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bibliography |
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Monographs/Group and Solo Exhibition Catalogues |
| 2007 |
Althoff, Kai, Immo, Franfurt: Revolver Books, Köln: Simultanhalle, 2007 |
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Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago, 2007 |
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| 2006 |
Vergne, Philippe, Heart of Darkness, Minneapolis: Walker Art Center, 2006 |
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Painting in Tongues, Los Angeles: MOCA, 2006 |
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| 2004 |
Althoff, Kai, Kai Althoff: Kein Respekt,/ Kai No Respect, Miami Beach; Boston: Bridge House Publishing / ICA Boston, 2004 |
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| 2003 |
Steiner, Peter B. and Petra Giloy- Hirtz, Kai Althoff & Abel Auer Vom Monte Scherbelino Sehen, Freising: Diözesanmuseum Freising, 2003 |
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| 2002 |
Vitamin P, Phaidon Press, 2002 |
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Grosenick, Uta, Art Now: 137 Artists at the Rise of the New Millennium, Köln: Taschen, 2002 |
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Cher Peintre: Lieber Maler = Dear painter Peintures Figuratives Depuis L’Ultime Picabia,Centre Georges |
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Pompidou; Kunsthalle Wien; Schirn Kunsthalle Frankfurt, 2002 |
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Schafhausen, Nicolaus, Kai Althoff Gebärden und Ausdruck, Germany: Lukas & Sternberg, 2002 |
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Kramer, Armin, Armin Krämer, Kai Althoff, Köln: Verlag Der Buchhandlung Walter Konig, 2002 |
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Hoptman, Laura, Drawing Now: Eight Propositions, New York: MOMA, 2002 |
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| 2001 |
Althoff, Kai, Ja, Herrkenn mich genau “Wo wohnt ihr?” – Ab Heule Beidir, Köln: Galerie Daniel Buchholz, 2001 |
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Dziewior, Yilmaz, “The Rhineland“, in Public Offerings, London: Thames & Hudson, 2001 |
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| 2000 |
Kertess, Klaus, Drawing 2000 at Barbara Gladstone Gallery, New York: Barbara Gladstone Gallery, 2000 |
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Althoff, Kai, Kai Althoff: Stigmata aus Grobmannssucht, Hamburg: Galerie Ascan Crone, 2000 |
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Kramer, Armin, Sie suchen uns: Eine Geschichte von Armin Kramer zu Bildern von Kai Althoff, Berlin: Galerie NEU, 2000 |
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| 1998 |
Herausgeber, Künstler, Kai Althoff, Köln: Herausgeber Publisher, 1998 |
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Selected Articles and Reviews
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| 2008 |
Vecchio, Gigiotto Del "Kai Althoff," Flash Art, March 2008, p 140 |
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| 2007 |
Columbus, Nikki, “Preview: Kai Althoff, Kunsthalle Zurich,” Artforum, September 2007, p 209 |
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Latimer, Quinn, “ Reviews: Kai Althoff and Nick Z, Gladstone Gallery,” Modern Painters, July-August 2007, pg.80 |
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Smith, Roberta, “Art in Review: Nick Z. and Kai Althoff,” The New York Times, June 8, 2007, p. E34 |
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Bankowsky, Jack, "Best of 2007," Artforum, December 2007, p 334 |
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Kröner, Magdalena, "Haus de Geister: Kai Althoff und Nick Z. treffen sich zum Spielen in New York," Monopo:l |
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Magazin für Kunst und Leben, July 2007, pp.122 |
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Falconer, Morgan, "New York Round-Up," Art Monthly, June 2007, pp. 35-36. |
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Schjeldahl, Peter, “Critic’s Notebook: All Inclusive,” The New Yorker, June 4, 2007 |
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Goodbody, Bridget L., “Kai Althoff and Nick Z, “We Are Better Friends for It”,” Time Out New York, May 24- 30, 2007, p. 88 |
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Kunitz, Daniel, “The Gallery Crashers: Puppets, egg dudes, and devil worship duke it out in an unsteady mash-up,” The Village Voice, May 29 th, 2007 |
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Aldarondo, Cecilia, “Heart of Darkness,” Art Papers, March/April 2007, p.63 |
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| 2006 |
"Top 100 Artists", Flash Art, October 2006, pg. 68 |
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Ellis, Patricia, "Catching up with Charles Saatchi", Flash Art, (Oct 2006), pg. 64
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Hainley, Bruce, "Kai Althoff, Acme", Artforum, (January 2006), pp. 229-230 |
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| 2005 |
Kantor, Jordan, “ The ties that Bind”, Parkett, No. 75, (2005), pp. 68-71 |
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Loers, Veit, “ With Bellbottoms to the Underworld”, Parkett, No. 75, (2005), pp. 86-89 |
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Oliver, “Super Creeps: Cruising the Work of Kai Althoff” tran. Schelbert, Catherine in Parkett, No. 75, (2005), pp. 96-101 |
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| 2004 |
Perez, Christopher, "That’s All Folk? Barry McGee, Kai Althoff and Beyond", Big, Red & Shiny, (Issue 09, 2004) |
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Niermann, Ingo, "Als die Jungs noch stricken sollten", Welt am Sonntag (No.40, 3.Okt) |
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Rimanelli, David, "Kai Althoff, ICA, Boston", ARTFORUM, (Sept. 2004), pp.260-261 |
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Morton, Tom, "Kai Althoff, Abel Auer, Armin Krämer, Robert Elfgen", Frieze ( Iss. 84) |
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Millis, Christopher, "Diamonds in the Rough: Kai Althoff at the ICA", The Portland Phoenix, (June 4-10 2004) |
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| 2003 |
Sachs, Britta, "Glaube versetzt Bilder", Frankfurter Allgemeine Zeitung, (7. April) |
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"Picabia, The new Paradigm", in Art in America, (March 2003). |
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| 2002 |
Zeaman, John, "Drawn back to a respect for the craft", The Record, (22. Nov). |
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Knitz, Daniel, "Drawing That Provoke Exasperation and Admiration", Arts&Letters, (7.Nov) |
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Holert, Tom, "Band of outsiders – The Art of Kai Althoff – Critical Essay", ARTFORUM, (Oct 2002). |
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Schjeldahl, Peter, "The Draing Board", The New Yorker, (4. Nov) |
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Smith, Roberta, "Retreat From the Wild Shores of Abstraction", The New York Times, ( 18 Oct).
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"Drawing Now: Eight Propositions", Journal of the Print World, ( Fall)
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Budick, Ariella, "Drawing on History", Newsday, ( 3. Nov) |
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Angela Rosenberg, "Kai Althoff, general rehearsals for a new language", Flash Art, N° 224 (May-June 2002), pp. 94-97.
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Harris, Susan, “ Kai Althoff at Anton Kern”, Art In America, (July 2002). |
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| 2001 |
Kimmelman, Michael, "Kai Althoff", The New York Times, (23. 11. 2001). |
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Saltz, Jerry, "History painting", Village Voice 69, (4. Dec. 2001). |
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Schwendener, Martha, "Kai Althoff", Artforum, (7 Dec. 2001) |
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Müller, Katrin Bettina, "Kastenwelten", tip berlin magazin, (4.1.17.1.2001,) p. 78 |
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Siepen, Nicolas, "Grüße aus der Steppdecke", Frankfurter Allgemeine Zeitung, (06.01.2001), p. 8. |
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Kerkmann, Michael, "Die Lust der Entspannung", Texte zur Kunst, September 2001, pp. 207-210 |
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Löffler, Petra, "Krippenspiel", Stadt Revue, Köln, (August 2001), p. 89 |
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Koerner von Gustorf, Oliver, "Rückzug aus der Kulturkritik", die tageszeitung berlin, 6./7.01.2001, p. 24 |
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"Kasten Welten", tip berlin magazin, 4.1. – 17.1.2001, p. 78.
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| 2000 |
Roos, Renate, "Kai Althoff", Kunstforum International, Bd. 149, (Jan-March), p. 308 |
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Stange, Raima, "Kai Althoff, Ascan Crone", Flash Art, (Summer 2000), p. 118-119 |
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Ebner, Jörn, "Wer Geschichten nicht erzählt bekommt, darf sie selbst erfinden", Frankfurter Allgemeine Zeitung, 3.6.2000, p. 54 |
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Dziewior, Yilmaz, "Kai Althoff", Artforum International, (Mai 2000), p. 186-187 |
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| 1999 |
Graw, Isabelle, "Nichts geht verloren", Tagesspiegel ,29.12.99 |
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Regan, Margaret, "How German is it", Tucson Weekly, (July 15- July 21,1999) |
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Dziewor , Yilmaz, "Kai Altoff", Artists, Heft 38, 1/1999, S.26-29 |
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Ebert, Sandra, "Eine Teufelssekte wird zum bunten Kunstwerk", Kölner Express vom 5.11..99 |
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Bange, Holger Emil, "Männergesellschaft", Die Zeit, 11.11.1999 |
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Pesch, Martin, "Installationen", Kunstforum, Bd.145, (Mai-Juni 1999), pp. 380-381 |
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Hierholzer, Michael, "Bühnenbild, Strandgut, Gerüst", Frankfurter Allgemeine Zeitung, 31.3.1999 |
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Wolff, Thomas, "Auf Montage: die Kunst", Frankfurter Rundschau, 13.3.99 |
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Kempkes, Anke, "Monumente und Momentaufnahmen. Ein Rückblick auf Berliner Staats- und andere Kunst", Spex, 01/99, p. 29.
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| 1998 |
Hermes, Manfred, “Kai Althoff, Bezirk der Widerrede”, Paradex, N. 1, (November 1998), pp. 27-28 |
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Preuss, Sebastian, “Lebensformen aus der Neuzeit”, Berliner Zeitung, 28.9.1998 |
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Böker, Carmen, “Zeichen der Annäherung”, Berliner Zeitung, 28.9.1998 |
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Kempkes, Anke, “Kai Althoff: Reflux Lux”, springerin, vol. IV, issue 2/98 |
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Dziewior, Yilmaz, " Verwobene Fiktionen", neue bildene kunst, N. 2/98 pp.52-55 |
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| 1997 |
Heiser, Jörg, "Bohemian Rapsody", Frieze, (Nov./Dec.), pp. 66-70 |
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N.N., Interieurs in den Deichtorhallen", Kunstzeitung, N. 11, (July), p. 19 |
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Coomer, Martin, "Kai Althoff", Time Out, (April 9-16) |
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Hunt, Ian, "Kai Althoff ," Art Monthly, (5/97), p.38-39 |
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González, Alexandra, "Alice hinter den Spiegeln", AD Architectural Digest, (June/July), p. 66 |
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Bauer, Silke, "Heetz, Nowak, Rehberger", Texte zur Kunst, N. 25, (March), pp. 129-132 |
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Dziewior,Yilmaz, "Das Beste aller Seiten", Texte zur Kunst, N. 25, (March), pp. 136-139 |
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Kerkmann, Michael, “Ladomat 2000”, Spex, (January) |
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| 1996 |
Bonami, Francesco, "Kai Althoff", Flash Art, (November/December) |
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Dziewior, Yilmaz, "Kai Althoff. Galerie Christian Nagel, Cologne", Frieze, November/December, pp. 73-74 |
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Diedrichsen, Diedrich, "House Style", Artforum International, N. 3, (November 1996), p. 32/33 |
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Karcher, Eva, "Kai Althoff, Bilder vom Hoffen und Scheitern", art N. 10, (October), p, 49 |
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N.N., "Verzauberung wie im Märchen", Kölner Stadtanzeiger, (5.7.1996) |
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Diederichsen, Diedrich, "Nach dem Exzeß, vor der Zerealie", Spex, (April) |
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Butzer, André, "Hast du heute Zeit? – Ich aber nicht", Texte zur Kunst, N. 19, (August), pp. 168-169 |
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Hess, Barbara, "Kai Althoff", Flash Art, (June). |
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Heiser, Jörg, "Eine Kapelle für die Moderne", Texte zur Kunst, N. 18, (May), pp. 194-197 |
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