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Born 1949 in the Panama Canal Zone |
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Lives and works in Upstate New York |
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Selected Solo Exhibitions
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| 2008 |
"Richard Prince: Continuation," Serpentine Gallery, London |
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| 2007 |
“Richard Prince: Spiritual America,” Solomon R. Guggenheim Museum, New York; Walker Art Center, Minneapolis; Serpentine Gallery, London |
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"Richard Prince: Panama Pavilion, Venice, Italy |
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| 2006 |
"Richard Prince: Canaries in the Coal Mine," Astrup Fearnley Museum, Oslo, Norway |
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“Richard Prince: Cowboys, Mountains, and Sunsets,” Monika Sprüth, Cologne, Germany |
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"Richard Prince: The Portfolios," Juergen Becker, Hamburg |
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“Richard Prince: Cowboys and Nurses,” John McWhinnie @ Glenn Horowitz, New York |
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| 2005 |
"Richard Prince: New Work," Sadie Coles HQ, London |
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“Richard Prince” Gladstone Gallery, New York |
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“Richard Prince, Check Paintings” Gagosian Gallery, Beverly Hills |
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| 2004 |
"Richard Prince: Women," Regen Projects, Los Angeles |
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“Richard Prince: Man,” Galerie Eva Presenhuber, Zurich |
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“Richard Prince,” Sammlung Goetz, Munich. |
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American Dream: Collecting Richard Prince for 27 years,” Rubell Family Collection, Miami |
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| 2003 |
Sadie Coles HQ, London. Artist's book American-English |
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“Richard Prince: Publicities,” Works from the Ophiuchus Collection, Hydra Workshop, Greece |
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"Richard Prince: Good Life," Glenn Horowitz Bookseller, East Hampton, NY |
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"Richard Prince: Nurse Paintings," Barbara Gladstone Gallery, New York |
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"Richard Prince: Upstate," Sabine Knust, Munich. September |
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| 2002 |
2002 Barbara Gladstone Gallery, New York |
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Patrick Painter, Inc., Santa Monica
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| 2001 |
Museum für Gegenwartskunst, Basel and Kunsthalle Zurich; travelled to Kunstmuseum Wolfsburg, 2002 |
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Sadie Coles HQ, London |
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Regen Projects, Los Angeles |
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Skarstedt Fine Art, New York |
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Galerie Micheline Szwajcer, Antwerp
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| 2000 |
Partobject Gallery, Carrboro, NC, “Richard Prince: Princeville” |
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Barbara Gladstone Gallery, New York |
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Jablonka Galerie, Cologne, “Richard Prince: Photographs, Paintings” |
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MAK Vienna, Vienna, “Richard Prince: 4 x 4”
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MAK Center for Art and Architecture, Schindler House, Los Angeles, “Richard Prince: Upstate” |
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| 1999 |
Sadie Coles HQ, London, “Richard Prince” |
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Sabine Knust-Maximilian Verlag, Munich, “Richard Prince: Paintings and Works on Paper 1997/98” and “Upstate" |
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| 1998 |
Stills Ltd, Edinburgh, “Richard Prince” |
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Regen Projects, Los Angeles |
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Barbara Gladstone Gallery, New York |
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Skarstedt Fine Art, New York, “Richard Prince: Paintings 1988-92” |
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"Richard Prince: Panama Pavilion Venice" |
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Anton Kern Gallery, New York, “Psychoarchitecture: Richard Prince, Martin Kippenberger” |
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| 1997 |
Jürgen Becker, Hamburg, “The White Room” Parco, Tokyo |
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Museum Haus Lange/Museum Haus Esters, Krefeld, Germany, “Richard Prince” |
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White Cube, London, “Richard Prince” |
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Espace d’art Yvonamor Palix, Paris, “Cowboys and Cowgirls” |
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| 1996 |
Sabine Knust- Maximilian Verlag, Munich, “Richard Prince” |
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Haus der Kunst/Süddeutsche Zeitung, Munich |
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Jablonka Galerie, Cologne, “Richard Prince: New Works” |
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"Richard Prince: Panama Pavilion Venice" |
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| 1995 |
Barbara Gladstone Gallery, New York, “Richard Prince: Paintings” |
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Theoretical Events, Naples, Italy |
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Regen Projects, Los Angeles |
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| 1994 |
Kestner Gesellschaft, Hanover, Germany |
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Offshore Gallery, East Hampton, New York |
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| 1993 |
Museum Boijmans-van Beuningen, Rotterdam, The Netherlands, "Richard Prince: Fotos, Schilderijen, Objecten" |
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Barbara Gladstone Gallery, New York |
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San Francisco Museum of Modern Art |
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Kunstverein and Kunsthalle, Düsseldorf |
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Stuart Regen Projects, Los Angeles, "First House," 540 Westmount, West Hollywood CA |
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Jablonka Galerie, Cologne, Germany, "Girlfriends" |
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Galerie Micheline Szwajcer, Antwerp, Belgium |
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| 1992 |
Whitney Museum of American Art, New York, "Richard Prince" |
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Maximilian Verlag-Sabine Knust, Munich, "Protest Paintings" |
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Beaver College Art Gallery, Glenside, PA |
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Le Case d'Arte, Milan, "Works on Paper" |
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| 1991 |
Barbara Gladstone Gallery, New York |
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Galleri Nordanstad - Skarstedt, Stockholm |
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Galerie Ghislaine Hussenot, Paris |
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Stuart Regen Gallery, Los Angeles |
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| 1990 |
Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne, "Richard Prince: Jokes, Gangs, Hoods," |
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Galerie Micheline Szwajcer, Antwerp, "Richard Prince" |
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Arthur Roger Gallery, New Orleans |
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| 1989 |
IVAM Centre del Carme, Valencia, "Spiritual America," |
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Barbara Gladstone Gallery, New York, "Richard Prince: Sculpture" (joint exhibition with Jay Gorney Modern Art) |
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Jay Gorney Modern Art, New York, "Richard Prince: Paintings," (joint exhibition with Barbara Gladstone Gallery) |
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Barn Gallery, Ogunquit, ME, Brochure |
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Daniel Weinberg Gallery, Los Angeles
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| 1988 |
Barbara Gladstone Gallery, New York |
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Centre National d'Art Contemporain de Grenoble (MAGASIN), Grenoble, France |
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Le Case d'Arte, Milan |
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One Times Square, New York, "Tell Me Everything," Spectacolor Lightboard installation sponsored by The Public Art Fund, Inc., New York |
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Galerie Ghislaine Hussenot, Paris |
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Galerie Rafael Jablonka, Cologne, Germany |
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| 1987 |
Galerie Isabella Kacprzak, Stuttgart |
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Daniel Weinberg Gallery, Los Angeles |
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| 1986 |
International with Monument, New York |
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Feature Gallery, Chicago |
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| 1985 |
International with Monument, New York |
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Richard Kuhlenschmidt Gallery, Los Angeles |
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| 1984 |
Riverside Studios, London, England |
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Feature Gallery, Chicago |
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Baskerville + Watson, New York |
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| 1983 |
Le Nouveau Musée, Lyon, France |
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Institute of Contemporary Art, London |
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Richard Kuhlenschmidt Gallery, Los Angeles |
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Baskerville + Watson, New York |
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| 1982 |
Metro Pictures, New York |
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| 1981 |
Metro Pictures, New York |
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Jancar/ Kuhlenschmidt Gallery, Los Angeles |
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| 1980 |
Artists Space, New York |
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CEPA Gallery, Buffalo, New York |
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Selected Group Exhibitions |
| 2008 |
"Meet Me Around the Corner - Works from the Astrup Fearnley Collection," Astrup Fearnley |
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Museet for Moderne Kunst, Oslo |
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"Who’s Afraid of Jasper Johns?” Tony Shafrazi Gallery, New York |
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"Collier Schorr: Freeway Balconies," Deutsche Guggenheim, Berlin |
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"Purple Anthology; Art Prose Fashion Music Architecture Sex," John McWhinnie at Glenn Horowitz Bookseller, New York |
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"No Images of Man," Gering & Lopez Gallery, New York |
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"You Can Go Your Own Way," Renwick Gallery, New York |
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"Sympathy for the Devil: Art and Rock Since 1967," Museum of Contemporary Art, North Miami |
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"I Love the Horizon," Magasin, Centre National d'Art Contemporin, Grenoble |
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"Photography on Photography, from the 1960s to the Present," The Metropolitan Museum of Art, New York |
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"Depreciation and Devastation," Gavin Brown's Enterprise at Passerby, New York |
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"Typed," Sadie Coles, London |
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“John Dogg,” Kunsthalle Zurich |
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“Radical Advertising,” Projects GmbH, Dusseldorf |
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“Street & Studio: An Urban History of Photography,” Tate Modern, London |
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“God & Goods,” Villa Manin Centro d'Arte Contemporanea, Codroipo, Italy |
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| 2007 |
“Frieze Projects,” Frieze Art Fair, London |
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“My Sweet Sixteen Party,” Rodolphe Janssen, Brussels |
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"Now Playing: Artists Who Borrow From Film," Glenn Horowitz Bookseller, East Hampton |
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"Jubilee Exhibition," Eva Presenhuber, Zurich |
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"Fractured Figure," DESTE Foundation for Contemporary Art, Athens |
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"Fractured Figure: Works from the Dakis Joannou Collection," DESTE Foundation for Contemporary Art, Athens |
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"Body Politicx," Witte de With Center for Contemporary Art, Rotterdam |
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"New Acquisition," Le Casa D'Arte, Milan |
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"Heroines: Richard Prince, Madame Butterfly, "The Arnold and Marie Scwartz Gallery, Metropolitan Opera, New York |
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"Counterparts: Contemporary Painters and their Influences," Contemporary Art Center of Virginia, Virginia Beach |
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"Sequence 1: Painting and Sculpture from the Pinault Collection," Palazzo Grassi, Venice, Italy |
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"Brave Lonesome Cowboy: The Myth of the Western in Contemporary Art-Or: For the Hundredth Birthday of John Wayne," Galerie Der Stadt Esslingen Am Neckar and Kunstmuseum St. Gallen, Esslinghan, Germany |
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"Paper, Painting and Sculpture," Fisher Landau Center For Art, Long Island City, New York |
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"Situation Comedy: Humor in Recent Art," Independent Curators International, Traveling Exhibition |
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Lights Camera Action: Artist's Film for the Cinema," Whitney, New York |
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"Robert Mangold, Richard Prince," Andrea Rosen Gallery, New York |
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"Light Sentence," Zeuggasse 7, Obergeschoss, Germany |
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| 2006 |
"In the darkest hour there may be light," Serpentine Gallery, London |
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“ANOS 80: UMA TOPOLOGIA (The 1980's: A Topology)," Fundação Serralves, Porto, Portugal |
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"A Thousand Things," MU meets 2KbyGingham, Eindhoven, Holland |
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"Made In China," Gallery 51, Antwerp |
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"The Other Side #2," Tony Shafrazi Gallery, New York |
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"Magritte and Contemporary Art: The Treachery of Images," LACMA, Los Angeles |
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"Wrestle," CCS Bard /Hessel Museum of Art, Annandale-on-Hudson, New York
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" Seventy-five at 75:Selections from the Joseph and Elaine Monsen Photography Collection at the Henry Art Gallery", Faye G. Allen Center for the Visual Arts University of Washington, Seattle |
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"The Big Nothing," ICA Universiity of Pennsylvania, Philadelphia |
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"Defamation of Character," PS 1 MoMA, New York |
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"Surprise, Surprise," ICA, London |
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"Likeness: Portraits of Artists by Other Artists," CCA Virginia, Virginia Beach |
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"The Other Side," Tony Shafrazi Gallery, New York |
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"Medium Fotografie," Stampa Galerie, Base |
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“Hollywood Boulevard,” Galeria Fortes Vilaca, Sao Paulo |
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“New Trajectories I: Relocations: Recent painting, drawing and multi-media work from the Ovitz |
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Family Collection, Los Angeles,” Cooley Gallery at Reed College, Portland |
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Dark Places,” Santa Monica Museum of Art, Santa Monica |
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| 2005 |
Self Portraits," Skarstedt Fine Art, New York |
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"Looking at Words," Andrea Rosen Gallery, New York |
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"Nudes In Vogue," Mitchell-Innes & Nash, New York |
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“Drunk vs. Stoned”, General Store in association with Gavin Brown’s enterprise, New York |
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“Atlantic & Bukarest,” Kunstmuseum Basel, Basel |
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“Photographic Works,” Jurgen Becker, Hamburg, Germany |
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“Faces in the Crowd: Picturing Modern Life from Manet to Today,” whitechapel, London |
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“100 Artists See God,” Contemporary Art Center of Virginia, Virginia Beach |
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"Faking Real," LeRoy Neiman Gallery, Columbia University School of the Arts, New York |
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“girls on film,” Zwirner & Wirth, New York |
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“ The Last Picture Show,” Walker Art Center, UCLA Hammer |
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| 2004 |
"2004 Biennial Exhibition," Whitney Museum of American Art, New York |
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“The Big Nothing,” Institute of Contemporary Art, Philadelphia |
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"100 Artists See God," Independent Curators International, New York. Traveling. November 19 –January 9, 2005 |
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“Planet B: The Aesthetics of B Movies in Contemporary Visual Arts,” Magazin 4, Vorarlberger and Bregenzer Kunstverein, Bregenz, Austria |
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"Motorcycles and Art," Susquehanna Art Museum, Harrisburg, Pennsylvania |
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“I am the Walrus,” Cheim and Read Gallery, New York |
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"Hollywood Blvd," Presenca Galeria, Porto |
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Indigestible Correctness I,” Participant Inc, New York. |
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“The Frank Cohen Collection: A Selection,” London |
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“Power, Corruption, and Lies,” Roth Horowitz, New York |
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“The Charged Image: from the collection of Douglas S. Cramer,” Joseloff Gallery, Hartford Art School, University of Hartford, West Hartford, CT |
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“Precarious Scuplture,” Kunsthalle Wien Flick Collection at Hamburger Bahnhof |
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“Undiscovered Country,” UCLA Hammer Museum |
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“On the Road: Photography After Kerouac,” Whitney Museum, New York |
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“East Village USA,” New Museum, New York |
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“Faces in the Crowd: The Modern Figure and Avant-Garde Realism,” Whitechapel Art Gallery, London; travelled to Castello di Rivoli Museum d’Arte Contemporanea, Turino |
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“Modernism,” Gagosian Gallery, New York |
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“Persona,” IKON LTD./ Kay Richards Contemporary Art, Santa Monica, California |
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| 2003 |
La Biennale di Venezia, "Delays and Revolutions," Padiglione Italia. June – September |
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"The Fourth Sex: The Extreme People of Adolescence," Pitti Imagine, Milano. Through February 8. |
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"Unreal Estate Opportunities," PKM Gallery, Seoul. |
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"Back in Black," Cohan, Leslie, and Browne, New York |
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"Summer Program," curated by Katy Siegel, Apexart Curatorial Program, New York |
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"Stranger in the Village," Guild Hall, Easthampton |
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"Artist's Choice," Museum of Modern Art Queens |
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"Only Skin Deep," International Center of Photography, New York Traveling, TBD. December 12 – February 29, 2004. |
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"The Last Picture Show," Walker Art Center, Minneapolis. Traveling
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"Imperfect Innocence: The Debra and Dennis Scholl Collection," Contemporary Museum, Baltimore and Palm Beach Institute of Contemporary Art |
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"Everyday Aesthetics: Works from the Astrup Fearnley Collection," Astrup Fearnley Museum, Oslo. |
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| 2002 |
"Chic Clicks: Creativity and Commerce in Contemporary Fashion Photography," The Institute of Contemporary Art, Boston |
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"watery, domestic," Renaissance Society, Chicago. |
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"Public Affairs," Kunsthaus Zurich |
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"Short Stories," Henry Art Gallery, Seattle |
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"To Whom it May Concern," CCAC Wattis Institute for Contemporary Arts, San Francisco |
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"The Photographic Impulse: Highlights from the Joseph and Elaine Monsen Photography Collection," Henry Art Gallery, Seattle |
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"Visions from America: Photographs from the Whitney Museum of American Art," Whitney Museum of American Art, New York |
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"Art Downtown: New York Painting and Sculpture," New York |
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"Copy," Roth Horowitz, New York. |
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"New Visions of the West," Nassau County Museum of Art, Roslyn Harbor, New York |
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"Seeing Things: Photographing Objects 1850 - 2001," The Canon Photography Gallery at the Victoria and Albert Museum, London |
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"TRANSFORMER," Air de Paris, curated by Inez van Lamsweerde and Vinoodh Matadin |
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| 2001 |
"Summer Reading," Frances Lehman Loeb Art Center, Poughkeepsie, NY |
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"Televisions," Kunsthalle Wien |
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“Art at the Edge of the Law,” The Aldrich Museum of Contemporary Art, Ridgefield, CT |
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“Brooklyn Academy of Music Photography Portfolio,” Cheim & Reid Gallery, New York |
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“Parkett, Collaborations and Editions since 1984,” Museum of Modern Art, New York |
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“Spiritual America," Audiello Fine Art, New York |
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“Settings and Players: Theatrical Ambiguity in American Photography,” White Cube, London |
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“Mythic Proportions: Painting in the 1980s," Museum of Contemporary Art, Miami |
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Galerie Jablonka, Cologne |
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| 2000 |
“Au-delà du Spectacle,” Centre Pompidou, Paris |
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"Customized: Art Inspired by Hot Rods, Low Riders, and American Car Culture" Institute of Contemporary Art, Boston |
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“Apocalypse: Beauty & Horror in Contemporary Art,” Royal Academy of Arts, London |
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“Around 1984: A Look at Art in the Eighties,” PS1 Contemporary Art Center, New York |
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“Art & Facts,” Galleria Franco Noero, Torino, Italy |
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“Drive:power>progress>desire,” Govett-Brewster Art Gallery, New Plymouth, New Zealand |
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“Couples,” Cheim & Read, New York |
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“Let’s Entertain," Walker Art Center, Minneapolis, MN ,travelled to Centre Pompidou,Paris and Miami Art Museum |
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| 1999 |
Art in Embassies Program, Slovak Republic, “Art in America: 2000” |
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The Whitney Museum of American Art, New York, “The American Century – Part II” |
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Real Art Ways, Hartford, CT, “Horse Play” |
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Museum of Contemporary Art, Chicago, “Transmute” |
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Barbara Gladstone Gallery, New York, “Plain Air” |
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Museum of Modern Art, New York, “Fame after Photography” |
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Whitechapel Art Gallery, London and The Museum of Contemporary Art, Chicago, “Examining Pictures” |
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| 1998 |
Marianne Boesky Gallery, New York, “Real Stories” |
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The Cleveland Museum of Art, “Cleveland Collects Contemporary Art |
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Matthew Marks and Pat Hearn Gallery, “Painting: Now and Forever Part I” |
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Museum of American Art, Pennsylvania Academy of Fine Arts, “Dispersal of PopAbstraction” |
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Deichtorhallen Hamburg “Die Rache der Veronika,” Fotosammlung Lambert |
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Deichtorhallen, Hamburg, “emotion - Young British and American art from the Goetz Collection |
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The Power Plant, Toronto, “American Playhouse: The Theatre of Self-Presentation” |
|
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| 1997 |
Whitney Museum of American Art, New York, “The Whitney Biennial" |
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Deichtorhallen, Hamburg, "Birth of the Cool,” |
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“American Painting from Georgia O'Keeffe to Christopher Wool,” Kunsthaus, Zürich |
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David Zwirner Gallery, New York, “Someone Else With My Fingerprints” |
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Traveling to Galerie Hauser & Wirth, Zürich; August Sander Archiv, Cologne; Kunstverein München; Kunsthaus München |
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Baumgartner Galleries, Washington, D.C. “New York on Paper” |
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| 1996 |
Gotlands Konst Museum, Visby, Sweden, "New York Scene" |
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The Saatchi Gallery, London, "Young Americans: New American Art in the Saatchi Collection" |
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The Power Plant, Toronto, "The American Trip" |
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Bard College, New York, "Who Do You Think You Are?" |
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Center for Curatorial Studies, Bard College, Annandale-on-Hudson, "a/drift: Scenes fromthe Penetrable Culture " |
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Kunsthalle Zürich, Zürich, "Playpen of Corpus Delirium" |
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Gramercy International Art Fair, Los Angeles |
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Musée d'Art Moderne, Paris, "Passions Privée" |
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Friedrich Petzel Gallery, New York, “Screen” |
|
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| 1995 |
Le Consortium, Nouvelles Scenes 95, Dijon, France, "Photocollages" |
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Galerien der Stadt Esslingen am Neckar, 3.Internationale Foto-Triennale, "Close to Life,"Alessandra Bonomo, Rome |
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University Art Museum, Berkeley, CA, "In A Different Light," |
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Neue Galerie am Landesmuseum Joanneum und Künstlerhaus Graz, Germany, "Pittura / Immedia," |
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Musée du Luxembourg, Paris, "L'effet cinéma" |
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Randolf Street Gallery, Chicago, “Art as Dramatic Comedy” |
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"Multiple Exposure: The Group Portrait in Photography," Independent Curators International, New York |
|
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| 1994 |
Kunstmuseum Wolfsburg, Wolfsburg, Germany, "Tuning Up," |
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Paula Cooper Gallery, New York, "Pictures of the Real World (In Real Time)" |
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Galeria Luisa Strina, São Paolo, Brazil, "Das Americas," traveling exhibition |
|
Luhring Augustine, New York, "The Ossuary" |
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Galerie Asbaek, Copenhagen |
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Per Skarstedt Fine Art, New York, "Cowboys and Jokes - Works from 1980-1988" |
|
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| 1993 |
Kunsthalle Wien, Vienna, "The Language of Art" |
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Knoedler & Co., New York, "Up in Smoke: Photographs 1991-1992," |
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International Center of Photography, New York, "Commodity Image" |
|
Galerie Johnen & Schöttle, Cologne, "Patrick Painter Editions" |
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Galerie Jürgen Becker, Hamburg, "Sean Landers, Raymond Pettibon, Richard Prince" |
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Center for the Fine Arts, Miami, "Photoplay: Works from the Chase Manhattan Collection," |
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Thread Waxing Space, New York, "I Am the Enunciator" |
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The Contemporary Arts Center, Cincinnati, "Mettlesome Meddlesome: Selections from the Collection of Robert J. Shiffler" |
|
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| 1992 |
Barbara Gladstone Gallery, New York, "c. 1980" |
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"Documenta IX," Kassel, Germany, |
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Museum of Modern Art, New York, "Allegories of Modernism: Contemporary Drawings" |
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"Ars Pro Domo," sponsored by Museum Ludwig, Cologne, curated by W. Dickhoff |
|
Kunstraum Daxer, Munich, "Selected Works from the Early 80's," Catalogue |
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Wexner Center for the Arts, Columbus, OH, "Re: Framing Cartoons" |
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The Aldrich Museum of Art, Ridgefield, CT. "Quotations: The Second History of Art, |
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Art Center College of Design, Pasadena, CA, "Hollywood Hollywood" |
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University Art Museum, Santa Barbara, CA, "Knowledge: Aspects of Conceptual Art," Catalogue; travelled to Santa Monica Museum of Art and North Carolina |
|
Museum of Art, Raleigh, NC |
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Chiesa di San Lorenzo, Aosta, Italy, "Theoretically Yours," Collins &Milazzo |
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Gerald Peters Gallery, Dallas, "Summer Stock" |
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Galerie Micheline Szwajcer, Antwerp, "Mees, Klingelhöller, Therrien & Prince" |
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International Center of Photography Midtown, New York, "Special Collections-The Photographic Order from Pop to Now," |
|
Rena Bransten Gallery, San Francisco, "Childhood Revisited" |
|
|
| 1991 |
Palazzo delle Albere, Trento, Italy, "American Art of the 80's," |
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Paula Cooper Gallery, New York, ACT-UP Benefit Art Sale |
|
Fonds Régional d'Art Contemporain des Pays de la Loire, Clisson, France |
|
Walter Gropius Bau, Berlin, "Metropolis," |
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Central Museum, Utrecht, the Netherlands, "Night Lines," |
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Central Museum, Utrecht, the Netherlands, "The Words and the Images," |
|
Indianapolis Museum of Art, "Power: Its Myths, Icons, and Structures in American Art,1961-1991," |
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Museum of Contemporary Art, Wright State University, Dayton, OH, "Words & Number's," |
|
Fonds Régional d'Art Contemporain des Pays de la Loire, Clisson, France, "Oeuvres Originales" |
|
Margo Leavin Gallery, Los Angeles, "20th Century Collage" |
|
Galerie Pierre Huber, Geneva, "La Revanche de L'Image" |
|
Fernando Alcolea Gallery, Barcelona, "Rope" |
|
Rosa Esman Gallery, New York, "To Wit" |
|
Robert Miller Gallery, New York, "Portraits on Paper" |
|
Pat Hearn Gallery, New York |
|
Stuart Regen Gallery, Los Angeles |
|
Luhring-Augustine-Hetzler, Santa Monica |
|
|
| 1990 |
The Israel Museum, Jerusalem, "Life Size: A Sense of the Real in Recent Art," |
|
Milwaukee Museum of Art, "Word as Image: American Art 1960-1990" |
|
Travelling to Oklahoma City Arts Museum and Contemporary Art Museum, Houston |
|
National Museum of Modern Art, Kyoto, "Images in Transition: Photographic Representation in the Eighties |
|
Tony Shafrazi Gallery, New York, "The Last Decade: American Artists of the 1980's," Curated by Collins and Milazzo |
|
Whitney Museum of American Art Downtown at Federal Reserve Plaza, "The Charade of Mastery," |
|
Centre Pompidou, Paris, "Art et Publicité 1890-1990," |
|
303 Gallery, New York, and Stuart Regen Gallery, Los Angeles, "Paintball" |
|
The New Museum, New York, "The Decade Show: Frameworks of Identity in the 80's," |
|
Andrea Ruggieri Gallery, Washington, D.C., "The Age of Information" |
|
Galleri Nordanstad-Skarstedt, Stockholm, "Disconnections" |
|
International Center of Photography Midtown, New York, "The Indomitable Spirit: Photographers and Friends United Against AIDS,", traveling to Los Angeles Municipal Art Gallery |
|
Massimo Audiello Gallery, New York, "The Last Laugh: Irony, Humor, Selfmockery, and Derision," |
|
|
| 1989 |
Paleis voor Schone Kunsten, Brussels, "WittgensteinThe Play of the Unsayable," Curated by Joseph Kosuth |
|
Whitney Museum of American Art, New York, "Image World: Art and Media Culture," |
|
Museum of Contemporary Art, Los Angeles, "A forest of SIGNS: ART IN THE CRISIS OF REPRESENTATION," |
|
Festival of Vienna, Vienna, "Moskau - Wien - New York," |
|
Frankfurter Kunstverein, Frankfurt, "Prospect Photographie," |
|
Festival Nouvelles Scenes '89, Dijon, France, "Une Autre Affaire" |
|
The School of Visual Arts Gallery, New York, "Dream Reality," Curated by Peter Nagy |
|
Museum am Ostwall, Dortmund, West Germany, "In Other Words: Wort und Schrift in Bildern der Konzeptuellen Kunst," |
|
Kunstverein in Hamburg, "D & S Ausstellung," |
|
Yokohama Museum of Art, Japan, "Contemporary Art from New York: The Collection ofthe Chase Manhattan Bank," |
|
National Museum of American Art, Washington, D.C. "The Photography of Invention:American Pictures of the 1980's," |
|
International Museum of Photography at George Eastman House, Rochester, New York, "New Acquisitions, New Work, New Directions" |
|
Simon Watson Gallery, New York, "Re-presenting the 80's," |
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Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, "Suburban Home Life: Tracking the American Dream" |
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Whitney Museum of American Art at Equitable Center, New York, "Nocturnal Visions in Contemporary Painting" |
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Rheinhalle, Cologne Fair Grounds, Cologne, "Bilderstreit," Frankfurter Kunstverein, "Prospect '89" |
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University Galleries, Illinois State University, Normal, IL, "Through a Glass, Darkly," |
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Victoria and Albert Museum, London, "Photography Now," |
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Monika Sprüth Galerie, Cologne, "Scripta Manent - Verba Volant" |
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Stedman Art Gallery, Rutgers University, Camden, NJ, "Conspicuous Display" |
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Stedelijk Museum, Amsterdam, "Horn of Plenty: Sixteen Artists from New York City" |
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Mai 36 Galerie, Lucerne, "Arrangements 1" |
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Hallwalls Contemporary Arts Center, Buffalo, "Amerikarma" |
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| 1988 |
Städt. Kunsthalle, Kunstsammlung Nordrhein-Westfalen, Kunstverein für d. Rheinlande u. Westfalen, Düsseldorf, "BiNATIONALE: Deutsche/Amerikanische Kunst der 80er Jahre," Travelling to The Institute of Contemporary Art, Museum of Fine Arts, Boston, Catalogue |
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PPS. Galerie F.C. Grundlach, Hamburg and Galleri Contur, Stockholm, "Das Licht von der anderen Seite" |
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Daniel Weinberg Gallery, Los Angeles, "New Works by Ashley Bickerton, Robert Gober, Peter Halley, Jeff Koons, Richard Prince, Meyer Vaisman, Christopher Wool" |
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PS. Galerie F.C. Gundlach, Hamburg, "Gangs of Surrogate Entertainers Since McCollum - Robbins" |
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Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York |
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Modes of Address: Language in Art Since 1960" Centre National des Arts Plastiques, Paris, "The Object of the Exhibition," Catalogue |
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Halle Sud, Geneva, "Reprises de Vues" |
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Lorence-Monk Gallery, New York, "Lifelike" |
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Kunsthalle Zürich, Zürich, "Allan McCollum-Richard Prince" |
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Metro Pictures, New York, "Hover Culture" |
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Clocktower Gallery, New York, "Nostalgia as Resistance" |
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Cable Gallery, New York, "A 'Drawing' Show" |
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The Haggerty Museum of Art, Marquette University, Milwaukee |
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"Photography on the Edge" Wallach Art Gallery, Columbia University, New York |
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Difference: Both Sides of the Camera" The Bruce Museum, Greenwich, CT |
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Venice Biennial, Venice, "Aperto '88," included in an installation by Robert Gober |
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| 1987 |
Sidney Janis Gallery, New York, "Recent Tendencies in Black and White” Le Case d'Arte, Milan |
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Galerie Nächst St. Stephan, Vienna, "Fotografien" |
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Knight Gallery/Spirit Square Arts Center, Charlotte, NC, "Romance," Catalogue |
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Los Angeles County Museum of Art, "Photography and Art: Interactions since 1946," Travelled to Whitney Museum of American Art, New York, "1987 Biennial Exhibition" |
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John Good Gallery, New York, "True Pictures" |
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Harm Bouckaert Gallery, New York, "Prints" |
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Galerie Christoph Dürr, "Der Reine Alltag" |
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Hillwood Art Gallery, C.W. Post Campus/Long Island University, New York, "Perverted by Language" |
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Whitney Museum of American Art at Philip Morris, New York "The Viewer as Voyeur" |
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Hoffman Borman Gallery, Los Angeles, "The New Who's Who" |
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| 1986 |
The 6th Biennial of Sydney, Australia, Catalogue |
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Holly Solomon Gallery, New York, "Text and Image: The Wording of American Art" |
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Castelli Graphics, New York, "The Moral Essays" |
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Institute of Contemporary Art, Boston, "As Found" |
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Michael Kohn Gallery, Los Angeles, "Post-Pop" |
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San Francisco Camerawork, CA, "Products and Promotion," Travelling, Catalogue |
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Wiener Festwochen, Wiener Secession, Vienna, "Wien Fluss," Catalogue |
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Colin De Land Gallery, New York (with John Dogg) |
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LACE, Los Angeles, "TV Generations" |
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Queens Museum, New York, "The Real Big Picture" |
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| 1985 |
Whitney Museum of American Art, New York, "1985 Biennial Exhibition," Catalogue |
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303 Gallery, New York (with David Robbins) |
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New Museum of Contemporary Art, New York, "The Art of Memory/ The Loss of History" |
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Center for Contemporary Arts, Santa Fe,, "Strategies of Appropriation" |
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| 1984 |
ARC/Musee d'Art Moderne de la Ville de Paris, France, "New York: Ailleurs et Autrement," Catalogue |
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Washington Project for the Arts, Washington, D.C., "The Magazine Stand" |
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Spiritual America, New York, "Pop" |
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Contemporary Arts Museum, Houston, "The Heroic Figure" |
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Allen Memorial Art Museum, Oberlin College, OH, "Drawings: After Photography" |
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Knight Gallery, Spirit Square Arts Center, Charlotte, NC, "Jenny Holzer, Barbara Kruger, Richard Prince," Catalogue |
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| 1983 |
The New Museum of Contemporary Art, New York, "Language, Drama, Source and Vision" |
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Biennale of São Paolo, Brazil |
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John Weber Gallery, New York, "Science Fiction" |
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| 1982 |
Institute of Contemporary Art, Philadelphia, "Image Scavengers," Catalogue |
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The Contemporary Arts Center, Cincinnati, "Face It" |
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The Renaissance Society at the University of Chicago, "Art and the Media" |
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| 1981 |
Allen Memorial Art Museum, Oberlin College, OH, "New Voices 2: Six Photographers Concept/Theater/Fiction" |
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5th Wiener Internationale Biennale, Wiener Secession, Vienna, "Erweiterte Fotografie" |
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Hayden Gallery, Massachusetts Institute of Technology, Cambridge, "Body Language," Catalogue |
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| 1980 |
ARC/Musee d'Art Moderne de la Ville de Paris, "Ils se disent peintres, ils se disent photographes" |
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Metro Pictures, New York |
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| 1979 |
Castelli Graphics, New York, "Pictures - Photographs" |
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Hartford Art School, University of Hartford, Connecticut, "Imitation of Life" |
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