Index: Maurizio Cattelan. Milan: Pirelli, HangarBicocca, 2022.

Cherubini, Laura, Boetti / Salvo "Vivere lavorando giocando" "Living Working Playing", 2017, Edizione Casagrande, Lugano

COLORI: emotions of color in art. Milan: Silvana Editorial S.p.A, 2017.
Unpacking The Marciano Collection. New York, London, Munich: Prestel, 2017.

Totah David, Boetti / Bochner, 2016, totah

Wall to Wall: Carpets by Artists. Cleveland: MOCA, 2016.
Pinault Collection 07. Paris: Pinault Collection, 2016.

Alighiero Boetti: Catalogo general Tomo terzo/1. Milan: Electa, 2015.
Milazzo, Richard. The Mannequin of History: Art After Fabrications of Critique and Culture. Modena: MATA Manifattura Tabacchi Modena, 2015.
Alighiero Boetti: Catalogo general Tomo terzo/1. Milan: Electa, 2015.
Milazzo, Richard. The Mannequin of History: Art After Fabrications of Critique and Culture. Modena: MATA Manifattura Tabacchi Modena, 2015.
Szántó, András, ed. The Sense of Movement: When Artists Travel. Ostfildern: Hatje Cantz Verlag, 2015.

Intenzione Manifesta: Il Disegno in Tutte Sue Forme. Torino: Castello di Rivoli Museo D ‘Arte Contemporanea, 2014.

Order and Disorder: Alighiero Boetti by Afghan Women. Los Angeles: Fowler Museum, 2012.
Ends of the Earth: Land Art to 1974. Munich: Prestel; Los Angeles: Museum of Contemporary Art, 2012.
Bürgi, Bernhard Mendes. ARTE POVERA: The Great Awakening. Basel: Kunstmuseum Basel; Ostfildern: Hatje Cantz, 2012.

Boetti By Afghan People. Santa Monica: RAM Publications, 2011.
Alighiero Boetti: Game Plan. New York: Museum of Modern Art, 2011.
Defining Contemporary Art – 25 years in 200 pivotal artworks. London: Phaidon, 2011.
All of This and Nothing. Los Angeles: Hammer Museum, 2011.
TRA: The Edge of Becoming. Belgium: Vervoordt Foundation, 2011.
Godfrey, Mark. Alighiero e Boetti. New Haven: Yale University Press; London: Tate, 2011.
Global Studies: Mapping Contemporary Art and Culture. Ostfildern: Hatje Cantz, 2011.

Sauzeau, Annemarie. Alighiero Boetti. Paris: Tornabuoni Art, 2010.
Ammann, Jean-Christophe. Alighiero e Boetti: Mappa. New York: Barbara Gladstone Gallery; Zurich: JRP Ringier, 2010.
Che Fare? Arte Povera — The Historic Years. Vaduz: Kunstmuseum Liechtenstein; Heidelberg: Kehrer Verlag, 2010.
Collezione Christian Stein: A History of Italian Art. Milan: Electa, 2010.

Ammann, Jean-Christophe. Alighiero Boetti: Catologo generale, Tomo primo. Milan: Electa, 2009.
Oliva, Achille Bonito. Alighiero Boetti: Bringing the World into Art 1993/1962. Naples: Museo D’Arte Contemporanea Donna Regina (MADRE), 2009.

Cerizza, Luca. Alighiero e Boetti: Mappa. London: Afterall Books, 2008.
This is Not to be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles. Los Angeles: Museum of Contemporary Art Los Angeles, 2008.

Tomassoni, Italo. Anni Settanta: Artisti italiani fra cronaca e mito. Bari: Editori Laterza, 2007.
Italian Visions: 40 Years of Art. New York: Vivian Horan Fine Art, 2007.
De Corral, Maria and John R. Lane. Fast Forward: Contemporary Collections for the Dallas Museum of Art. New Haven: Yale University Press, 2007.

Schmidt, Kristin and Cordula von Keller. Niente Tutto. Vaduz: Kunstmuseum Lichtenstein, 2005.
L’art du Xxe Siecle: De l’art Moderne a l’art Contemporian1939- 2002. Paris: Citadelles and Mazenod, 2005.

Alighiero Boetti: Quasi Tutto. Milan: Sivana Editoriale, 2004.

Boetti, Annemarie Sauzeau. Alighiero e Boetti: Shaman-Showman. Turin: Umberto Allemandi & CO., 2001.
Green on Greene. New York: Sperone Westwater, 2001.

Criqui, Jean-Pierre. Le Temps, vite. Paris: Editions du Centre Georges Pompidou, 2000.
da Warhol al 2000. Regione Piemonte: Palazzo Cavour, 2000, p. 64.
35 Anni di Mostratra Europa e America. New York, Torino, Roma: Gian Enzo Sperone, 2000, p. 52, 136-137, 145, 166, 200, 255.
Pugliese, Marina. Le Tecniche e I Materiali Nell’Arte Contemporanea. Rome: Arti della Accademia Nazionale dei Lincei, 2000.

Allianz & Kunst, Collection of Bayerische Versicherungsbank AG. München: Allianz Versicherungs-AG and Anderland Verlag,1999. Forewords by Dr. Michael Albert and Harald Szeemann.

Ammann, Jean-Christophe. Change of Scene XIII. Frankfurt: Museum für Moderne Kunst,1998.
Cooke, Lynne ed. Terra Incognita: Alighiero e Boetti, Vija Celmins, Neil Jenney, Jean Luc Mylayne, Hiroshi Sugimoto. Weserburg: Neues Museum Weserburg, 1998. Essays by Stephen Bann, and Michael Newman Bremen.
Bonami, Francesco. Unfinished History. Minneapolis: Walker Art Center, 1998.

Bianchi, Paolo and Sabine Folie, eds. Atlas Mapping. Linz: Offenes Kulturhaus Linz;
Bregenz: Kunsthaus Bregenz; Brussels; Magazin 4; Vienna: Verlag Turia + Kant, 1997, p. 34, 38.
Goetz, Ingvild and Christiane Meyer-Stoll, eds. Arte Povera: Arbeiten und Dokumente aus der Sammlung Goetz,1958 bis heute. Munich: Sammlung Goetz, 1997. Essays by Mirella Bandini, Carolyn Christov-Bakargiev, Nike Bätzner, Maddalena Disch, Bruno Corà.

Ammann, Jean-Christophe, Maria Teresa Roberto and Anne-Marie Sauzeau. Alighiero Boetti: Rétrospective. Turin: Galleria d’Arte Moderna e Contemporanea; Milan: Edizioni Gabriele Mazzotta, 1996.

Tradition & Innovation: Italian Art since 1945. Seoul: National Museum of Contemporary Art, 1994.

Sperone, Gian Enzo, and Achille Bonito Oliva. La Metafora Trovata: 30 years. Rome: Galleria Sperone, 1994.

Alighiero e Boetti. London: Edward Totah Gallery, 1989.
Techniche nell’ Arte, Societa Poligrafica Editrice. Rome: Tridente Quattro, 1989.

Gran Pavese, The Flag Project, Stichting Gran Pavese. Rotterdam: SDU Publishers, 1988.

Levi, Corrado. Una diversa tradizione. Milan, 1985.
Alberto Boatto: Alighiero & Boetti. Ravenne: Pinacoteca Communale, 1985.

Il modo Italiano. Los Angeles: Institute of Contemporary Art, 1984.

Acrobat mime parfait. Bologna, 1982.
Celant, Germano. Arte povra antiform. Bordeaux: CAPC, 1982.

Identite Italienne, L’art en Italie depuis 1959. Paris: Centre Georges Pompidou, 1981.

Da uno a dieci. Milan: Emma Edizioni, 1980.

Diacono, Mario. Il segno del disegno, l’autenticita della copia nel massaggio del medium. Bologna, 1978.
Sartor, Paolo Mussat. Arte e Artisti in Italia. Turin, 1978.
Alighiero Boetti. Bale: Kunsthalle Basel, 1978.

Ne’ Testa Ne’ Coda. La Citta Di Riga. Editrice: La Nuova Foglio 1976.

 Read, Herbert, "A Concise History of Modern Painting," Thames and Hudson, London.

Kozloff, Max. Eight Contemporary Artists. New York: Museum of Modern Art, 1974.
Alighiero e Boetti. Lucerne: Art Museum of Lucerne, 1974.
Read, Herbert. A Concise History of Modern Painting. London: Thames and Hudson, 1974.

Contemporanea. Rome: Centro di Roma, 1973.
Roma 1973 Palazzo delle Esposizioni, X Quadriennale di Roma. Rome: Fondazione La
Quadriennale Di Roma, 1973.
Dublin: Hendriks Gallery; Belfast: Arts Council of Belfast, 1973.
Lippard, Lucy. Six Years: The Dematerialization of the Art Object. New York: Frederich A. Praeger, 1973.

Persona. Belgrade: Edition Centro di, 1971
Barilli, Renato. Dall ‘Oggetto al Comportamento - La Ricerca Artistica 1960 – 1970. Italy: Ellegi Editions,1971.
7a Biennale de Paris. Florence: Edizioni Centro Di, 1971.

Terza Biennale International della Giovane Pittura. Bologna: Terza Biennale International, 1970.
Conceptual Art Arte Povera Land Art. Milan: Edition Mazzotta, 1970.

Prospect ‘69. Dusseldorf: Stadtische Kunsthalle,1969.
When Attitudes Become Form. Bern: Kunsthalle Bern,1969.
Giraldi, Pietro. Op Losse Schroeven. Amsterdam: Stedelijk Museum, 1969.
Trini, Tommaso. When Attitude Becomes Form. London: ICA London, 1969.
Celant, Germano. Arte Povera. Praeger: Milan, 1969.

Battisti, E., G. Celant and A. Passoni. Torino: Museum of Experimental and Contemporary Art of Torino, 1968.
Art Povera a Bologna. Rome: Cartabianca, 1968.
Barilli, Renato and Germano Celant. Bologna: Arte Povera alla Galleria de Foscherari, 1968.

Con/Temp/l’Azione. Torino, 1967.
Trini, Tommaso. Bolcchi che Sbloccano. Geneva, 1967.
Trini, Tommaso. Boetti. Torino: Centro Arte, 1967.

Godfrey Mark. "Gladstone Gallery opens an exhibition of works by Alighiero e Boetti at Sant'Andrea de Scaphis, Rome," Art Daily, March 2022.

Wesseling, Janneke. “De magische, kleurig vibrerende borduurwerken van Alighiero Boetti,” NRC.nl, April 24, 2019.

Berg, Tatiana. “Must-See Art Guide: Milan,” artnet, April 12, 2018.

Harris, Gareth. “Size Matters: The Large and Very Small art of Alighiero Boetti,” The Art Newspaper, May 2017. 

Rooney, Kara L. “Mel Bochner and Alighierp Boetti,” Brooklyn Rail, April 6, 2016.

Pincus-Witten, Robert. “Alighiero Boetti,” Artforum, April 2013.
Smith, Roberta. “Alighiero Boetti: ‘La Forza del Centro,’” The New York Times, March 8, 2013.

Lovatt, Anna. “Alighiero Boetti,” Museo Nacional Centro De Arte.
“Reina Sofía, Madrid,” Artforum, March 2012.
Schwabsky, Barry. “Putting the World into the World: On Alighiero Boetti,” The Nation,
April 23, 2012.
Bordignon, Elena. “Alighiero e Boetti: In Milan, at the Giangaleazzo Visconti’s Studio, a
collection of works of the famous artist,” Vogue Italia online, November 26, 2012.
Lanz-Frolio, Laura. “‘Alighiero Boetti: Game Plan’ at the Museum of Modern Art,” TimeOut New York, June 28 - July 4, 2012.
Wallace, Ian. “Alighiero Boetti at the Museum of Modern Art, New York,” Huffington Post, September 12, 2012.
Rubinstein, Raphael. ‘“The Poetics of Wattage, after Alighiero e Boetti,’ Alighiero Boetti Game Plan,” The Brooklyn Rail, September 2012.
Lerner, Ben. “Boetti Comes to MOMA,” Art in America, June/July 2012.
Reena, Jana. “Alighiero e Boetti,” Art + Auction, July 2012.

Pajares, Gema. “Alighiero Boetti: el azar manda,” La Razón, October 4, 2011.
Fietta, Jarque. “Viaje alucinante al fondo de Boetti,” El Pais, October 4, 2011.
Lucas, Antonio. “El juego infinito de Alighiero Boetti,” El Mundo, October 4, 2011.
Plagens, Peter. “The Mind Games Artists Play – Alighiero Boetti: Game Plan,” Wall Street Journal, August 31, 2011.

Lavrador, Judicael. “Alighiero E Boetti, Agent Double,” Beaux Arts Magazine, April 2010.

Godfrey, Mark. “Divided Interests,” Artforum, May 2009.

Adams, Brooks. “On the Road to a State of Grace,” Tate Etc., Summer 2008.
Cullinan, Nicholas. “Recent Exhibitions,” The Burlington Magazine, January 2008.
“Le Choc des Mots et Le Sens Des Photos,” Art Actuel, March 2008.

Trouve, Tatiana. “On Alighiero E Boetti,” Art Review, June 2007, p. 38.
Mangini, Elizabeth. “Parallel Revolution,” Artforum, November 2007, p. 159162.
Demos, T. J. “A Matter of Time,” Tate Etc., Spring 2007, p. 96-103.
Ubl, Ralph. “There I am, next to me,” Tate Etc., Spring 2007, p. 30-35.

Douglas, Kris. “Richard Flood,” Contemporary 21, No. 77, 2005, p. 57.

“Alighiero Boetti,” Art in America: Annual Guide 2002, August 2002, p. 18.
“Largest Boetti Museum Exhibition Assembled in the United States,” Art Museum Network News, May 13, 2002.
“When 1 is 2: The art of Alighiero e Boetti,” The Art Newspaper, June 2002.
“When 1 is 2: The art of Alighiero e Boetti,” Houston Chronicle, August 2002, p. 15F.
“Wordly Work,” Houston Chronicle: Hits of the Week, July 13, 2002, p. 2D.
Anspoon, Catherine. “ARTNotes,” Paper City, June 2002.
Anspoon, Catherine. “ARTNotes,” Paper City, August 2002.
Ballou, Chris. “Can Alighiero Come Out to Play?” Glasstire: Visual Art in Texas, August 2002.
Frankel, David. “Aligheiro e Boetti at Contemporary Arts Museum,” Artforum, May 2002, p. 70.
French, Christopher. “Alighiero e Boetti,” ARTNews: National Review, October 2002, p. 163.
Johnson, Ken. “Alighiero e Boetti,” The New York Times, February 15, 2002, p. E46.
Johnson, Patricia. “Boetti walks a line between purpose and mishap,” Houston Chronicle, June 22, 2002, p. 9D-10D.
Klaasmeyer, Kelly. “Life is Beautiful,” Houston Press, September 5-11, 2002, p 54.
Newhall, Edith. “Fine Penmanship,” New York, February 11, 2002, p. 86.
Schwabsky, Barry. “London Gallery Beat,” Art on Paper, July/August 2002, p.78-79.
Smith, Roberta. “Midcentury Italian Art That Still Eggs on the Irreverent,” The New York Times, November 2002, p. E41.
Stein, Lisa. “Exhibit explores curious mind of Alighiero Boetti,” Chicago Tribune, March 20, 2002.
Ventrocq, Marcia. “Arte povera: the recount,” Art in America, March 2002, p. 83-91.

Scott, Andrea K. “Alighiero e Boetti,” TimeOut New York, March 8-15, 2001, p. 55.
Johnson, Ken. “Alighiero e Boetti,” The New York Times, March 23, 2001, p. E35.
Dannatt, Adrian. “Adrian Dannatt’s guide to New York contemporary galleries;
Death and rebirth as a Modern Master: Alighiero e Boetti,” The Art Newspaper, March 2001.
Johnson, Ken. “Art Guide: Alighiero e Boetti,” The New York Times, May 25, 2001, p. E30.
Vetrocq, Marcia E. “Rules of the Game,” Art in America, July 2001, p. 86-93, 113.
Gopnik, Blake. “Off the Beaten Track, Stamps of Approval,” Washington Post, May 13, 2001, p. G6.
Gioni, Massimiliano. “Speaking in Tongues,” Flash Art, November/December 2001, p. 74-77.
Gioni, Massimiliano. “New York Cut Up,” Flash Art, May/June 2001, p. 97-99.
Goodrow, Gérard A. “Art of Communication,” Christie’s Magazine, June/July/August 2001, p. 78-81.
Flood, Richard. “Liquid Plumber,” Artforum, September 2001, p. 164-165.
Yablonsky, Linda. “Green on Greene,” TimeOut New York, November 22-29, 2001, p. 58.

Goodman, Jonathan. “Alighiero Boetti. Esso Gallery, NY,” Art on Paper, May/June 2000.
Groom, Simon. “Fontana, Boetti and Pistoletto,” Modern Painters, Winter 2000, p. 113-114.
“Arte Povera,” tema celeste, No. 77, January/February 2000, p. 147.
Fox, Dan. “Alighiero e Twenty-two points, plus triple-word-score, plus fifty points for using all my letters. Game’s over. I’m outta here. Boetti,” Frieze, February 2000, p. 105- 106.
Sussman, Elisabeth. “Report from Oporto; Sorting Out the ‘60s,” Art in America, Vol. 88, No. 3, March 2000, p. 58-59, 61, 63.
Schwabsky, Barry. “Alighiero E Boetti,” Arforum, 38, No. 0, February 2000, p. 115.
“Alighiero Boetti,” Ground Art and Culture, Issue No. 1, February 2000.
Glueck, Grace. “Alighiero Boetti ‘Works on Paper,’” The New York Times, March 17, 2000, E37.
Zivancevic, Nina. “Alighiero e Boetti,” NY Arts, April 2000.

Frankel, David. “Alighiero e Boetti,” Artforum, vol. 38, No. 1, September 1999, p.40.

Davis, Jordan. “Alighiero e Boetti: Postal Travels, Works on Paper, Documents and More, 1965-1992,” On Paper, Vol. 2, No. 4, March/April 1998, p. 50.
Jarton, Cyril. “La peinture générique,” Art Press, No. 235, May 1998, p. 28-33.
Schwabsky, Barry. “Alighiero Boetti: Esso Gallery,” Artforum, Vol. 36, No. 9, May 1998, p. 146-147.

Buchloh, Benjamin H. D. “Sculpture Projects in Munster,” Artforum, Vol. 36, No. 1, September 1997, p. 115-117.
Camnitzer, Luis. “Italians, Flemish, and Dutch,” Art Nexus, No. 26, September 1997, p. 93-95.

Panzera, Lisa. “Alighiero e Boetti,” Artnews, Vol. 94, No. 1, January 1995, p.163.
Canning, Sue. “Mapping,” Art Papers, Vol. 19, No. 1, January/ February 1995, p. 57-58.
Heartney, Eleanor. “Alighiero e Boetti and Frederic Bruly Bouabre at Dia,” Art in America, Vol. 83, No. 4, April 1995, p. 101.

“MoMA News and Exhibitions,” Flash Art, Vol. 27, No. 177, Summer 1994, p. 37.
Smith, Roberta. “Mapping,” The New York Times, Art in Review, October 14, 1994.
Newhall, Edith. “Talent from the Italian Collection,” New York Magazine, Vol .27, No. 42, October 24, 1994, p. 97.
Adams, Brooks. “25 Things to Know about Alighiero e Boetti,” Interview, October 1994, p. 98.
Morgan, Robert C. “Systemic Cosmologist,” Cover Magazine, November 1994, p. 38.
Smith, Roberta. “A Bonding of Different Cultures,” The New York Times, December 9, 1994, p. C23.
Heartney, Eleanor. “Mapping: Museum of Modern Art,” Art Presse, December 1994, No. 197, p. 4-5.

Simoni, Serena. Titolo, Spring 1991, p. 51.
Cyphers, Peggy. Arts Magazine, February 1991, p. 97.
McEvilley, Thomas. “Enormous Changes at the Last Minute,” Artforum, October 1991, p. 86 – 87.
Gallusantage, September 4, 1991, p.144-146.
Simoni, Serena. “Alighiero Boetti,” Titolo, Summer, 1991, p. 51.
Comi, Enrico. “Conversation With Leo Castelli,” Human Space, 1991, p. 84, 140-1441 (photo).

Ammann, Jean-Christphe, Giovan Battista Salermo, Ranier Crone/David Moos, Freidmann Malsch and Jean-Pierre Bordaz. “Alighiero e Boetti,” Parkett, No. 24, 1990.

“Toward Arte Povera,” Contemporanea, March/April 1989, p. 80-86.
Vetroco, Maria E. “Utopias, Nomads, Critics, From Arte Povera to the Transavanguardia,” Arts Magazine, April 1989, p. 49-59.
Laurenza, Minmo. “Alighiero e Boetti reveiw at Pio Marti,” Juliet, February-April 1989, p. 59.
Hutner Christina. “Aspekte der italienischer Avantgarde von 1945 bis heute,” Kunstforum, March/April 1989, p. 284-285.
Magnami, Gregorio. “Verso l’Art Povera,” Flash Art, May/June 1989, p. 135.
Salerno, Giovan Battista. “Squares, Thoughts, and Smiles. Alighiero & Boetti,” Tema Celeste, April-June1989, p. 29-31.

Heartney, Eleanor. “Alighiero e Boetti at John Wever,” Art in America, May 1988, p. 190.

Salvioni, Daniela. “Arte Povera: Barbara Gladstone,” Flash Art, Summer 1987.
Christov-Bakargiev, Carolyn. “Arte Povera 1967-1987,” Flash Art, November – December 1987.

Celant, Germano. “The Red and the Black,” Artforum, Summer 1986.

Burnett, A. “Que reste-t-il?” Over Studio, Turin, March 1984.
Oliva, Achille Bonito. “Dialoghi d’artista - incontri con l’arte contemporanea 1970 - 84,” Milan, 1984.

“Clessidra Cerniera Vicerversa,” Domus, No. 637, March 1983.

“Interview with Alighiero Boetti,” Art Agency Tokyo, June 1980.

“Testo ad uso degli abitanti di Gavirate,” Pro Loco, Gavirate, 1979.
“Da mille a mille,” Domus, No. 595, June 1979.

“The Thousand Longest Rivers in the World,” Multipla, Milan 1978.

Paolini, Alicide. “Tra Contestazione E Mercificatiozione,” Studio Marconi, 1976.
Battista Salerno, Giovan. “Alighiero e Boetti,” Bolletino Studio Marconi, March 1976.
Santi, Floriano. “Tempo Dell’Immagine,” Bresciaoggi, Brescia June 1976.
Trini, Tommaso. “Alighiero e Boetti, Insicuro Noncurante Perche’ Leonardesco,” Data, Milan, May 1976.
Bonito Oliva, Achille. “Process, Concept, and Behavior in Italian Art,” Studio International, London, 1976.
Vergine, Lea. “Dall’Informale alla Body Art,” Studio Forma, Turin, 1976.
Boetti, A. “Four Pages of Works,” Studio International, London, June 1976.
Oliva, Achille Bonito. “Europa America - The Different Avant - Garde,” Rome, 1976.

Fagiolo Dell’Arco, Maurizio. “Il Principio di non Averne,” Il Messaggero, Rome, 1975.
Trini, Tommaso. “Alighiero Boetti,” Data, Milan, 1975.
Bonita Oliva, Achille. “La Creazione Dell’Oggetto,” Il Giorno, Rome, July 1975.
Barilli, Renato. “L’Arte Moderna,” Fasciolo, No. 107, Milan, 1975.
“Ordine - Disordine,” Aera, Rome, 1975.
Cora, Bruno. “A Conversation with Alighiero Boetti,” Rome, November 1975.

Stielman, Paul. “Alighiero e Boetti,” Arts Magazine, June 1973.
Boice, Bruce. “Alighiero Boetti,” Artforum, 1973.

Trini, Tommaso. “ABEEGHIIILOORTT,” Data, Rome, 1972.
Bandini, Mirella. “Intervista a Alighiero Boetti,” Torino, 1972.
Trini, Tommaso. “The Sixties in Italy,” Studio International, Lugano, 1972.

AA.VV. “Boetti,” Aktionsraum 1, Monaco, 1971.
Politi, Giancarlo. “Biennale di Parigi,” Flash Art, Milan, 1971.
“Arte Povera: 13 Italienische Kunstler,” Kunstverein, Munich, 197.

Calvesi, Maurizio. “Schermi TV al posto dei quadri,” L’Espresso, No. 11, 1970.
Bandini, Mirella. “La Terza Biennale di Bologna,” Gala, No. 41, 1970.
Buzzati, D. “Ecco l’Arte Povera - La Bienale dei Giovani a Bologna,” Il Corriere Della Sera, Milan, 1970.
Boetti, A. “Nineteen Hundred and Seventy,” Studio International, London, 1970.

Amman, Christopher. “Live in your head - When Attitude Becomes Form,” Art International, 1969.
Dorfles, Gilles. “Arte Concettuale o Arte Povera?” Art International, 1969.
Bandini, Mirella. “Mostre a Torino,” Gala, 1969.

Fossati, Paolo. “Mostre a Torino,” L’Unita, 1968.
Trini, Tommaso. “La Scuola di Torino,” Domus, No. 457, 1968.
Trimarco, Angelo. “Arte Povera and Azioni Povera ad Amalfi,” Flash Art, 1968.
Trini, Tommaso. “Le Pietre di Boetti,” Domus, 1968.
Palazzoli, Daniela. “Italy Commentary,” Studio International, 1968.
Kultermann, Udo. “Nuove Dimensioni della Scultura,” Milan, 1968.

Fossati, Paolo. “Mostre in Italia, Torino,” Flash Art, No. 1, 1967.
Celant, Germano. “Arte Povera,” BT, No. 5, 1967.
Celant, Germano. “Nuove Tecniche d’Immagine,” Casabella, No. 319, 1967.
Fossati, Paolo. “Lo Spettacolo Dei Giovani,” L’Unita, 1967.
Trini, Tommaso. “Boetti o la Ricostruzione non Ricostruita,” Domus, 1967.