: Sammlung Goetz, 1997. Essays by Mirella Bandini, Carolyn Christov-Bakargiev, Nike Bätzner, Maddalena Disch, Bruno Corà.
1996
Ammann, Jean-Christophe, Maria Teresa Roberto and Anne-Marie Sauzeau. Alighiero Boetti: Rétrospective. Turin: Galleria d’Arte Moderna e Contemporanea; Milan: Edizioni Gabriele Mazzotta, 1996.
1995
Tradition & Innovation: Italian Art since 1945. Seoul: National Museum of Contemporary Art, 1994.
1994
Sperone, Gian Enzo, and Achille Bonito Oliva. La Metafora Trovata: 30 years. Rome: Galleria Sperone, 1994.
1989
Alighiero e Boetti. London: Edward Totah Gallery, 1989.
Techniche nell’ Arte, Societa Poligrafica Editrice. Rome: Tridente Quattro, 1989.
1988
Gran Pavese, The Flag Project, Stichting Gran Pavese. Rotterdam: SDU Publishers, 1988.
1985
Levi, Corrado. Una diversa tradizione. Milan, 1985.
Alberto Boatto: Alighiero & Boetti. Ravenne: Pinacoteca Communale, 1985.
1984
Il modo Italiano. Los Angeles: Institute of Contemporary Art, 1984.
1982
Acrobat mime parfait. Bologna, 1982.
Celant, Germano. Arte povra antiform. Bordeaux: CAPC, 1982.
1981
Identite Italienne, L’art en Italie depuis 1959. Paris: Centre Georges Pompidou, 1981.
1980
Da uno a dieci. Milan: Emma Edizioni, 1980.
1978
Diacono, Mario. Il segno del disegno, l’autenticita della copia nel massaggio del medium. Bologna, 1978.
Sartor, Paolo Mussat. Arte e Artisti in Italia. Turin, 1978.
Alighiero Boetti. Bale: Kunsthalle Basel, 1978.
1976
Ne’ Testa Ne’ Coda. La Citta Di Riga. Editrice: La Nuova Foglio 1976.
1975
 Read, Herbert, "A Concise History of Modern Painting," Thames and Hudson, London.
1974
Kozloff, Max. Eight Contemporary Artists. New York: Museum of Modern Art, 1974.
Alighiero e Boetti. Lucerne: Art Museum of Lucerne, 1974.
Read, Herbert. A Concise History of Modern Painting. London: Thames and Hudson, 1974.
1973
Contemporanea. Rome: Centro di Roma, 1973.
Roma 1973 Palazzo delle Esposizioni, X Quadriennale di Roma. Rome: Fondazione La
Quadriennale Di Roma, 1973.
Dublin: Hendriks Gallery; Belfast: Arts Council of Belfast, 1973.
Lippard, Lucy. Six Years: The Dematerialization of the Art Object. New York: Frederich A. Praeger, 1973.
1971
Persona. Belgrade: Edition Centro di, 1971
Barilli, Renato. Dall ‘Oggetto al Comportamento - La Ricerca Artistica 1960 – 1970. Italy: Ellegi Editions,1971.
7a Biennale de Paris. Florence: Edizioni Centro Di, 1971.
1970
Terza Biennale International della Giovane Pittura. Bologna: Terza Biennale International, 1970.
Conceptual Art Arte Povera Land Art. Milan: Edition Mazzotta, 1970.
1969
Prospect ‘69. Dusseldorf: Stadtische Kunsthalle,1969.
When Attitudes Become Form. Bern: Kunsthalle Bern,1969.
Giraldi, Pietro. Op Losse Schroeven. Amsterdam: Stedelijk Museum, 1969.
Trini, Tommaso. When Attitude Becomes Form. London: ICA London, 1969.
Celant, Germano. Arte Povera. Praeger: Milan, 1969.
1968
Battisti, E., G. Celant and A. Passoni. Torino: Museum of Experimental and Contemporary Art of Torino, 1968.
Art Povera a Bologna. Rome: Cartabianca, 1968.
Barilli, Renato and Germano Celant. Bologna: Arte Povera alla Galleria de Foscherari, 1968.
1967
Con/Temp/l’Azione. Torino, 1967.
Trini, Tommaso. Bolcchi che Sbloccano. Geneva, 1967.
Trini, Tommaso. Boetti. Torino: Centro Arte, 1967.
Selected Articles and Reviews
2022
Godfrey Mark. "Gladstone Gallery opens an exhibition of works by Alighiero e Boetti at Sant'Andrea de Scaphis, Rome," Art Daily, March 2022.
2019
Wesseling, Janneke. “De magische, kleurig vibrerende borduurwerken van Alighiero Boetti,” NRC.nl, April 24, 2019.
2018
Berg, Tatiana. “Must-See Art Guide: Milan,” artnet, April 12, 2018.
2017
Harris, Gareth. “Size Matters: The Large and Very Small art of Alighiero Boetti,” The Art Newspaper, May 2017. 
2016
Rooney, Kara L. “Mel Bochner and Alighierp Boetti,” Brooklyn Rail, April 6, 2016.
2013
Pincus-Witten, Robert. “Alighiero Boetti,” Artforum, April 2013.
Smith, Roberta. “Alighiero Boetti: ‘La Forza del Centro,’” The New York Times, March 8, 2013.
2012
Lovatt, Anna. “Alighiero Boetti,” Museo Nacional Centro De Arte.
“Reina Sofía, Madrid,” Artforum, March 2012.
Schwabsky, Barry. “Putting the World into the World: On Alighiero Boetti,” The Nation,
April 23, 2012.
Bordignon, Elena. “Alighiero e Boetti: In Milan, at the Giangaleazzo Visconti’s Studio, a
collection of works of the famous artist,” Vogue Italia online, November 26, 2012.
Lanz-Frolio, Laura. “‘Alighiero Boetti: Game Plan’ at the Museum of Modern Art,” TimeOut New York, June 28 - July 4, 2012.
Wallace, Ian. “Alighiero Boetti at the Museum of Modern Art, New York,” Huffington Post, September 12, 2012.
Rubinstein, Raphael. ‘“The Poetics of Wattage, after Alighiero e Boetti,’ Alighiero Boetti Game Plan,” The Brooklyn Rail, September 2012.
Lerner, Ben. “Boetti Comes to MOMA,” Art in America, June/July 2012.
Reena, Jana. “Alighiero e Boetti,” Art + Auction, July 2012.
2011
Pajares, Gema. “Alighiero Boetti: el azar manda,” La Razón, October 4, 2011.
Fietta, Jarque. “Viaje alucinante al fondo de Boetti,” El Pais, October 4, 2011.
Lucas, Antonio. “El juego infinito de Alighiero Boetti,” El Mundo, October 4, 2011.
Plagens, Peter. “The Mind Games Artists Play – Alighiero Boetti: Game Plan,” Wall Street Journal, August 31, 2011.
2010
Lavrador, Judicael. “Alighiero E Boetti, Agent Double,” Beaux Arts Magazine, April 2010.
2009
Godfrey, Mark. “Divided Interests,” Artforum, May 2009.
2008
Adams, Brooks. “On the Road to a State of Grace,” Tate Etc., Summer 2008.
Cullinan, Nicholas. “Recent Exhibitions,” The Burlington Magazine, January 2008.
“Le Choc des Mots et Le Sens Des Photos,” Art Actuel, March 2008.
2007
Trouve, Tatiana. “On Alighiero E Boetti,” Art Review, June 2007, p. 38.
Mangini, Elizabeth. “Parallel Revolution,” Artforum, November 2007, p. 159162.
Demos, T. J. “A Matter of Time,” Tate Etc., Spring 2007, p. 96-103.
Ubl, Ralph. “There I am, next to me,” Tate Etc., Spring 2007, p. 30-35.
2005
Douglas, Kris. “Richard Flood,” Contemporary 21, No. 77, 2005, p. 57.
2002
“Alighiero Boetti,” Art in America: Annual Guide 2002, August 2002, p. 18.
“Largest Boetti Museum Exhibition Assembled in the United States,” Art Museum Network News, May 13, 2002.
“When 1 is 2: The art of Alighiero e Boetti,” The Art Newspaper, June 2002.
“When 1 is 2: The art of Alighiero e Boetti,” Houston Chronicle, August 2002, p. 15F.
“Wordly Work,” Houston Chronicle: Hits of the Week, July 13, 2002, p. 2D.
Anspoon, Catherine. “ARTNotes,” Paper City, June 2002.
Anspoon, Catherine. “ARTNotes,” Paper City, August 2002.
Ballou, Chris. “Can Alighiero Come Out to Play?” Glasstire: Visual Art in Texas, August 2002.
Frankel, David. “Aligheiro e Boetti at Contemporary Arts Museum,” Artforum, May 2002, p. 70.
French, Christopher. “Alighiero e Boetti,” ARTNews: National Review, October 2002, p. 163.
Johnson, Ken. “Alighiero e Boetti,” The New York Times, February 15, 2002, p. E46.
Johnson, Patricia. “Boetti walks a line between purpose and mishap,” Houston Chronicle, June 22, 2002, p. 9D-10D.
Klaasmeyer, Kelly. “Life is Beautiful,” Houston Press, September 5-11, 2002, p 54.
Newhall, Edith. “Fine Penmanship,” New York, February 11, 2002, p. 86.
Schwabsky, Barry. “London Gallery Beat,” Art on Paper, July/August 2002, p.78-79.
Smith, Roberta. “Midcentury Italian Art That Still Eggs on the Irreverent,” The New York Times, November 2002, p. E41.
Stein, Lisa. “Exhibit explores curious mind of Alighiero Boetti,” Chicago Tribune, March 20, 2002.
Ventrocq, Marcia. “Arte povera: the recount,” Art in America, March 2002, p. 83-91.
2001
Scott, Andrea K. “Alighiero e Boetti,” TimeOut New York, March 8-15, 2001, p. 55.
Johnson, Ken. “Alighiero e Boetti,” The New York Times, March 23, 2001, p. E35.
Dannatt, Adrian. “Adrian Dannatt’s guide to New York contemporary galleries;
Death and rebirth as a Modern Master: Alighiero e Boetti,” The Art Newspaper, March 2001.
Johnson, Ken. “Art Guide: Alighiero e Boetti,” The New York Times, May 25, 2001, p. E30.
Vetrocq, Marcia E. “Rules of the Game,” Art in America, July 2001, p. 86-93, 113.
Gopnik, Blake. “Off the Beaten Track, Stamps of Approval,” Washington Post, May 13, 2001, p. G6.
Gioni, Massimiliano. “Speaking in Tongues,” Flash Art, November/December 2001, p. 74-77.
Gioni, Massimiliano. “New York Cut Up,” Flash Art, May/June 2001, p. 97-99.
Goodrow, Gérard A. “Art of Communication,” Christie’s Magazine, June/July/August 2001, p. 78-81.
Flood, Richard. “Liquid Plumber,” Artforum, September 2001, p. 164-165.
Yablonsky, Linda. “Green on Greene,” TimeOut New York, November 22-29, 2001, p. 58.
2000
Goodman, Jonathan. “Alighiero Boetti. Esso Gallery, NY,” Art on Paper, May/June 2000.
Groom, Simon. “Fontana, Boetti and Pistoletto,” Modern Painters, Winter 2000, p. 113-114.
“Arte Povera,” tema celeste, No. 77, January/February 2000, p. 147.
Fox, Dan. “Alighiero e Twenty-two points, plus triple-word-score, plus fifty points for using all my letters. Game’s over. I’m outta here. Boetti,” Frieze, February 2000, p. 105- 106.
Sussman, Elisabeth. “Report from Oporto; Sorting Out the ‘60s,” Art in America, Vol. 88, No. 3, March 2000, p. 58-59, 61, 63.
Schwabsky, Barry. “Alighiero E Boetti,” Arforum, 38, No. 0, February 2000, p. 115.
“Alighiero Boetti,” Ground Art and Culture, Issue No. 1, February 2000.
Glueck, Grace. “Alighiero Boetti ‘Works on Paper,’” The New York Times, March 17, 2000, E37.
Zivancevic, Nina. “Alighiero e Boetti,” NY Arts, April 2000.
1999
Frankel, David. “Alighiero e Boetti,” Artforum, vol. 38, No. 1, September 1999, p.40.
1998
Davis, Jordan. “Alighiero e Boetti: Postal Travels, Works on Paper, Documents and More, 1965-1992,” On Paper, Vol. 2, No. 4, March/April 1998, p. 50.
Jarton, Cyril. “La peinture générique,” Art Press, No. 235, May 1998, p. 28-33.
Schwabsky, Barry. “Alighiero Boetti: Esso Gallery,” Artforum, Vol. 36, No. 9, May 1998, p. 146-147.
1997
Buchloh, Benjamin H. D. “Sculpture Projects in Munster,” Artforum, Vol. 36, No. 1, September 1997, p. 115-117.
Camnitzer, Luis. “Italians, Flemish, and Dutch,” Art Nexus, No. 26, September 1997, p. 93-95.
1995
Panzera, Lisa. “Alighiero e Boetti,” Artnews, Vol. 94, No. 1, January 1995, p.163.
Canning, Sue. “Mapping,” Art Papers, Vol. 19, No. 1, January/ February 1995, p. 57-58.
Heartney, Eleanor. “Alighiero e Boetti and Frederic Bruly Bouabre at Dia,” Art in America, Vol. 83, No. 4, April 1995, p. 101.
1994
“MoMA News and Exhibitions,” Flash Art, Vol. 27, No. 177, Summer 1994, p. 37.
Smith, Roberta. “Mapping,” The New York Times, Art in Review, October 14, 1994.
Newhall, Edith. “Talent from the Italian Collection,” New York Magazine, Vol .27, No. 42, October 24, 1994, p. 97.
Adams, Brooks. “25 Things to Know about Alighiero e Boetti,” Interview, October 1994, p. 98.
Morgan, Robert C. “Systemic Cosmologist,” Cover Magazine, November 1994, p. 38.
Smith, Roberta. “A Bonding of Different Cultures,” The New York Times, December 9, 1994, p. C23.
Heartney, Eleanor. “Mapping: Museum of Modern Art,” Art Presse, December 1994, No. 197, p. 4-5.
1991
Simoni, Serena. Titolo, Spring 1991, p. 51.
Cyphers, Peggy. Arts Magazine, February 1991, p. 97.
McEvilley, Thomas. “Enormous Changes at the Last Minute,” Artforum, October 1991, p. 86 – 87.
Gallusantage, September 4, 1991, p.144-146.
Simoni, Serena. “Alighiero Boetti,” Titolo, Summer, 1991, p. 51.
Comi, Enrico. “Conversation With Leo Castelli,” Human Space, 1991, p. 84, 140-1441 (photo).
1990
Ammann, Jean-Christphe, Giovan Battista Salermo, Ranier Crone/David Moos, Freidmann Malsch and Jean-Pierre Bordaz. “Alighiero e Boetti,” Parkett, No. 24, 1990.
1989
“Toward Arte Povera,” Contemporanea, March/April 1989, p. 80-86.
Vetroco, Maria E. “Utopias, Nomads, Critics, From Arte Povera to the Transavanguardia,” Arts Magazine, April 1989, p. 49-59.
Laurenza, Minmo. “Alighiero e Boetti reveiw at Pio Marti,” Juliet, February-April 1989, p. 59.
Hutner Christina. “Aspekte der italienischer Avantgarde von 1945 bis heute,” Kunstforum, March/April 1989, p. 284-285.
Magnami, Gregorio. “Verso l’Art Povera,” Flash Art, May/June 1989, p. 135.
Salerno, Giovan Battista. “Squares, Thoughts, and Smiles. Alighiero & Boetti,” Tema Celeste, April-June1989, p. 29-31.
1988
Heartney, Eleanor. “Alighiero e Boetti at John Wever,” Art in America, May 1988, p. 190.
1987
Salvioni, Daniela. “Arte Povera: Barbara Gladstone,” Flash Art, Summer 1987.
Christov-Bakargiev, Carolyn. “Arte Povera 1967-1987,” Flash Art, November – December 1987.
1986
Celant, Germano. “The Red and the Black,” Artforum, Summer 1986.
1984
Burnett, A. “Que reste-t-il?” Over Studio, Turin, March 1984.
Oliva, Achille Bonito. “Dialoghi d’artista - incontri con l’arte contemporanea 1970 - 84,” Milan, 1984.
1983
“Clessidra Cerniera Vicerversa,” Domus, No. 637, March 1983.
1980
“Interview with Alighiero Boetti,” Art Agency Tokyo, June 1980.
1979
“Testo ad uso degli abitanti di Gavirate,” Pro Loco, Gavirate, 1979.
“Da mille a mille,” Domus, No. 595, June 1979.
1978
“The Thousand Longest Rivers in the World,” Multipla, Milan 1978.
1976
Paolini, Alicide. “Tra Contestazione E Mercificatiozione,” Studio Marconi, 1976.
Battista Salerno, Giovan. “Alighiero e Boetti,” Bolletino Studio Marconi, March 1976.
Santi, Floriano. “Tempo Dell’Immagine,” Bresciaoggi, Brescia June 1976.
Trini, Tommaso. “Alighiero e Boetti, Insicuro Noncurante Perche’ Leonardesco,” Data, Milan, May 1976.
Bonito Oliva, Achille. “Process, Concept, and Behavior in Italian Art,” Studio International, London, 1976.
Vergine, Lea. “Dall’Informale alla Body Art,” Studio Forma, Turin, 1976.
Boetti, A. “Four Pages of Works,” Studio International, London, June 1976.
Oliva, Achille Bonito. “Europa America - The Different Avant - Garde,” Rome, 1976.
1975
Fagiolo Dell’Arco, Maurizio. “Il Principio di non Averne,” Il Messaggero, Rome, 1975.
Trini, Tommaso. “Alighiero Boetti,” Data, Milan, 1975.
Bonita Oliva, Achille. “La Creazione Dell’Oggetto,” Il Giorno, Rome, July 1975.
Barilli, Renato. “L’Arte Moderna,” Fasciolo, No. 107, Milan, 1975.
“Ordine - Disordine,” Aera, Rome, 1975.
Cora, Bruno. “A Conversation with Alighiero Boetti,” Rome, November 1975.
1973
Stielman, Paul. “Alighiero e Boetti,” Arts Magazine, June 1973.
Boice, Bruce. “Alighiero Boetti,” Artforum, 1973.
1972
Trini, Tommaso. “ABEEGHIIILOORTT,” Data, Rome, 1972.
Bandini, Mirella. “Intervista a Alighiero Boetti,” Torino, 1972.
Trini, Tommaso. “The Sixties in Italy,” Studio International, Lugano, 1972.
1971
AA.VV. “Boetti,” Aktionsraum 1, Monaco, 1971.
Politi, Giancarlo. “Biennale di Parigi,” Flash Art, Milan, 1971.
“Arte Povera: 13 Italienische Kunstler,” Kunstverein, Munich, 197.
1970
Calvesi, Maurizio. “Schermi TV al posto dei quadri,” L’Espresso, No. 11, 1970.
Bandini, Mirella. “La Terza Biennale di Bologna,” Gala, No. 41, 1970.
Buzzati, D. “Ecco l’Arte Povera - La Bienale dei Giovani a Bologna,” Il Corriere Della Sera, Milan, 1970.
Boetti, A. “Nineteen Hundred and Seventy,” Studio International, London, 1970.
1969
Amman, Christopher. “Live in your head - When Attitude Becomes Form,” Art International, 1969.
Dorfles, Gilles. “Arte Concettuale o Arte Povera?” Art International, 1969.
Bandini, Mirella. “Mostre a Torino,” Gala, 1969.
1968
Fossati, Paolo. “Mostre a Torino,” L’Unita, 1968.
Trini, Tommaso. “La Scuola di Torino,” Domus, No. 457, 1968.
Trimarco, Angelo. “Arte Povera and Azioni Povera ad Amalfi,” Flash Art, 1968.
Trini, Tommaso. “Le Pietre di Boetti,” Domus, 1968.
Palazzoli, Daniela. “Italy Commentary,” Studio International, 1968.
Kultermann, Udo. “Nuove Dimensioni della Scultura,” Milan, 1968.
1967
Fossati, Paolo. “Mostre in Italia, Torino,” Flash Art, No. 1, 1967.
Celant, Germano. “Arte Povera,” BT, No. 5, 1967.
Celant, Germano. “Nuove Tecniche d’Immagine,” Casabella, No. 319, 1967.
Fossati, Paolo. “Lo Spettacolo Dei Giovani,” L’Unita, 1967.
Trini, Tommaso. “Boetti o la Ricostruzione non Ricostruita,” Domus, 1967.