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Exhibition Catalogues/Monographs
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| 2008 |
27a. Bienal de São Paulo: Como Viver Junto, Eds. Lisette Lagnado and Adriano Pedrosa, Casac Naify, São Paulo, 2008 |
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Paixóns Privadas, Visións Públicas Collections D.O. Galicia, Museo de Arte Contemporánea de Vigo, Spain, 2008 |
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Stations: 100 Masterpieces of Contemporary Art, DuMont Buchverlag, Köln, 2008 |
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This is Not to be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles, 2008 |
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Stand-alone, Museo Tamayo, Mexico, 2008. |
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Qu’est-ce que La Sculpture Aujourd’hui? Caroline Cross, Beaux Arts. Editions 2008 |
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| 2007 |
Into Me/Out of Me, KW Institute for Contemporary Art, P.S.1 Contemporary Art Center, Hatje Cantz, Ostfildern, 2007 |
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Collage: The Unmonumental Picture, New Museum of Contemporary Art, New York |
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Michalka, Matthias, The Artist as…, MUMOK, Wien, 2007 |
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Volksgarten: Politics of Belonging, Walther König, 2007 |
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Timer: Intimacy, Ed. Gianni Mercurio and Demetrio Paparoni, Skira Editore, Italy, 2007 |
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Ice Cream, Phaidon Press Limited, London, 2007 |
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| 2006 |
Andrews, Max (ed.)Land, Art: A Cultural Ecology Handbook, The RSA, London, 2006 |
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Participation: Documents of Contemporary Art, Ed. Claire Bishop, Whitechapel & MIT Press, London & Cambridge, 2006 |
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The Archive: Documents of Contemporary Art, Ed. Charles Merewether, Whitechapel & MIT Press, London & Cambridge, 2006 |
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No. 1: First Works by 362 Artists, Ed. By Francesca Richer & Matthew Rosenzweig, DAP,New York |
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Jones, Amelia, Ed., A Companion to Contemporary Art Since 1945, Blackwell Publishing |
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Who Cares, Creative Time Books, essays by Anne Pasternak & Doug Ashford, New York |
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Infinite Painting: Contemporary Painting and Global Realism, Ed. Francesco Bonami, Villla Manin Centro d'Arte Contemporanea, Italy, 2006 |
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Musee Precaire Albinet, Editions Xavier Barral, Les Laboratoires d'Aubervilliers, France, 2006 |
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| 2005 |
Art Now Vol 2, Taschen, New York, 2005. |
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Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo, ed. Francesco Bonami, Skira Editore S.p.A., Milano, 2005 |
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Gingeras, Alison M. Press Play: Contemporary Artists in Conversation. Phaidon Press, New York, 2005 |
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"Anschool: Texts, Projects, Letters,” 26.05.05- 11.09.05 Bonnefantenmuseum, Maastricht, Netherlands |
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| 2004 |
Four Statements, February 2000,” Public Art: A Reader, Hatji Cantz Publishers, pg 247. |
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Coetzee, Mark. Not Afraid: Rubell Family Collection. Phaidon Press: New York, London, 2004 |
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Coleccion Siglio XXI, Adquisiciones 2003-2004, Spain |
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| 2003 |
Common Wealth. Tate Publishing: London, 2003. |
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Sojitrawalla, Shirin. “Der Höllenheimwerker.” Die Zeit Nr. 1 December 22, 2003 |
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Images of Society. Kunstmuseum Thun: Swizerland, 2003 |
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Ed. Boutoux, Thomas. Hans Ulrich Obrist Interviews., Volume 1.: Edizioni Charta: Milan, 2003 |
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Gesellschaftsbilder: Images of Society. Kunstmuseum Thun |
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Sparks, Karen J. “Redefining Art,” 2002-03: Year in Review, Encyclopedia Britannica, Chicago |
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| 2002 |
Curiger, Bice. “Short Guide into the Work of Thomas Hirschhorn.”Barbara Gladstone Gallery, New York 2002 |
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Honour, Hugh and Fleming, John, A World History of Art, Laurence King, 2002 |
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| 2001 |
“Le Prix Marcel Duchamp, 2000,” Association pour la Diffusion Internationale de l’Art Français, Paris |
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“Material: Public Works-The Bridge, 2000,” Whitechapel Art Gallery |
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"Spinoza Monument," Point d’Ironie, agnès b |
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"Beeldende Kunst, Collection of Flemish Community Acquisitions 1996/1997/1998", Editions Sabam |
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"A Small Museum and a Large Library of Contemporary Art", Parkett, Parkett Publishers |
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"Public Art, Kunst im öffentlichen Raum", Florian Matzer, Hatje Cantz Verlag |
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| 2000 |
"Jumbo Spoons and Big Cake," The Art Institute of Chicago, World Airport, Society at The University of Chicago, texts by James, Hamza Walker, interview with Okwui Enwezor |
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"Deleuze-Monument, les documents, La Beauté," Avignon, 2000, pub by Thomas Hirschhorn |
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“La Beauté,” Mission 2000 en France, Avignon |
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“Orbis Terrarum,” Antwerpen Open, Antwerp |
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"Vision Machine," Musée des Beaux-Arts de Nantes, éditions Somogy |
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"Rendez-vous," Collection Lambert, Hôtel de Caumont, Avignon, éditions Actes Sud |
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"Partage d’exotisme," Biennale de Lyon, éditions RMN |
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"La forma del mondo / La fine del mondo," Padiglione d’Arte Contemporaneo, Milan,éditions Medusa |
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"Eiszeit," Kunstmuseum Bern |
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"Aller Anfang ist Merz – Von Kurt Schwitters bis Heute," Sprengel Museum Hannover, Hatje Cantz Verlag |
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"Protest & Survive," Whitechapel Art Gallery, London |
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"Utopie concrète, 10 ans, vingt-neuf expositions," Espace de l’Art Concret, Mouans-Sartoux |
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"Continental Shift," Ludwig Forum, Aachen, Herausgeber Editor, text by Wolfgang Becker |
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"Collections 1989/1999, Frac PACA, édition 2000," éditions Actes Sud |
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"Ein/räumen, Arbeitien im Museum," Hamburger Kunsthalle"Vivre sa vie," Glasgow |
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"La santé des restes," Musée Ziem, Martigues, éditions RMN |
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"Etat Des Lieux," Centre d'Art Contemporain Fri-Art Kunsthalle |
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| 1999 |
Gingeras, Alison. “Thomas Hirschhorn: grace a la betise. Art Press, 1999. |
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1999 Calendar edited by Portikus |
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“France, une nouvelle génération,” ADIAF |
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“Zone, [Espèces d’Espaces],” Fondazione Sandretto Re Rebaudengo, Guarene d’Alba |
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"New Order Automne:Hiver 99,” Musée d’Art Moderne de Saint-Etienne, text byJean-Charles Masséra |
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“48 e Venice Biennale,” Venice |
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“Mirror’s Edge,” Bildmuseet, Umea |
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World Corners: United Emmerdements of New Order," Musée d’Art Moderne de Saint-Etienne, text by Jean-Charles Masséra |
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"Doug Aitken, Nan Goldin, Thomas Hirschhorn," Parkett, n° 57, Parkett Publishers, texts by Robert Fleck, Alison Gingeras, Philippe Vergne, Marcus Steinweg |
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"Hypothèses de collection," Musée du Luxembourg, Paris |
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"Dreams," edited by Franceso Bonami, Hans-Ulrich Obrist, Fondazione SandrettoRe Rebaudengo per l’Arte, Castelvecchi, Arte |
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"Le Repubbliche dell’Arte – Svizzera," Centro d’Arte contemporanea, Palazzo delle Papesse, Siena |
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"The End of the World," Kunsthaus Zürich |
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"Another Swiss Panorama," 8 e Biennale de l’Image en Mouvement, Centre pour l’image contemporaine, Saint-Gervais, Geneva |
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| 1998 |
Falconer, Morgan. “The thousand year blues start here.” Highbury and Islington Express, December 1998 |
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Goumarre, Laurent. “Musee d’art moderne de la Ville de Paris.” Art Press, February 1998 |
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Levine, Angela. “But is this art.” The Jerusalem Post. September 1998 |
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“Swiss Army Knife,” Kunsthalle Berne |
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“Rolex etc., Freundlich’s ‘Aufstieg’ und Skulptur-Sortier-Station Dokumentation,” Museum Ludwig, Cologne |
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“Freie sicht aufs mittelmeer,” Kunsthaus Zürich |
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“Ein Kunstwerk, ein Problem,” Portikus, Frankfurt |
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“World Corners,” Chisenhale Gallery, London |
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“Premises: Invested Spaces in Visual Arts & Architecture from France, 1960’s-1990’s,” Solomon R. Guggenheim Museum, New York |
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"33 Ausstellungen im öffentlichen Raum," Schweizerische Graphische Gesellschaft,Zurich |
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"Unfinished History," Walker Art Center, Minneapolis |
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| 1997 |
Craddock, Sacha. “Parisiennes.” The Times Arts. March 1997 |
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Hunt, Ian. “ Parisien(ne)s” Art Monthly. 1997 |
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"Prospectus et “Anthropophographie I,” Galerie Chantal Crousel, Paris, text by Manuel Joseph |
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Fort ! Da ! Cooperations,” Villa Merkel, Esslingen am Neckar |
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“Parisien(ne)s,” Camden Arts Centre, London |
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“Skulptur Projekte in Münster,” Munster |
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“Ici et maintenant,” Parc de la Villette, Paris |
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“Nonchalance,” Centre PasquART, Bienne |
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Delta,” Musée d’Art Moderne de la Ville de Paris |
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"Ici et maintenant (épilogue)," Parc de la Villette, éditions Actes Sud |
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"Projekte der Galerie im KünstlerHaus Bremen, April 1996- Dezember 1997," text by Raimar Stange, Bremen |
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| 1996 |
"Thomas Hirschhorn, Virus–Ausstellung," Galerie Arndt & Partner, Berlin |
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"Thomas Hirschhorn, In Rahmen der Ausstellung," Galerie Susanna Kulli, St. Gallen |
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Thomas Hirschhorn, Bilbao catalogue," Journal de l’Institut Français de Bilbao, no. 5 April-May-June 1996 |
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"Thomas Hirschhorn, 3° Auflage Katalog, Luzern," Kunstmuseum Lucerne |
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"Georg Winter, Thomas Hirschhorn," Vor Ort, Kunst in städtischen Situationen, Langenhagen |
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"Thomas Hirschhorn W.U.E. World-Understanding-Engine," Rekalde 2, Bilbao, texts by Daniel Castillejo & Pascale Cassagnau |
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"Stilleben – nature morte – Natura Morta – Still life," Helmhaus Zürich |
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XIIe Ateliers du FRAC des Pays de la Loire, Saint-Nazaire |
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| 1995 |
“Thomas Hirschhorn, 1° Auflage Katalog,” Künstlerhaus Bethanien, Berlin |
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“Les Plaintifs, les Bêtes, les Politiques,” Centre Genevois de Gravure Contemporaine, Geneva |
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“Thomas Hirschhorn, 2° Auflage Katalog,” Fri-Art, Fribourg |
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"Thomas Hirschhorn, Berliner Wasserfall mit Robert Walser Tränen," plaquette, text by Fabrice Hergott |
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Centre d’Art Contemporain, Fri-Art, Kunsthalle, text by Christophe Bauer |
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1 st Biennal of South Africa, Johannesburg |
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"Ohne Titel, Eine Sammlung zeitgenössischer Schweizer Kunst, Stiftung Kunst Heute", Aargauer Kunsthaus, Aarau, Verlag Lars Müller |
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"Passions Privées," Musée d’Art Moderne de la Ville de Paris, éditions Paris-Musées |
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| 1994 |
“Thomas Hirschhorn,” exposition “Invitations,” Galerie Nationale du Jeu de Paume, Paris, text by Catherine David |
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“Stiftung Kunst Heute,” Aargauer Kunsthaus, Aarau |
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"Europa 94 – Junge europäische Kunst in München," Munich |
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| 1993 |
“Thomas Hirschhorn,” Ecole des Beaux-Arts de Rueil-Malmaison, text by Manuel Joseph |
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| 1992 |
Shedhalle Zürich, Zurich, text by Harm Lux, group catalogue |
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Plaquette de l’exposition à l’Hôpital Ephémère, text by Catherine de Smet |
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| 1991 |
Salon de l’Ephémère," Fontenay-sous-Bois |
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| 1990 |
Salon de l’Ephémère," Fontenay-sous-Bois |
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