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Allora & Calzadilla

Solo Exhibition Catalogues and Monographs
Allora & Calzadilla: Specters of Noon. Houston and New Haven: The Menil Collection and Yale University Press, 2021.
Allora, Jennifer and Guillermo Calzadilla. A Modest Proposal: Puerto Rico’s Crucible. Barcelona: Fundació Antoni Tàpies, 2018.
Allora, Jennifer and Guillermo Calzadilla. Allora & Calzadilla. Barcelona: Fundació Antoni Tàpies, 2018.
Hanru, Hou and Anne Palopoli. Allora & Calzadila: Blackout. Roma: Lazy Dog Press, 2018.
Allora, Jennifer and Guillermo Calzadilla. Allora & Calzadilla: Puerto Rican Light: (Cueva Vientos), New York: Dia Art Foundation, 2016.
Gloria: Allora & Calzadilla. New York: DelMonico Books and Prestel, 2011.
Allora, Jennifer and Yates McKee. Allora & Calzadilla: Vieques Videos 2003-2010. London: Lisson Gallery, 2011.
Allora & Calzadilla. Zurich: JRP/Ringier, 2009.
Martin, Sylvia, Carsten Ruhl, and Raimar Stange. Allora & Calzadilla. Krefeld: Kunstmuseen Krefeld; Nürnberg: Verlag für Moderne Kunst Nürnberg, 2009.
Allora & Calzadilla & Et Cetera. Cologne: Verlag der Buchhandlung Walther Konig Books, 2009.
Rosenberg, Angela. Allora & Calzadilla: COMPASS. Berlin: Temporäre Kunsthalle Berlin, 2009.
Lorz, Julienne. Allora & Calzadilla: Stop, Repair, Prepare. Cologne: Verlag der Buchhandlung Walther Konig, 2008.
Miki, Akiko, et al. Allora & Calzadilla: Land Mark. Paris: Paris Musees, 2006.
Hernandez Chong-Cuy, Sofia ed. Allora & Calzadilla. New York: Ink, Monterrey and the Americas Society, 2005.
Common Sense? Boston: ICA, 2004.
Selected Group Exhibitions Catalogues/Books
Unpacking the Marciano Collection. New York, London, and Munich: Prestel, 2017.
Aqueous Earth & The Animal Mirror. New York: International Studio and Curatorial Program, 2017.
Adamson, Glenn and Julia Bryan-Wilson. In the Making: Artist and their Materials from the Studio to Crowsdsourcing. London: Thames and Husdon, 2016.
Pérez Rubio, Agustín and Alan Pauls. Inifinite Experience. Buenos Aires: Fundación Eduardo F. Costantini, 2015.
Catambas, Renata and Samuel Leuenberger, eds. 14 Rooms. Ostfildern: Hatje Cantz, 2014.
MoMA Highlights. New York: Museum of Modern Art, 2014.
Holzwarth, Hans Werner. Art Now Vol 4. Cologne: Taschen, 2013.
Schneider, Claire. More Love: Art, Politics, and Sharing since the 1990s. Chapel Hill: Ackland Art Museum, 2013.
Moszynska, Anna. Sculpture Now. London: Thames & Hudson, 2013.
Thompson, Nato, ed. Living As Form: Socially Engaged Art From 1991-2011. New York: Creative Time Books, 2012.
Hoffmann, Jens. Life in your Head: When Attitudes Became Form Become Attitudes. San Francisco: California College of the Arts, 2012.
Documenta (13): Das Logbuch/The Logbook, Katalog/Catalog 2/3. Kassel: Hatje Cantaz, 2012.
Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. New York: Verso, 2011.
Contemporary Art in North America. London: Black Dog Publishing, 2011.
Slavick, Susanne. Out of Rubble. Milan: Charta, 2011.
La Biennale di Venezia 2011: ILLUMInations. Venice: Marsilio Editore, 2011.
Aux Tuileries. Paris: FIAC/Editions Dilecta, 2011.
Wappler, Friederike, ed. New Relations in Art and Society. Zurich: JRP Ringier, 2011.
Hoptman, Laura, and Yilmaz Dziewior, Uta Grozenick, eds. The Art of Tomorrow. Berlin: DISTANZ Verlag, 2010.
Adaptation, Between Species. Toronto: The Power Plant, 2010.
Hope! Une exposition d’art contemporain sur l’espoir. Dinard: Palais des Arts, 2010.
Nobody’s Property, Art, Land, Space 2000-2010. Princeton: Princeton Art Museum, 2010.
Tragicomedia. Sevilla: Junta de Andulucia, Consejeria de Cultura, Centro Andaluz de Arte Contemporaneo; Cajasol: Obra Social, 2009.
Las Implicaciones de la Imagen. Mexico City: Museo Universitario de Ciencias y Arte, 2008.
Holzwarth, Hans Werner. Art Now Vol. 3. Cologne: Taschen, 2008.
Revolutions From That Turn: 2008 Biennale of Sydney. London: Thames & Hudson, 2008.
Ravenal, John B. Artificial Light: New Light-Based Sculpture and Installation Art. Richmond: Virginia Museum of Fine Arts, 2007.
Not Only Possible, But Also Necessary Optimism in the Age of Global War. Istanbul: Istanbul Kültür Sanat Vakfi, 2007.
Sollins, Susan, and Marybeth Sollins. Art 21: Art in the Twenty-First Century. New York: Abrams Books, 2007.
Curiger, Bice ed. Parkett 80: Dominique Gonzalez-Foerster, Mark Grotjahn, and Allora & Calzadilla. New York: Parkett, 2007.
Gisbourne, Mark. Double Act: Two Artists One Expression. London: Prestel, 2007.
Hoffman, Jens. Apocalypse Now: The Theater of War. San Francisco: CCA Wattis Institute for Contemporary Art, 2007.
Ice Cream: Contemporary Art in Culture. New York: Phaidon, 2007.
Lyon Biennial 2007: 00s - The History of a Decade That Has Not Yet Been Named. Zurich: JRP Ringier, 2007.
Mckee, Yates ed. Nongovermental Politics. New York: Zone Books, 2007.
10th International Istanbul Biennial. Sishane: Istanbul Kültür Sanat Vakfi, 2007.
Frieze Art Fair Yearbook 2007-8. London: Frieze, 2007.
Cornwell, Donna and Osvaldo Sanchez ed. InSITE_05. San Diego: Installation Gallery, 2006.
Choi, Binna. Report, Not Announcement. Berlin: Revolver Archiv für aktuelle Kunst; Frankfurt: BAK, 2006.
Earl, Edward Mead and Brian Wallis. Ecotopia: The Second ICP Triennial of Photography and Video. Göttingen: Steidl, 2006.
Hoba, Stephen ed. Hugo Boss Prize 2006. New York: Guggenheim Museum, 2006.
Iles, Chrissie and Philippe Vergne. Whitney Biennial 2006: Day for Night. New York: Whitney Museum of American Art, 2006.
Obrist, Hans Ulrich. ….don’tstodon’tstopdon’tstopdon’tstop. New York: Sternberg, 2006.
Shohat, Ella. Taboo Memories, Diasporic Voices. Raleigh: Duke University Press, 2006.
Van Assche, Christine, Mark Nash, and Chantal Pontbriand. Une Vision de Monde: La Colllection Vidéo. Paris: Fage and La Maison Rouge, 2006.
Birnbaum, Daniel, Gunnar B. Kvaran, and Hans Ulrich Obrist eds. Uncertain States of America: American Art in the 3rd Millennium. Oslo: Astrup Fearnley Museum of Modern Art, 2005.
Bonami, Francesco, and Carolyn Christov-Bakargiev eds. T1 Triennale Tremusei: La sindrome di Pantagruel. Milan: Skira, 2005.
De Corral, Maria and Rosa Martinez eds. La Biennale di Venezia: 51. International Art Exhibition. New York: Rizzoli International Publications, 2005.
Fokidis, Marina, Sergio Risaliti, and Daphne Vitali. The Gesture: A Visual Library in Progress. Florence: Artout-Maschietto, 2005.
Smith, Stephanie. Beyond Green: Towards a Sustainable Art. Chicago: Smart Museum of Art at the University of Chicago, 2005.
Rugoff, Ralph. Irreducible: Contemporary Short for Video. San Francisco: CCA Wattis Institute, 2005.
Rugoff, Ralph. Monuments to the USA. San Francisco: CCA Wattis Institute, 2005.
Obrist, Hans Ulrich, ed. Do It. Frankfurt: Revolver, Archiv für aktuelle Kunst, 2005.
Molok, Nikolai, ed. 1 Moscow Biennale of Contemporary Art: Dialectics of Hope. Moscow: Artchtonika, 2005.
Morgan, Jessica, and Bjorn Roth, ed. Material Time, Work Time, Life Time. Frankfurt: Revolver, Archiv für aktuelle Kunst, 2005.
Mariátegui, José-Carlos, and Jorge Villacorta, ed. Videografías Invisibles. Lima: Museo Patio Herreriano, 2005.
Ailleurs, Ici. Paris: ARC, Musée d’art Moderne de la Ville de Paris, 2004.
5th Gwangju Biennial: A Grain of Dust A Drop of Water. Gwangi: Gwangju Biennial Foundation, 2004.
Mckee, Yates. Common Sense? Boston: Institute of Contemporary Art, 2004.
Barragán Paco, Miguel Angel Garca-Juez, and Mar Bartomeu eds. The Art To Come. Madrid: Actar, 2003.
Fusco, Coco and Brian Wallis eds. Only Skin Deep: Changing Visions of the American Self. New York: Harry N. Abrams, 2003.
Halbreich, Kathy, Paulo Herkenhoff, Hou Hanru, Vasif Kortun, and Philippe Vergne eds. How Latitudes Become Forms: Art in A Global Age. Minneapolis: Walker Arts Center, 2003.
Morgan, Jessica. Common Wealth. London: Tate Modern, 2003.
Massie, Annette ed. Away From Home. Columbus: Wexner Center for the Arts at the Ohio State University, 2003.
III Bienal Iberoamericana. Lima: Casa Rimac, 2002.
Marxuach, Michelle ed. PR’00 (Parentesis en la Cuidad). San Juan: M&M Proyectos y Agnes B, 2000.
Lugo Betrán, Dorian and Kevin Power. Puerto Rico, Rico Puerto, Que Puerto. Sante Fe: Instituto de America, 2000.
VII Bienal de la Habana. Havana: Centro de Arte Contemporaneo Wilfredo Lam, Consejo Nacional de Artes Plasticas, 2000.
Herkenhoff, Paulo and Adriano Pedrosa, ed. XXIV Bienal de Sao Paulo. Sao Paulo: A Fundacao, 1998.
Perez-Ratton, Virginia. Pista de Baile de Carbon: Centroamerico y el Caribe: Una Historia en Blanco y Negro, XXIV Bienal de Sao Paulo. Sao Paulo: A Fundacao, 1998.
Borràs, Maria Lluïsa and Antonio Zaya Vega. Caribe: Exclusión, Fragmentación, y Paraiso. Badajoz: Museo Extremeno e Iberoamericano de Arte Contemporaneo, 1998.
Selected Articles and Reviews
“Video: Meet Allora & Calzadilla,” Art Basel, November 2021.
Moffitt, Evan. “The Must-See Exhibitions in New York This Autumn,” Frieze, September 13, 2019.
Graver, David. ‘“Allora + Calzadilla’s ‘Graft’ Outdoor Installation At The Installation At The Garage Museum Of Contemporary Art,” Cool Hunting, June 28, 2019.
Canepa Luna, Mariana. “Allora & Calzadilla,” Art Agenda, March 19, 2018.
Zamponi, Beatrice. “Blackout: Allora and Calzadilla at the MAXXI in Rome,” Domus Magazine, March 7, 2018.
“Paradise Lost in Chicago,” Elephant Magazine, January 9, 2018.
Shaw, Anny. “Allora & Calzadilla in Puerto Rico,” The Art Newspaper, December 7, 2017.
Allora, Jennifer and Guillermo Calzadilla. “Landscapes of shock, circuits of solidarity,” The Art Newspaper, December 6, 2017.
Shaw, Anny. “Allora & Calzadilla in Puerto Rico,” The Art Newspaper, December 7, 2017.
Allora, Jennifer and Guillermo Calzadilla. “Landscapes of shock, circuits of solidarity,” The Art Newspaper, December 6, 2017.
Brown, Kate. “A 40,000 – Pound Allora & Calzadilla Sculpture Falls From a Crane in Miami Ahead of the ICA’s Grand Opening,” artnet News, November 23, 2017.
Pini, Gary. “Mega Guide to Art Basel Miami Beach 2017: Part 1,” Paper Magazine, November 7, 2017.
Treaster, Joseph B. “In Puerto Rico, Creating Art From Hardship,” New York Times, October 24, 2017.
Shaw, Anny. “Bass Museum acquires Allora and Calzadilla petrol pump,” The Art Newspaper, August 1, 2017.
Gotthardt, Alexxa. “Why a Dan Flavin Work Hidden in a Puerto Rican Cave Makes a Timely Political Statement,” Artsy, June 5, 2017.
Luisa Duarte. “A SONG FOR RIO Fprtes D’Aloia & Gabriel, Rio de Janeiro, Brazil,” Frieze, May 2017.
Small, Irene V. “Allora & Calzadilla: Puerto Rican Light,” Artforum, May 2017.
Tousley, Nancy. “Allora & Calzadilla,” Border Crossings, 2016.
Schwendener, Martha. “Art Fall Preview: From East Coast to West Coast. From Concrete to Ethereal,” The New York Times, September 16, 2016.
Ruiz, Cristina. “It’s cave art, but not as we know it,” The Art Newspaper, December 2, 2015.
“Best of 2015: Artists’ Artist,” Artforum, December 2015.
Small, Irene V. “Irene V. Small on Allora & Calzadilla’s Puerto Rican Light (Cueva Vientos), 2015,” Artforum, May 2015.
Newhall, Edith. “Allora & Calzadilla, Philadelphia Museum of Art & Fabric Workshop and Museum Philadelphia,” Artnews, May 2015.
Rottenberg, Silvia. “MALBA comes alive with bold exhibit,” Buenos Aires Herald, March 23, 2015.
Lew, Christopher Y. “Allora & Calzadilla,” BOMB Magazine, January 26, 2015.
Gopnik, Blake and Christian Viveros-Fauné. “Allora & Calzadilla Test Interspecies Communication,” Artnet, January 6, 2015.
Nathan, Emily. “Allora & Calzadilla Fill Two Philly Museums With Choir Mashups and Whale Bone Songs,” New York Observer, December 15, 2014.
Halle, Howard. “Allora & Calzadilla, Fault Lines,” Time Out New York, October 9, 2014.
Vidrine, Art. “Confrontational Aesthetics: Choirboys Sing Insults in Allora & Calzadilla Performance,” ARTslant, October 2, 2014.
Ramey, Corinne. “The Art of Trash Talking Comes Alive at Chelsea Gallery,” The Wall Street Journal, September 15, 2014.
“Art Basel Picks Up The Performance Theme,” The Art Newspaper, June 2014, p.14
Mizota, Sharon. “Review: Allora & Calzadilla Celebrate Beauty, Oddity of Animal World,” LA Times, July 25, 2014.
Beck, Chelsea. “Review: Allora & Calzadilla at Redcat,” Blouin ArtInfo, July 27, 2014.
Viliani, Andrea. “Allora e Calzadilla. La musica del potere,” Flash Art Italia, October/November 2013.
“American Artistic Duo Allora & Calzadilla Takes Over Palazzo Cusani,” Huffington Post, October 25, 2013.
“Allora & Calzadilla: Fault Lines,” e-flux, 2013.
“Allora & Calzadilla at Fondazione Nicola Trussardi,” Designboom, October 23, 2013.
Forster, Siegfried. “Le Festival d’automne à Paris s’ouvre avec un concert pour deux éléphants,”, September 13, 2013.
Lequeux, Emmanuelle. “Sons et Sens pour Allora et Calzadilla,” Le Monde, September 11, 2013, p.4
Moulene, Claire. “Unchained Melody,” Les Inrockuptibles, September 2013, p.16.
“Allora & Calzadilla per Trussardi,” Marie, September 20, 2013.
Kalmar, Stefan. “Allora & Calzadilla,” Artforum, September 2013, p. 197.
Byrt, Anthony. “The 5th Auckland Triennial,” Artforum, May 2013, p. 179.
Marino, John. “New York Arts Sponsor to Support Outdoor Puerto Rico Project,” Caribbean Business, Volume 41, No. 6., February 21, 2013.
“Allora & Calzadilla,” Jillmgrant’s Blog, February 7, 2013.
“Sydney Dance Company to Perform Allora and Calzadilla Artwork,” Artinfo, February 12, 2013.
Spada, Sabina. “La musica del potere,” ARTE, January 11, 2013.
Herzberg, Julia P. “dOCUMENTA (13),” Arte al Dia International, Issue 140, 2012, p. 90.
Sandler, Nathaniel. “Vernissage Barrage: Art Basel Miami Beach,” Artslant, December 7, 2012.
Forrest, Nicholas. “Video: Allora & Calzadilla Prepare for Launch of Australian Project,” Artinfo, November 16, 2012.
Forrest, Nicholas. “Kaldor Snatches Allora & Calzadilla’s ‘Stop, Repair, Prepare’ for Australia,”, October 23, 2012.
Turner, Brook. “Coup for Kaldor in Moving Ode to Art,” The Australian Financial Review, October 4, 2012.
Farquharson, Alex and Kaelen Wilson-Goldie, “Get Together,” Frieze, September 2012, p. 150 – 160.
Millard, Coline. “In Honor of the Olympics, Artinfo UK’s Top 10 Sports-Themed Contemporary Artworks,” Artinfo, August 14, 2012.
Punj, Rajesh. “Allora & Calzadilla,”, April 2012.
Luke, Ben. “Picks,” Artforum, January 2012.
“Acquisitions,” The Art Newspaper, No. 231, January 2012, pg. 25.
“Work in Progress,” V Magazine, September 2011, p. 162-163.
Wilson-Goldie, Kaelene. “54th Venice Biennale,” Frieze, Issue 141, September 2011.
Navarrete, Jose Antonio. “Between Reflection and Affection,” Arte Al Dia International ed. 135, September 2011, p. 66-71.
Saltz, Jerry. “Notes on Venice Biennales,” Flash Art, July-September 2011.
Mizota, Sharon. ‘“Paraiso’ at Ltd Los Angeles,” Los Angeles Times, July 14, 2011.
Jeffery, Phil. “Manchester International Festival: 11 Rooms of Interactive Art,” BBC News Manchester, July 14, 2011.
Rosenberg, Karen. “Going for the Gold,” Art in America, June-July 2011.
Scardi, Gabi. “Venice Biennale: The National Pavilions of the Giardini Surveyed,” Domus, June 22, 2011.
Vogel, Carol. “Stars of Venice Shine in Basel,” The New York Times, June 17, 2011.
Bodin, Claudia. “Allora & Calzadilla,” Art, June 2011.
Yablonsky, Linda. “Venice Biennale: Close Encounters,” Artnet Magazine, June 13,
Lindemann, Adam. “On Sale Now: The Venice Biennale!” The New York Observer, June 13, 2011.
Johnson, Paddy. “Venice Biennale Remainders: Allora and Calzadilla Aren’t So Bad, Christian Marclay’s ‘Timeless’ Clock, Scads of Flickr Photos,” Art Fag City, June 10, 2011.
Yablonsky, Linda. “Idol Rich,” Artforum, June 9, 2011.
“Art as a political game,” The Economist, June 9, 2011.
Finnegan, Molly. “U.S. Athletes are Part of the Art at Venice Biennale,” PBS, June 9, 2011.
“Allora & Calzadilla: Gloria at Venice art biennale 2011,” Design Boom, June 8, 2011.
“Venice Biennale: Tough Subjects on the World’s Art Stage,” Artfix Daily, June 7, 2011.
Martin, JJ. “Venice Biennale 2011,” Wallpaper*, June 7, 2011.
McLean-Ferris, Laura. “54th Venice Biennale: Tapping the light fantastic,” The Independent, June 7, 2011.
Finkel, Jori. “At Venice Biennale, National Artists Know No Boundaries,” Los Angeles Times, June 6, 2011.
Hannaford, Kat. “An Overturned Army Tank is a Treadmill for Olympic Athletes,” Gizmodo, June 6, 2011.
“Highlights From the 54th Venice Biennale 2011,” Huffington Post, June 6, 2011.
“The Nine Best National Pavilions at the Venice Biennale,” ARTINFO, June 6, 2011.
Smee, Sebastian. “Biennale starts in fits: In Venice, standout artworks amid tumult,”, June 5, 2011.
Cumming, Laura. “The 54th Venice Biennale – review,” the Guardian, June 5, 2011.
Luse, Mimi. “Venice Biennale Dispatch, Part Two: Deconstructing Nationalism,” BlackBook, June 3, 2011.
Scott, Andrea. “Critics Notebook: Moving Piano” The New Yorker, 2011, p. 8.
Sutton, Benjamin. “America’s Allora & Calzadilla Crushing Competition at Venice Biennale,” The L Magazine, June 3, 2011.
Goldstein, Andrew M. “’It’s an Art Project, Let’s Keep it at That’: A Q&A With American Diplomat David Mees on the Politics of the U.S. Pavilion,” ARTINFO, June 2, 2011.
Goldstein, Andrew M. “Bound for Glory: Cavorting Athletes and Oblique Politics at the Debut of Allora & Calzadilla’s U.S. Pavilion in Venice,” ARTINFO, June 2, 2011.
Gonzalez, Laura. “U.S. Introspection in Venice,” Artlog, June 2, 2011.
Livesay, Christopher. “Art as ‘Smart Power’ At the Venice Biennale,” NPR, June 2, 2011.
Cameron, Dan. “Allora & Calzadilla: NO COMPETITION,” Art-it, June 1, 2011.
Smith, Roberta. “Venice Biennale: An Installation Art Contest,”, June 1, 2011.
Yablonsky, Linda. “Jennifer Allora & Guillermo Calzadilla,” Interview, June 2011.
Hernandez Chong Cuy, Sofia. “Part of the Process,” Mousse, Summer 2011.
Higgins, Charlotte. “Tank turned into treadmill adds theatre to US Venice Biennale entry,”, June 1, 2011.
King, Elaine. “A Conversation with Allora & Calzadilla: Art as Monster,” Sculpture, June 2011.
“The US Pavilion at the 54th Venice Biennale 2011, Gloria by Jennifer Allora and Guillermo Calzadilla,” purple DIARY, June 2011.
“The Merchants of Venice,” W Magazine, 2011.
“2011 Preview: Venice Biennale,” Art+Auction, June 2011.
“Puerto Rico Based Artists Allora & Calzadilla Arrive at Venice Art Biennale,” Hispanically Speaking News, June 2, 2011.
“Breadth in Venice,” Financial Times, June 4-5, 2011.
“Does an upside down tank with a jogger on top REALLY sell the U.S. at world’s leading arts festival?,” Daily Mail, June 3, 2011.
Saltz, Jerry. “Jerry Saltz on the Ugly American at the Venice Biennale,”, June 2, 2011.
“Musical ATM Goes on Display at Venice Biennale,” Finextra, June 1, 2011.
Crow, Kelly. “The Art World’s Olympics,” The Wall Street Journal, May 27, 2011.
Curiger, Bice. “My Biennale,” L’Uomo Vogue, May-June 2011.
Seliger, Mark. “Jennifer Allora E Guillermo Calzadilla,” L’uomo Vogue, May-June 2011.
Gayford, Martin. “Venice Biennale Displays Upside-Down Tank, Ottoman Decay: Review,” Bloomberg, May 31, 2011.
Gopnik, Blake. “At Venice Biennale, U.S. Pavilion Somersaults Into Play,” The Daily Beast, May 31, 2011.
Gayford, Martin. “Koons, 52-Ton Tank, Sleazy Star Enliven European Summer: Preview,” Bloomberg, May 24, 2011.
Vogel, Carol. “War Machines (With Gymnasts),” The New York Times, May 15, 2011.
Vogel, Carol. “Pushing the limits in Venice,” The International Herald Tribune, May 14- 15, 2011.
Oliver, William. “Artist Interview: James Franco,” The Art Newspaper, March 2011.
Sheets, Hilarie. “Dynamic Duos,” Art News, February 2011.
“Stop, Repair, Prepare: Variation on Ode to Joy for a Prepared Piano,”, 2011.
Vogel, Carol. “Inside Art,” The New York Times, 2011.
“Allora & Calzadilla,” Poiesis, Volume Thirteen, 2011.         
Howe, David Everitt. “Allora & Calzadilla’s Embodied Instrument,” Art in America, December 10, 2010.
Davis, Ben. “Striking Political Notes LA Q & A with Performance Duo Allora & Calzadilla,” Artinfo, December 2010.
Smith, Roberta. “I Just Popped Out To Play Beethoven,” The New York Times, December 9, 2010.
Yablonsky, Linda. “Two for One,” W Magazine, November 2010, p. 61-64.
Stollas, Helen. “Allora & Calzadilla to represent US in Venice,” The Art Newspaper, September 8, 2010.
Vogel, Carol. “Art Team Represents U.S. at 2011 Venice Biennale,” The New York Times, September 8, 2010.
McKee, Yates. “Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora and Calzadilla’s Land Mark,” October, vol. 133, Summer 2010.
Garcia, Cornelia. “Allora & Calzadilla, Lisson Gallery,” Modern Painters, Summer 2010, p. 17.
Freude Schoner Gotterflugel. “Allora & Calzadilla @ Julia Stoschek Collection,”, 2010.
Cotter, Holland. “Times Are Tough? Bring on Vermeer and the Pianos,” The New York Times, December 17, 2009.
Christov-Bakargiev, Carolyn. “Top Ten,” Artforum, December 2009.
Faguet, Michele. “Allora & Calzadilla,” Artforum, November 2009, p. 244.
Lapp, Axel. “Reviews: Allora & Calzadilla,” Art Review, October 2009.
Motta, Carlos. “Allora & Calzadilla,” Bomb, Number 109, Fall 2009, p. 64 – 71.
Yablonsky, Linda. “You Had to Be There,” ARTnews, June 2009.
“Allora & Calzadilla,” Arte al Dia International, May/June/July 2009, p.106.
Taylor, Kate. “Nothing Lasts Forever,” Manhattan: Modern Luxury, May/June 2009, p. 50-52, 119.
Mack, Joshua. “Allora & Calzadilla: Stop, Repair, Prepare,” Art Review, April 2009, p. 84, 86.
Wiley, Chris. “The Party is Over: Allora & Calzadilla’s Monstrous Art,” Kaleidoscope,
March-April 2009, p. 18-22.
Allora & Calzadilla. “Ignacio Lang and The Sediments of History,” Art Review, March 2009, p. 86-87.
Saltz, Jerry. "Top of the Ninth", New York Magazine, February 23, 2009.
Droitcour, Brian. "Critics' Pick: Allora & Calzadilla,”, 2009.
"Bones Beat: Allora & Calzadilla's Stop, Repair, Prepare at Gladstone Gallery,”, February 5, 2009.
Cotter, Holland. "Allora & Calzadilla: Stop, Repair, Prepare,” The New York Times, January 30, 2009.
Schambelan, Elizabeth. “Being There,” Artforum, January 2009, p. 175.
Droitcour, Brian. “Critic’s Picks: Allora & Calzadilla,”, 2009.
De Ruiter, Marinus. “Allora & Calzadilla,” The Wire, no295, September 2008.
McDonough, Tom. “Use What Sinks,” Art In America, January 2008, p. 83-87.
Charlesworth, J.J. "Shaping Politics," Art Review, January 2008, p. 70-73.
Rathgeber, Pirkko. “Allora & Calzadilla,” Flash Art Vol. XLI No. 262, October 2008, p. 141.
“Allora & Calzadilla,” Tema Celeste, May/June 2007, p. 88.
Wei, Lilly. "Report from Richmond: Light Fantastic," Art in America, September 2007, p. 83.
"The Artists' Artists," Artforum, December 2007, p. 122.
Charlesworth, J.J. "Power Plays," Art Review, October 2007, p. 82 – 85.
Bishop, Claire. "10th International Istanbul Biennial," Artforum, November 2007 p. 360 – 361.
Falguiéres, Patricia. "Archipelago," Parkett, No 80, 2007, p. 30-35.
Mckee, Yates and Jaleh Mansoor. "The Sediment of History," Parkett, No 80, p. 42-48.
Walker, Hamza. "Wake Up Call," Parkett, No 80, pg. 56-62.
Cruger, George. "Artificial Light," D'Art International, Fall 2006, p. 35-37.
Morgan, Jessica. “What to see this month: Jennifer Allora and Guillermo Calzadilla,” Art Review, Issue 12, June 2007, p. 44.
Feldman, Hannah. “Sound Tracks: The Art of Allora and Calzadilla,” Artforum, May 2007, p. 336- 341, 396.
O'Reilly, Sally. "Trumpets and Turtles," Frieze, Issue 108, June/July/August 2007, p. 204-207.
Feldman, Hannah. “Allora and Calzadilla,” Artforum, May 2007, p. 196.
Ward, Ossian. “Clamor: Serpentine Gallery,” Time Out London, April 25 - May 1, 2007.
Lynskey, Dorian. “Torturer’s jukebox: The bunker contains the sound of modern warfare. And even its makers don’t like it.,” The Guardian, April 24, 2007.
Hackworth, Nick. “Allora and Calzadilla Clamor,” Evening Standard, April 19, 2007.
Macdonald, Fiona. “Allora and Calzadilla Clamor,” Metro London, April 19, 2007.
Jacobs, Bell. “That’s the sound of violence,” Metro, April 12, 2007, p. 19.
“Arts Brief,” The New York Times, April 10, 2007.
Cripps, Charlotte. “Visual Arts: Clamor,” The Independent, April 2, 2007, p. 21.
Schapiro, Rose. "A Spring Reveille Allora and Calzadilla answer the call at the Ren Society," Chicago Weekly, March 29, 2007, p. 3.
Lopez, Ruth. "Smell the Coffee: Allora and Calzadilla urge viewers to Wake Up at the Renaissance Society," Time Out Chicago, March 22-28, 2007, p. 67.
Myers, Terry. “Allora & Calzadilla,” Modern Painters, March 2007.
Artner, Alan G. “Intersection of minimalism, politics,” Chicago Tribune, March 22, 2007, p. 3.
Ruf, Beatrix. “Allora and Calzadilla,” Monopol, January 2007, p. 88.
Ryan, Paul. “Artificial Light,” Art Papers, March/April 2007, p. 48-49.
Turner, Elisa. “Allora and Calzadilla Spotlighted at Two South Florida Venues,” The Miami Herald, February 4, 2007, p. 3M.
Smith, Roberta. “Art in Review: Cosmologies,” The New York Times, February 2, 2007.
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